Franchot Tone
Franchot Tone | |
---|---|
Born | Stanislaus Pascal Franchot Tone February 27, 1905 Niagara Falls, New York, U.S. |
Died | September 18, 1968 New York City, U.S. | (aged 63)
Alma mater | Cornell University |
Occupations |
|
Years active | 1926–1968 |
Spouses | |
Children | 2 |
Stanislaus Pascal Franchot Tone (February 27, 1905 – September 18, 1968) was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including
Tone was nominated for an Academy Award for Best Actor for his role as Midshipman Roger Byam in Mutiny on the Bounty (1935),[1] along with his co-stars Clark Gable and Charles Laughton, making it the only film to have three simultaneous Best Actor nominations, and leading to the creation of the Best Supporting Actor category.
Early life and education
Stanislaus Pascal Franchot Tone was born in
Tone was educated at
Career
1927–1932: Broadway
Tone was in The Belt (1927), Centuries (1927–28), The International (1928), and a popular adaptation of
He joined the
These were intense and productive years for him; among the productions of the Group he acted in were 1931 (1931) lasting 12 performances, Maxwell Anderson's Night Over Taos (1932) a play in verse that lasted 10, The House of Connelly (1931) lasting 91 performances and John Howard Lawson's Success Story (1932) directed by Lee Strasberg.[15][16] Outside of Group productions, he was in A Thousand Summers (1932).[17]
Tone made his film debut with The Wiser Sex (1932) starring Claudette Colbert, filmed by Paramount at their Astoria Studios.[18]
1933–1939: The MGM years
Tone was the first of the Group to go to Hollywood when
MGM immediately gave Tone a series of impressive roles, casting him in six
Tone romanced Miriam Hopkins in King Vidor's The Stranger's Return and was the male lead in Stage Mother. He also had a role in Bombshell, with Jean Harlow and Lee Tracy.[26] The last of the sequence of films was Dancing Lady, with an on-screen love triangle with his future wife Joan Crawford and Clark Gable, which was a "lavishly staged spectacle" with a solid performance by Tone.[27]
Twentieth Century Pictures borrowed Tone to romance Constance Bennett in Moulin Rouge (1934) as she played dual roles in which "she shines as a comedienne" and his performance was called "equally clever in a role that calls for a serious mein" by The New York Times.[28] Back at MGM, he was again co-starring with Crawford in Sadie McKee (1934), then was borrowed by Fox to co-star "commendably" with Madeleine Carroll in John Ford's French Foreign Legion picture, The World Moves On (1934).[29]
After The Girl from Missouri (1934) with Harlow,[30] MGM finally gave Tone top billing in Straight Is the Way (1934), although it was considered a "B" film, one which didn't have a high publicity or production cost. Warner Bros. then borrowed him for Gentlemen Are Born (1934).
At Paramount, Tone co-starred in the Academy Award nominated hit movie, The Lives of a Bengal Lancer (1935) with Gary Cooper.[31] He was top billed in One New York Night (1935) but billed underneath Harlow and William Powell in Reckless (1935). He supported Crawford and Robert Montgomery in No More Ladies (1935) and had another box-office success with Mutiny on the Bounty, for which he was nominated for the Academy Award for Best Actor, along with co-stars Clark Gable and Charles Laughton.[1]
Warner Bros. borrowed him again, this time to play Bette Davis' leading man in Dangerous (1935). Davis has stated this is the picture where she fell in love with Tone, although unreturned, which began difficulties between her and Crawford.[32] After a lead role in Exclusive Story (1935), he was again paired with friend Loretta Young in The Unguarded Hour (1936), and also starred with Grace Moore in Columbia's The King Steps Out (1936), notable for the debut of an eleven-year-old Gwen Verdon.[33]
Tone and Harlow co-starred again in Suzy (1936) with then up and comer Cary Grant, who was billed third.[30] The film was popular with audiences, but reviews were less than kind with The New York Times negatively comparing it to other recent WWI movies calling it "balderdash", but thanked "Mr. Tone for the few honest moments of drama that the film possesses. His young Irishman is about the only convincing and natural character in the piece."[34] He then filmed The Gorgeous Hussy (1936) with Crawford, Robert Taylor and Lionel Barrymore with co-star Beulah Bondi earning an Academy award nomination for the Andrew Jackson period piece.[35] A Crawford and Gable film capitalizing on It Happened One Night by casting the pair in roles as fast talking journalists in Love on the Run (1936),[36] found Tone in a supporting role.
RKO borrowed him to appear opposite Katharine Hepburn in Quality Street (1937), a costume drama that lost $248,000 at the box office.[37] Back at MGM he supported Spencer Tracy and Gladys George in They Gave Him a Gun (1937).
He had the lead in Between Two Women (1937) and co-starred for the final time with Crawford in The Bride Wore Red (1937), then joined Myrna Loy in Man-Proof (1938) and Gladys George in Love Is a Headache (1938).
In Three Comrades (1938) Tone was teamed with Robert Taylor and Margaret Sullavan in a film about disillusioned soldiers returning to Germany after World War I. He made Three Loves Has Nancy (1938) with Janet Gaynor and Robert Montgomery and co-starred with Franciska Gaal in The Girl Downstairs (1938), a Cinderella type story. He then starred in a "B" picture with Ann Sothern in Fast and Furious (1939) as married crime sleuths, the third movie in a series with different sets of actors in each, that were marketed towards the Thin Man films audiences.[38]
After his contract ended, Tone left MGM in 1939 to act on Broadway in a return to his stage roots, often working with "the Group's" members of its formative years, and playwrights such as Eugene O'Neill.[39] He returned to Broadway for Irwin Shaw's The Gentle People (1939) and an adaptation of Ernest Hemingway's The Fifth Column (1940), which only had a short run.
1940–1949: The Universal, Columbia & Paramount combination
Tone signed a contract with Universal, starring in his first Western there, Trail of the Vigilantes (1940), where he more than earns his spurs alongside the likes of Broderick Crawford and Andy Devine.[40] He was soon back supporting female stars though, making Nice Girl? (1941) with Deanna Durbin.
Tone also signed a multi-picture deal with Columbia, where he made two films with Joan Bennett, She Knew All the Answers (1941) and The Wife Takes a Flyer (1942).
Back at Universal he was top billed in This Woman Is Mine (1941). Tone went to Paramount to star in Five Graves to Cairo (1942), a World War II espionage story directed by Billy Wilder.
He also returned to MGM to star in Pilot No. 5 (1943) then it was back to Universal for His Butler's Sister (1943) with Durbin.
Tone made two more films at Paramount, True to Life (1943) with Mary Martin and The Hour Before the Dawn (1944) with Veronica Lake. He had one of his best roles in Universal's Phantom Lady (1944) directed by Robert Siodmak, an early film noir picture and a villainous part for Tone.[41] Also impressive was his performance in Dark Waters (1944) with Merle Oberon for Benedict Bogeaus.[42]
He continued his stage career by performing on Broadway in Hope for the Best (1945) with Jane Wyatt; the production ran for a little more than three months.[43]
At Universal Tone did That Night with You (1945) with Susanna Foster and Because of Him (1946) with Durbin.
Tone made
1949: Producer
Tone produced and starred in
Burgess Meredith and Charles Laughton star with Tone. Meredith is credited as director, although Tone took over duties when Meredith was in front of the camera with Laughton sometimes directing himself.[49] The film has, according to French director Jean Renior, some of the best cinematic pictures of the Eiffel Tower.[46]
1950–1959: Live theater television
Tone relocated to New York and began appearing in New York City-based live theater television, including
Back on the small screen, Tone was in
During this time he continued to appear on TV adaptations of Broadway plays, in such original productions as
He did a TV adaptation of The Little Foxes (1956) with Greer Garson and played Frank James in Bitter Heritage (1958).[52] In 1957 Tone co-produced, co-directed, and starred in an adaptation of Chekhov's Uncle Vanya, which was filmed concurrently with an off-Broadway revival.[53] His performance as the Russian country doctor with "ennui" was praised and the preserving of the stage production to film only varied by the addition of then wife Dolores Dorn.[54]
1960–1968: Final films and television
In the early 1960s Tone was in episodes of
On stage in 1963 he acted in a revival of O'Neill's
He was cast in TV shows such as
In Europe, Tone made La bonne soupe (1965). He co-starred in the Ben Casey medical series from 1965 to 1966 as Casey's supervisor, Dr. Daniel Niles Freeland.[58]
He had roles in Otto Preminger's film In Harm's Way (1965) in which he portrayed Admiral Husband E. Kimmel and Arthur Penn's Mickey One (1965), and an episode of Run for Your Life.[59] He appeared off-Broadway in Beyond Desire (1967) and his last roles were in Shadow Over Elveron (1968) and Nobody Runs Forever (1968), a British film originally titled The High Commissioner.[60]
Personal life
In 1935 Tone married actress Joan Crawford; the couple were divorced in 1939.[61] They made seven films together – Today We Live (1933), Dancing Lady (1933), Sadie McKee (1934), No More Ladies (1935), The Gorgeous Hussy (1936), Love on the Run (1936), and The Bride Wore Red (1937).[62] Their union produced no children; despite considerable effort, Crawford's pregnancies all ended in miscarriage.
Tone took their divorce hard, and his recollections of her were cynical — "She's like that old joke about Philadelphia: first prize, four years with Joan; second prize, eight".[63] Many years later, however, when Tone was dying of lung cancer, Joan often cared for him, paying for medical treatments. Tone suggested they remarry, but she declined.[64]
In 1941 Tone married fashion model-turned-actress Jean Wallace, who appeared with Tone in both Jigsaw and The Man on the Eiffel Tower. The couple had two sons and were divorced in 1948. She later married actor Cornel Wilde.[65]
In 1951 Tone's relationship with actress Barbara Payton made headlines when he was rendered unconscious for 18 hours and sustained numerous facial injuries following a fistfight with actor Tom Neal, a rival for Payton's attention.[66] Plastic surgery nearly fully restored his broken nose and cheek. Tone subsequently married Payton, but divorced her in 1952, after obtaining photographic evidence she had continued her relationship with Neal.[67][68] Payton and Neal capitalized on the scandal touring with a production of The Postman Always Rings Twice.[69]
In 1956 Tone married Dolores Dorn, with whom he appeared in a film version of Uncle Vanya (1957) which Tone directed and produced. The couple divorced in 1959.[citation needed]
Death
Tone, a
On February 8, 1960, Franchot Tone received a star on the Hollywood Walk of Fame for his contribution to the motion picture industry, located at 6558 Hollywood Blvd, on the south side of the 6500 block.[citation needed]
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1932 | The Wiser Sex | Phil Long | |
1933 | Today We Live | Ronnie | |
Gabriel Over the White House | Hartley "Beek" Beekman | ||
Midnight Mary | Thomas "Tom" Mannering, Jr. | ||
The Stranger's Return | Guy Crane | ||
Stage Mother | Warren Foster | ||
Bombshell | Gifford Middleton | ||
Dancing Lady | Tod Newton | ||
1934 | Moulin Rouge | Douglas Hall | |
Sadie McKee | Michael Alderson | ||
The World Moves On | Richard Girard | ||
The Girl from Missouri | T.R. Paige, Jr. | ||
Straight Is the Way | Benny | ||
Gentlemen Are Born | Bob Bailey | ||
1935 | The Lives of a Bengal Lancer | Lieutenant Forsythe | |
One New York Night | Foxhall Ridgeway | ||
Reckless | Robert "Bob" Harrison, Jr. | ||
No More Ladies | Jim "Jimsy Boysie" Salston | ||
Mutiny on the Bounty | Midshipman Roger Byam | ||
Dangerous | Don Bellows | ||
1936 | Exclusive Story | Dick Barton | |
The Unguarded Hour | Sir Alan Dearden | ||
The King Steps Out | Emperor Franz Josef | ||
Suzy | Terry | ||
The Gorgeous Hussy | John Eaton | ||
Love on the Run | Barnabus W. "Barney" Pells | ||
1937 | Quality Street | Dr. Valentine Brown | |
They Gave Him a Gun | James "Jimmy" Davis | ||
Between Two Women | Allan Meighan | ||
The Bride Wore Red | Giulio | ||
1938 | Man-Proof | Jimmy Kilmartin | |
Love Is a Headache | Peter Lawrence | ||
Three Comrades | Otto Koster | ||
Three Loves Has Nancy | Robert "Bob" Hanson | ||
The Girl Downstairs | Paul / Mr. Wagner | ||
1939 | Fast and Furious | Joel Sloane | |
1940 | Trail of the Vigilantes | "Kansas" / Tim Mason | |
1941 | Nice Girl? | Richard Calvert | |
She Knew All the Answers | Mark Willows | ||
This Woman is Mine
|
Robert Stevens | ||
1942 | The Wife Takes a Flyer | Christopher Reynolds | |
Star Spangled Rhythm | John in Card-Playing Skit | ||
1943 | Five Graves to Cairo | Corporal John J. Bramble / "Paul Davos" | |
Pilot No. 5 | George Braynor Collins | ||
His Butler's Sister | Charles Gerard | ||
True to Life | Fletcher Marvin | ||
1944 | Phantom Lady | Jack Marlow | |
The Hour Before the Dawn | Jim Hetherton | ||
Dark Waters | Dr. George Grover | ||
1945 | That Night with You | Paul Renaud | |
1946 | Because of Him | Paul Taylor | |
1947 | Lost Honeymoon | Johnny Gray | |
Honeymoon | David Flanner | ||
Her Husband's Affairs | William "Bill" Weldon | ||
1948 | I Love Trouble | Stuart Bailey | |
Every Girl Should Be Married | Roger Sanford | ||
1949 | Jigsaw | Howard Malloy | Alternative title: Gun Moll |
Without Honor | Dennis Williams | Alternative title: Woman Accused | |
1950 | The Man on the Eiffel Tower | Johann Radek | Also co-producer |
1951 | Here Comes the Groom | Wilbur Stanley | |
1956 | The Little Foxes | Horace | TV movie |
1957 | Uncle Vanya | Dr. Astroff | Also co-producer and co-director |
1958 | Bitter Heritage | Frank James | TV movie |
1961 | Witchcraft | Your Host | TV movie |
1962 | Advise & Consent
|
The President | |
1964 | La bonne soupe | John K. Montasi Jr. | [74] |
See How They Run | Baron Frood | TV movie | |
1965 | In Harm's Way | Admiral Kimmel | |
Mickey One | Rudy Lapp | Directed by Arthur Penn | |
1968 | Shadow Over Elveron | Barney Conners | TV movie |
Nobody Runs Forever | Ambassador Townsend | Alternative title: The High Commissioner, (final film role) |
Partial TV credits
Year | Title | Role | Episode(s) |
---|---|---|---|
1954 | Studio One | Juror #3 | "Twelve Angry Men" |
1955 | Four Star Playhouse | Ben Chaney | "Award" |
1956 | General Electric Theater | Charles Proteus Steinmetz | "Steinmetz" |
1957 | The Kaiser Aluminum Hour | Arthur Baldwin | "Throw Me a Rope" |
1958 | Westinghouse Desilu Playhouse | Candy Lombe | "The Crazy Hunter" |
1959 | Alfred Hitchcock Presents | Oliver Mathews | Season 4 Episode 28: "The Impossible Dream" |
1960 | Bonanza | Denver McKee | "Denver McKee" |
1961 | The Twilight Zone | Colonel Archie Taylor | "The Silence" |
1965–1966 | Ben Casey | Dr. Daniel Niles Freeland | 27 episodes |
1964 | The Alfred Hitchcock Hour
|
The Great Rudolph (Rudolph Bitzner) | Season 3 Episode 14: "The Final Performance" |
1965 | The Virginian | Murdock | "Old Cowboy" |
1967 | Run for Your Life | Judge Taliaferro Wilson | "Tell It Like It Is" |
Theater appearances
Date | Production | Role |
---|---|---|
October 19 – November 1927 | The Belt | Bunner |
November 29–1, 928 | Centuries | Yankel |
January 12 – February 1928 | The International | David Fitch |
November 27, 1928 – May 1929 | The Age of Innocence | Newland Archer, Jr. |
May 24–1, 929 | Uncle Vanya | Mikhail lvovich Astrov |
November 11 – December 1929 | Cross Roads | Duke |
December 17, 1929 – February 1930 | Red Rust | Fedor |
April 14 – June 1930 | Hotel Universe | Tom Ames |
October 20, 1930 – March 1931 | Pagan Lady | Ernest Todd |
January 26 – March 21, 1931 | Green Grow the Lilacs | Curly McClain |
September 28 – December 1931 | The House of Connelly | Will Connelly |
December 10, 1931 – December 1931 | 1931 | |
March 9, 1932 – March 1932 | Night Over Taos | Federico |
May 24 – June 1932 | A Thousand Summers | Neil Barton |
September 26, 1932 – January 1933 | Success Story | Raymond Merritt |
January 5 – May 1939 | The Gentle People | Harold Goff |
March 6 – May 18, 1940 | The Fifth Column | Philip Rawlings |
February 7 – May 19, 1945 | Hope for the Best | Michael Jordan |
December 17, 1953 – November 13, 1954 | Oh, Men! Oh, Women! | Alan Coles |
January 19–30, 1955 | The Time of Your Life | Joe |
May 2 – June 29, 1957 | A Moon for the Misbegotten | James Tyrone, Jr. |
May 22–27, 1961 | Mandingo | Warren Maxwell |
March 11 – June 29, 1963 | Strange Interlude | Professor Henry Leeds |
September 24, 1963 | Bicycle Ride to Nevada | Winston Sawyer |
Radio appearances
Year | Program | Episode | Ref |
---|---|---|---|
1936 | Lux Radio Theatre | "Chained" | |
1937 | Lux Radio Theatre | "Mary of Scotland" | |
1943 | Lux Radio Theatre | "Each Dawn I Die" | |
1943 | Lux Radio Theatre | "Five Graves to Cairo" | |
1944 | Lux Radio Theatre | "The Hard Way" | |
1952 | Theatre Guild on the Air | "The House of Mirth" | [75] |
1953 | Broadway Playhouse | "His Brother's Keeper" | [76] |
References
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- ^ Harris, Edward Doubleday (1870). A genealogical record of Thomas Bascom and his descendants. Boston Public Library. W. P. Lunt. p. 63.
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odets and franchot tone.
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franchot tone jigsaw.
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