Francesco Manfredini

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Francesco Onofrio Manfredini
Born(1684-06-22)22 June 1684
Pistoia
Died6 October 1762(1762-10-06) (aged 78)
Pistoia
NationalityItalian
OccupationComposer

Francesco Onofrio Manfredini (22 June 1684 – 6 October 1762) was an Italian Baroque composer, violinist, and church musician.[1]

He was born at

maestro di cappella
of the Basilica of San Petronio from 1696 when the orchestra was temporarily disbanded.

Much of his music is presumed to have been destroyed after his death; only 43 published works and a handful of manuscripts are known. To quote his Naxos biography, "His groups of Concerti Grossi and Sinfonias show a highly accomplished composer, well versed in the mainstream Italian school of composition."[2]

Career

Although he composed oratorios, only his secular works remain in the repertoire.[2] A contemporary of Johann Sebastian Bach and Antonio Vivaldi, his extant work shows the influence of the latter.[3]

He became a violinist, c. 1700, in the orchestra of the Church of San Spirito in

Accademia Filarmonica in the same year he published his first compositions, a set of twelve chamber sonatas he named Concertini per camera, Op. 1. In 1709, he also published Sinfonie da chiesa, Op. 2; ostensibly chamber pieces, they, in fact, complemented the earlier chamber sonatas.[4]

After 1711, Manfredini spent an extended stay in

Jean Baptiste Lully, whose conductor's baton he had inherited. The precise nature of his relationship to the court of Monaco, and the length of his stay, are not known. Manfredini is first mentioned in court records in 1712. In 1718 he would publish, in Bologna, his Concerti Grossi for two violins and basso continuo, Op. 3, Nos. 1–12 which is dedicated to that ruler. Also copies of his Sinfonie, Op. 2 were found in the princely library. One indication of the nature of the relationship is that Prince Antoine stood as godfather to Manfredini's son Antonio Francesco; four other children were born to him during his stay in the principality.[4]

Given even this slim evidence, it can be inferred that both parties were satisfied by the arrangement since the composer does not reappear in the historical records until the year 1727, when he had returned to

maestro di cappella at St. Phillip's Cathedral, a post he would hold until his death in 1762.[2]

The

Capella Istropolitana, conducted by Jaroslav Krček
. The liner notes further suggest that his name "may have...disappeared had he not composed a Christmas Concerto (No. 12 of Op. 3).... [T]hese concerti grossi...demonstrate a gift for easy melodic invention."

Two of his sons,

castrato singer.[4]

Reputation

In the 1970's Manfredini's name became emblematic of the run-of-the-mill Baroque composer, when musicologist

H.C. Robbins Landon wrote an article titled "A Pox on Manfredini", which was intended to castigate record companies of the time for seeking to release material from even the most undistinguished composers of the Baroque era.[6]

References

  1. ^ D'Ovidio, Antonella (2007). "MANFREDINI, Francesco Onofrio". Dizionario Biografico degli Italiani (in Italian). Vol. 68.
  2. ^ a b c Naxos web page for Manfredini
  3. ^ Concerto Grossi, Op. 3, Liner notes written by Keith Anderson, obverse side of CD case, published by Naxos, catalog number: 8.553891
  4. ^ a b c Concerto Grossi, Op. 3, audio CD's Liner notes written by Keith Anderson, published by Naxos, catalog number: 8.553891
  5. ^ Naxos web page for recording of Concerto Grossi, Op. 3, Nos. 1–12 catalog number: 8.553891 [1]
  6. ISBN 9780879308650
    . Retrieved 23 June 2023.

External links
Retrieved from "https://en.wikipedia.org/w/index.php?title=Francesco_Manfredini&oldid=1217997858"