Fictional universe

Source: Wikipedia, the free encyclopedia.
Map of the Land of Oz, the fictional realm that is the setting for L. Frank Baum's Oz series

A fictional universe

art, and other creative works.[2][3]

A fictional universe may be an alternative version of the real world, differing only in the particulars of the story. All fiction, in this sense, is set in a fictional universe, since at least some of its characters, events, and places are not real; the term "fictional universe", however, is usually not applied to worlds that do not contain speculative elements.

When the setting of a fictional universe is not presented as our own world but as its own distinct world, it is often instead called a fictional world or "

portal, it is sometimes called a secondary world; such settings are common in high fantasy (as in The Chronicles of Narnia, Earthsea, and Discworld). A fictional world that is meant to exist inside the real world (as in the Land of Oz or the Neverland
) may be termed a fictional realm.

When a franchise of related works has two or more alternative fictional universes that are each internally consistent but which are not fully consistent with one another (as by having distinct plotlines and characters, for example between a comic and its film adaptation), each such alternative universe may be referred to as a (fictional) continuity.

Universe vs. setting

A famous example of a detailed fictional universe is

languages and then the world itself, which he states was "primarily linguistic in inspiration and was begun in order to provide the necessary 'history' for the Elvish tongues."[5]

A modern example of a

Virtually every successful fictional

Fictional continuity

In a 1970 article in

Don Markstein provided a definition of fictional universe meant to clarify the concept of fictional continuities.[9]
According to the criteria he imagined:

  1. If characters A and B have met, then they are in the same universe; if characters B and C have met, then, transitively, A and C are in the same universe.
  2. Characters cannot be connected by real people—otherwise, it could be argued that Superman and the Fantastic Four were in the same universe, as Superman met John F. Kennedy, Kennedy met Neil Armstrong, and Armstrong met the Fantastic Four.
  3. Characters cannot be connected by characters "that do not originate with the publisher"—otherwise it could be argued that Superman and the Fantastic Four were in the same universe, as both met Hercules.
  4. Specific fictionalized versions of real people—for instance, the version of
    The Adventures of Jerry Lewis, who was distinct from the real Jerry Lewis in that he had a housekeeper with magical powers—can be used as connections; this also applies to specific versions of public-domain fictional characters, such as Marvel Comics' version of Hercules or DC Comics' version of Robin Hood
    .
  5. Characters are only considered to have met if they appeared together in a story; therefore, characters who simply appeared on the same front cover are not necessarily in the same universe.

Collaboration

Fictional universes are sometimes shared by multiple prose authors, with each author's works in that universe being granted approximately equal canonical status. For example,

Ring of Fire series, actively court canonical stimulus from fans, but gate and control the changes through a formalized process and the final say of the editor and universe creator.[10]

See also

References

  1. ^ Also called an "imagined universe" or a "constructed universe".
  2. ^ .
  3. .
  4. ^ ForgeFiction (2021-12-21). "8 Do-s and Don't-s of Building a Fictional Universe". Medium. Retrieved 2023-07-16.
  5. ^ Tolkien, J. R. R. "Foreword". The Fellowship of the Ring.
  6. ^ "The Science of Language (Na'vi, That Is)". News and Events. 2010-04-26. Retrieved 2023-07-16.
  7. ^ "Paul Frommer On Creating the Na'vi Language for Avatar". www.campfirewriting.com. Retrieved 2023-07-16.
  8. ^ Espenson, Jane (April 2008). "How to Give Maris Hives, Alphabetized". JaneEspenson.com. Archived from the original on 2017-02-23. Retrieved 2009-08-01. This is a blog entry on the subject by a professional scriptwriter.
  9. Don Markstein (as "Om Markstein Sklom Stu"), in CAPA-alpha
    #71 (September 1970); archived at Toonopedia
  10. ISBN 978-1-4165-0941-7. The print published and e-published Grantville Gazettes all contain a post book afterword detailing where and how to submit a manuscript to the fictional canon oversight process for the 1632 series
    .

Further reading