Folk punk

Source: Wikipedia, the free encyclopedia.

Folk punk (known in its early days as rogue folk)[1] is a fusion of folk music and punk rock. It was popularized in the early 1980s by The Pogues in England, and by Violent Femmes in the United States. Folk punk achieved some mainstream success in that decade. In more recent years, its subgenres Celtic punk and Gypsy punk have experienced some commercial success.

Characteristics

Folk punk is related to and/or influenced by various styles such as

DIY punk scenes, and bands often perform in house venues in addition to more traditional spaces.[2]

Folk-punk musicians may perform their own compositions in the style of punk rock, but using additional folk instruments, such as mandolins, accordions, banjos, and/or violins.[3] Folk punk possesses a rich history of progressive and leftist political views, involving topics like race, class, feminism, anti-fascism, animal rights, queerness, and anarchism.[2]

History

Precursors

The earliest known relationship between punk rock and folk music is that of Woody Guthrie, often known as one of the first punks, who sung songs about anti-facism and the conditions faced by working-class people in the 1950s and 1960s.[4][5][6][7]

Many proto-punk bands, including the Velvet Underground and T. Rex were influenced by such folk artists as Bob Dylan, Donovan, and the Fugs.

1970s

In 1977 London-born singer-songwriter Patrik Fitzgerald released his first EP titled Safety-Pin Stuck in My Heart which was subtitled "a love song for punk music". The titular song from the EP still remains Fitzgerald's most famous work and acted as one of the pioneering releases for folk punk by combining punk rock imagery with acoustic guitar and vocals.

1980s

Formed in

the Meat Puppets switched their style for their seminal release Meat Puppets II.[9]

In the UK, the fusion of folk and punk was pioneered by the London-based Irish band

Kirsty McColl, and a string of top ten singles and albums in Ireland.[10] The Pogues' lead singer Shane MacGowan had played in London punk outfit the Nips, originally known as the Nipple Erectors.[11]

The pioneers of a more distinctively English brand of folk punk were

the Levellers, founded in 1988, made less use of traditional melodies but more use of acoustic instruments, including violins.[3] Several other prominent members of the English punk scene in the early 1980s were also experimenting with folk influences. Early demos by Chumbawamba feature the accordion and the trumpet, though it would take them over 20 years to transition into a full-fledged folk act. Attila the Stockbroker began entertaining punk audiences accompanied by mandola in 1986, and is still performing. Probably the most successful figure associated with English 1980s folk punk is singer-songwriter Billy Bragg, who enjoyed a series of hits in the 1980s and became a distinct influence on later folk punk acts.[12]

1990s

Danbert Nobacon pictured playing live at the University of Leeds, 1986, supporting Conflict
.

The early nineties saw a general lull of interest in folk-influenced punk, but there were a few acts touring. Formed in 1990, Austin-based experimental bluegrass band Bad Livers is one example, though the band used punk more as a cultural reference point than a musical one, often appearing wearing Misfits shirts and occasionally covering Iggy Pop's "Lust for Life".[13]

1994 saw the creation of Plan-It-X Records.[14] which would later go on to release some of the most quintessential folk punk acts of the late 90s/early 2000s[15] and have a large influence on the genre.[citation needed]

Another genre-defining act, the Moldy Peaches formed in 1994 featuring Adam Green and Kimya Dawson. singing and playing acoustic guitars. The band labeled themselves as Anti-Folk.[16]

Formed in 1995, the World/Inferno Friendship Society is a large ensemble that came to be influential in the later New York Gypsy Punk scene. They combined elements of Cabaret, Punk, and Klezmer into their grandiose and theatrical performances.[17]

At the close of the 1990s, Celtic punk had a revival as bands like Dropkick Murphys, Flogging Molly, Greenland Whalefishers, and the Real McKenzies started to experience a wider commercial notice. This wave of bands, who often mixed Pogues-derived sounds with those of street punk bands like Cockney Rejects, spawned imitators worldwide.[10]

2000s

In the early 2000s, a Plan-It-X Records sound, heavily influenced by underground 1990s pop punk and classic

Soviet art, burlesque aesthetics, and the classic punk style of the Clash. Gogol Bordello, in particular, achieved a degree of mainstream success.[18]

In the Northeast yet another community was emerging around the band

Wingnut Dishwashers Union in the late 2000s. He is considered by many to be a highly definitive folk punk artist.[20]

During this period, the genre gained increased attention as Against Me! from Gainesville, Florida achieved mainstream success; however, this coincided with a shift away from their original folk sound.

In the mid-2000s, the west coast began to produce its own DIY scene of folk punk artists with a different sound, connected with Santa Cruz's Blackbird Raum who feature a completely acoustic lineup based entirely around traditional instruments, but with fast punk rhythms and bleak, political lyrics influenced by crust punk. They are closely associated with the all-acoustic hardcore band Hail Seizures and the Northwest Folklife festival folk-punk stage.[21] These west coast bands play acoustically in order to busk.[22] This time also hosted the rise of folk punk created in the Southwest United States. AJJ began in 2004 in Phoenix, AZ drawing inspiration from and collaborating with artists around the country.[23]

In 2004, the Moldy Peaches split up and

Grammy for Best Compilation Soundtrack in 2009.[24]

In 2006, Brian Sella and Mat Uychich formed the Front Bottoms. Their first two albums, I Hate My Friends and My Grandma vs. Pneumonia, as well as their first EP, Brothers Can't Be Friends, featured them as well as Mat's brother, also named Brian.[25]

2010s and 2020s

Anarchist
folk punk festival and demonstration

In 2011, Pat the Bunny and others started Ramshackle Glory in Tucson, Arizona. This turned out to be his last larger collaborative project, as in 2016, revered by many as an integral part of the community, he announced his retirement from folk punk altogether. He cited a dramatic change in his viewpoints, shifting away from anarchism in politics and punk music.[26]

2016 saw also the death of Erik Petersen, member and founder of Mischief Brew, and the subsequent groups disbanding.[27]

One of the most notable disruptions within the community occurred in 2017 when Chris Clavin, founder of Plan-It-X Records and member of several bands including Ghost Mice, was accused of sexual misconduct by several individuals.[28] While he was defended by some close to him, bands he has collaborated with including Kimya Dawson, AJJ, Waxahatchee, Spoonboy, and Ramshackle Glory have condemned his actions, left Plan-It-X Records, and removed their work from future printings of split albums.[28]

The continued rise in popularity of several folk-punk acts during this decade was aided by the emergence and spread of musical videos on websites like YouTube. Some of these videos gained widespread recognition, as exemplified by Days N' Daze's Misanthropic Drunken Loner,[29] reaching well past 5 million views to date. Notably, three channels have emerged over the years, featuring folk punk acts in various formats: A Fistful of Vinyl is a Los Angeles radio show with live sessions every Thursday night on KXLU 88.9 FM. AFoV releases videos of their studio sessions since 2012 periodically on YouTube.[30] Shibby Pictures is a YouTube channel that features mostly indie music videos, short movies and documentaries since about 2010.[31]

The songwriting of

Disney from playing Anaheim's House of Blues, due to his political lyrics.[33]

Celtic punk

The Pogues' style of punked-up Irish music spawned and influenced a number of Celtic punk bands, including

Pipes And Pints; and from Norway, Greenland Whalefishers. These groups were influenced by American forms of music, and sometimes contained members with no Celtic ancestry and had lyrics sung in English.[37]

See also

References

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  2. ^
    S2CID 193905467
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  3. ^ a b c Sweers, B., Electric Folk: The Changing Face of English Traditional Music (Oxford University Press, 2005), pp. 197-8.
  4. ^ Bear, John (November 1, 2022). "Dropkick Murphys on "Proto-Punk" Woody Guthrie, Who Wrote "Shipping Up to Boston"". westword.com. When Woody Guthrie emblazoned "This Machine Kills Fascists" across the top of his guitar in the '40s and belted out tunes such as "All You Fascists Bound to Lose," he became the first punk rocker.
  5. ^ Taylor, Tom (July 14, 2023). "The life and times of Woody Guthrie – the world's first punk". faroutmagazine.co.uk. Retrieved March 21, 2024.
  6. ^ Kot, Greg (May 9, 2012). "Tom Morello keeps punk-rock spirit of Woody Guthrie alive". Chicago Tribune. Retrieved March 21, 2024.
  7. ^ "Billy Bragg Discusses Woody Guthrie's Punk Side". MTV. July 10, 1998. Retrieved March 21, 2024.
  8. ^ Ankeny, Jason. "Violent Femmes - Music Biography, Credits and Discography". AllMusic. Retrieved 20 September 2012.
  9. ^ Thomas, Stephen. "Meat Puppets - Music Biography, Credits and Discography". AllMusic. Retrieved 20 September 2012.
  10. ^ a b P. Buckley, The Rough Guide to Rock (London: Rough Guides, 2003), p. 798.
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  12. ^ I. Peddie, The Resisting Muse: Popular Music and Social Protest (Aldershot: Ashgate, 2006), pp. 39-46.
  13. ^ Manheim, James. "Bad Livers - Music Biography, Credits and Discography". AllMusic. Retrieved 20 September 2012.
  14. ^ a b "About Plan-It-X Records". Punknews.org. Retrieved 20 September 2012.
  15. ^ Tweet (2010-12-02). "DIY Punk with Chris Clavin of Plan-It-X: Song Writing". Songfacts.com. Retrieved 20 September 2012.
  16. ^ "the Moldy Peaches". biography. Beggars Group. Archived from the original on 2008-05-11. Retrieved 2008-02-13.
  17. ^ "The World / Inferno Friendship Society". BandToBand.com. Retrieved 11 April 2011.
  18. ^ "Gogol Bordello: Music from 'Gypsy Punks'". In Performance. 2006-04-29.
  19. ^ "Razorcake Punk Music and Punk Bands Column | Todd Taylor | An Introduction To Folk Punk | By Sarah Shay". Razorcake.org. 2008-06-05. Archived from the original on 2010-12-23. Retrieved 2012-09-20.
  20. ^ "Wingnut Dishwasher's Union - Burn the Earth! Leave It Behind!". Punknews.org. 4 March 2011. Retrieved 20 September 2012.
  21. ^ Trujillo, Joshua (2007-05-29). "Folklife Outtakes". Seattle Post-Intelligencer.
  22. ^ "Who Is Blackbird Raum?". Couranttimes.com. Archived from the original on 27 February 2009. Retrieved 8 February 2009.
  23. ^ "AJJ | Biography & History | AllMusic". AllMusic. Retrieved 2018-10-23.
  24. ^ The Canadian Press (9 February 2009). "Reitman accepts Grammy for 'Juno' soundtrack". CTV News. Retrieved 30 April 2019.
  25. ^ "The Front Bottoms: Going Grey". Pitchfork.com. Retrieved 7 January 2021.
  26. ^ Martin, Charles A. (2016). "The Retirement Of A Derelict Hero ". Theodysseyonline.com. Retrieved 21 October 2018.
  27. ^ Gentile, John (17 July 2016). "Erik Petersen of Mischief Brew has passed away". Punknews.org. Retrieved 22 October 2018.
  28. ^ a b Hatfeild, Amanda (25 August 2017). "AJJ & Kimya Dawson split from Plan-It-X Records after accusations of abuse against owner Chris Clavin". Brooklyn Vegan.
  29. ^ Days N' Daze (24 March 2014). "Misanthropic Drunken Loner [Official Music Video]". YouTube. Archived from the original on 2021-12-13. Retrieved 21 October 2018.
  30. ^ A Fistful of Vinyl (2 June 2012). "AFoV YouTube Channel". YouTube. Retrieved 21 October 2018.
  31. ^ Shibby Pictures (28 November 2006). "Shibby Pictures YouTube Channel". YouTube. Retrieved 21 October 2018.
  32. ^ Jesse Sendejas Jr. (27 November 2013). "Five Unknown Songwriters Who Deserve to Be Heard". Houston Press. Retrieved 2018-10-25.
  33. ^ Bear Frazer (20 November 2015). "Bryan McPherson wants to help people with new 'Wedgewood' LP". Arena.com. Retrieved 2018-10-25.
  34. ^ G. Smith, Singing Australian: a History of Folk and Country Music (Pluto Press Australia, 2005), pp. 176-7.
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