Frank Brangwyn

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Sir Frank William Brangwyn
Born(1867-05-12)12 May 1867
Bruges, Belgium
Died11 June 1956(1956-06-11) (aged 89)
Ditchling, East Sussex, England
NationalityBritish
AwardsAlbert Medal (1932)

Sir Frank William Brangwyn

RA RWS RBA
(12 May 1867 – 11 June 1956) was a Welsh artist, painter, watercolourist, printmaker, illustrator, and designer.

Brangwyn worked in a wide range of artistic fields. As well as paintings and drawings, he produced designs for

wood-engravings
and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows.

Brangwyn received some artistic training, probably from his father, and later from

Paris Salon.[1] The murals for which Brangwyn was famous, and during his lifetime he was very famous indeed, were brightly coloured and crowded with details of plants and animals, although they became flatter and less flamboyant later in his life.[2]

Biography

Frank Brangwyn c.1900

Early life and career

Frank Brangwyn was born in

South Kensington Museum. Through contacts made at the museum, among them Arthur Heygate Mackmurdo, he obtained an apprenticeship with William Morris for whom he worked first as a glazer before undertaking embroidery and wallpaper work.[3]

At the age of seventeen, one of Brangwyn's paintings was accepted and then sold to a shipowner, at the

Saragossa along the Canal Imperial de Aragon on the barge, the Santa Maria.[4] Soon Brangwyn was attracted by the light and the bright colours of these southern countries at a time when Orientalism was becoming a favoured theme for many painters. He made many paintings and drawings, particularly of Spain, Egypt, Turkey and Morocco, which he visited in 1893. This lightened his palette, a change that initially did not find critical favour but helped establish his international reputation. In 1895 the French government purchased his painting Market in Morocco.[5]

In 1895, the Parisian art dealer Siegfried Bing commissioned Brangwyn to decorate the exterior of his Galerie L'Art Nouveau, and encouraged Brangwyn into new avenues: murals, tapestry, carpet designs, posters and designs for stained glass to be produced by Louis Comfort Tiffany. In 1896 he illustrated a six-volume reprint of Edward William Lane's translation of One Thousand and One Nights.[6] In 1917 he collaborated with the Japanese artist Urushibara Mokuchu on a series of woodblock prints.[7] For his austere but decorative designs he was recognized by continental and American critics as a prominent artist, while British critics were puzzled as to how to evaluate him. Through his collecting Japanese works, he became friends with Kojiro Matsutaka the Japanese industrial magnate, who became his patron.[8]

Brangwyn had an affair with Ellen Kate Chesterfield, which produced a son, James Barron Chesterfield-Brangwyn, born 1885 in

Townsville, Queensland and later moving to Brisbane. In 1896, Brangwyn married Lucy Ray, a nurse, who died in 1924. They had no children. He leased Temple Lodge, 51 Queen Caroline Street, Hammersmith, London from 1900 to 1937/38 and bought The Jointure, Ditchling
, Sussex in 1918.

Mural commissions

Brangwyn was commissioned by his friend the artist Robert Hawthorn Kitson to design the dining room of Casa Cuseni, his house in Taormina, Sicily, built from 1902 to 1905. Brangwyn was responsible for the furniture, panelling, detailing and murals of the dining room. The house is now a museum.[9][10]

Detail of mosaic by Frank Brangwyn at St Aidan's Church, Leeds, showing St Aidan with his followers
Old Houses (Ghent). 1906. 55.5 × 60.5 cm. Museu Nacional d'Art de Catalunya

In 1908 Brangwyn was commissioned to paint the apse of St Aidan's Church, Leeds, but after it was realised that the air pollution would damage the paint, it was agreed he should work in glass mosaic. The mosaic (using Rust's vitreous mosaic) was completed in 1916. It covers the whole apse, and shows the life of St Aidan.[11]

Other commissions included murals for the Great Hall of the

Cleveland, Ohio (1911–1915), the Manitoba Legislative Building, Winnipeg (1918–1921), the Chapel, Christ's Hospital School, Horsham (1912–1923), and the Missouri State Capitol, Jefferson City (1915–1925).[12][13]

Along with

RMS Empress of Britain
(1930–1931)].

World War One

World War I poster for a fundraising event in support of Welsh troops. (1915) Lithograph. Digitally restored.

Brangwyn's

R. Noel Middleton, in 1911 at the Leeds Art Gallery.[14] Brangwyn's pupil was George Graham, President of the Society of Yorkshire Artists, whose work was inherited by Middleton's son, Peter.[15][16]

Although Brangwyn produced more than 80 poster designs during the First World War, he was not an official

Royal National Institute for the Blind and L'Orphelinat des Armees, an American charity supporting a French orphanage.[19] His grim poster of a Tommy bayoneting an enemy soldier (Put Strength in the Final Blow: Buy War Bonds) caused deep offence in both Britain and Germany. The Kaiser himself is said to have put a price on Brangwyn's head after seeing the image.[20] In 1917 Brangwyn produced six lithographs under the title Making Sailors and one entitled The Freedom of the Seas for the Ministry of Information's Britain's Efforts and Ideals portfolio of images which were exhibited in Britain and abroad and were also sold as prints to raise money for the war effort.[21][22] Brangwyn was the Chairman of the English Committee for Diksmuide (Dixmude), near Ostend, a town that had been the site of heavy fighting throughout the war. To aid its reconstruction, Brangwyn donated a series of woodcuts to the town on the theme of the Tragedy of Dixmude.[19] During the war Brangwyn created a number of propaganda images highlighting atrocities committed against Belgium and the suffering endured by the country.[19] Among the latter were his oil painting of 1915, Mater Dolorosa Belgica.[18]

The British Empire Panels

In 1926 Brangwyn was commissioned by Lord Iveagh to paint a pair of large canvases for the Royal Gallery of the House of Lords at Westminster to commemorate those peers and their family members who had been killed in the war. Brangwyn painted two battle scenes which included life-size images of troops advancing into battle alongside a British tank. The Lords regarded the panels as too grim and disturbing and, in 1928, refused to accept them. Instead, they commissioned Brangwyn to produce a series celebrating the beauty of the British Empire and the Dominions to fill the Royal Gallery, which became known as the British Empire Panels. Brangwyn spent a further five years producing 16 large works that cover 3,000 sq ft (280 m2).[23] However, after five of the panels were displayed in the Royal Gallery for approval by the Lords, the peers refused to accept them because they were "too colourful and lively" for the location.[24] In 1934 the 16 panels were purchased by Swansea Council and are now housed in the Brangwyn Hall, Swansea.[25][26]

Later life

British Empire Panels in the Brangywn Hall, Swansea

The rejection of the Panels by the Lords caused a lasting depression in Brangwyn. He became increasingly pessimistic and a hypochondriac and began disposing of his possessions during the 1930s.

the British Museum and the William Morris Gallery.[27] In 1936 he presented Bruges with over 400 works, now in the Arents House Museum. In return Bruges made him Citoyen d'Honneur de Bruges, only the third time the award had been given.[28] The two battle scenes rejected by the House of Lords were donated to the National Museum Wales as part of a large group of gifts he made to the museum between 1929 and 1935. Brangwyn specified precisely where in the museum's Main Hall the works were to be hung and they remain there today.[24] In 1944, he recovered and secured designs by Frederic Shields for the Chapel of the Ascension built by Herbert Horne
, which was destroyed in 1940 during the London Blitz. In 1950, one of his last works provided illustrations for the book Sixty Years of Yachts by Herbert Julyan, a good friend.

In his final years Brangwyn lived as a recluse at Ditchling in East Sussex.[13] He died there on 11 June 1956[29] and was buried in St Mary's Catholic Cemetery, Kensal Green.

In 1952 Clifford Musgrave estimated that Brangwyn had produced over 12,000 works.

watercolours, gouache), over 500 etchings, about 400 wood engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for furniture, and 20 stained-glass panels and windows.[31]

Interpretations

The art writer Marius Gombrich links the decline of interest in Brangwyn's works to the decline of the British Empire, pointing out that Brangwyn's bold, vigorous, outward-looking art was suited to the expansive spirit of late-Victorian British society—but inconsistent with the inward-looking, less confident, and intellectually effete ethos prevalent in the post World War I period.[32]

Awards and honours

Blue plaque erected in 1989 by English Heritage at Temple Lodge, Hammersmith, London

Public collections

References

  1. ^ Horner, p. 245
  2. ISBN 0-19-860476-9
    .
  3. ^
    ISBN 0-19-861357-1
    .
  4. ^ McConkey, Kenneth & Topsfield, Charlotte (2015), Arthur Melville: Adventures in Colour, National Galleries of Scotland, Edinburgh, p.85
  5. ISBN 978-1-84851-876-6
    .
  6. ^ The Thousand & One Nights,: or, Arabian Nights' Entertainments. 6 Vol. Translated by Edward William Lane; with an introduction by Joseph Jacobs, and illustrations by Frank Brangwyn. London: Gibbings. Philadelphia: Lippincott, 1896.
  7. ^ "Introduction to Yoshijiro (Mokuchu) Urushibara". Woodblock.com. Retrieved 11 May 2012.
  8. ^ Laura Connelly (20 January 2017). "Sheer Pleasure: Frank Brangwyn and the Art of Japan at the William Morris Gallery". Creative Boom. Retrieved 20 May 2020.
  9. ^ "Museum of fine arts". Casa Cuseni. Archived from the original on 27 May 2019. Retrieved 5 June 2019.
  10. ^ Teed, Robert (19 July 2003). "Under the volcano". The Guardian. London. Retrieved 5 June 2019.
  11. ISBN 1-871647-38-X
  12. ^ Horner, pp. 21–22
  13. ^ a b Richard Moss (13 May 2022). "Frank Brangwyn's massive Skinner's Hall murals return to Ditchling". Museum Crush. Retrieved 16 May 2022.
  14. ^ Annual Report. Leeds Public Libraries, Art Gallery and Museums. 1911. p. 100. Retrieved 18 November 2019. "Canon Street Station" (etching) by Frank Brangwyn, R.A., presented by Noel Middleton....
  15. ^ "George Graham". Messum's. 2022. Retrieved 15 August 2023. Born in Leeds, Yorkshire, he studied for two years to be an architect while taking evening lessons in drawing at Leeds School of Art. Graham then studied at the London School of Art under Sir Frank Brangwyn. He was fascinated by, the Yorkshire Dales, where he later lived. A member of the Royal Institute of Oil Painters, the Royal Institute of Painters in Watercolours and the Royal Society of British Artists, Graham was also appointed President of the Society of Yorkshire Artists and secretary of the Society of Sussex Painters.
  16. ISBN 978-1-907195-35-8
    . Retrieved 15 August 2023.
  17. ^ Horner, p. 137
  18. ^ a b Carien Kremer (4 June 2014). "Frank Brangwyn and the First World War". Art UK. Archived from the original on 21 September 2017. Retrieved 21 September 2017.
  19. ^
    ISBN 978-0-9567139-9-5
    .
  20. ^ MacIntyre, Ben (8 November 2008). "The power of war posters". The Times. London. Retrieved 2 May 2010.
  21. ISBN 9780720006278
    .
  22. ^ Tate. "The Great War:Britain's Efforts and Ideals". Tate. Retrieved 9 January 2016.
  23. ^
    ISBN 0-903189-21-6
    .
  24. ^
    ISBN 9780720006131
    .
  25. ^ "History of the Bangwyn Hall Panels". City & County of Swansea. Archived from the original on 17 January 2016. Retrieved 9 January 2016.
  26. ^ "Bangwyn Hall – Home of the Empire Panels". BBC News. 2003. Retrieved 9 January 2016.
  27. ^ "Frank Brangwyn:an introduction". William Morris Gallery. Archived from the original on 4 March 2016. Retrieved 9 January 2016.
  28. ^ Horner, p. 238
  29. ISBN 0901981737
  30. ^ Clifford Musgrave (1953) Sir Frank Brangwyn RA, The Studio, p. 136
  31. ^ Libby Horner, Frank Brangwyn. A Mission to Decorate Life, The Fine Art Society & Liss Fine Art
  32. ^ Marius Gombrich (12 March 2010). "Painting the spirit that built great empires". The Japan Times. Retrieved 3 May 2015.
  33. ^ "Collection | Search the collection | Commemorative diploma of membership of General Fine Art Committee, Japan-British Exhibition | William Morris Gallery". www.wmgallery.org.uk. Retrieved 3 July 2021.
  34. ^ Anon (1933). "The Spring Exhibition, 1933 (catalogue)". RBSA. {{cite journal}}: Cite journal requires |journal= (help)
  35. ^ "The Albert Medal". Royal Society of Arts. Archived from the original on 8 June 2011. Retrieved 10 January 2016.
  36. ^ Brangwyn Bazaar (2014). "Tabulated Biography". Brangwyn Bazaar. Retrieved 10 January 2016.

Cited sources

  • Horner, Libby (2006) Frank Brangwyn: A Mission to Decorate Life. The Fine Art Society & Liss Fine Art

Bibliography

General

Specific

External links

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