Four Crowned Martyrs

Source: Wikipedia, the free encyclopedia.
The Four Crowned Martyrs
FeastAugust 8 (Group 1)
November 8 (Group 2)
Patronagesculptors, stonemasons, stonecutters; against fever; cattle

The Four Crowned Martyrs or Four Holy Crowned Ones (Latin, Sancti Quatuor Coronati) were nine individuals who are venerated as martyrs and saints of Early Christianity. The nine saints are divided into two groups:

  1. Severus (or Secundius), Severian(us), Carpophorus (Carpoforus), Victorinus (Victorius, Vittorinus)
  2. Claudius, Castorius, Symphorian (Simpronian), Nicostratus, and Simplicius

According to the

martyrdom
).

First group

Severus (or Secundius), Severian(us), Carpophorus, and Victorinus were martyred at Rome or Castra Albana, according to Christian tradition.[2]

According to the Passion of Saint Sebastian, the four saints were soldiers (specifically

Aesculapius, and therefore were killed by order of Emperor Diocletian (284–305), two years after the death of the five sculptors, mentioned below. The bodies of the martyrs were buried in the cemetery of Santi Marcellino e Pietro on the fourth mile of the Via Labicana by Pope Miltiades and Saint Sebastian
(whose skull is preserved in the church).

Second group

The second group, according to Christian tradition, were sculptors from

Roman gods. The Emperor ordered them to be placed alive in lead coffins and thrown into the Sava River in about 287. Simplicius was killed with them.[1] According to the Catholic Encyclopedia
,

[T]he Acts of these martyrs, written by a revenue officer named Porphyrius probably in the fourth century, relates of the five sculptors that, although they raised no objections to executing such profane images as Victoria, Cupid, and the Chariot of the Sun, they refused to make a statue of Æsculapius for a heathen temple. For this they were condemned to death as Christians. They were put into leaden caskets and drowned in the River Save. This happened towards the end of 305.[3]

The references in the text of the martyrs' passio to porphyry quarrying and masonry located at the 'porphyritic mountain' indicate that the story's setting is misplaced; there are no porphyry quarries in Pannonia and the only porphyry quarry worked in the ancient world is in Egypt. Mons Porphyrites was quarried to supply the rare and expensive imperial porphyry for the emperor's building works and statuary, for which it was exclusively set aside. Mons Porphyrites is in the Thebaid, which was a centre of Christian erimiticism in Late Antiquity. Emperor Diocletian did indeed commission the extensive use of porphyry in his many building projects. Diocletian also visited the Thebaid during his reign, though he was more usually associated with the Balkans, which might explain why the story's location was transposed to Pannonia over time.[4]

Joint veneration

When the names of the first group were learned, it was decreed that they should be commemorated with the second group.

Melchiades (Miltiades) at the fourth milestone on the Via Labicana
, in a sandpit where there rested the remains of other executed Christians.

It is unclear where the names of the second group actually come from. The tradition states that Melchiades asked that the saints be commemorated as Claudius, Nicostratus, Simpronian, and Castorius. These same names actually are identical to names shared by converts of Polycarp the priest, in the legend of St. Sebastian.

Marcellinus and Pietro, the real origin of which, however, is not known. They were classed with the five martyrs of Pannonia in a purely external relationship."[3]

The bodies of the martyrs are kept in four ancient sarcophagi in the crypt of Santi Marcellino e Pietro. According to a lapid dated 1123, the head of one of the four martyrs is buried in Santa Maria in Cosmedin.

Confusion and conclusions

The rather confusing story of the four crowned martyrs was well known in Renaissance Florence, principally as told in the thirteenth-century Golden Legend by Jacopo da Voragine. It appears that the original four martyrs were beaten to death by order of Emperor Diocletian (r. AD 284–305). Their story became conflated with that of a group of five stonecarvers, also martyred by Diocletian for refusing to carve the image of a roman god. Due to their profession as sculptors, the five early Christian martyrs were an obvious choice for the guild of stonemasons, but their number seems often to have been understood to be four, as in this case.[6]

Problems arise with determining the historicity of these martyrs because one group contains five names instead of four. Alban Butler believed that the four names of group one, which the Roman Martyrology and the Breviary say were revealed as those of the Four Crowned Martyrs, were borrowed from the martyrology of the Diocese of Albano Laziale, which kept their feast on August 8, not November 8.[5] These four "borrowed" martyrs were not buried in Rome, but in the catacomb of Albano; their feast was celebrated on August 7 or August 8, the date under which is cited in the Roman Calendar of Feasts of 354.[3] The Catholic Encyclopedia wrote that the "martyrs of Albano have no connection with the Roman martyrs".[3]

The double tradition may have arisen because a second passio had to be written. It was written to account for the fact that there were five saints in group two rather than four. Thus, the story concerning group one was simply invented, and the story describes the death of four martyrs, who were soldiers from Rome rather than Pannonian stonemasons. The Bollandist Hippolyte Delehaye calls this invented tradition "l'opprobre de l'hagiographie" (the disgrace of hagiography).[5]

Delehaye, after extensive research, determined that there was actually only one group of martyrs – the stonemasons of group two – whose relics were taken to Rome.[5] One scholar has written that "the latest research tends to agree" with Delehaye's conclusion.[5]

The Roman Martyrology gives the stonemasons Simpronianus, Claudius, Nicostratus, Castorius and Simplicius as the martyrs celebrated on November 8, and the Albano martyrs Secundus, Carpophorus, Victorinus and Severianus as celebrated on August 8.[7]

Basilica of Santi Quattro Coronati

Basilica of Santi Quattro Coronati.

In the fourth and fifth centuries a

titular churches
of Rome, and was restored several times.

Veneration

External videos
video icon Nanni di Banco's Four Crowned Saints, (3:21) Smarthistory

The Four Crowned Martyrs were venerated early in

Freemasons. One of the scholarly journals of English Freemasons is called Ars Quatuor Coronatorum,[5] and the Stonemasons of Germany adopted them as patron saints of "Operative Masonry."[8]

The Passio sanctorum quatuor coronatorum

The

Middle Ages.[9] Usuard referred to two sets of saint martyrs: the Quattuor Coronatorum and the set with Claudius, Nicostratus, Simpronianus, Castorius and Simplicius.[9]

In the 10th century,

Depictions

Around 1385, they were depicted by

patron saints. The work can be found in the Orsanmichele, in Florence.[11] Finally, they were also depicted by Filippo Abbiati.[12]

See also

Notes

  1. ^ a b c William Granger Ryan Jacobus, The Golden Legend: Readings on the Saints (Princeton University Press, 1993), 291–2.
  2. ^ "Latin Saints of the Orthodox Patriarchate of Rome". www.orthodoxengland.org.uk. Retrieved 2020-09-05.
  3. ^ a b c d "CATHOLIC ENCYCLOPEDIA: Four Crowned Martyrs". www.newadvent.org. Retrieved 2020-09-05.
  4. ^ a b c d e f g Alban Butler, Sarah Fawcett Thomas, Paul Burns, "Butler's Lives of the Saints," (Continuum International Publishing Group, 1997), 63.
  5. ^ ""Monumental Sculpture from Renaissance Florence", National Gallery of Art". Archived from the original on 2006-08-21. Retrieved 2013-01-24.
  6. )
  7. ^ "Quator Coronati | Masonic Dictionary | www.masonicdictionary.com". www.masonicdictionary.com. Retrieved 2020-09-05.
  8. ^ . Retrieved May 30, 2021. (here cited pp. 349–50; 345–46).
  9. ^ in illo tempore » November 8, the Four Crowned Martyrs, with images of them and of Santi Quattro Coronati and the Chapel of Pope St Sylvester I
  10. ^ Images of Four Crowned Saints, Nanni di Banco, 1410-12. Digital Imaging Project: Art historical images of European and North American architecture and sculpture from classical Greek to Post-modern. Scanned from slides taken on site by Mary Ann Sullivan, Bluffton College
  11. ^ Rosa Giorgi, "Saints: A Year in Faith and Art" (Harry N. Abrams, Inc., 2006).

External links