File:The Conspirators by Colin Middleton 1942lr.jpg

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The_Conspirators_by_Colin_Middleton_1942lr.jpg(360 × 240 pixels, file size: 28 KB, MIME type: image/jpeg)

Summary

Media data and Non-free use rationale
Description Low resolution photo of painting The Conspirators by Colin Middleton
Author or
copyright owner
Colin Middleton
Source (
WP:NFCC#4
)
Digital photograph by uploader
Date of publication February 1942
Use in article (
WP:NFCC#7
)
Colin Middleton
Purpose of use in article (
WP:NFCC#8
)
To support encyclopedic discussion of this work in this article. The illustration is specifically needed to support the following point(s):

Middleton’s paintings are dominated by the female form

Not replaceable with
free media because
(
WP:NFCC#1
)
Any derivative work based upon the artwork would be a copyright violation, so creation of a free image is not possible.
Minimal use (
WP:NFCC#3
)
The image is a low resolution copy of the original work, and of such low quality that it cannot be used to reproduce it
Respect for
commercial opportunities
(
WP:NFCC#2
)
The use of a low resolution image of the artwork will not impact the commercial viability of the art.
Fair useFair use of copyrighted material in the context of Colin Middleton//en.wikipedia.org/wiki/File:The_Conspirators_by_Colin_Middleton_1942lr.jpgtrue

Licensing

Fair use rationale in Colin Middleton

  1. There is no alternative, public domain or free-copyrighted replacement image available.
  2. Inclusion of the image is for information, education and analysis only.
  3. The text discussing the significance of this art work, or referencing it as a key example of the artists work, is enhanced by inclusion of the image.
  4. The image is a low resolution copy of the original work, and of such low quality that it will not affect potential sales of the art work.

Fair use rationale in Surrealism

  1. There is no alternative, public domain or free-copyrighted replacement image available.
  2. Inclusion of the image is for information, education and analysis only.
  3. The text discussing the significance of this art work, as an example of 'a series of dark works' painted in responbse to the Belfast blitz, is enhanced by inclusion of the image.
  4. The image is a low resolution copy of the original work, and of such low quality that it will not affect potential sales of the art work.

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