G.U.Y.
"G.U.Y." | ||||
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Single by Lady Gaga | ||||
from the album Artpop | ||||
Released | March 22, 2014 | |||
Studio | Record Plant (Hollywood) | |||
Genre | EDM | |||
Length | 3:52 | |||
Label |
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Songwriter(s) | ||||
Producer(s) |
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Lady Gaga singles chronology | ||||
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Music video | ||||
"G.U.Y." on YouTube |
"G.U.Y." (a backronym for "Girl Under You") is a song by American singer Lady Gaga from her third studio album, Artpop (2013). She co-wrote and co-produced the song with Zedd. It debuted on French radio as the album's third and final single on March 22, 2014. "G.U.Y." was developed while Gaga was touring with her Born This Way Ball, and was recorded a number of times for the final version. It is an EDM track containing elements of industrial, contemporary R&B, and house music whose lyrics address a number of subjects like sexual dominance, submission, and gender roles.
"G.U.Y." received mixed reviews from music critics, who complimented the composition of the track and Gaga's vocals, but criticized her production. The song debuted on the record charts of a few countries, but failed to enter the top forty in many of them. In the United States, "G.U.Y." became one of Gaga's lowest charting singles on the
The music video for the song was shot at Hearst Castle, located near San Simeon. The video featured reality TV show stars like The Real Housewives of Beverly Hills, and works of artist Nathan Sawaya and Minecraft YouTuber SkyDoesMinecraft. Running for over 11 minutes, the video shows Gaga as a wounded fallen angel who is revived by her followers in a pool. Once rejuvenated, she takes revenge on the men who hunted her and replaces them with clones known as G.U.Y. The video received positive reviews for its visuals and its references to Greek mythology. Gaga has performed "G.U.Y." at her seven-day concert residency at Roseland Ballroom in March 2014 and on her ArtRave: The Artpop Ball tour; in both places she emulated the choreography from the music video on stage, and received a positive critical response. Gaga also performed the song on the Late Show with David Letterman on April 2 of the same year.
Background and development
Development of Gaga's third studio album, Artpop, began shortly after the release of her second one, Born This Way (2011), and by the following year, the record was already being recorded.[1][2] "G.U.Y." was confirmed in an interview with Stylist magazine where Joanna McGarry asked Gaga about her views on feminism. Gaga told McGarry that the song is about new-age feminism, which she wanted to explore, where being subordinate to a man is the transfer of strength:
I actually wrote a song about it on my album, it's called 'GUY' and it stands for 'Go Under You'. So wearing make-up, smelling delicious and having suckable, kissable, edible things between your limbs is something I find strengthening because I know that when I pick the right guy, I can let him have it. Some women feel oppressed by make-up and clothing, and here's to them, they have every right to feel that way as well.[3]
On her social media website Littlemonsters.com, Gaga later corrected the song title, saying that it is actually "G.U.Y.", an acronym for "Girl Under You". She also revealed that the song was written and produced with musician Zedd, who had been touring with Gaga for her Born This Way Ball. Zedd had previously done a remix of her single "Marry the Night" for her remix album, Born This Way: The Remix, and Gaga had contributed vocals on an alternate version of Zedd's track, "Stache". The musician told MTV News that they "both love nothing more than making music, so it was just kind of natural for us to just work on music". He also confirmed that around ten songs were composed with Gaga and was almost finished, although he was not sure which would be available on the final track list for Artpop.[4][5]
By January 2013, Zedd clarified that due to their busy schedules it was difficult to complete the project and work progressed mainly during the tour.
Recording and composition
Initial recording sessions for Artpop coincided with the Born This Way Ball.[8] Zedd was not happy with the initial outcome of the recordings and so he suggested Gaga to re-do the whole process. Gaga's idea of recording the songs with Zedd was to not limit themselves with the intention of creating a staple radio hit, instead be creative in whichever way they wanted. He explained to Rolling Stone that they did not "try to make an EDM album – but, at the same time, we didn't try not to make an EDM album. I've done a lot of stuff that's really outside of what I usually do. There was one song that started from her just giving me, like, 10 words to describe an emotion, and then I had to make this into music. It's been a very experimental way of approaching music."[9]
The song was recorded at
According to Musicnotes.com, "G.U.Y." is set in the
Its composition is reminiscent of the songs on Gaga's first album, The Fame (2008), with MTV News' John Walker noticing a number of topics being addressed by the lyrics, including sexual preferences, dominance and submission and gender roles.[17] There is also a glimpse of baroque music in the composition which Ed Power of Hot Press described as landing "its blows with agreeable fervor".[18] The song opens with Gaga playing the role of a hostess, which Maura Johnston of Spin found similar to the 1993 erotic album, Cyborgasm.[19] It begins with a spoken word introduction about Eros, the god of sexual desire.[20]
Critical response
Following its release, "G.U.Y." received mixed reviews from music critics. Positive comment came from Lipshutz, who commended Zedd's production of the song, noticing that it complimented Gaga's vocals and the hook was relatable, making "G.U.Y." the first standout track from Artpop.
Johnson described the song as "a seriously banging pop EP", and a welcome departure from the first two tracks of the album, "Aura" and "Venus". She described the song to be "an ode to taking on the submissive role in a relationship".[19] Stacy-Ann Ellis from Vibe deemed the song "almost clever".[25] Brian Tank from The Buffalo News called the track a "catchy and fun" song which made one "feel happy and dance along".[26] Writing for Fact, William Bennett described the song as incredible.[27] Mikael Wood from Los Angeles Times felt that "G.U.Y." helped the Artpop album have a "fresh" sound.[28] Annie Zalenski of The A.V. Club praised it as one of the album's highlights.[29] The song was called an "instant hit" by Mike Driver from Clash who found the usage of handclaps and the chorus as addictive.[30] Clare Considine from Time Out found the song to be inspired by the work of Madonna and David Bowie, in its "cosmic pansexual playfulness".[31] Brad Wheeler from The Globe and Mail noted the erotic elements associated with the track, jokingly adding that "one imagines Gaga's choreographer is busy at work on the song's live erotica possibilities as we speak."[32]
Negative reviews came from Sal Cinquemani of
Release and artwork
A 12-second preview of "G.U.Y." was posted online by Gaga in October 2013 as a preview of songs from Artpop.[41] The part in the snippet was from the, "Love me, love me, please retweet. Let me be the girl under you that makes you cry," line.[42] Interscope Records later uploaded the track "Gypsy" on their SoundCloud account as list of singles they would send for radio play. This led to speculation in the media that "Gypsy" would be released as the third single from Artpop.[43] Gaga also announced plans of shooting a new music video, which tied in with the single rumors.[44] In March 2014, NBC announced that the next Artpop single would be "G.U.Y." and that they would premiere its music video on March 22.[45] It officially impacted mainstream and rhythmic radio stations in the US on April 8, 2014.[46] A radio edit was uploaded to Interscope's SoundCloud; the edit has 20 seconds of the introduction chopped off.[47] Universal Music announced that in Italy, the song would be played from March 28, 2014, while BBC Radio 1 declared "G.U.Y." as new music on UK radio from April 21, 2014.[48][49]
Gaga revealed the official artwork for the single through her Facebook account. It shows the singer in one of the instances from the music video, in a bruised state and sporting big wings behind her. Digital Spy's Lewis Corner described the artwork as "[representing] a phoenix who rises from the ashes."[50] The image is surrounded by the same white border prevalent in the other artworks, like those of "Do What U Want", "Applause", and the promotional single "Dope". Beneath the cover, Gaga revealed that the song title and the artist name were self-written.[51]
Chart performance
Following the release of Artpop, the song debuted and reached a peak of number 42 on the
Music video
Background and production
In February 2014, it was announced that Gaga had been allowed to shoot for a musical project at
Among the accessories shown, the wings worn in the video were made by Jim Henson Studios and her own creative team, Haus of Gaga, created the arrows. Gaga told Access Hollywood about the shoot at Hearst Castle and the main idea behind the video: "It was a great experience writing the treatment working with everyone and I was like, 'Don't touch anything, and if you knock over a sculpture I'm going to pass out!'. The intention of the video was to create something that was a true sort of road map of my journey, being an artist, a pop singer, a creative person..... It's interesting because in this video the fashion and the psychotic sort of whimsy is all happening around me and it's me almost like Alice in Wonderland going through my own rabbit hole in my brain and re-experiencing the past year of my life. Every moment that we were filming together was really joyous and really fun."[61]
The cast from RHOBH featured included
Gaga also used the 3D game
Release and synopsis
On March 14, 2014, Gaga revealed during her keynote speech with
Running for nearly twelve minutes, the video features the four songs "Artpop", "Venus", "G.U.Y" and "Manicure" from Artpop and features the central video for "G.U.Y." The video opens with corporate business men fighting each other over money. Nearby, a fallen angel (played by Gaga) has been shot out of the sky with an arrow. The instrumental of her song "Artpop" plays in the background. The men run off and Gaga crawls to safety, removing the arrow from her chest. Gaga makes it to her feet and travels to a palace, where she collapses at the front door and is scraped up by the guards. "Venus" begins as she is carried down to the pool, where people cover her in flowers and put her into the water to heal her.
"G.U.Y." begins as Gaga rises again in a white dress, reborn as a Greek goddess of sorts and the song begins to play. Shots of Gaga in different outfits, including a blue dress and white bikini are shown with dance sequences.
Reception and analysis
"It's really up for interpretation by anyone that watches it. There's some artistic images and just some really pop images and I think the trick is to kind of watch it a few times and you'll catch something different each time. But it's ok to be confused because the intention was for there to be a hallucinogenic quality to when you watch it, like Pop Culture Acid."
—Gaga talking on Sirius XM about the different themes in the video.[71]
Christina Lee from Idolator called it "extravagant" and found similarity to the release of Jackson's music video for "Remember the Time", with Gaga building up anticipation for "G.U.Y." with teasers and premiere.[72] Marissa G. Muller from MTV News commended the fashion, the choreography, the appearance of RHOBH in the video, and all who worked in it in the credits, saying "While it's a humbling move to put the spotlight on everyone else's contributions, it's also a reminder of how truly epic this production is. It's gonna be really hard for Gaga to out-Gaga this one."[73] Adam Markovitz from Entertainment Weekly was impressed by the grandiose of the video calling it "camp-pop delirium". He compared it with director Jean Cocteau's films and proposed different theories as to the plot of the video, including ode to old and new Hollywood and a satire of "corporate subservience".[74] This view was shared by Whitney Phaneuf from HitFix who called it a "heavy dose of camp and pop culture".[75]
MuuMuse's Bradley Stern described the video as "an eye-popping 7-minute deep dive into astonishing new levels of self-importance and certifiable insanity." The video was also noted as Gaga's most ambitious project since those for her previous singles "Bad Romance" and "Telephone".[76] Kevin Rutherford from Billboard said that Gaga "has no problem attaching art to music" and that "she's not showing signs of stopping anytime soon with her new music video."[77] Isaiah Thomas from El Espectador noted that the video was a response by Gaga against accusations of "selling out" to the corporate world. Especially the ending of the video justified this with Gaga murdering the corporate heads who supposedly destroyed her freedom in the beginning of the video.[78] Dharmic X from Complex described the release as "vibrant" and "leftfield", as is expected from a release by Gaga.[79] Samantha Grossman from Time expected the video to be full of the strange imagery and the extravagant costumes, making it "bizarre".[80]
Negative reviews came from Slant Magazine's Sal Cinquemani, who found the plot to be "muddled", ultimately deducing that the final output was "unsexy" for a song talking about sexual submissiveness. Cinquemani found inspirations from the 1952 musical film Million Dollar Mermaid, in the scenes involving synchronized swimming.[81] Contactmusic.com's Elinor Cosgrave highlighted the video's "mix of symbolism", though criticized the references to Christ and rebirth.[82]
Live performances
"G.U.Y." was included in the setlist of her
The song was also included in the set list of her ArtRave: The Artpop Ball tour, being the second track performed. The singer wore a bejeweled leotard which had the Jeff Koons blue gazing ball attached in the middle; the ball was previously used in the album cover art for Artpop. Gaga accessorized the dress with a pair of feathered wings while wearing a blond bob wig reminiscent of her looks from The Fame era.[89] Following the performance of the album title song, "Artpop", Gaga loosened the wings and was joined by her dancers on the ramp to perform "G.U.Y." During the intermediate verses Gaga performed a choreographed routine reminiscent of the music video with a dancer. The performance ended with the singer and the dancers reaching the main stage and dancing energetically. It received positive review from Ross Raihala of St. Paul Pioneer Press who said that the song sounded "terrific" in its live rendition.[90] Chuck Yarborough from The Plain Dealer noticed that Gaga sang with a backing track during the performance of "G.U.Y.", but concluded that "she and a gifted crew of dancers kept up a manic pace that matched the frenzy of the evening".[91]
Track listing and formats
Digital download – Remixes[92]
- "G.U.Y." (St. Lucia Remix) – 5:29
- "G.U.Y." (Rami Samir Afuni Remix) – 4:28
- "G.U.Y." (Wayne G Throwback Anthem) – 7:53
- "G.U.Y." (Lovelife Remix) – 3:15
- "G.U.Y." (KDrew Remix) – 4:45
Credits and personnel
Credits adapted from the liner notes of Artpop.[10]
Management
- Recorded at Record Plant Studios, Hollywood, California
- Mastered at Oasis Mastering Studios, Burbank, California
- Stefani Germanotta P/K/A Lady Gaga (BMI) Sony ATV Songs LLC/House of Gaga Publishing, LLC/GloJoe Music Inc. (BMI), Zedd Music Empire (ASCAP), All rights administered by Kobalt Songs Music Publishing.
Personnel
- lead vocals, producer, piano, guitar, vocal arrangement
- Zedd – songwriter, producer, mixing
- Dave Russell – recording
- Benjamin Rice – recording assistant
- Sonja Durham – vocals during introduction
- Rick Pearl – additional programming
- Ryan Shanahan – assistant
- Jesse Taub – assistant
- Ivy Skoff – union contract administrator
- Gene Grimaldi – mastering
Charts
Charts (2013–2014) | Peak position |
---|---|
Australia (ARIA)[58] | 88 |
Belgium (Ultratip Bubbling Under Flanders)[93] | 7 |
Belgium (Ultratip Bubbling Under Wallonia)[94] | 13 |
Bulgaria (IFPI)[95] | 5 |
Canada | 47 |
Czech Republic (Rádio – Top 100)[97] | 45 |
Finland Airplay ( Radiosoittolista)[98]
|
38 |
France ( SNEP)[57]
|
92 |
Greece Digital Songs (Billboard)[99] | 8 |
Italy ( FIMI)[100]
|
94 |
Lebanon (The Official Lebanese Top 20)[101] | 16 |
Slovakia (Rádio Top 100)[102] | 73 |
South Korea International ( Gaon)[103]
|
54 |
UK Singles (OCC)[59] | 115 |
US Billboard Hot 100[104] | 76 |
US Dance Club Songs (Billboard)[105] | 4 |
US | 29 |
Certifications and sales
Region | Certification | Certified units/sales |
---|---|---|
Brazil (Pro-Música Brasil)[107] | 2× Platinum | 120,000‡ |
‡ Sales+streaming figures based on certification alone. |
Release history
Region | Date | Format(s) | Version | Label(s) | Ref. |
---|---|---|---|---|---|
France | March 22, 2014 | Radio airplay | Original | Universal | [108] |
Italy | March 28, 2014 | Streamline | [48] | ||
United States | April 8, 2014 |
|
[46] | ||
Various | April 29, 2014 | Remixes | Interscope | [109] | |
United States | November 11, 2023 | 7" vinyl | Original | [110] |
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