Fiction

Source: Wikipedia, the free encyclopedia.
This article is about the type of media content. For other uses, see Fiction (disambiguation).
"Fictional" redirects here. For the German band, see Fictional (band).

An illustration from Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, depicting the fictional protagonist, Alice, playing a fantastical game of croquet

Fiction is any

role-playing games, and video games
. The publishing industry divides fiction into adult fiction,
children's fiction
.

Definition and theory

Literature
Oral literature
Major written forms
Long prose fiction
Short prose fiction
Prose genres
Fiction
Non-fiction
Poetry genres
Narrative
Lyric
Lists
Dramatic genres
History
Lists and outlines
Theory and criticism
 Literature portal

Typically, the fictionality of a work is publicly expressed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people.[6] Because fiction is generally understood to not fully adhere to the real world, the themes and context of a work, such as if and how it relates to real-world issues or events, are open to interpretation.[7] Since fiction is most long-established in the realm of literature (written narrative fiction), the broad study of the nature, function, and meaning of fiction is called literary theory, and the narrower interpretation of specific fictional texts is called literary criticism (with subsets like film criticism and theatre criticism also now long-established). Aside from real-world connections, some fictional works may depict characters and events within their own context, entirely separate from the known physical universe: an independent fictional universe. The creative art of constructing such an imaginary world is known as worldbuilding.

Literary critic

willing suspension of disbelief. The effects of experiencing fiction, and the way the audience is changed by the new information they discover, has been studied for centuries. Also, infinite fictional possibilities themselves signal the impossibility of fully knowing reality, provocatively demonstrating important notions of philosophy, such as there potentially being no criterion to measure constructs of reality.[9]

Fiction and reality

See also: Literary realism

In contrast to fiction, creators of

postmodern fiction, autofiction,[10] or creative nonfiction like non-fiction novels and docudramas—as well as the deliberate literary fraud of falsely marketing fiction as nonfiction.[11]
Furthermore, even most works of fiction usually have elements of, or grounding in, truth of some kind, or truth from a certain point of view. The distinction between the two may be best defined from the viewpoint of the audience, according to whom a work is non-fiction if its people, settings, and plot are perceived entirely as historically or factually real, while a work is regarded as fiction if it deviates from reality in any of those areas. The distinction is further obscured by a philosophical understanding, on the one hand, that the truth can be presented through imaginary channels and constructions, while, on the other hand, works of the imagination can just as well bring about significant new perspectives on, or conclusions about, truth and reality.

A greater degree of adherence to realism or plausibility characterizes the umbrella genre of realistic fiction, while a lesser degree characterizes the umbrella genre of speculative fiction. Realistic fiction involves a story whose basic

impossible technology or technology that defies current scientific understandings or capabilities (the genre of science fiction). All types of fiction invite their audience to explore real ideas, issues, or possibilities using an otherwise imaginary setting or using something similar to reality, though still distinct from it.[note 1][note 2]

History

Further information: History of literature

Storytelling has existed in all human cultures, and each culture incorporates different elements of truth and fiction into storytelling. Early fiction was closely associated with history and

medieval Europe, incorporating elements associated with fantasy, including supernatural elements and chivalry.[15]

The structure of the modern novel was developed by Miguel de Cervantes with Don Quixote in the early-17th century.[16] The novel became a primary medium of fiction in the 18th and 19th centuries. They were often associated with Enlightenment ideas such as empiricism and agnosticism. Realism developed as a literary style at this time.[17] New forms of mass media developed in the late-19th and early-20th centuries, including popular-fiction magazines and early film.[18] Interactive fiction was developed in the late-20th century through video games.[19]

Elements

Further information: Narrative § Elements

Certain basic elements further help to define all works of narrative, including all works of fictional narrative. Namely, all narratives include the elements of character, conflict, narrative mode, plot, setting, and theme. Characters are individuals inside a work of story, conflicts are the tension or problem that drives characters' thoughts and actions, narrative modes are the ways in which a story is communicated, plots are the sequence of events in a story, settings are the story's locations in time and space, and themes are deeper messages or interpretations about the story that its audience is left to discuss and reflect upon.

Formats

Further information:
List of fictional genres

Traditionally, fiction includes novels, short stories,

dramas
), etc.

The

fictional realms create and distribute derivative stories. The Internet is also used for the development of blog fiction, where a story is delivered through a blog either as flash fiction or serial blog, and collaborative fiction, where a story is written sequentially by different authors, or the entire text can be revised by anyone using a wiki
.

Fiction writing

Literary fiction

Main article: Literary fiction

The definition of literary fiction is controversial. It may refer to any work of fiction in a written form. However, various other definitions exist, including a written work of fiction that:

  • does not fit neatly into an established genre (as opposed to so-called genre fiction), when used as a marketing label in the book trade
  • is character-driven rather than plot-driven
  • examines the human condition
  • uses language in an experimental or poetic fashion
  • is considered serious as a work of art[21]

Literary fiction is often used as a synonym for literature, in the narrow sense of writings specifically considered to be an art form.[22] While literary fiction is sometimes regarded as superior to genre fiction, the two are not mutually exclusive, and major literary figures have employed the genres of science fiction, crime fiction, romance, etc., to create works of literature. Furthermore, the study of genre fiction has developed within academia in recent decades.[23]

The term is sometimes used such as to equate literary fiction to literature. The accuracy of this is debated.

The Charlie Rose Show, he argued that this term, when applied to his work, greatly limited him and his expectations of what might come of his writing, so he does not really like it. He suggested that all his works are literary, simply because "they are written in words".[26]

Literary fiction often involves social commentary, political criticism, or reflection on the human condition.[27] In general, it focuses on "introspective, in-depth character studies" of "interesting, complex and developed" characters.[27] This contrasts with genre fiction where plot is the central concern.[28] Usually in literary fiction the focus is on the "inner story" of the characters who drive the plot, with detailed motivations to elicit "emotional involvement" in the reader.[citation needed] The style of literary fiction is often described as "elegantly written, lyrical, and ... layered".[29] The tone of literary fiction can be darker than genre fiction,[30] while the pacing of literary fiction may be slower than popular fiction.[30] As Terrence Rafferty notes, "literary fiction, by its nature, allows itself to dawdle, to linger on stray beauties even at the risk of losing its way".[31]

Genre fiction

Main article: Genre fiction

Based on how literary fiction is defined, genre fiction may be a subset (written fiction that aligns to a

media content
; or other popularly defined criterion.

Science fiction predicts or supposes technologies that are not realities at the time of the work's creation: Jules Verne's novel From the Earth to the Moon was published in 1865, but only in 1969 did astronauts Neil Armstrong and Buzz Aldrin become the first humans to land on the Moon.

short stories about the Vietnam War
.

Fictional works that explicitly involve supernatural, magical, or scientifically impossible elements are often classified under the genre of fantasy, including Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, J. R. R. Tolkien's The Lord of the Rings, and J. K. Rowling's Harry Potter series. Creators of fantasy sometimes introduce imaginary creatures and beings such as dragons and fairies.[3]

Types by word count

Types of written fiction in prose are distinguished by relative length and include:[33][34]

Process of fiction writing

Main article: Fiction writing

Fiction writing is the process by which an author or creator produces a fictional work. Some elements of the writing process may be planned in advance, while others may come about spontaneously. Fiction writers use different

writers' voices when writing fictional stories.[37]

Fictionalization as a concept

Second World War
.

The use of real events or real individuals as direct inspiration for imaginary works is known as fictionalization. The opposite circumstance, in which the physical world or a real turn of events seem influenced by past fiction, is commonly known as "life imitating art". The latter phrase is popularity associated with the Anglo-Irish fiction writer Oscar Wilde.[38]

The alteration of actual happenings into a fictional format, with this involving a

Oxford Reference, a work set up this way will have a "narrative based partly or wholly on fact but written as if it were fiction" such that "[f]ilms and broadcast dramas of this kind often bear the label 'based on a true story'." In intellectual research, evaluating this process is a part of media studies.[39]

Examples of prominent fictionalization in the creative arts include those in the general context of World War II in popular culture and specifically Nazi German leaders such as Adolf Hitler in popular culture and Reinhard Heydrich in popular culture. For instance, American actor and comedian Charlie Chaplin portrayed the eccentric despot Adenoid Hynkel in the 1940 satirical film The Great Dictator. The unhinged, unintelligent figure fictionalized real events from the then ongoing Second World War in a way that presented fascist individuals as humorously irrational and pathetic. Many other villains take direct inspiration from real people while having fictional accents, appearances, backgrounds, names, and so on.

See also

Notes

  1. ^ As philosopher Stacie Friend explains, "in reading we take works of fiction, like works of non-fiction, to be about the real world – even if they invite us to imagine the world to be different from how it actually is. [Thus], imagining a story world does not mean directing one's imagining toward something other than the real world; it is instead a mental activity that involves constructing a complex representation of what a story portrays".[12]
  2. ^ The research of Weisberg and Goodstein (2009) revealed that, despite not being specifically informed that, say, the fictional character Sherlock Holmes, had two legs, their subjects "consistently assumed that some real-world facts obtained in fiction, although they were sensitive to the kind of fact and the realism of the story."[13]

Citations

  1. ^ "fiction". Lexico. Oxford University Press. 2019. Archived from the original on 21 August 2019.
  2. ISBN 978-9400742499. Archived from the original
    on 13 March 2017.
  3. ^ a b Harmon, William; Holman, C. Hugh (1990). A Handbook to Literature (7th ed.). New York: Prentice Hall. p. 212.
  4. ^ Abrams, M. h. (1999). A Glossary of Literary Terms (7th ed.). Fort Worth, Texas: Harcourt Brace. p. 94.
  5. ^ ""Definition of 'fiction". Oxford English Dictionaries (Online ed.). Oxford University Press. 2015. Archived from the original on 27 August 2022. Retrieved 25 August 2015.
  6. ISBN 978-1623564261. Archived
    from the original on 27 August 2022. Retrieved 30 January 2015.
  7. ISBN 978-0-19-285383-7
    . Non-fictional discourse is usually embedded in a context that tells you how to take it: an instruction manual, a newspaper report, a letter from a charity. The context of fiction, though, explicitly leaves open the question of what the fiction is really about. Reference to the world is not so much a property of literary [that is, fictional] works as a function they are given by interpretation.
  8. ^ Wood, James (2008). How Fiction Works. New York: Farrar, Straus & Giroux. p. xiii.
  9. ISBN 90-04-11428-9
    .
  10. ISBN 978-0313323751. Archived
    from the original on 27 August 2022. Retrieved 22 May 2015.
  11. ^ Menand, Louis (2018). "Literary Hoaxes and the Ethics of Authorship". The New Yorker. Condé Nast. Archived from the original on 18 August 2022.
  12. S2CID 54200723. Archived
    (PDF) from the original on 20 July 2018. Retrieved 24 November 2018.
  13. doi:10.1163/156853709X414647
    .
  14. ISBN 978-0520957022. Archived
    from the original on 18 August 2022. Retrieved 16 August 2022.
  15. ^ Dunlop, John Colin (1845). The History of Fiction (3rd ed.). Longman, Brown, Green, and Longmans. pp. 46, 55–56.
  16. ISBN 978-1478609148
    .
  17. ISBN 978-1-315-70893-5. Archived
    from the original on 27 August 2022. Retrieved 19 August 2022.
  18. ISBN 978-0674010635
    .
  19. S2CID 224795950. Archived
    from the original on 27 August 2022. Retrieved 19 August 2022.
  20. ^ Jones, Oliver. (2015). "Why Fan Fiction is the Future of Publishing Archived 19 May 2015 at the Wayback Machine. " The Daily Beast. The Daily Beast Company LLC.
  21. ISBN 978-1623560249. Archived
    from the original on 6 December 2021. Retrieved 6 December 2021.
  22. ^ "Literature: definition". Oxford Learner's Dictionaries. Archived from the original on 10 June 2021. Retrieved 21 October 2021.
  23. ^ Schneider-Mayerson, Matthew (2010). "Popular Fiction Studies: The Advantages of a New Field". Studies in Popular Culture. 33 (1): 21–23.
  24. ^ "Neal Stephenson Responds With Wit and Humor". Slashdot.org. 20 October 2004. Archived from the original on 20 August 2019. Retrieved 12 November 2021.
  25. ^ Grossman, Lev (28 May 2006). "Old Master in a Brave New World". Time.
  26. ^ "The Charlie Rose Show from 14 June 2006 with John Updike". Archived from the original on 3 February 2009. Retrieved 12 November 2021.
  27. ^ a b Saricks 2009, p. 180.
  28. ^ Saricks 2009, pp. 181–182.
  29. ^ Saricks 2009, p. 179.
  30. ^ a b Saricks 2009, p. 182.
  31. ^ Rafferty 2011.
  32. SSRN 981296
    .
  33. ^ Milhorn, H. Thomas (2006). Writing Genre Fiction: A Guide to the Craft Archived 28 September 2015 at the Wayback Machine. Universal Publishers: Boca Raton. pp. 3–4.
  34. Science Fiction and Fantasy Writers of America. Archived from the original
    on 19 March 2009.
  35. ^ Cuddon, J. A., The Penguin Dictionary of Literary Terms (1992). London: Penguin Books, 1999, p. 600.
  36. ^ Heart of Darkness Novella by Conrad Archived 9 April 2017 at the Wayback Machine – Encyclopædia Britannica.
  37. ISSN 1040-0419
    .
  38. ^ "Council Post: Management Styles and Machine Learning: A Case of Life Imitating Art". Forbes.
  39. Oxford Reference
    . Retrieved 22 June 2023.

References

  • Rafferty, Terrence (4 February 2011). "Reluctant Seer". The New York Times Sunday Book Review. Retrieved 23 April 2012.
  • Saricks, Joyce (2009). The Readers' Advisory Guide to Genre Fiction (2nd ed.). ALA Editions. p. 402.

Further reading

External links

Library resources about
Fiction
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