Georgie Stoll
Georgie Stoll (born George Martin Stoll; May 7, 1905 – January 18, 1985) was a
Violin prodigy
Stoll was born in
Metro-Goldwyn-Mayer musical director
In 1937, Stoll joined the
At the studio Stoll worked frequently with the director Edward Buzzell and producers Arthur Freed, Roger Edens and Joe Pasternak. He was also a favorite pinochle-playing buddy of studio head Louis B. Mayer.[7]
Stoll kept his connection with the jazz world and visited clubs looking for rising talent. He recruited one of the first black arrangers at MGM, Calvin Jackson with whom he worked on the original music for his 1945 Oscar-winning score for the Kelly-Sinatra Anchors Aweigh.[8] Stoll also encouraged the teenaged André Previn and used him to write many arrangements.[9]
In 1943, Stoll conducted Garland through the first two of her original cast albums for Decca Records from her popular movies, such as Girl Crazy and Meet Me in St. Louis, which included the hit single The Trolley Song (#3 on Billboard's Best Selling charts).[10] His other recordings were quite eclectic: spanning the popular (often with harmonica virtuosoes Leo Diamond or Larry Adler), easy listening orchestral (e.g. MGM's Hollywood Melodies album) to the postwar American sessions of the tenor Lauritz Melchior.[11]
Later career
Stoll's career received a boost when Pasternak hired him and his old colleague George Sidney to work with Elvis Presley on some of his later and better pictures (e.g. Viva Las Vegas and Spinout). He also composed the underscore for the 1960 Spring break romp Where the Boys Are and another Connie Francis followup.
After 9 Oscar nominations (last in 1962 for
In September 2001, Stoll's
In October 2009, Stoll's Amati violin was sold by
References
- ^ Times Herald (Olean, NY), 7 April 1938.
- ^ The Oakland Tribune, 28 November 1927; Ogden Standard Examiner (Ogden, Utah), 12 July 1929.
- ^ Larry Crosby (2005), Bing, Kessinger Publishing, p. 202
- ^ Lawrence B. Thomas (1972), The MGM Years, Columbia House, p. 123.
- ^ Arthur Rollini, Thirty Years with the Big Bands, pp. 72-73.
- ^ Nicholas McNeil
- ^ Christopher Finch (1979), Gone Hollywood, p. 342.
- ^ Clora Bryant & Steven Isoardi (1999), Central Avenue Sounds: Jazz in Los Angeles, University of California Press, p. 68.
- ^ Gene Lees (2006), Portrait of Johnny: The Life of John Herndon Mercer, Hal Leonard Publishing Corp. p. 300.
- ^ Ron O'Brien (1996), "Liner Notes", p. 7, to MCA Records/Decca CD, Judy Garland: The Complete Decca Original Cast Recordings, 1996 (MCAD-11491).
- ^ Billboard, vol. 60 no. 2, 10 January 1948, p. 30.
- ^ Emanuel Levy (2003), All About Oscar, Continuum Int'l Publishing, p. 29.
- ^ "violin by Nicolò Amati, 1648c (Georgie Stoll)". Cozio.com. Archived from the original on 2012-03-20. Retrieved 2012-03-10.