Garrett Bradley (filmmaker)

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Garrett Bradley
Born1986 (age 37–38)
New York City, U.S.
Education
UCLA
OccupationFilmmaker
Years active2014–present
Notable workAlone; America; Time
Parent(s)Peter Bradley
Suzanne McClelland
AwardsAmerican Academy of Arts and Letters: Art, Arts and Letters Awards (2022); Sundance Film Festival; Best Director, US Documentary Competition (2020); Prix de Rome (2019); Creative Capital Grantee (2019)

Garrett Bradley (born 1986) is an American filmmaker and director of short films, feature films, documentaries, and television. She is known for blending cinematic genres to explore the larger

sociopolitical
significance of the everyday moments of her subjects' lived experience.

Early life and education

Bradley was born in New York City in 1986[1] to abstract painters Suzanne McClelland and Peter Bradley.[2] Her parents divorced when she was two years old.[3] At sixteen, Bradley made her first film, which involved her interviewing each of her parents about art, the other parent, and why they got a divorce.[2] For Bradley, this first film project was an opportunity to ask her parents questions that she "didn't feel safe asking without a camera."[4] She titled the film Be-Bop Fidelity and submitted it to the Bridge Film Festival run by her high school, the Brooklyn Friends School; there she won her first film award.[5][6]

Bradley studied religion at

UCLA in 2012.[3][7] She is an alumna of the Skowhegan School of Painting and Sculpture.[1] Bradley's professional work began in college as a concert photographer for Central Park's SummerStage.[citation needed
]

Career

Her debut feature-length film, Below Dreams, premiered at the 2014 Tribeca Festival and followed the lives of three people in reverse migration from north to south, in pursuit of a fresh start. Bradley was noted for her lyrical, hybridized filmmaking style described by New York Magazine's Bilge Ebiri as “a slow-burn beauty...improvisatory, glancing, gorgeous and as much about the textured quality and imagery as it is about character development or class conflict.”[8] Below Dreams was cast almost entirely from Craigslist; an approach Bradley took after having no luck working with traditional casting directors in New Orleans.[9] Many of the people depicted in the film, re-appear in later works. [citation needed]

In 2017, Bradley co-founded Creative Council, an artist-led after-school program which was aimed at developing strong college portfolios and applications for students attending public high schools in New Orleans. Creative Council was supported by The New Orleans Video Access Center (NOVAC).[10]

Notable Works

Alone

Bradley’s 13-minute documentary film Alone (2017), like her feature documentary film, Time, focuses on incarceration in the United States from what Bradley has described as a "distinctly Black southern, feminist perspective."

New York Times OpDocs.[12] In 2021, Alone was included in Grief and Grievance: Art and Mourning in America, an exhibition originally conceived by Okwui Enwezor for the New Museum.[13]

America

Bradley's 2019 project, America, is both a single channel film and multi-channel installation - composed of two distinct edits. America was first installed at the

the Museum of Modern Art, and was organized by Thelma Golden and Legacy Russell. The exhibition was part of a multiyear partnership between The Studio Museum in Harlem, The Museum of Modern Art and MoMA PS1. Roberta Smith of The New York Times wrote of the show “Bradley’s ambitious effort adds new energy to both Post-Minimalism and Pictures Generation appropriation art….Punctuated by the high-spirits and faster speed of “Field Day,” Bradley’s “America sets us in motion, circling the screens, exploring the possible identities, stories and symbols of its shifting stories and their regular moments of aural and filmic lyricism. Not to mention some perceptual overload: Does the piece use two, three or four channels? You think the images proceed in matched pairs — especially since only two projectors are visible — but then suddenly, they don’t. In every way, this work is a constant discovery.”[17]

The short film of the same title was called by Observer film critic Simran Hans the "most original film" she saw at the 2019 Sundance Film Festival,

RaMell Ross. The event was in partnership with New York University's "Black Portraiture: V Memory and the Archive Past. Present. Future.” In The New York Review of Books, the author Maya Binyam wrote “Since the release of America, Bradley has joined the ranks of archivist-artist, figures whose mission is often said by critics and curators to be a corrective to the archive’s irredeemable deficiencies. The narratives that make up history have obvious limitations: they leave people out. Art, on the other hand, is believed by practically everyone, except for those who actually make it, to be boundless. And so creative people are tasked with doing what the entrenched institutions that narrate and preserve history supposedly cannot: facilitate redress. Bradley’s work undercuts that expectation.”[20]

Time

Main article: Time (2020 film)

In 2020, Bradley presented her debut feature-length documentary, Time, which was nominated for over 57 awards and twenty wins including an Academy Award nomination, 2020 Peabody Award, and Best Director Award in the U.S. Documentary Competition category at the

Time Magazine’s “25 Defining Works of the Black Renaissance,”[21] Barack Obama’s 2020 favorite film list, and The Hollywood Reporter’s “Hollywood Reporter Critics Pick the 50 Best Films of the 21st Century (So Far)” list.[22]

Other Works

In 2021, Netflix released Naomi Osaka, a three-part miniseries directed by Bradley. The series follows professional tennis player Naomi Osaka over a two-year period during the 2020 COVID-19 pandemic.[23] Filming took place throughout America, Japan, Haiti and Australia. During filming Bradley gave Osaka a camcorder to film her own footage also used throughout the series. It is a look inside the life of a professional athlete trying to navigate the pressures of being a global superstar. [citation needed]

In 2022, Bradley had her inaugural exhibition with Lisson Gallery. Safe, is the second in a trilogy which includes AKA. These short films explore the nuanced overlap between women’s interior and exterior lives.[24] Also, in 2022, Bradley and artist Arthur Jafa, collaborated on a split screen film installation a Negro, a Lim-o, which was commissioned for MoMA's exhibition Just Above Midtown: Changing Spaces. The piece is derived from both artist's personal relationship to "JAM" and uses "JAM" archival material, conversations, and original footage.[25]

Solo exhibitions

2023
  • AKA, COMA, Sydney, Australia[26]
2022
2021
  • Garrett Bradley: American Rhapsody, The Momentary, Bentonville, AR
2019
  • Garrett Bradley: American Rhapsody, Contemporary Arts Museum Houston, Houston, TX
  • Garrett Bradley's America: A Journey Through Race and Time, BAM Rose Cinemas, New York, NY

Group exhibitions

2022
  • Just Above Midtown: 1974 to the Present, The Museum of Modern Art, New York, NY[25]
  • 2022 Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY
  • Toni Morrison's Back Book, David Zwirner, New York, NY[27]
2021
2020
  • Cinque Monstre 2020: Convergence, American Academy of Rome, Rome, Italy
2019
  • Shirin Neshat + Garrett Bradley, The Broad @ Array, Los Angeles, CA
  • Bodies of Knowledge, New Orleans Museum of Art. New Orleans, LA
  • Whitney Biennial,
    Whitney Museum of American Art
    , New York, NY

Filmography

Film and television

Year Title Notes
2014 Below Dreams[28] Bradley's feature film debut at the 2014 Tribeca Film Festival[29]
2015 Cover Me[30] Prospect 3 Arts Biennial
2016 Like[31] Short
2017 Alone[32] Short Form Jury Award in nonfiction at the 2017 Sundance Film Festival; 2017 Oscar Contender (Shortlist)
2017 Queen Sugar[33] Director of one episode, "Live in the All Along"[34]
2018 The Earth is Humming[35] Documentary short
2019 America[36] Documentary short[37]
2019 When They See Us Second unit director, 4 episodes
2019 A.K.A. Video Installation at the 2019 Whitney Biennial[38]
2020 Naomi Osaka Purchased by Netflix
2020 Time Best Director for US Documentary in Competition at the 2020 Sundance Film Festival
Nominated for
Academy Award for Best Documentary Feature

References

  1. ^ a b "Garrett Bradley | Artists". Lisson Gallery. Retrieved July 22, 2023.
  2. ^ a b "There's No Time Like the Present—or the Past—in Garrett Bradley's Mesmerizing Films". ELLE. October 15, 2020. Retrieved July 23, 2023.
  3. ^ a b Brennan, Matt (April 22, 2015). "Garrett Bradley on Millennials, Making Films as a Woman of Color, and New Orleans-Set Debut 'Below Dreams'". IndieWire. Retrieved July 23, 2023.
  4. ISSN 0362-4331
    . Retrieved July 24, 2023.
  5. ^ July, Beandrea (October 16, 2020). "'Time' Director Garrett Bradley on the Importance of Creative Community and Confronting the Idea of the Auteur - sundance.org". Retrieved July 25, 2023.
  6. ^ "Brooklyn Friends School | Let Your Films Speak: The Bridge Film Festival,15 Years Young". March 27, 2014. Retrieved July 25, 2023.
  7. ^ Sethi, Simran (April 6, 2022). "The Word is 'Love'". Smith College Grecourt Gate. Retrieved September 6, 2023.
  8. ^ Ebiri, Bilge; York, a film critic for New; Vulture (April 15, 2014). "16 of the Best Films Playing at This Year's Tribeca Film Festival - Slideshow". Vulture. Retrieved July 22, 2023.
  9. ^ Murphy, Mekado (April 17, 2014). "Interview: Garrett Bradley on 'Below Dreams'". ArtsBeat. Retrieved July 22, 2023.
  10. ^ "Garrett Bradley - Sundance Collab". collab.sundance.org. Retrieved July 22, 2023.
  11. ^ Jalinous, Kaveh. "Garrett Bradley On Her New Documentary, "Time"". www.undertheradarmag.com. Retrieved March 28, 2024.
  12. ^
    ISSN 0962-0672
    . Retrieved March 28, 2024.
  13. ^ a b "Grief and Grievance: Art and Mourning in America". www.newmuseum.org. Retrieved July 22, 2023.
  14. ^ "Garrett Bradley: American Rhapsody". Contemporary Arts Museum Houston. Retrieved July 22, 2023.
  15. ^ "Garrett Bradley: American Rhapsody". The August Wilson African American Cultural Center. Retrieved July 22, 2023.
  16. ^ "Garrett Bradley: American Rhapsody". www.moca.org. Retrieved July 22, 2023.
  17. ISSN 0362-4331
    . Retrieved July 22, 2023.
  18. ISSN 0029-7712
    . Retrieved July 22, 2023.
  19. ^ "Garrett Bradley's America: A Journey Through Race and Time". BAM.org. Retrieved July 22, 2023.
  20. ^ Binyam, Maya. "Hiding in Plain Sight | Maya Binyam". The New York Review of Books. Retrieved July 22, 2023.
  21. ^ "The 25 Defining Works of the Black Renaissance". Time. February 4, 2021. Retrieved July 22, 2023.
  22. ^ Frosch, Jon; Rooney, David; Linden, Sheri; Gyarkye, Lovia; Felperin, Leslie; Mintzer, Jordan (April 6, 2023). "Hollywood Reporter Critics Pick the 50 Best Films of the 21st Century (So Far)". The Hollywood Reporter. Retrieved July 22, 2023.
  23. ^ Kaufman, Amy (July 19, 2021). "Why press-averse Naomi Osaka agreed to let Netflix make a docuseries about her life". Los Angeles Times. Retrieved March 28, 2024.
  24. ^ a b "Garrett Bradley: Safe | Exhibitions". Lisson Gallery. Retrieved July 22, 2023.
  25. ^ a b "VIA Art Fund | Garrett Bradley and Arthur Jafa: a Negro, a Lim-o (2022)". VIA Art Fund. Retrieved July 22, 2023.
  26. ^ "Coma Gallery exhibition".
  27. ^ "Toni Morrison's Black Book". David Zwirner. Retrieved July 22, 2023.
  28. ^ "Below Dreams". April 18, 2014 – via IMDb.
  29. ^ "5 Questions for Below Dreams Director Garrett Bradley". Filmmaker Magazine. April 22, 2014.
  30. ^ "Cover Me" – via IMDb.
  31. ^ "Like". March 12, 2016 – via IMDb.
  32. ^ Bradley, Garrett (February 14, 2017). "Video: Opinion | Alone". The New York Times – via NYTimes.com.
  33. ^ "Queen Sugar". September 6, 2016 – via IMDb.
  34. ^ "Live in the All Along". October 18, 2017 – via IMDb.
  35. ^ "The Earth is Humming" – via IMDb.
  36. ^ "America". January 26, 2019 – via IMDb.
  37. ^ "Souvenirs, secrets and Springsteen: the best of Sundance 2019". the Guardian. February 3, 2019.
  38. ^ "Whitney Biennial 2019". whitney.org.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Garrett_Bradley_(filmmaker)&oldid=1216071867"