Five Flower Songs

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Five Flower Songs
Part songs by Benjamin Britten
Dartington Hall, where the part songs were first performed
Opus47
Textpoems
LanguageEnglish
Dedication25th wedding anniversary of Leonard and Dorothy Elmhirst
Performed23 July 1950 (1950-07-23):
Scoringfour-part choir (SATB)

Polyphony, Cambridge Singers and the RIAS Kammerchor
.

History

Britten composed the music as a contribution to commemorate the 25th wedding anniversary of Leonard and Dorothy Elmhirst, who were both botanists, philanthropists, and fond of flowers.[1][2][3]: 90–91  Leonard Elmhirst was an agronomist who developed depressed rural regions such as in India and Devon county. Dorothy Elmhirst was a wealthy American, supporting education and women's rights. They had gardens at their estate, Dartington Hall.[1]

Britten wrote the part songs in the tradition of Edward Elgar, Parry and Charles Villiers Stanford.[4] He scored the works for a four-part unaccompanied choir.[2] He took into account that a student choir would perform the premiere on 23 July 1950 in the open air. The first performance was conducted at Dartington Hall by Imogen Holst.[1][3]: 90–91 [5] It was published by Boosey & Hawkes.[4]

Texts and music

The music is based on five poems by four different authors, all related to flowers:[2][6]

  1. To Daffodils, by Robert Herrick
  2. The Succession of the Four Sweet Months, by Herrick
  3. Marsh Flowers, by George Crabbe
  4. The Evening Primrose, by John Clare
  5. The Ballad of Green Broom, anon.

The music is in five movements, which Britten designed to be in that order, with mood-changes in mind.[2] It has been named a song cycle.[6] The duration is given as around 11 minutes.[4]

To Daffodils is marked

Allegro impetuoso.[2] The text by Robert Herrick is a metaphor of life passing.[4][1] In The Succession of the Four Sweet Months, also by Herrick, each month is assigned a voice part to begin a fugal setting.[1] Marsh Flowers is a setting of a poem by George Crabbe who had also written the poems on which Britten's opera Peter Grimes was based.[1] Britten created "a slightly menacing atmosphere",[2] giving individual identity to flowers described as "slimy", "faded" or with "sickly scent".[1] Evening Primrose, on a poem by John Clare, serves as the set's slow movement,[2] depicting a nightscape,[1] with the music turning to slumber.[7] The anonymous The Ballad of Green Broom has been described as "a tour-de-force of humour",[2] with a gradual accelerando, as an exciting closing movement.[2] The tempo at the beginning is Cominciando esitando ("Beginning hesitantly"), the tenors begin as a ballad singer, while the other voices imitate guitar sounds, introducing a young lazy flower-cutter. The voices take turns telling the story, with increasing tempo, up to a final wedding to a rich woman, marked Vivace, with the first "guitar" chords as joyous and sonorous wedding bells.[1]

Recordings

Five Flower Songs was recorded by the

Polyphony, conducted by Stephen Layton, together with other choral music by Britten.[12][13] The Cambridge Singers, conducted by John Rutter, recorded the songs as the conclusion of a collection There is sweet music of English part songs, by Stanford, Frederick Delius, Elgar, Gustav Holst and Percy Grainger, among others.[14] The RIAS Kammerchor, conducted by Justin Doyle, recorded the cycle, along with other Britten works.[15][16][7]

References

  1. ^
    Emerald Ensemble
    . Retrieved 2 September 2022.
  2. ^ a b c d e f g h i Spicer, Paul. "Five Flower Songs" (PDF). Britten Choral Guide with Repertoire Notes by Paul Spicer. Boosey & Hawkes. pp. 5–6. Archived (PDF) from the original on 8 November 2020. Retrieved 26 August 2022.
  3. ^ a b Jensen, Andrew Malcolm (May 2008). "A Comparative Analysis of Poetic Structure as the Primary Determinant of Musical Form in Selected A Cappella Choral Works of Gerald Finzi and Benjamin Britten" (dissertation). University of Southern Mississippi. Retrieved 26 August 2022.
  4. ^ a b c d Spicer, Paul (2022). "Britten, Benjamin / Five Flower Songs op. 47 (1950)". Boosey & Hawkes. Retrieved 26 August 2022.
  5. ISBN 978-1-84-383296-6
    .
  6. ^ a b "Five Flower Songs / Song Cycle by (Edward) Benjamin Britten (1913–1976)". lieder.net. Retrieved 2 September 2022.
  7. ^ a b Ozorio, Anne. "Britten: Hymn to St Cecilia – RIAS Kammerchor". operatoday.com. Retrieved 6 September 2022.
  8. ISSN 0006-2510
    . Retrieved 6 September 2022.
  9. ^ Hogwood, Ben (21 November 2013). "Flower Songs". classicalsource.com. Retrieved 6 September 2022.
  10. ^ "Britten Choral Edition, Vol 3". Gramophone. 1999. Retrieved 3 September 2022.
  11. ^ "Five Flower Songs / Song Cycle by (Edward) Benjamin Britten (1913–1976)" (PDF). Chandos. 1997. Retrieved 3 September 2022.
  12. ^ Stroeher, Vicky (May 2003). "Review of Benjamin Britten, Sacred and Profane, AMDG, Five Flower Songs, Old French Carol, Choral Dances From Gloriana, Polyphony, Stephen Layton, conductor. Hyperion, 2000". mds.marshall.edu. pp. 59–60. Retrieved 3 September 2022.
  13. ^ Whalley, Simon (2013). "Five Flower Songs, Op 47". Hyperion Records. Retrieved 3 September 2022.
  14. ^ Rutter, John. "There is sweet music". johnrutter.com. Retrieved 3 September 2022.
  15. ^ Jaffé, Daniel (1 March 2020). "Britten: Hymn to St Cecilia; Choral Dances from Gloriana; A Hymn to the Virgin; Five Flower Songs; A.M.D.G." classical-music.com. Retrieved 3 September 2022.
  16. ^ Vernier, David. "Britten from Berlin". classicstoday.com. Retrieved 3 September 2022.

External links

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