Gerard Béhague
Gerard H. L. Béhague | |
---|---|
University of Illinois at Urbana-Champaign, University of Texas at Austin | |
Doctoral advisor | Gilbert Chase |
Gerard Henri Luc Béhague (November 2, 1937 – June 13, 2005) was an eminent
Biography
Béhague was born in
Béhague taught music history, American music, and Latin American music at the
Béhague joined the School of Music faculty at the University of Texas at Austin in 1974, his permanent academic position, where he was instrumental in establishing the graduate program in ethnomusicology. At UT Austin, he served as chairman of the Department of Music (1980–89), as Frank C. Erwin, Jr. Endowed Professor in Music (1985–2005) and as Virginia L. Murchison Endowed Regents Professor of Fine Arts (1995–2005). He died of lung cancer on June 13, 2005.
Scholarship
Béhague was recognized during his later life as the leading scholar of Latin American ethnomusicology. He was particularly well known for his research on the music of Brazil, which he studied both as a music historian and as an ethnomusicologist. He served (1969–77) as associate editor of the
He trained several of the well-known Latin Americanist ethnomusicologists active today both in the United States and Latin America, and he researched and published extensively on various aspects of this field. He published two edited volumes, and two books of his own, Music in Latin America: An Introduction (1979), and Heitor Villa-Lobos: The Search for Brazil's Musical Soul (1994).
Honors and accolades
- Guggenheim Fellowship (1972)[1]
- National Endowment for the Humanities grants (19??-??; As Director, Summer Seminars for College Teachers)
- Corresponding membership, Brazilian Academy of Music (1994)
- "Commander of the Order of Rio Branco" (1997; Awarded by government of Brazil)
Works
- "Popular Music Currents in the Art Music of the Early Nationalistic Period in Brazil, circa 1870-1920." Ph.D. dissertation, musicology, Tulane University. 1966.
- Béhague, Gerard H., ed. (1984), "Performance Practice: Ethnomusicological Perspectives", Westport, CT.: Greenwood Press.
- Béhague, Gerard H., ed. (1994), "Music and Black Ethnicity: The Caribbean and South America", University of Miami North-South Center (publisher); New Brunswick and London: Transaction Publishers (distributor).
Books
- Béhague, Gerard H. (1971), "The Beginnings of Musical Nationalism in Brazil", Detroit: Information Coordinators, Inc.
- Béhague, Gerard H. (1979), Music in Latin America: An Introduction, Englewood Cliffs, N.J.: Prentice-Hall.
- Béhague, Gerard H. (1994), Heitor Villa-Lobos: The Search for Brazil's Musical Soul, Austin, Texas: ILAS Monographs, UT Press.
Articles
- "Biblioteca da Ajuda (Lisbon) MSS 1595/1596: Two 18th-century Anonymous Collections of Modinhas." Anuario Yearbook for Inter-American Musical Research, vol.4, edited by Gilbert Chase, pp. 44–81. New Orleans: Tulane University, 1968.
- "Luiz Cosme (1908-1965): Impulso creador versus conciencia formal." Anuario Yearbook for Inter-American Musical Research, vol.5, edited by Gilbert Chase, pp. 67–89. New Orleans: Tulane University, 1969.
- "Music." Handbook of Latin American Studies, vol.32. Ed. by Henry E. Adams, pp. 466–483. Gainesville: University of Florida, 1970.
- "Music." Handbook of Latin American Studies, vol.34. Ed. by Donald J. Stewart, pp. 568–586. Gainesville: University of Florida, 1972.
- "Bossa & Bossas: Recent Changes in Brazilian Urban Popular Music." Ethnomusicology 17, no.2 (May 1973), pp. 209–233.
- "Latin American Folk Music." In Folk and Traditional Music of the Western Continents, 2nd ed., edited by Bruno Nettl, pp. 179–206. Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1973.
- "Music." Handbook of Latin American Studies, vol.36. Ed. by Donald E.J. Stewart, pp. 480–495. Gainesville: University of Florida, 1974.
- "Notes on Regional and National Trends in Afro-Brazilian Cult Music." In Tradition and Renewal: Essays on Twentieth-Century Latin American Literature and Culture, edited by Merlin H. Forster, pp. 68–80. Urbana: University of Illinois Press, 1975.
- "Some Liturgical Functions of Afro-Brazilian Religious Music in Salvador, Bahia." The World of Music 19, nos.3-4 (1977), pp. 4–23.
- "South American Masked Dances: An Overview." The World of Music 22, no.1 (1980), pp. 23–38.
- "Patterns of Candomblé Music Performance: An Afro-Brazilian Religious Setting." In Performance Practice: Ethnomusicological Perspectives, edited by Gerard Béhague, pp. 222–254. Westport, CT: Greenwood Press, 1984.
- "Popular Music." In Handbook of Latin American Culture, Ed. by Harold E. Hinds, Jr. and Charles M. Tatum, pp. 3–38. Westport, CT: Greenwood Press, 1985.
- "Popular Music in Latin America." Studies in Latin American Popular Culture 5 (1986), pp. 41–68.
- "Latin American Folk Music." In Folk and Traditional Music of the Western Continents, 3rd ed., edited by Bruno Nettl, pp. 185–228. Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1990.
- "Reflections on the Ideological History of Latin American Ethnomusicology." In Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology, edited by Bruno Nettl and Philip V. Bohlman, pp. 56–68. Chicago and London: The University of Chicago Press, 1991.
- "Latin America." In Ethnomusicology: Historical and Regional Studies, edited by Helen Myers, pp. 472–494. New York: Norton, 1993.
- "Afro-Brazilian Traditions." In The Garland Encyclopedia of World Music, Volume 2: South America, Mexico, Central America, and the Caribbean, edited by Dale A. Olsen and Daniel E. Sheehy, pp. 340–355. New York: Garland, 1998.
- "Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music, 1985-1995." Chapter 9 In Musical Cultures of Latin America: Global Effects, Past and Present. Selected Reports in Ethnomusicology, Volume XI, edited by Steven Loza, pp. 111–120. Los Angeles: Department of Ethnomusicology and Systematic Musicology, University of California, Los Angeles, 2003.
- Schechter, John M. "A Tribute to Gerard Béhague." Revista de Música Latinoamericana/Latin American Music Review, Fall/Winter 2005, 26:2, pp. 143–157.
- Béhague, Gerard H. (2006), "Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985-95)", Latin American Music Review, Spring/Summer issue, 27:1 pp 79–90 (doi=10.1353/lat.2006.0021).
Legacy
The Gerard Béhague and Everett Helm Latin American Sheet Music Collection, 1917–1969,[2] is housed at the Sousa Archives and Center for World Music. This collection consists of Brazilian sheet music from the period, c. 1915–1945, and popular Argentine sheet music from the same time period, as well as popular Cuban sheet music from the 1960s. The sheet music was purchased by the University of Illinois at the request of Béhague, who used it for his research.
Notes
References
- Gerard H. Behague; Studied, Wrote About Latin Music (Obit), The Washington Post, Wednesday, June 22, 2005; Page B06.