File:Artgate Fondazione Cariplo - Hayez Francesco, Papa Urbano II sulla piazza di Clermont predica la prima crociata.jpg

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Summary

Francesco Hayez: Pope Urban II preaching the first crusade in the square of Clermont  wikidata:Q66823480 reasonator:Q66823480
Artist
Francesco Hayez  (1791–1882)  wikidata:Q223725 q:it:Francesco Hayez
 
Francesco Hayez
Alternative names
Ajez; Hayez; Hayes; francesco hayer; francesco hayez; Francisco Hayez
Description Italian painter and photographer
Date of birth/death 11 February 1791 Edit this at Wikidata 21 December 1882
Location of birth/death Venice Milan
Work period 1806 Edit this at Wikidata–1882 Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q223725
image of artwork listed in title parameter on this page
Title
Italian:
Papa Urbano II sulla piazza di Clermont predica la prima crociata

Pope Urban II Preaching the First Crusade in the Square of Clermont
title QS:P1476,it:"Papa Urbano II sulla piazza di Clermont predica la prima crociata"
label QS:Lit,"Papa Urbano II sulla piazza di Clermont predica la prima crociata"
label QS:Len,"Pope Urban II Preaching the First Crusade in the Square of Clermont"
Object type painting
object_type QS:P31,Q3305213
Description

The painting was executed for the brothers Enrico and Gaetano Taccioli, well-known patriots who commissioned other important works from Francesco Hayez, and was shown in the Esposizione di Belle Arti di Brera in 1835. The canvas, which was the property of Litta Modignani in 1934, reappeared on the antique market in the 1990s when it was purchased by Cariplo.

The episode of Peter the Hermit preaching in the square of Clermont, in the presence of Urban II is inspired by Joseph-François Michaud’s Histoire des croisades, translated into Italian in 1826. After the Council held in Clermont in November 1095, the pope launched his famous appeal inviting Christian knights to intervene in defence of the Church, and to aid their Eastern brothers in the Holy Land.

In his faithful pictorial transposition of the literary text Hayez arranges the scene around the tall throne erected for the pope in the square packed with a huge crowd, and focuses on the main events: Peter the Hermit’s preaching and the distribution of red cloth crosses destined to be worn by those who engaged to do battle.

This canvas once again displays the artist’s indisputable skill in rendering the garments and setting within the precise reconstruction of an episode drawn from medieval history, and above all it reveals the potential of history painting to express the feelings and reactions of a crowd. Powerful dramatic and emotional moments alternate with moving elegiac scenes of farewell, like that of the couple kissing in the foreground or the woman left alone with her baby, an obvious allusion to the father’s departure.

When it appeared in 1835 it had a mixed reception from the critics: some said the composition was disorganized in its orchestration of the numerous different groups and the handling was too hasty especially as regards the crowd in the distance, but most praised the freshness of the execution and the rich variety of expression. Hayez also painted other works on the theme of the Crusades, full of political allusions to the contemporary Italian situation and the need for national liberation: the famous Peter the Hermit, 1829 (private collection), a real appeal to the cause of independence, and Thirst for the Crusades (Turin, Palazzo Reale).
Date 1835
date QS:P571,+1835-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 157 cm (61.8 in); width: 265 cm (104.3 in)
dimensions QS:P2048,157U174728
dimensions QS:P2049,265U174728
institution QS:P195,Q2054135
Current location
Italiano: Sezione II
Accession number
FC 0003
Notes Elena Lissoni, Artgate Fondazione Cariplo
References
  • Francesco Ambrosoli, Esposizione delle opere di belle arti in Brera (articolo V), in “L’Eco”, a. VIII, n. 116, 28 settembre 1835, p. 462-463
  • Esposizione dei grandi e piccoli concorsi ai premi e delle opere degli artisti e dilettanti nelle gallerie della I. R. Accademia di belle arti per l’anno 1835, Imp. Regia Stamperia, Milano 1835, n. 38, p. 11
  • Ignazio Fumagalli, Esposizione di belle arti nell’I. R. palazzo di Brera, in “Biblioteca Italiana, ossia giornale di letteratura, scienza ed arti, vol. LXXIX, settembre 1835, p. 335-338
  • Le Glorie delle belle arti esposte nel palazzo di Brera l’anno 1835, Vallardi, Milano 1835, pp. 71-80
  • Luigi Lambertini, Esposizione delle Belle Arti nell’I. R. palazzo di Brera in Milano. Hayez, in “Gazzetta privilegiata di Milano”, n. 262, 19 settembre 1835, pp. 1029-1031
  • Francesco Hayez, Luigi Lambertini, Polemica, in “Gazzetta privilegiata di Milano”, n. 276, 3 ottobre 1835, pp. 1084-1088, pp. 1094-1095
  • Cletto Porro, Album Italiano. Esposizione di Belle Arti in Milano nel settembre 1835, in “Ricoglitore Italiano e Straniero”, a. II, settembre 1835, pp. 431-433
  • Giuseppe Mongeri, Esposizione retrospettiva di alcune opere del defunto Professore di pittura, Francesco Hayez, settembre 1883, Tip. A. Lombardi, Milano 1883, n. 9, p. 31
  • Francesco Hayez, Le mie memorie, con appendice di Giulio Carotti e discorso di Emilio Visconti Venosta, R. Accademia di Belle Arti, Milano 1890, pp. 82- 83, p. 277
  • Giuseppe Mazzini, Pittura moderna in Italia, in Scritti editi e inediti di Giuseppe Mazzini, XXI, Cooperativa tipografico - editrice P. Galeati, Imola 1915 (I ed. 1841), p. 298
  • Giorgio Nicodemi, Dipinti di Francesco Hayez, catalogo della mostra, Milano, Castello Sforzesco, maggio-giugno 1934, Casa d’arte Ariel, Milano 1934, n. 26, p. 45
  • Giorgio Nicodemi, Francesco Hayez, vol. II, Ceschina, Milano 1962, tav. 55
  • Sergio Coradeschi, L’opera completa di Francesco Hayez, Rizzoli, Milano 1971, p. 93, ill. 119 b
  • Fernando Mazzocca, Invito a Francesco Hayez, Rusconi, Milano 1982, pp. 71-72, ill. p. 77
  • Fernando Mazzocca, Francesco Hayez. Catalogo ragionato, Federico Motta Editore, Milano 1994, n. 209, pp. 244-245
  • Dipinti del XIX secolo, asta 1015, Finarte, Milano 1997, n. 81, p. 48
  • Fernando Mazzocca, Hayez. Dal Mito al Bacio, catalogo della mostra, Padova, Palazzo Zabarella, 19 settembre 1998-10 gennaio 1999, Marsilio editore, Venezia 1998, n. 21, p. 108-109
  • Paola Zatti, Papa Urbano II sulla piazza di Clermont, predica la prima crociata, in Sergio Rebora, a cura di, Le collezioni d’arte. L’Ottocento, Fondazione Cassa di Risparmio delle Province Lombarde, Milano 1999, n. 117, pp. 198-200, ill.
  • Michele Piccirillo, a cura di, In Terrasanta. Dalla crociata alla Custodia dei Luoghi Santi, catalogo della mostra, Milano, Palazzo Reale, 17 febbraio-21 maggio 2000, p. 236, n. 2, ill. pp. 50-59
  • Fernando Mazzocca, Francesco Hayez. Il Bacio, Silvana editoriale, Cinisello Balsamo 2003, p. 18, ill. p. 30
  • Anna Villari, Francesco Hayez, Papa Urbano II sulla piazza di Clermont predica la prima Crociata, in Romantici e Macchiaioli. Giuseppe Mazzini e la grande pittura europea, Fernando Mazzocca, a cura di, catalogo della mostra, Genova, Palazzo Ducale, 21 ottobre 2005-12 febbraio 2006, n. III. 12, ill. p. 98, pp. 245-246
Source/Photographer Artgate Fondazione Cariplo
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w:en:Creative Commons
attribution share alike
This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Attribution: Fondazione Cariplo
You are free:
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  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
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