Fret

Source: Wikipedia, the free encyclopedia.
nut
(in the background, coloured white) and first four frets

A fret is any of the thin strips of material, usually metal wire, inserted laterally at specific positions along the

stringed instrument
. Frets usually extend across the full width of the neck. On some historical instruments and non-European instruments, frets are made of pieces of string tied around the neck.

Frets divide the neck into fixed segments at intervals related to a musical framework. On instruments such as guitars, each fret represents one semitone in the standard western system, in which one octave is divided into twelve semitones. Fret is often used as a verb, meaning simply "to press down the string behind a fret". Fretting often refers to the frets and/or their system of placement.

Explanation

Pressing the string against the fret reduces the vibrating length of the string to that between the

fretless
fingerboard.

Frets make it much easier for a player to achieve an acceptable standard of intonation since the frets determine the positions for the correct notes. Furthermore, a fretted fingerboard makes it easier to play chords accurately.

A disadvantage of frets is that they restrict pitches to the

nut
, thus lowering or raising the string tension and pitch. However, except for instruments that accommodate extensive string pulling, like the sitar, much less influence on intonation is possible than on unfretted instruments.

Since the intonation of most modern western fretted instruments is

equal tempered, the ratio
of the distances of two consecutive frets to the bridge is (the twelfth root of two), or approximately 1.059463.[1] Theoretically, the twelfth fret should divide the string in two exact halves. To compensate for the increase in string tension when the string is pressed against the frets, the bridge position is adjusted slightly so the 12th fret plays exactly in tune.

microtonal
frets between semitones.

Many instruments' frets are not spaced according to the

tanbur (with as many as 5 frets per semitone, to cover all of the commas of the Turkish Makam
system).

Variations

Fan frets (also fanned frets, slanted frets), or

ergonomic. Fanned frets first appeared on the 16th-century Orpharion, a variant of the cittern, tuned like a lute. John Starrett revived the idea in the late seventies on his innovative instrument, the Starrboard. Rickenbacker
employed a slanted fret, but it was not multi scale, or fanned. Novax Guitars among others offers such guitars today. The appearance of angled frets on these modern instruments belies the antiquity of this technique.

Scalloped fretboard:

Scalloping involves removing some of the wood between some or all of the fret. This is intended to allow a lighter touch for more precise fingering, while easing bends or vibratos (since there's no contact between the fingertips and the wooden surface of the fingerboard). It has some popularity with musicians playing heavy metal music, although the concept can also be seen in ancient instruments such as the sitar
. Scalloped fretboards have not found widespread popularity because tonally accurate play requires a much lighter fretting hand than most guitarists can achieve, and often significantly heavier strings as well.

Fat frets: on older guitars (especially the Fender Stratocaster), frets were typically made out of thin wire, and some electric guitar players replaced that with thicker wire, for "fat frets" or "jumbo frets". Fat frets make bending easier, and they change the feel of the guitar. As well, large frets, offering more metal, remain playable much longer than thin frets. A side effect of a thicker fret is a less precise note, since the string is held over a wider surface, causing a slight inaccuracy of pitch, which increases in significance as frets wear.[2]

Semi-fretted instruments

It is also possible to find semi-fretted instruments; examples include the Malagasy kabosy and the Afghan Rubab. Semi-fretted versions of guitars and other fretted string instruments, however, are usually one-off, custom adaptations made for players who want to combine elements of both types of sound. One arrangement is for the frets to extend only part of the way along the neck so that the higher notes can be played with the smooth expression possible with a fretless fingerboard. Another approach is the use of frets that extend only partway across the fretboard so that some courses of strings are fretted and others fretless, for example Ryszard Latecki's Latar.

Fret intonation

Instruments with straight frets like guitars require a special compensation on the saddle and nut. Every time a string is fretted it is also stretched, and as it stretches the string rises in pitch, making all fretted tones sound sharp. When the saddle is positioned properly, however, the fretted tones all sound sharp to the same degree as long as the distances between the frets are correct. With the right nut compensation, the pitch of the unfretted string can be raised by the same amount. As a result, when the tension of the strings is lowered, the pitches of all notes, both fretted and unfretted, become correct.

Fret wear

On instruments equipped with steel strings, such as

folk guitars and electric guitars
, frets are eventually bound to wear down as the strings cut grooves into them. When this happens, the instrument may need refretting (the frets are removed and replaced) or, in less severe cases, "fret dressing" (the frets are leveled, polished, and possibly recrowned). Often, a few fret dressings can be performed on a guitar before it requires complete refretting.

Tied gut frets, used on instruments such as the lute or viol, wear quickly, and must be replaced regularly.

Fret buzz

Fret buzz is one of the many undesirable phenomena that can occur on a guitar or similar

sustain. Sometimes, fret buzz can be so minimal that there is only a small change in the tone (timbre) of the note, without any noticeable buzzing. Fret buzz can be caused by different things:[3]

Fret buzz is evident in some famous recordings; an example is "

Dropped C
and the low tension of the strings is used to create fret buzz by the bass player in order to create a dirty sound.

History

Frets on lutes
Pipa, Middle Tang Dynasty era (618–907 A.D.), from the Yulin Caves, cave 15
China. Pipa with frets, Middle Tang Dynasty era (618–907 A.D.), from the Yulin Caves, cave 15
picture of lute player from Utrecht Psalter
France, Utrecht Psalter, c. 850. During the Carolingian Renaissance an Anglo Saxon artist drew an image of a cythara with frets.
England, c. 1310 C.E. Angel holding a citole
England, c. 1310 C.E. Angel holding a citole. There are frets drawn over the body of the instrument, where it is unlikely that gut frets could be placed.
Drawing of a lute by Safi al-Din
Iraq. Drawing of a lute by Safi al-Din from a 1333 copy of his book, Kitab al-Adwār.

It is not known when frets were first used. An early example from about the 3rd century C.E. was discovered in 1907 in the Niya ruins in Xinjiang, China, a broken lute's neck with two gut frets intact.[4] The neck and pegbox of the lute are similar to the lute painted on the wall in the Dingjiazha Tomb No. 5 (384–441 A.D.[5]), which also has frets. Buddhist artworks from the 6th-10th centuries C.E. in the Mogao Caves (558-907 C.E.) and Yulin Caves (618-907 C.E.) appear to have frets. Some long lutes in the Utrecht Psalter (c. 850 C.E.) in France also appear fretted, as do citoles from Spain in the Cantigas de Santa Maria (c. 1280).

See also

References

  1. .
  2. ^ Hunter, Dave (February 2014). "What's the Big Deal About Jumbo Frets?". Guitar Player.
  3. ^ "Buzz Diagnosis". Archived from the original on 2011-01-08. Retrieved 2011-01-22.
  4. ^ "Lute". The British Museum. Fragment of a wooden lute. This is only the neck of the instrument, the body has not survived...There are marks showing at the top of the fingerboard where two strands of gut, probably with a third strand on top of them to raise the height of the strings, served as a nut. The surviving doubled strand of gut was a fret, and the slightly thicker single strand may have been a fret for higher notes...Registration number 1907,1111.90
  5. ^ Zhu, Fengsh (September 2014). "墓主燕居行乐图探考 (translation: Exploring Yanjuxing's Tomb". 活力杂志 [Translation: Vitality Magazine]. 黑龙江 [Heilongjiang]: 黑龙江日报报业集团 [Heilongjiang Daily Newspaper Group]. Archived from the original on 24 September 2018. Retrieved 24 September 2018. [Information about the magazine article this ran in is at www.xueshu.com/hl/201410/3683520.html]

External links

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