Floris Michael Neusüss

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Floris Michael Neusüss
Born3 March 1937
German
OccupationPhotographer

Floris Michael Neusüss (3 March 1937 – 1 April 2020) was a German photographer.[1]

Biography

Floris Neusüss was born in Lennep, Germany, on 3 March 1937. He began as a painter the took up photography which he studied at the Wuppertal School of Arts and Crafts in North Rhine-Westphalia, before continuing at the Bavarian State Institute of Photography in Munich. He trained alongside photographer Heinz Hajek-Halke at the Berlin University of the Arts. In 1957, he began making photograms and photomontages.

In the autumn of 1960, he began to expose whole human bodies on black and white paper. From 1962 onwards, he predominantly used black and white reversal paper for these "body pictures".[2] This not only emphasises their shadowiness, but for Neusüss - coming from painting - "the form-giving element in my pictures has primarily been black."[3]   Fritz Gruber gave the works, on which significantly naked female bodies leave their imprints, the significant name "Nudogramme".[4] The Cologne photo collector also showed these nudograms in 1963 as part of a special exhibition at the photokina in Cologne, which attracted a great deal of attention. From 1964, Neusüss has also experimented with chemical painting on photograms. By the end of the 1970s, Neusüss brought the photogram out of the darkroom and out of the studio to the objects recording motifs not with a camera but rather a folder with photo paper, on which he exposed subjects such as plants or windows. He also continued to explore the body-photograms bringing them into a performative context as for instance 1977 in Arles or experimenting with silhouette like life-size portraits, including several using his friend and frequent collaborator, Robert Heinecken as the subject.[5][6] In his later years, in collaboration with his wife Renate Heyne, he was particularly concerned with museums and collections, where they worked mainly in the dark of the night to capture large-format objects on photographic paper, such as those of Greek statues from the Glypothek in Munich.[7][8]

Neusüss always strictly separated the photogram as a contact image from camera photography.[3] According to this interpretation, the original object touched the image;

It is true that the subject resting on the photo-sensitive paper presents its reverse side to be recorded, the side that is in shadow, the shadow cast by the object itself. This intimate physical connection inscribes into the paper, and this, if you are open to it, is the real fascination of photograms: the tension between the hidden and the revealed.[9]

In 1979, at the Centro de Arte Contemporânea in Porto (followed by Coimbra and Lisbon) Neusüss coordinated A Fotografia como Arte bringing together work by European artists (Bernd and Hilla Becher, Arnulf Rainer, Jürgen Klauke, Jochen Gerz, Nils Udo, Christian Boltanski) and Portuguese artists (Fernando Calhau, Julião Sarmento, Helena Almeida, Alberto Carneiro and Ângelo de Sousa).[10]

In 1982 and 1985, Neusüss exhibited works which displayed the maladies of pollution, which aroused strong reactions.[citation needed] In the early 1980s, he exhibited Artificial Landscapes, chemical works of abstract art that resembles small buildings on a horizon.[11]

In 1984, he began designing Nachtbilder ('nocturnal pictures'), photographs taken outside at night and produced by placing photo paper emulsion side down into a woodland or garden at night during a thunderstorm during which it might be tumbled about by the wind and exposed by lightning.[12]

At Lacock Abbey in Wiltshire, England, in 1978 Neusüss had realized one of his first outdoor photograms, recording on large size black and white paper at night the window that formed the subject of William Henry Fox Talbot's first photographic negative, made there in 1835. 2010 Neusüss reenacted his early project recording the same window in colour on Ilfochrome paper.[13][14] The work was presented in Shadow Catchers, 13 October 2010 - 20 February 2011 at the Victoria and Albert Museum, London.[15] Curator of the show Martin Barnes described Neusüss' work as "a poetic dialogue between presence and absence".[16]

Teaching

From 1966, Neusüss taught as a freelance lecturer at the Kassel Art College and in 1972 was appointed professor of photography there. In 1972, he founded the college gallery Fotoforum Kassel for conceptual photography, which became one of the most eminente centers for photography organizing exhibitions and symposia on conceptual and experimental photography. Since 2005, the collection of the Fotoforum Kassel is part of the photographic collection of the Stiftung Moritzburg in Halle.[17] Amongst his students were Kazuo Katase, Gerhard Lang, Hermann Stamm, Thomas Bachler, Sabine Große, Jutta Winkelmann [de], Gisela Getty, Wolfgang Pietrzok [de], and Brigitte Maria Mayer [de]. In 2002, aged 65, he retired. Neusüss was a full member of the Mitglied im Deutschen Künstlerbund (German Association of Artists).

Legacy

Through this work, Nesüss established himself as one of the leaders in experimental photography.[18] His teaching as Professor of Experimental Photography at the University of Kassel was influential.[19] In the 1980s, Neusüss also experimented with colour photograms and collages which through his teaching at Kassel had an effect on the style of several generations of photographers.

Neusüss died in 2020 and his photograms are currently held in the collections of the Art Institute of Chicago; the Museum of Modern Art in New York; the Getty Museum in Los Angeles;[20] the Los Angeles County Museum of Art; the Victoria and Albert Museum, London; and the Museum of Fine Arts, Houston.[5] There are several monographs published on his work and he produced several textbooks and collections of photograms.

Exhibitions

  • 2010: Shadow Catchers, Victoria and Albert Museum, London.[15]
  • 2018: Ferner Zeiten Schatten-Fotogramme. Schadow-Haus des Bundestages, Berlin[21]
  • 2017: Intent and Gesture: Photograms - Color (1966–2007), solo exhibition, Von Lintel Gallery, Los Angeles
  • 2016: Leibniz' Lager, Einzelausstellung, Zentrum für Kunst und Medientechnologie, Karlsruhe
  • 2015: Dreams + Photograms, solo exhibition, Von Lintel Gallery, Los Angeles
  • 2014: What is a photograph?, January 31-May 4, 2014, International Center of Photography, New York.[22]
  • 2012/13: Ancient and Modern, 8 Nov 2012 – 12 Jan 2013, Atlas Gallery, London
  • 2012: Traumbilder – Bilderträumer, Frühe Kamerafotografien und Fotoaktionen von Floris Neusüss, Münchner Stadtmuseum[23]
  • 2010: Solo Exhibition, 15 Oct – 27 Nov 2010, Atlas Gallery, London
  • 2009: Early Works, 13 Jun – 2 Aug 2009, Fondazione Sozzani, Milan
  • 2007: Retrospective, 20 Apr – 9 Jun 2007,  Atlas Gallery, London
  • 2007: Floris Neusüss Photograms, 27 Apr – 2 Jun 2007,  Atlas Gallery, London
  • 2007: Kameralose Fotografie; Fotogramme, 31 Mar – 4 May 2007, Kleinschmidt, Wiesbaden
  • 2007: Fotogramme, 3 Feb – 24 Mar 2007, Villa Grisebach Gallery, Germany
  • 2005: Vor Troja – Antikenfotogramme, Winckelmann-Museum, Stendal
  • 2004: Helden, Herrscher und Passanten, 5 Jun – 8 Aug 2004, Georg Kolbe Museum, Berlin
  • 1997: Participation in the 45th annual exhibition of the German Association of Artists in Wismar and Rostock[24]
  • 1983: Fotogramme–die lichtreichen Schatten, Fotomuseum des Münchner Stadtmuseums, Kassel.[25]
  • 1977: Kunstverein Kassel, Kassel

Posthumous

  • 2021: Floris Neusüss : 50 Years, September 11 – October 27, Von Lintel Gallery, Bergamot Station, Santa Monica, California[26]

Collections

  • Art Institute of Chicago[27]
  • Houston Museum of Fine Arts[28]
  • Getty Museum[29]
  • Los Angeles County Museum of Art[30]
  • Victoria and Albert Museum, London[31]

Publications

References

  1. ^ "Florian Neusüss : Traueranzeige". Frankfurter Allgemeine Lebenswege (in German). 8 April 2020.
  2. OCLC 76276966.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link
    )
  3. ^ a b "Abendtalk mit Floris M. Neusüss beim Symposium "Das Photogramm. Licht, Spur und Schatten" am ZKM Karlsruhe, 8 April 2006". shadowgraph.org. Retrieved 2021-12-11.
  4. OCLC 909799672
    .
  5. ^ a b "Von Lintel Gallery | Los Angeles ····· Floris Neusüss". www.vonlintel.com. Retrieved 2020-05-01.
  6. ^ Heinecken, Robert; Neusüss, Floris Michael; Pastor, Suzanne E; Fotoforum (Kassel, Germany) (1983). Robert Heinecken, fast easy and fun (in German). Kassel : Fotoforum Kassel.
  7. ^ "Aesthetica Magazine - Floris Neusüss: Ancient and Modern, London". Aesthetica Magazine. Retrieved 2020-05-01.
  8. OCLC 231985102.{{cite book}}: CS1 maint: others (link
    )
  9. ^ "Floris Neusüss | artnet". www.artnet.com. Retrieved 2020-05-01.
  10. ^ Margarida Medeiros (2020) OTHER PHOTO-GEOGRAPHIES, photographies, 13:1, 61-83, DOI: 10.1080/17540763.2019.1700673
  11. ISBN 9783836507790
    .
  12. OCLC 75736905.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link
    )
  13. ^ Victoria and Albert Museum, Digital Media (2011-06-09). "Camera-less photography: artists". www.vam.ac.uk. Retrieved 2020-05-01.
  14. ^ "The Latticed Window, Lacock Abbey | Neusüss, Floris | V&A Search the Collections". V and A Collections. 2020-05-01. Retrieved 2020-05-01.
  15. ^
    ISSN 0307-1235
    . Retrieved 2020-05-01.
  16. OCLC 587117537.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link
    )
  17. OCLC 184982754.{{cite book}}: CS1 maint: others (link
    )
  18. ^ "The Light Show At The Denver Art Museum". Antiques & The Arts Weekly. 11 June 2019.
  19. OCLC 237836031.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link
    )
  20. ^ Greenberger, Alex (2020-04-13). "Floris Neusüss, Photographer Who Captured Ghostly Presences Without a Camera, Is Dead at 83". ARTnews.com. Retrieved 2020-05-01.
  21. ISSN 1866-542X
    S. 15.
  22. ISBN 978-3-7913-5351-7{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link
    )
  23. ^ münchen-stadtmuseum.de: Floris Neusüss – Traumbilder. Fotografien 1958 bis 1983 Archived 2017-10-28 at the Wayback Machine (retrieved 25 November 2015)
  24. ^ "kuenstlerbund.de: Ausstellungen seit 1951 / Was ist. (1997)". Archived from the original on November 25, 2015. Retrieved May 1, 2020. (retrieved 25 November 2015)
  25. ^ Neusüss, Floris Michael (1983). Fotogramme–die lichtreichen Schatten, Ausst. Kat. Fotomuseum des Münchner Stadtmuseums, Kassel.
  26. ^ "Von Lintel Gallery : Floris Neusüss : 50 years". The Eye of Photography Magazine. 2021-09-02. Retrieved 2021-09-02.
  27. ^ "Floris Michael Neusüss". The Art Institute of Chicago. Retrieved 2021-09-02.
  28. ^ "Floris Neusüss". The MFAH Collections.
  29. ^ "Floris Neusüss (German, 1937 - 2020) (Getty Museum)". The J. Paul Getty in Los Angeles. Retrieved 2021-09-02.
  30. ^ "Photogram Principle, Self-Portrait | LACMA Collections". collections.lacma.org. Retrieved 2021-09-02.
  31. ^ Museum, Victoria and Albert. "Search Results | V&A Explore the Collections". Victoria and Albert Museum. Retrieved 2021-09-02.
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