Generation X (band)
Generation X | |
---|---|
Years active | 1976–1981, 1993 |
Labels | Chrysalis |
Past members |
Generation X (later known as Gen X) were an English
History
Formation
During the
With his photogenic looks and egotism, Broad – styling himself with a punk pseudonym of "Billy Idol" – abandoned the guitar to be the frontman and lead singer of the new unit. When the 17 year old lead guitarist Bob "Derwood" Andrews was recruited from the Fulham rocker band Paradox, 'Generation X' took the stage for the first time in public at the Central School of Art and Design on 10 December 1976.[5] The new band played its second gig four days later at the newly opened The Roxy, which Czezowski had also begun managing. Generation X was the first band to play at the venue.[4][18] Soon after formation Generation X abandoned playing cover versions in its live performances around London, and began writing its own material, with Idol writing music around James' lyrical song constructions.[19]
1977–1978
In early 1977, the management for the band was passed from Czezowoski, who preferred club management to live acts, to a dual management of Stewart Joseph, a fanzine promoter from Rough Trade Records,[20] with the Sounds journalist Jonh Ingham, who professionalized the act's business aspect, and began approaching record companies to secure a recording deal.[21]
On 16 February 1977, the band went into a studio for the first time to record a demo session of five songs at De Lane Lea Studios in Wembley, North London, sponsored by Chiswick Records. The lyrics of some of the songs possessed a partially politicized tone (with a critique of The National Front, and The Troubles) that the band would abandon after its early months.[citation needed] Later in the year, Generation X's first record was released by the band itself in the form of an unmarked white label for promotional purposes, with the song "Your Generation" as its A-side, and "Listen" as the B-side, taken from the De Lane Lea demo session. 250 copies were initially pressed, followed by another 500 copies, all in unmarked white paper sleeves.
In mid-March 1977, amidst a heavy performance schedule in London and increasingly beyond the confines of the capital city into England's provinces, a gig had to be abandoned at the
In mid-July Generation X signed a recording contract with
Along with writing and performing the band's musical output, James and Idol around this period sought to extend the band's brand identity beyond purely the musical sphere, by designing and manufacturing a series of
In September 1977, Generation X was one of the first punk units to appear on the
Generation X stood out in the burgeoning milieu of punk-music bands for its combination of the raw raucous energy of punk-rock, with a more commercially melodic sound and visual image in the tradition of earlier British pop music styles of the 1960s, drawing influences from bands such as
In late September/early October 1977, the band spent several days recording demo sessions, overseen by Phil Wainman, at Utopia Studios in Primrose Hill, North London, in preparation for its first album release.[45]
In mid-November 1977, the band released the single "Wild Youth", written on the spur of the moment during a publicity photo-shoot with the photographer Ray Stevenson, in the streets of London's West End a few weeks earlier, the song being inspired by street graffiti.
Towards the end of 1977, Jonh Ingham resigned from Generation X's management as a preliminary to his going to live in the United States, and after having come into conflict with Tony James,[46] leaving Stewart Joseph in sole charge.[47]
In February 1978, the single "Ready Steady Go" (with a b-side track entitled "No No No") was released with cover art taken from the design of one of the band's self-produced T-shirts, but it failed to enter the top 40 of the UK Singles Chart.
In April the
The band maintained a high work rate of live performances as the year developed, with Idol also going on a first promotional visit for the band to the United States in May 1978, followed by another international gig for the band in Paris in June, several live BBC radio performances, and being supported by a new West Sussex band named The Cure for several dates in November and December 1978. In October, Generation X went into Wessex Sound Studios in Islington,[54] with Ian Hunter acting as record producer, to record their second album, entitled Valley of the Dolls,[5] which saw the band moving to a style of mainstream rock music, with the incorporation of aspects of the early 1970s glam punk movement and progressive rock into its sound and look,[37] along with the mid-1970s song-writing techniques of Bruce Springsteen.[55]
1979: Break up of Generation X
In January 1979, the band with its manager Stewart Joseph was called into the offices of Chrysalis Records, where they were told that the label was unhappy that the money that it had invested into the act since mid-1977 was not being reflected in its chart success, and that if its next single, entitled "King Rocker", was not a hit its contract would be dropped. After the meeting, Joseph announced a cut in the band's members' weekly wages as an inducement to harder work.[56] On release in the same month "King Rocker" (1979), with a b-side cover of John Lennon's "Gimme Some Truth", taken from a BBC live radio performance in 1977, became the band's commercial career high point, going to No. 11 in the UK Singles Chart, assisted by being issued in the format of a variety of differently coloured discs with distinctive band portrait cover art, which required multiple purchases of the single to acquire the complete set,[57] designed by Barney Bubbles, who had worked on the band's graphic art previously in 1977.[36]
However, after a couple of propitious opening years, the band's third year saw a deterioration in its chart success from the high of the "King Rocker" single, with the Valley of the Dolls (1979) album, also released in January, performing disappointingly in the UK Albums Chart, reaching only No. 51. The new LP also received a critical mauling in the music press, with reviewers slating it as overblown and artistically hollow,
1980–1981: New line-up
With Andrews and Laff gone (with James putting out a line to the music press's questions as to why Generation X had split that he and Idol had fired them, because they "had a terrible tendency to sound like Deep Purple"),[66] Idol and James recruited Terry Chimes as a replacement drummer.[30] James also found a manager for the new formation in the form of Bill Aucoin, however after assessing the act's potential, Aucoin was surreptitiously more interested in the commercial possibilities of Idol as a solo artist in the American marketplace than the band, and began moving behind the scenes to this end.[67]
This new line-up re-titled itself as Gen X, styling itself as a
In March 1980, Gen X went into Eel Pie Studios in Soho[70] with the lead guitarist Steve New to record a demo session.[citation needed] Idol and James wanted New to be Gen X's guitarist, but, after recording and rehearsing with him through the early months of 1980, they abandoned the idea over concerns about his professional reliability due to a narcotic habit.[67]
In mid-1980, Gen X went into
However, the production of the new record had been problematic. Tony James later described narcotic use by other members of the line-up, including Idol, during the recording sessions as hampering it, and his personal working relationship with Idol was becoming distanced by James' unease at Idol's intensifying attraction to opiates[74] (James would later ascribe the cause of the end of the band and his professional partnership with Idol to: "really, drugs destroyed us").[75][26] This distancing was exacerbated by Idol's increasing self-sufficiency in song-writing, a wearying of James's company due to what Idol perceived as an uptight and intense demeanor that had developed in James's personality, and an increasing allure to Idol of the prospects of a solo career for himself, which had been waxing in his mind since the failure of the Valley of the Dolls in 1979. Also, during the recording of the Kiss Me Deadly, James had got on badly with its producer Keith Forsey, with whom Idol had established a professional rapport and was eager to work with again.[76]
The record itself, despite the innovation of its sound as a part of the new wave movement in pop music, and its display of Idol and James' maturing talent as songwriters, failed to chart on release, regardless of a brief low-key tour in November 1980 to January 1981 (with James Stevenson playing guitar) to promote it. A lacklustre pre-release in October 1980 of the song "Dancing with Myself", backed by a B-side of a Rocksteadyesque dub song entitled "Ugly Rash", with a stark cover art portrait of Idol photographed by Iain McKell utilizing a child model in a disturbing way, had also failed to launch the new act, reaching only No. 62 in the UK Singles Chart. A hotchpotch EP, entitled Gen X - 4, containing Generation X and Gen X material was also released in January to little effect.[77] Critical reviews of the new LP in the music press were also generally indifferent,[78] or hostile, with Smash Hits magazine giving it 2 out of 10.[79] In consequence, after receiving notification from Aucoin that Idol was now willing to abandon the band, Chrysalis Records dropped the contract, writing off the quarter of a million pounds that it had invested into the act's development over four years,[80] and Gen X broke up in February 1981. Its last public performances were an appearance on BBC Television's Oxford Road Show (with Idol wearing cross-dressing stage clothes of a male neo-Gothic high collared coat combined with female knickers and black-tights),[citation needed] and a gig recorded live by BBC Radio at the Paris Theatre in London on 7 January 1981.[81][82]
Idol and James parted company in February 1981 (with some discord from James' corner, with an unnamed party briefing the music press that the premature end of Gen X had been brought about due to a "chemical imbalance"),[83] after Gen X's ex-manager Bill Aucoin advised Idol to relocate from London to New York City.[74][84] James went on to form and perform with the rockabilly/cyberpunk act Sigue Sigue Sputnik, with which he returned to the British chart in the late 1980s, with a single and a long-player entering the Top 10.[85] Idol left England with a solo artist contract from Chrysalis Records to start anew in the United States, taking Gen X's single "Dancing with Myself" as a calling card. During the 1980s he became one of the most commercially successful pop/rock stars that originated from the 1970s punk rock movement.[86]
Reunions
On 20 September 1993, during the England leg of Idol's 'No Religion' tour, the late 1970s Generation X reformed for a one-off performance at the
On 30 October 2018, Billy Idol and Tony James along with Steve Jones and Paul Cook, formerly of the Sex Pistols, performed a free entry gig at The Roxy in Hollywood, Los Angeles, California, under the name Generation Sex, playing a combined set of the two former bands' material. Entrance tickets were allotted to applicants via a lottery.[87][88]
Discography
- Generation X (1978)
- Valley of the Dolls (1979)
- Kiss Me Deadly (1981)
- K.M.D. - Sweet Revenge (1998)
See also
- DOA
- Bromley Contingent
- List of British punk bands
- List of Peel sessions
- List of musicians in the first wave of punk music
- List of performers on Top of the Pops
- Music of the United Kingdom (1970s)
Notes
- ^ "Chapter Nine: SHAKE UP THE CITY (Part 1)". 3 March 2018. Archived from the original on 3 March 2018. Retrieved 3 September 2021.
References
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- ^ 'London's Burning – True Adventures on the Frontlines of Punk 1976-1977', by Dave Thompson (Pub. Chicago Review Press, 2009)
- ^ 'England's Dreaming Tapes', by Jon Savage (Faber & Faber, 2009), p. 281
- ^ Interview with Tony James, 'Gary Crowley's Punk & New Wave Show', 21 October 2015, Soho Radio, London
- ^ a b "Billy Idol - Kings & Queens of the Underground - Episode #5". YouTube. Archived from the original on 13 December 2021. Retrieved 18 June 2021.
- ^ Interview with Tony James in April 2002 for the 'Generation X Anthology' (2003)
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- ^ "Chelsea.html". 18 August 2006. Archived from the original on 18 August 2006. Retrieved 3 September 2021.
- ^ "Chelsea - Discography". Punkygibbon.co.uk. Retrieved 18 June 2021.
- ^ Interview with Gene October, 'Punk Rock: An Oral History', by John Robb (Pub. Ebury Press, 2006)
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- ^ Punk Rock - An Oral History, by John Robb. p. 240. (Pub. P.M. Press, 2012)
- ^ "3am Interview: TURNING REBELLION INTO MONEY - AN INTERVIEW WITH ANDY CZEZOWSKI AND SUSAN CARRINGTON". 3ammagazine.com. Retrieved 18 June 2021.
- ^ (This performance and off-stage interactions at the gig were included as part of The Punk Rock Movie (1978)
- ^ "Tony James and Billy Idol on Jonesy's Jukebox 5/21/18". YouTube. Archived from the original on 13 December 2021. Retrieved 18 June 2021.
- ^ Goldman, Vivien (19 June 2013). "Geoff Travis of Rough Trade: 'We integrate everything with everything' – a classic feature". The Guardian. Retrieved 18 June 2021.
- ^ The Roxy, WC2 - A Punk History, by Paul Marko (Pub. Punk 77 Books, 2007), p .78
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- ^ "Loaded Five : Fanzine" (PDF). Bristolarchiverecords.com. Retrieved 18 June 2021.
- ^ Interview with Tony James, Punk Rock - An Oral History, by John Robb, p. 316. (Pub. P.M. Press, 2012)
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- ^ a b 'Idol & James find the new X factor', New Musical Express, 6 December 1980
- ^ Radio interview with Phil Wainman, 'The Producers' Wnew.Radio.com 13 September 2011
- ^ ISBN 1-84195-017-3.
- ^ 'If that's your generation you can keep it', Record Mirror, 3 September 1977
- ^ 'England's Dreaming Tapes', by Jon Savage (Pub. Faber & Faber 2009), p. 283
- ^ "New Page 3". Boredteenagers.co.uk. Retrieved 18 June 2021.
- ^ Punk Rock - An Oral History, p. 316, by John Robb. (Pub. P.M. Press, 2012)
- ^ "YOUR GENERATION". Boredteenagers.co.uk. Retrieved 18 June 2021.
- ^ a b "Reasons to be Cheerful » Generation X". 18 September 2010. Archived from the original on 18 September 2010. Retrieved 3 September 2021.
- ^ a b c "Biography by Greg Prato". AllMusic. Retrieved 29 April 2009.
- ^ 'Clean Punks: The Menace to our Kids', interview with Generation X by Tony Parsons, New Musical Express, 29 January 1977
- ^ "New Page 1". Boredteenagers.co.uk. Retrieved 18 June 2021.
- ^ 'Generation X', interview with Tony James, 'Q' Magazine, April 2002, p. 114
- ^ The England's Dreaming Tapes by Jon Savage (Faber & Faber, 2009), p. 283
- ^ 'Clean Punks: The Menace to our Kids', New Musical Express, 29 January 1977
- ^ "King Rocker by Generation X Songfacts". Songfacts.com. 24 July 2008. Retrieved 19 March 2013.
- ^ "Billy Idol Is Back to Remind You How Punk He Is". LA Weekly. 11 February 2015. Retrieved 18 June 2021.
- ^ "Generation X". Punkmusiccatalogue.wordpress.com. 27 April 2014. Retrieved 18 June 2021.
- ^ 'Generation X's Elusive New Game', New Musical Express, 11 February 1978
- ^ "Articles, interviews and reviews from Jonh Ingham: Rock's Backpages". Rocksbackpages.com. Retrieved 18 June 2021.
- ^ "Generation X - Ready Steady Go". 29 March 2017. Archived from the original on 29 March 2017. Retrieved 3 September 2021.
- ^ Interview with Tony James, England's Dreaming Tapes, by Jon Savage (Faber & Faber, 2009), p. 284
- ^ 'Phil's Classic Studios Series', History of T.W. Studios. "Archived copy". Archived from the original on 9 October 2016. Retrieved 22 October 2016.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ a b "trakMARX - Generation X". 25 April 2003. Archived from the original on 25 April 2003. Retrieved 3 September 2021.
- ^ New Musical Express, 'Generation X - Rock & Roll Soul', 8 April 1978
- ^ "Articles, interviews and reviews from Howie Klein: Rock's Backpages". Rocksbackpages.com. Retrieved 18 June 2021.
- ^ "Wessex Sound Studios". 18 June 2016. Archived from the original on 18 June 2016. Retrieved 18 June 2021.
- ^ Dancing With Myself, by Billy Idol (Pub. Simon & Schuster, 2014)
- ^ 'Running with the Boss Sound', written by Derwood Andrews, Mojo magazine, February 2008
- ^ "KING ROCKER". Boredteenagers.co.uk. Retrieved 18 June 2021.
- ^ Reviews of 'Valley of the Dolls' LP (1979), 'Melody Maker' 2 February 1979; 'Trouser Press', February 1979; New Musical Express, 3 February 1979
- ^ 'Down in the Dumper Something Stirred', 'Valley of the Dolls' review, New Musical Express, 3 February 1979
- ^ "Generation X - Fridays Angels". Punkygibbon.co.uk. Retrieved 18 June 2021.
- ^ a b "Guitar Player - Players". Guitarplayer.com. Retrieved 18 June 2021.
- ^ "derwood". Punkglobe.com. Retrieved 18 June 2021.
- ^ "Generation X guitarist Bob Derwood Andrews & Eric Blair talk Music 2019". YouTube. Archived from the original on 13 December 2021. Retrieved 18 June 2021.
- ^ 'Q&A with Tony James', Mojo Magazine, February 2008
- ^ 'Running with the Boss Sound', article by Derwood Andrews, Mojo Magazine, February 2008
- ^ "New Page 3". Boredteenagers.co.uk. Retrieved 18 June 2021.
- ^ a b Interview with Tony James, 'Generation X Anthology', April 2002
- ^ "Gen X - Kiss Me Deadly (EMI - 0946 3 11980 2 1)". Punkygibbon.co.uk. Retrieved 18 June 2021.
- ^ Dancing With Myself, by Billy Idol (Simon & Schuster, 2014)
- ^ "Eel Pie Studios". 29 December 2013. Archived from the original on 29 December 2013. Retrieved 18 June 2021.
- ^ Dancing with Myself by Billy Idol, (Pub. Simon & Schuster, 2014), p. 125
- ^ Dancing with Myself, by Billy Idol (Pub. Simon & Schuster, 2014), p. 124
- ^ "Gen X - Kiss Me Deadly". Punkygibbon.co.uk. Retrieved 18 June 2021.
- ^ a b "The Sputnik Story 1:2". Sputnikworld.com. Retrieved 18 June 2021.
- ^ Audio interview with Tony James recorded in April 2002 for the release of the 'Generation X Anthology' (2003)
- ^ Dancing with Myself by Billy Idol (Pub. Simon & Schuster, 2014), p. 120-127
- ^ "Gen X - Dancing With Myself". 45cat.com. Retrieved 18 June 2021.
- ^ "DANCING WITH MYSELF". Boredteenagers.co.uk. Retrieved 18 June 2021.
- ^ Review of 'Kiss Me Deadly' LP, Smash Hits, 22 January 1981
- ^ 'The Ballad of Billy & Tony', New Musical Express, 21 February 1981
- ^ "GENERATION X on BBC Radio". Nemsworld.com. Retrieved 18 June 2021.
- ^ "Gen X - The Final Lineup". Nemsworld.com. Retrieved 18 June 2021.
- ^ "Gen X - The Final Lineup". Nemsworld.com. Retrieved 18 June 2021.
- ^ Interview with Tony James in April 2002, recorded for the Generation X Anthology (2003)
- ^ "Sigue Sigue Sputnik - History". Musicglue.com. Retrieved 18 June 2021.
- ^ Billy Idol: the return of Billy the kid, The Daily Telegraph (London). Retrieved 30 November 2011
- ^ "Generation Sex". Timeout.com. 29 October 2018. Retrieved 18 June 2021.
- ^ "Generation Sex: King Rockers and Silly Things at the Roxy | L.A. Weekly". 1 November 2018. Archived from the original on 1 November 2018. Retrieved 3 September 2021.
Sources
- Ray Stevenson, Regeneration, Symbiosis (1986) – A history of Generation X in photographs and press interviews.