Florence Reed
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Florence Reed | |
---|---|
Philadelphia, Pennsylvania, U.S. | |
Died | November 21, 1967 East Islip, New York, U.S. | (aged 84)
Occupation | Actress |
Years active | 1904-1960 |
Spouse | Malcolm Williams (1908–1937; his death) |
Parent | Isadore Rush (stepmother) |
Florence Reed (January 10, 1883 – November 21, 1967) was an American stage and film actress. She is remembered for several outstanding stage productions, including The Shanghai Gesture, The Lullaby, The Yellow Ticket and The Wanderer. Her best remembered movie role was as Miss Havisham in the 1934 production of Great Expectations. In this version, however, Miss Havisham was changed from a completely insane woman to an eccentric, who did not wear her wedding veil constantly, and who dies peacefully rather than as a result of suffering burns in a fire. In the 1950s, Reed performed in several early television shows, such as The Philco Television Playhouse, Kraft Television Theatre and The United States Steel Hour.[1] She is a member of the American Theater Hall of Fame.[2]
Early life and career
Reed was born in
Her father died in 1901 when Florence was 17 years old. Afterward she and her mother came to
Movies
Reed started making movies in the silent era around 1915. She was a stage star by then and her first movie was
Personal life
Reed was married to actor Malcolm Williams from February 1908 until his death in 1937.[4] They often appeared in stage productions together. They had no children. She died on November 21, 1967.[5]
She was interred in the same burial plot with her good friend, actress Blanche Yurka, in the Actors Fund of America section of Kensico Cemetery, Valhalla, New York.[6]
Filmography
Silent films
- Our Mutual Girl (1914) as herself (episode 20)
- The Dancing Girl(1915) as Drusilla Ives
- Her Own Way (1915) as Georgiana Carley
- The Cowardly Way (1915) as Eunice Fielding
- At Bay (1915) as Aline Graham
- New York (1916) as Nora Nelson, later Mrs. King
- The Woman's Law (1916) as Gail Orcutt
- The Eternal Sin (1917) as Lucretia Borgia
- To-Day(1917) as Lily Morton
- The Struggle Everlasting (1918) as Body, aka Lois
- Wives of Men (1918) as Lucille Emerson
- Her Code of Honor (1919; *BFI Natl. Film & TV archive, London) as Helen / Alice
- The Woman Under Oath (1919; *copy: BFI Natl. Film & TV archive, London) as Grace Norton
- Her Game (1919) as Carol Raymond
- The Eternal Mother (1920) as Laura West
- The Black Panther's Cub (1921) as The Black Panther / Mary Maudsley / Faustine
Sound films
- Great Expectations (1934) as Miss Havisham
- Frankie and Johnny (1936) as Lou
- Stage Door (1937) (uncredited)
References
- ^ Florence Reed - North American Theatre Online site offered to most colleges and universities for free
- ^ Hall of Fame Official site members list accessed 12/25/2016
- ^ GREAT STARS OF THE AMERICAN STAGE by Daniel Blum c. 1952 Profile #73
- ISSN 0362-4331. Retrieved June 22, 2022.
- ISBN 978-0-19-516986-7.
- ISBN 978-0-7864-7992-4.
External links
- Florence Reed at IMDb
- Florence Reed at the Internet Broadway Database
- Florence Reed gallery at NY Public Library(Billy Rose Collection)
- Florence Reed in November 1922 Vanity Fair Archived March 4, 2016, at the Wayback Machine photographed by Nickolas Muray
- Broadway Photographs - Florence Reed(Wayback)
- University of Washington Digital Collections - Florence Reed
- Florence Reed blogspot
- Florence Reed(kinotv)
- Reed with Barrymore in The Yellow Ticket play, 1914