Geraldine Farrar

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Geraldine Farrar
Opera singer
, actress
Years active1901–1922
Spouse
(m. 1916; div. 1923)
Farrar in Julien in 1914

Alice Geraldine Farrar[1] (February 28, 1882 – March 11, 1967) was an American lyric soprano who could also sing dramatic roles. She was noted for her beauty, acting ability, and "the intimate timbre of her voice."[2] In the 1910s, she also found success as an actress in silent films. She had a large following among young women, who were nicknamed "Gerry-flappers".[3][4]

Biography

Farrar was born in

Crown Prince Wilhelm of Germany
, with whom she is believed to have had a relationship beginning in 1903.

After three years with the

Monte Carlo Opera,[2] Farrar made her debut at the New York Metropolitan Opera in Roméo et Juliette on November 26, 1906.[5] She appeared in the first Met performance of Giacomo Puccini's Madama Butterfly in 1907 and remained a member of the company until her retirement in 1922, singing 29 roles there in 672 performances.[6] She developed a great popular following, especially among New York's young female opera-goers, who were known as "Gerry-flappers".[4] Farrar created the title roles in Pietro Mascagni's Amica (Monte Carlo, 1905), Puccini's Suor Angelica (New York City, 1918), Umberto Giordano's Madame Sans-Gêne (New York, 1915), as well as the Goosegirl in Engelbert Humperdinck's Königskinder (New York, 1910), for which Farrar trained her own flock of geese. According to a review in the New York Tribune of the first performance, "at the close of the opera Miss Farrar caused 'much amusement' by appearing before the curtain with a live goose under her arm."[7]

Geraldine Farrar as the Goosegirl, Metropolitan Opera, 1910. Farrar trained her own flock of live geese for the World Premiere, expressing hope that future performers would do the same.

Farrar recorded extensively for the

San Francisco Call & Post.[8] For her performance, she came in first among the women in the 1916 "Screen Masterpiece" contest held by Motion Picture Magazine.[9] One of her other notable screen roles was as Joan of Arc in the 1917 film Joan the Woman. In June 1931, Farrar made her debut radio broadcast over the National Broadcasting Company's nationwide "Red" network.[10]

According to her biographer:

"Unlike most of the famous bel canto singers of the past who sacrificed dramatic action to tonal perfection, she was more interested in the emotional than in the purely lyrical aspects of her roles. According to Miss Farrar, until prime donne can combine the arts of Sarah Bernhardt and Nellie Melba, dramatic ability is more essential than perfect singing in opera."

— Elizabeth Nash[11]

In 1960, Farrar was awarded two stars on the Hollywood Walk of Fame, in the music and film categories, located at 1620 and 1709 Vine Street.

Personal life

Farrar and husband, actor Lou Tellegen in 1916.

Beginning in 1908, Farrar had a seven-year love affair with the Italian conductor Arturo Toscanini. Her ultimatum, that he leave his wife and children and marry her, resulted in Toscanini's abrupt resignation as principal conductor of the Metropolitan Opera in 1915. Farrar was a close friend to the Met's star tenor Enrico Caruso and there has been speculation that they too had a love affair. It is said that Caruso coined her motto: Farrar farà ("Farrar will do it").[12]

Her marriage to actor Lou Tellegen on February 8, 1916, was the source of considerable scandal. The marriage ended, as a result of her husband's numerous affairs, in a very public divorce in 1923. The circumstances of the divorce were brought again to public recollection by Tellegen's bizarre 1934 suicide in Hollywood. Farrar reportedly said "Why should that interest me?" when told of Tellegen's death.[citation needed]

Farrar retired from opera in 1922 at the age of 40. Her final performance was as Leoncavallo's Zazà. By this stage, her voice was in premature decline due to overwork. According to the American music critic Henry Pleasants, the author of The Great Singers from the Dawn of Opera to Our Own Time (first published 1967), she gave between 25 and 35 performances each season at the Met alone. They included 95 appearances as Madama Butterfly and 58 as Carmen in 16 seasons. The title role in Puccini's Tosca, which she had added to her repertoire in 1909, was another one of her favourite Met parts.

Farrar quickly transitioned into concert recitals, and was signed (within several weeks of announcing her opera retirement) to an appearance at Hershey Park on Memorial Day 1922.[13] She continued to make recordings and give recitals throughout the 1920s and was briefly the intermission commentator for the Metropolitan Opera radio broadcasts during the 1934–35 season. Her unusual autobiography, Such Sweet Compulsion, published in 1938, was written in alternating chapters purporting to be her own words and those of her deceased mother, with Mrs. Farrar rather floridly recounting her daughter's many accomplishments.

In 1967, Farrar died in Ridgefield, Connecticut of heart disease aged 85, and was buried in Kensico Cemetery in Valhalla, New York. She had no children.

Filmography

The headstone of Geraldine Farrar in Kensico Cemetery in Valhalla, New York.
Year Title Role Notes
1915 Carmen Carmen
1915 Temptation Renee Dupree Lost film
1916 Maria Rosa Maria Rosa
1916 Joan the Woman Jeanne d'Arc
1917 The Woman God Forgot Tecza (daughter of Montezuma)
1917 The Devil-Stone Marcia Manot Incomplete film, only two of six reels survive
1918
The Turn of Wheel
Rosalie Dean Lost film
1918 The Bonds That Tie Miss Columbia Short
Lost film
1918 The Hell Cat Pancha O'Brien undetermined/presumably Lost film
1919
Shadows
Muriel Barnes / Cora Lamont Incomplete film, only one reel survives
1919 The Stronger Vow Dolores de Cordova undetermined/presumably Lost film
1919 The World and Its Woman Marcia Warren
1919 Flame of the Desert Lady Isabelle Channing
1920 The Woman and the Puppet Concha Perez
1920 The Riddle: Woman Lilla Gravert undetermined/presumably Lost film

Media

In popular culture

The American author Barbara Paul has written several murder mystery novels featuring Geraldine Farrar, Enrico Caruso, and the Metropolitan Opera.

References

Citations

  1. ^ "Alice Geraldine Farrar – Massachusetts Births". FamilySearch. Retrieved April 7, 2016.
  2. ^ a b c d The New Encyclopædia Britannica 4: 689. Chicago. 1991.{{cite book}}: CS1 maint: location missing publisher (link)
  3. ^ The New York Times, "Hail Farrar Queen as She Sings Adieu", April 23, 1922, p. 20
  4. ^ a b Rosenthal and Warrack (1979), p. 161
  5. ^ Geraldine Farrar's debut on November 26, 1906 at the Met Opera Archives.
  6. ^ Geraldine Farrar at the Met Opera Archives.
  7. ^ Metropolitan Opera Archives, review from the New York Tribune by Krehbiel, Henry. "Königskinder, Metropolitan Opera House: 12/28/1910". Met performance CID 49510, World Premiere, in the presence of the composer.
  8. ^ "Newspapers of the Nation Praise Production". Motion Picture News. New York: Motion Picture News, Inc. November 6, 1915. Retrieved October 3, 2015.
  9. ^ Ahead of Marguerite Clark, Mary Pickford, and Theda Bara. "Screen Masterpieces". Motion Picture Magazine. Chicago: Brewster Publications. May 1916. Retrieved November 1, 2015.
  10. ^ Geraldine Farrar to Sing For Radio", New York Times, June 23, 1931, Section R, page 37.
  11. ^ Nash (1981) p. 231
  12. ^ "Farrar to Be at Hershey". Harrisburg Telegraph. February 2, 1922. p. 8. ...Geraldine Farrar will open the Hershey Park season with a concert on Memorial Day afternoon.

General sources

External links