George Landow (filmmaker)
George Landow | |
---|---|
Born | George Landow 1944 Experimental filmmaker |
George Landow (1944 – June 8, 2011), also known as Owen Land, was a painter, writer, photographer and
According to the film historian Mark Webber, Land made some of his first films as a teenager and his later films, made mostly during the 1960s and 1970s, are some of the first examples of the "structural film" movement. Land's films usually involve word play and have been described by Webber as having humor and wit that separates his films from the "boring" world of avant-garde cinema.
His work is also known to parody the experimental and "structural film" movement, as featured in his 1975 film Wide Angle Saxon. His style of filmmaking is also inspired by Bertolt Brecht, educational films, advertising and television, and employs devices used by such in his films to destroy any sense of "reality", as exhibited in What's Wrong With this Picture 1 and Remedial Reading Comprehension.
Shortly after the release of his film On the Marriage Broker Joke as Cited by Sigmund Freud... (1977), Landow rearranged his name to Owen Land.[1] It is an anagram of "Landow N.E.".
The book Two Films By Owen Land (Lux, London) has the complete scripts of Landow/Land's films Wide Angle Saxon and On the Marriage Broker Joke as Cited by Sigmund Freud in
Biography
Education, live theater and retrospectives
Land was born and raised in Connecticut, USA, and studied drawing, painting, sculpture, industrial design and architecture at
Death
Land was found dead in his Los Angeles apartment on June 8, 2011.[2] His death was announced by Office Baroque on July 13,[2] though the cause of death was not made public.[3]
Filmography
Year | Title | Format | Length | Notes |
---|---|---|---|---|
1961 | Two Pieces for the Precarious Life | 16mm |
10 minutes | |
1961 | Faulty Pronoun Reference, Comparison and Punctuation of the Restrictive or Non-Restrictive Element | 16mm |
5 minutes | |
1961 | A Stringent Prediction at the Early Hermaphroditic Stage | 16mm |
5 minutes | |
1962 | Are Era | 8mm | 3 minutes | |
1963 | Richard Kraft at the Playboy Club | 8mm | 2 minutes | |
1963 | Fleming Faloon Screening | 8mm | 2 minutes | |
1963-4 | Fleming Faloon | 16mm |
7 minutes | Color[4] |
1964 | Not a Case of Lateral Displacement | 8mm | 8 minutes | |
1965 | Leopard Skin | 8mm | 4 minutes | |
1965 | Adjacent Yes, But Simultaneous? | 8mm | 3 minutes | |
1965 | This Film will be Interrupted after 11 Minutes by a Commercial | 16mm |
12 minutes | |
1966 | Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc. | 16mm |
3:30 minutes | Color; silent[4] |
1967 | Bardo Follies | 16mm |
20 minutes | Color; silent[4] |
1968 | The Film that Rises to the Surface of Clarified Butter | 16mm |
9 minutes | B/w[4] |
1969 | Baroque Slippages | 16mm |
3 minutes | |
1969 | Institutional Quality | 16mm |
5 minutes | Color[4] |
1970 | Remedial Reading Comprehension | 16mm |
5 minutes | Color[4] |
1971 | What’s Wrong With This Picture 1 | 16mm |
5 minutes | B/w and color; silent[4] |
1972 | What’s Wrong With This Picture 2 | 16mm |
7 minutes | B/w and color; silent[4] |
1973 | Thank You Jesus for the Eternal Present | 16mm |
6 minutes | B/w and color[4] |
1974 | A Film of Their 1973 Spring Tour Commissioned by Christian World Liberation Front of Berkeley California | 16mm |
12 minutes | Color[4] |
1975 | No Sir, Orison! | 16mm |
3 minutes | Color[4] |
1975 | Wide Angle Saxon | 16mm |
22 minutes | Color[4] |
1976 | New Improved Institutional Quality: In the Environment of Liquids and Nasals a Parasitic Vowel Sometimes Develops | 16mm |
10 minutes | Color[4] |
1978 | Diploteratology | 16mm |
7 minutes | Color[4] |
1977-9 | On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and its Relation to the Unconscious or Can the Avant-Garde Artist Be Wholed? | 16mm |
18 minutes | Color[4] |
1983 | Noli Me Tangere/Don't Touch Me | Video | 6:15 minutes | |
1984 | The Box Theory | Video | 15:36 minutes | |
1999 | Undesirables (Condensed Version) | 16mm/Video |
||
2009 | Dialogues, or A Waist Is A Terrible Thing To Mind | Video |
Dialogues is informed by Land's study of folklore, myth and history, and the theology of all major religions, including Gnosticism and Kabbala. It ironically uses the form of the Platonic dialogue to explore the themes of reincarnation, art criticism and Tantra. It includes pastiches of badly-written well-known Hollywood films, as well as the films of Maya Deren, Stan Brakhage, Jim McBride and others. Dialogues was produced between January 2006 and August 2009 by Eric Michael Kochmer, Benjamin E. Pitts and Skye Le-fever.
References
- ^ David Ehrenstein (1984) Film: the front line, 1984, Arden Press, Inc., p49
- ^ a b Marcos Ortega (2011),"Owen Land (1944-2011)", Experimental Cinema, July 13, 2011. Accessed July 16, 2011.
- ^ Mike Everleth (2011) "Owen Land, R.I.P.", Underground Film Journal, July 14, 2011. Accessed July 16, 2011
- ^ a b c d e f g h i j k l m n o Reverence: The Films of Owen Land, Harvard Film Archive. Accessed June 19, 2011