George Cruikshank

Source: Wikipedia, the free encyclopedia.
For the American educator, newspaper editor and historian, see George Cruikshank (editor). For other people, see George Cruickshank (disambiguation).

George Cruikshank
George Cruikshank, 1836
Born(1792-09-27)27 September 1792
London, England
Died1 February 1878(1878-02-01) (aged 85)
London, England
NationalityBritish
Known forCartoonist (caricaturist), children's literature
Spouses
Mary Ann Walker
​
​
(m. 1827; died 1849)​
Eliza Widdison
​
(m. 1851)​
PartnerAdelaide Attree
Children11
Parent(s)Isaac Cruikshank
Mary MacNaughton
RelativesIsaac Robert Cruikshank (brother)

George Cruikshank or Cruickshank (

caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens
, and many other authors, reached an international audience.

Early life

Cruikshank was born in London. His father, Edinburgh-born Isaac Cruikshank, was one of the leading caricaturists of the late 1790s and Cruikshank started his career as his father's apprentice and assistant. His older brother, Isaac Robert, also followed in the family business as a caricaturist and illustrator.

Cruikshank's early work was caricature; but in 1823, at the age of 31, he started to focus on book illustration. He illustrated the first, 1823 English translation (by Edgar Taylor and David Jardine) of Grimms' Fairy Tales, published in two volumes as German Popular Stories.[1]

On 16 October 1827, he married Mary Ann Walker (1807–1849). Two years after her death, on 7 March 1851, he married Eliza Widdison. The two lived at 263

Hampstead Road, North London
.

Cruikshank had fathered 11 illegitimate children with a mistress named Adelaide Attree, his former servant, who lived close to where he lived with his wife. Adelaide was ostensibly married and had taken the married surname 'Archibold'.[2]

Sociopolitical caricatures and illustrations

Satirical Sketches, National Gallery of Art

Cruikshank's early career was renowned for his social caricatures of English life for popular publications. He achieved early success collaborating with

George IV of the United Kingdom) "in any immoral situation". His work included a personification of England named John Bull who was developed from about 1790 in conjunction with other British satirical artists such as James Gillray, and Thomas Rowlandson.[8]

Old Bumblehead the 18th trying on Napoleon Boots 1823

Cruikshank replaced one of his major influences,

Whigs and Radicals impartially. Satirical material came to him from every public event – wars abroad, the enemies of Britain (he was highly patriotic), the frolic, among other qualities, such as the weird and terrible, in which he excelled. His hostility to enemies of Britain and a crude racism is evident in his illustrations commissioned to accompany William Maxwell's History of the Irish rebellion in 1798 (1845) where his lurid depictions of incidents in the rebellion were characterised by the simian-like portrayal of Irish rebels. Among the other racially engaged works of Cruikshank there were caricatures about the "legal barbarities" of the Chinese, the subject given by his friend, Dr. W. Gourley, a participant in the ideological battle around the Arrow War
, 1856–60.

Fagin in his cell.
Etching, 1838

Charles Dickens

1838 poster advertisement for Memoirs of Grimaldi

For Charles Dickens, Cruikshank illustrated Sketches by Boz (1836), The Mudfog Papers (1837–38) and Oliver Twist (1838). He also illustrated Memoirs of Joseph Grimaldi (1838), which Dickens edited under his regular nom de plume, "Boz". Cruikshank even acted in Dickens's amateur theatrical company.

On 30 December 1871, Cruikshank published a letter in

Pickwick Papers
suggested that the idea for that novel was originally his; however, in his preface to the 1867 edition, Dickens strenuously denied any specific input.

The friendship between Cruikshank and Dickens soured further when Cruikshank became a fanatical

teetotaler
in opposition to Dickens's views of moderation.

In

Somerset Maugham
's short story "Miss King", Cruickshank's influence is referenced:

She wore a large white cotton nightcap (on entering Ashenden has noticed the brown wig on a stand on the dressing-table) tied under the chin and a white voluminous nightdress that came high up in the neck. Nightcap and nightdress belonged to a past age and reminded you of Cruickshank's illustrations to the novels of Charles Dickens.

Temperance and the Volunteers

In the late 1840s, Cruikshank's focus shifted from book illustration to an emphasis on

National Temperance League
in 1856.

When the invasion scare of 1859 led to the creation of the

Indian Mutiny
and pioneer of Temperance Clubs in the army.

However, Cruikshank received little encouragement from the Lord-Lieutenant of Surrey, and was rebuked for crossing into Kent to recruit. Disgusted, he disbanded his unit in 1862 and began anew in Middlesex, organising the 48th Middlesex RVC (Havelock's Temperance Volunteers). The unit ran into financial difficulties and when Cruikshank was forced to retire due to age, he was replaced as commanding officer by Lt-Col Cuthbert Vickers, a wealthy shipowner. However, the

Bath Chronicle and Weekly Gazette
of 3 September 1868 reported that Cruikshank had resigned as Lieutenant-Colonel of the Volunteers "in consequence, it is said, of the reinstatement in the service of certain officers of his corps who some time since had a difference with their Lieutenant-Colonel and were cashiered".

The 48th Middlesex merged with the 2nd City of London RVC, also a working-men's unit, composed mainly of printers from the Fleet Street area, and the combined unit had a long history as the City of London Rifles.[10][11][12][13][14]

Later years

Cruikshank c. 1859–1870
Memorial to George Cruikshank in Kensal Green Cemetery

After he developed

St. Paul's Cathedral.[15][16] Punch magazine, which presumably did not know of his large illegitimate family, said in its obituary: "There never was a purer, simpler, more straightforward or altogether more blameless man. His nature had something childlike in its transparency."[2]

In his lifetime he created nearly 10,000 prints, illustrations, and plates. There are collections of his works in the British Museum and the Victoria and Albert Museum. A Royal Society of Arts blue plaque commemorates Cruikshank at 293 Hampstead Road in Camden Town.[17]

Samples of his work

The Life and Opinions of Tristram Shandy, Gentleman

  • Plate I
    Plate I
  • Plate II
    Plate II
  • Plate III
    Plate III
  • Plate IV
    Plate IV
  • Plate V
    Plate V
  • Plate VI
    Plate VI
  • Plate VII
    Plate VII
  • Plate VIII
    Plate VIII

Others

  • Jacco Macacco at the Westminster-Pit 1821
    Westminster-Pit

    1821
  • An unflattering 1819 caricature of the Prince Regent illustrating "The Political House that Jack Built" by William Hone
    An unflattering 1819 caricature of the
    Prince Regent illustrating "The Political House that Jack Built" by William Hone
  • A Splendid Spread, early satire on the crinoline from The Comic Almanack for 1850
    A Splendid Spread, early satire on the
    crinoline
    from The Comic Almanack for 1850
  • George Cruikshank, Self-Portrait
    George Cruikshank, Self-Portrait
  • Engraving of George Cruikshank
    Engraving of George Cruikshank
  • Humming-birds—or—a Dandy Trio. 1819.
    Humming-birds—or—a Dandy Trio. 1819.
  • Monstrosities of 1818, extravagant clothing styles of men's and women's fashions
    Monstrosities of 1818, extravagant clothing styles of men's and women's fashions
  • A group of servants gathered in a kitchen, ape the manners of their employers
    A group of servants gathered in a kitchen, ape the manners of their employers
  • Caricature of the Old Bailey
    Caricature of the Old Bailey
  • Caricature concerning the prices at the Covent Garden Theatre
    Caricature concerning the prices at the
    Covent Garden Theatre
  • 1813 caricature showing the Americans as cowardly in face of the British
    1813 caricature showing the Americans as cowardly in face of the British
  • Snuffing out Boney, 1814
    Snuffing out
    Boney
    , 1814
  • December – A Swallow at Christmas (Rara avis in terris)
    December – A Swallow at Christmas (Rara avis in terris)
  • The Assembly of the Gifted
    The Assembly of the Gifted

References

  1. ^ "Niamh Chapelle, 2001, p. 72" (PDF). Retrieved 22 November 2013.
  2. ^ a b John Wardroper (25 October 1992). "The secret life of a virtuous artist: John Wardroper turned sleuth to find the startling truth about George Cruikshank, illustrator and friend of Dickens, and a man revered as a stern moralist". The Independent. Retrieved 5 February 2013.
  3. Captain Marryat
    ). See Temi Odumosu's article in The Slave in European Art: From Renaissance Trophy to Abolitionist Emblem, ed Elizabeth McGrath and Jean Michel Massing, London (The Warburg Institute) and Turin 2012.
  4. ^ Catalogue of the Collection of the Works of George Cruikshank, the Property of H.W. Bruton (of Gloucester). Sotheby, Wilkinson & Hodge. 1897.
  5. ISBN 9780299301644
    .
  6. ^ "The New Union Club, Being a Representation of what took place at a celebrated Dinner, given by a celebrated society | Royal Museums Greenwich". www.rmg.co.uk. Retrieved 21 November 2021.
  7. S2CID 246984311
    .
  8. ^ Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. New York: Walker & Co., 2006
  9. ISSN 0007-1250
    .
  10. ISBN 0-85936-271-X
    , pp. 24–5, 45–6, 61 95 and Appendix VII.
  11. ISBN 978-1-84884-211-3
    , p. 179.
  12. ISBN 1-84342-170-4
    , pp. 1–3.
  13. ^ "Falling off the Wagon at Fusiliers Museum".
  14. ^ "Cuthbert Vickers probate, London Gazette 3 October 1922" (PDF).
  15. Sinclair, W.
    p. 468: London; Chapman & Hall, Ltd; 1909.
  16. ^ "Cruikshank's Grave Site on The Victorian Web". Victorianweb.org. 20 October 2006. Retrieved 22 November 2013.
  17. ^ "CRUIKSHANK, GEORGE (1792-1878)". English Heritage. Retrieved 23 October 2012.

Further reading

External links

Wikimedia Commons has media related to George Cruikshank.
Retrieved from "https://en.wikipedia.org/w/index.php?title=George_Cruikshank&oldid=1213572229"