Fernando Solanas

Background

Solanas was at the forefront of the Grupo Cine Liberación which shook Argentine cinema during the 1970s, developing its social conscience and political voice. He was active in the campaign to support Perón^{[3][citation needed]}. Threatened by right-wing forces in the 1970s, one of his actors was assassinated and he himself was almost kidnapped.

Together with

Solanas went into exile in Paris in 1976, only returning to Argentina with the arrival of democracy in 1983.

Political career

Solanas continued to make political films and was an outspoken critic of

Solanas continued to write and direct, including the 2005 film La Dignidad de los Nadies and the 2008 film La última estación. His son,

In October 2007, Solanas was a presidential candidate in the 2007 Argentine general election for the Authentic Socialist Party. He became the 5th most voted candidate, with 1.58% of the vote.

In 2009, Solanas was elected as a National Deputy for the city of Buenos Aires in the June 28th parliamentary elections, as his party Proyecto Sur attained the second largest political representation in the city by collecting 24.2% of the votes. In 2013, Solanas was elected National Senator, representing Buenos Aires City from 2013 to 2019.

In 2018 Solanas was vehemently for the legalization of abortion, claiming that sexual pleasure is a "fundamental human right".^[5]

In 2019, following the end of his term as senator, he was appointed as Argentina's ambassador to UNESCO; he served in the position until his death from COVID-19 in Neuilly-sur-Seine, France, on 6 November 2020, during the COVID-19 pandemic in France.^[1]

Filmography

• Seguir andando (1962) (short)
• Reflexión ciudadana (1963) (short)
• La hora de los hornos (The Hour of the Furnaces) (1968)
• Argentina, Mayo de 1969: los caminos de la liberación (1969)
• Perón, la revolución justicialista (1971)
• Perón: actualización política y doctrinaria para la toma del poder (1971)
• Los hijos de fierro (1972)
• La mirada de los otros (1980) Filmed in Paris, France
• El exilio de Gardel (Tangos)
  (1985)
• Sur (1988)
• El viaje (1992)
• La nube (1998)
• Afrodita, el sabor del amor (2001)
• Memoria del saqueo
  (2004)
• La dignidad de los nadies
  (2005)
• Argentina latente (2007)
• La próxima estación (2008)
• La tierra sublevada (2009)

Accolades

Quotes

"The possibility of making a new cinema completely outside the system depends on whether or not filmmakers can transform themselves from 'directors' into total filmmakers. And no one can become a total filmmaker without being a film technician, without being capable of handling the production."^[7]

"We realized that the important thing was not the film itself but that which the film provoked."[8]

References

Further reading

• Fernando Solanas and Octavio Getino, "Towards a Third Cinema" in: Movies and Methods. An Anthology, edited by Bill Nichols, University of Arizona Press 1976, pp 44–64
• Jessica Stites Mor. Transition Cinema: Political Filmmaking and the Argentine Left since 1968. Pittsburgh, 2012.
• Stoffel Debusyere and John Akomfrah, "Fernando Solanas (1936-2020)" Sabzian 9.11.20.

External links

• Official website
• Fernando Solanas at
  IMDb
• Towards a Third Cinema Manifesto
• Interview. Universidad Internacional Menéndez Pelayo 2009, Santander, Spain on
  YouTube
  (in Spanish)