Give Me All Your Luvin'
"Give Me All Your Luvin'" | ||||
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MSR Studios (New York City) | ||||
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Length | 3:22 | |||
Label | Interscope | |||
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Madonna singles chronology | ||||
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Nicki Minaj singles chronology | ||||
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M.I.A. singles chronology | ||||
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Music video | ||||
"Give Me All Your Luvin'" on YouTube |
"Give Me All Your Luvin'" is a song by American singer Madonna from her twelfth studio album, MDNA (2012). It features guest vocals by Trinidadian-American rapper Nicki Minaj and English rapper M.I.A. The song was written and produced by Madonna and Martin Solveig, with additional writing by M.I.A., Minaj and Michael Tordjman. After working with Solveig on one song, Madonna continued recording others including "Give Me All Your Luvin'". Madonna chose to work with M.I.A. and Minaj on the track since she felt they were both strong women with unique voices. She also liked their music and what they represented.
A demo version of the song, titled "Give Me All Your Love", was leaked on November 8, 2011, resulting in a man from Spain being arrested for
"Give Me All Your Luvin'" received mixed reviews from music critics. Its chorus was noted as a highlight by critics, who described it as catchy; however, they felt that the musical composition was inferior to Madonna's previous singles. Commercially, the song attained success, topping the charts in Canada, Finland, Hungary, and Israel while peaking within the top ten in several European countries. In the United States, it became Madonna's 38th top ten hit on the Billboard Hot 100 chart, extending her record as the artist with the most top-ten singles in the chart's history, a record that would be surpassed later by Drake in 2020.
The song's accompanying
Background and writing
In December 2010, Madonna posted a message on her Facebook, exclaiming: "Its official! I need to move. I need to sweat. I need to make new music! Music I can dance to. I'm on the lookout for the maddest, sickest, most badass people to collaborate with. I'm just saying".[1] One of the collaborators was French DJ and producer Martin Solveig, who was invited to a writing session by Madonna in London in July 2011. Originally, Madonna wanted to work with Solveig on one song, but eventually it turned into three tracks—"Give Me All Your Luvin'", "I Don't Give A", and "Turn Up the Radio". In an interview with Billboard, Solveig explained that Madonna had enough time for the project, hence after working on one song, they continued recording. Solveig described the sessions as fun and labeled them a "privileged time".[2]
"Give Me All Your Luvin'" was written by Madonna, Martin Solveig, Nicki Minaj, M.I.A., and Michael Tordjman, while production was helmed by Madonna and Solveig.[3][4] Madonna had wanted to work with M.I.A. and Minaj on a song, since she felt that they are both "strong women with a unique voice".[5] She paid tribute to the stars, saying "[Minaj and M.I.A. are] not conventional pop stars and I really admire them both".[6] M.I.A. confirmed the collaboration on her Twitter account, saying that she had been asked to come to New York City on November 29, 2011.[7][8] The rapper felt that the collaboration was an achievement her mother would be proud of, "way [more] than me putting 'Galang' out in a club."[9][10]
Release and leaks
On November 8, 2011, a demo version of the song, named "Give Me All Your Love", was leaked.[11] According to Keith Caulfield from Billboard, "Within a few hours, [the song and its leak] was one of the top 10 trending topics worldwide on Twitter."[12] Madonna's manager, Guy Oseary, addressed the leak on Twitter adding the singer's statement on the situation: "My true fans wouldn't do this". Oseary also clarified that their initial plan was for new music to come out in 2012 itself. He was happy with the positive reaction to the demo, but asked fans to help him police any more leaks.[13][14] The leaked demo lacked vocals from both Minaj and M.I.A. which Madonna reflected upon, "It's really disappointing because you don't want things to come out till you're done with them, till you're ready. It's like everybody looking at your unfinished painting. It's like, 'Wait a minute. I didn't finish that. That's not fair."[5][15]
On December 22, 2011, the police arrested a 31-year-old man from Spain who had reportedly leaked the demo. They confirmed the suspect's initials as J.M.R. and described him as "a big Madonna fan"; they found recordings of the song in his belongings. He was arrested in
A month later, Interscope Records announced that the song would be released on February 3, 2012, three days before she was to perform at the Super Bowl XLVI halftime show.[20] The track was her debut single from her three-album deal with Interscope Records.[21] Along with the announcement Madonna revealed the cover art for the single. It depicted three black-and-white images of the singer side-by-side, making faces and posing, while wearing a t-shirt emblazoned with the song title.[22] "Give Me All Your Luvin'" was sent to United States Mainstream radio on February 7, 2012.[23] Madonna partnered with Clear Channel media to launch radio support for the track, and from February 3 it was played across 95 Mainstream and Rhythmic radio stations owned by them. The single was also played in the United Kingdom through Clear Channel's partnership with UK's Capital radio networks. They played the track at the top of every hour throughout the day until February 5, along with a megamix of songs from MDNA. The single was also released for streaming on iHeartRadio websites with online contests and promotional drives for buying it from iTunes.[24]
Recording and composition
"Give Me All Your Luvin'" was
"Give Me All Your Luvin'" is a
The chorus of the song follows, which Madonna performs in a high-pitched voice: "Don't play the stupid game / Cause I’m a different kind of girl / Every record sounds the same / You’ve got to step into my world / Give me all your luvin', give me your love / Give me all your love today." Entertainment Weekly's Lanford Beard observed that the song "blends Katy Perry-meets-Gwen Stefani chanting, echoes of Ashlee Simpson's regrettable foray into New Wave-y synth-guitar sounds, and a 'Hold It Against Me' redux breakdown."[30] John Mitchell of MTV News commented that the instrumentation of the song consists of "glittery synths, marching band drums, claps and a catchy-as-hell chorus."[13] Lewis Corner of Digital Spy called the song an "'80s-inspired electro-thumper complete with a cheerleader chant of 'L-U-V Madonna!'"[31] "Give Me All Your Luvin'" is written in the key of D♭ major and has a moderately fast tempo of 144 beats per minute. It follows a basic chord progression of D♭–G♭–A♭ in the verses, and D♭–F♭–C♭–G♭ in the chorus and intermediate bridge. Madonna's vocals span from the tonal nodes of C♭4 to A♭4.[32]
After the leak of the song in November 2011, media reported on the similarities between the song and singer Nicola Roberts' "Beat of My Drum", due to the "cheerleader-style" verses in both. "Give Me All Your Luvin'" has the lyrics "L-U-V Madonna" while Roberts track features the lyrics "L.O.V.E/ Dance to the beat of my drum".[33] Soon after, Roberts called Madonna a "copycat" for the alleged similarities between the songs. However, she later insisted that people had been "quick to jump the gun" and claimed she had not even heard the song.[34] Brazilian music producer Joao Brasil alleged that the chorus of "Give Me All Your Luvin'" was plagiarized from his 2011 single "L.O.V.E Banana". Both songs start with the shouts of cheerleaders, who in Brazil's song say "L.O.V.E Banana" and in Madonna's song, "L.U.V. Madonna".[35]
Critical reception
"Give Me All Your Luvin'" was met with generally mixed reviews from music critics. Priya Elan from
After the first play of this album, I sat down and had a hard think about which of those songs I'd want to play again first. The only one that stuck in the head most was 'Give Me All Your Luvin'', whose cheerleader chants and thrumming rhythm are kind of excruciating, but at least catchy. Minaj and M.I.A. are as effortlessly awesome as they can both be when limited to just a few lines. Say what you like about Maya, but she sounds a deal more plausible that Madonna herself on a line like 'Imma say this once, hey I don't give a shit'... Oddly, for a single so tame, Madonna seems to see it as a challenge 'Every record sounds the same, you've got to step into my world'? We're already in your bloody world! It was kind of your responsibility to step out of it and make a record that didn't sound the same, so don't bloody badger us about it.[42]
Andrew Hampp from Billboard negatively reviewed the signing of Minaj and M.I.A. as guest artists, adding that "It's a subpar effort from all parties, particularly Madonna, who hasn't sounded this robotic since the more tweaked-out moments on Hard Candy."[43] In another review, Keith Caulfield from the same magazine deemed the track as a commercial for Madonna's Super Bowl appearance, rather than being a promotional tool for MDNA, criticizing it for misleading the listener about the vibe of the album.[44] Gareth Grundy from The Guardian shared this view, while describing the track as "clumsy rave-pop".[45] Jody Rosen of Rolling Stone rated it two out of five stars, describing its lyrics and composition as "dashed off" and "in the doldrums", and was displeased by the track's "aggressive, assaultive spunkiness".[29] Sal Cinquemani from Slant Magazine described the song as "decidedly vapid" and "catchy" but also stated that "its few charms—'60s surf-pop guitar, vintage video-game effects, and references to her past songs—are fleeting at best." He felt that Minaj and M.I.A. were "tacked on for added marketability" and that the song actually lacked "authenticity".[46] While reviewing MDNA, The New York Times' critic Jon Pareles described the song as "one of the album's weakest tracks".[47] Joey Guerra from the Houston Chronicle wrote that the song's "shiny-happy" sound is "nowhere near representative of the full album."[48]
Alexis Petridis from The Guardian listed the song as the weakest effort on MDNA, adding that "its position as the album's lead single seems to have had more to do with showing off the presence of Nicki Minaj and M.I.A. than its featherweight melody."[49] A writer for Virgin Media gave the song three out of five stars, writing: "Like most Madonna singles, it skips along at a furious pace with a gleam in its eye, but the self-references get tiresome and ultimately she is just trying too hard."[50] Nick Levine, writing for The National, relegated the track as a "lighter pop morsel".[51] Matthew Parpetua from Pitchfork panned the song, saying that Solveig's production on the track was paired with equally "bland lyrics".[52] Brad O'Mancey from Popjustice declared that the track was "proof that sometimes you can listen to something many, many times and still not have any idea whether it's any good or not."[53] Chicago Tribune journalist Greg Kot was disappointed with the song and its lyrics, which he found to be meaningless,[54] while Bernard Zuel of The Sydney Morning Herald relegated it as "trite and disposable".[55] Alex Macpherson from Fact found the song to be "sheer misconceived awfulness".[56] Jude Rogers from The Guardian criticized its "unforgivable spelling" and pointed out that the "candy-pop chorus really fizzes, but [Minaj and M.I.A.’s] cheerleading whoops and raps quickly dissolve". She placed the song at number 66 on her ranking of Madonna's singles, in honor of her 60th birthday.[57] In August 2018, Billboard picked it as the singer's 95th greatest single; "[Madonna's] undeniably the squad captain on this surf-rock-inspired workout, but her collaborators deserve a big thank Y-O-U for providing the catchiest part of the song with their cheerleader chants".[58]
Chart performance
In the United States, "Give Me All Your Luvin'" was played from 9 am on February 3, 2012 by Clear Channel radio stations. It debuted at number 24 on the
In Canada, the song debuted at number 11 on the
In the United Kingdom, the song peaked at number 37 on the
Music video
Background
On December 8, 2011, Minaj tweeted that she was on set with Madonna filming the music video for "Give Me All Your Luvin".[81] She also said that Madonna kissed her on the lips, as a gift for her birthday. M.I.A. then tweeted about filming the video with Madonna, saying, "Madonna killed it! A legend! said she'd have me, I said ill have her too".[82] Directed by the team Megaforce—which consists of Léo Berne, Charles Brisgand, Raphaël Rodriguez and Clément Gallet—the video has a football and cheerleader theme, inspired by her then-upcoming Super Bowl halftime performance.[83][84] Rodriguez explained to MTV News that they discussed the song with Solveig and understood that the video should be "about happiness and something really sunny". The whole look was also dictated by the fact that Megaforce had never collaborated with Madonna, Minaj and M.I.A., feeling that it was a "different universe" for them.[85] The video was shot for over two days in New York, with very strict timings which Megaforce found as challenging.[86] Describing the process as like working with the Central Intelligence Agency (CIA), Megaforce told Swiss newspaper 20 minutes that the set was surrounded by police patrol and security guards and mobile phones were not allowed. A total budget of US$1.5 million was allotted for the video. Some of the sequences in the video was Madonna's idea like one scene featuring her dancing in front of a wall, which Megaforce felt would not go with the main narrative. However, the singer insisted on keeping it and by the second day of filming she wrapped up early and left.[87]
Release and synopsis
Madonna had first previewed the video in an
During the second verse, Madonna walks across the city with M.I.A. and Minaj and is still followed by cheerleaders and football players. She walks down a city street, as players are shot down by an unseen shooter who opens fire from a passing vehicle. She climbs a pyramid of football players and is eventually taken to a club with Minaj and M.I.A., who sing their parts in a room filled with other cheerleaders and football players. Madonna then falls from the building but two players catch her. She makes her way to a town square, then starts dancing with her cheerleaders as they bash heads off of football players using baseball bats, revealing a climactic firework spectacle. Madonna grabs one of the heads and proudly displays it to a cheering audience. The video ends with Madonna in front of a brick wall, laughing and throwing away the baby doll, as the word "Touchdown!" appears in front of a pink backdrop.
Reception
Writing for
Nicole James from MTV News opined that the video gave another impression that although "Madonna's never been the cute and innocent homecoming queen, but those wholesome, all-American football players still wanna kick it with her."[96] Cragg from The Guardian declared the video as a "hoot" with the "creepy cheerleaders and Madonna breastfeeding a doll".[38] Bradley Stern from MuuMuse found similarities in the video with those of singer Björk's video for "It's Oh So Quiet" (1995) and Kylie Minogue's "Come into My World" (2002) with the "walk-talk and walk-crawl" formula in it. He added that the video is "self-aware, thoroughly modern, cheeky, sarcastic, glamorous and entirely camp all at the same time".[97] Chris Wilman from TheWrap noted similarities to Madonna's own "Material Girl" (1985) video with the scenes showing her being carried off by the footballers, adding that "everything here is as dumb as the titular spelling, but the campiness has its charm, at least if you like the old musicals that some of the tracking shots here are paying homage to."[98]
A writer from Rolling Stone gave a mixed review for the video saying that "It's a goofy and fun clip, though the faceless cheerleaders in the background are more creepy than amusing."[99] In a pre-release screening of MDNA, Matthew Todd from Attitude believed that the last scene showing Madonna throwing off a baby doll implied that she was moving away from domestic life and embracing a party attitude.[100] Amanda Dobbins from New York found some "attempted weirdness" in the video with the scenes of the triple Marilyns and the baby on Madonna's lap, but added that "Madonna still looks crazy bonkers good".[101]
Live performances
In February 2012, Madonna performed "Give Me All Your Luvin'" with M.I.A. and Nicki Minaj at the
The performance gained widespread attention from the media after M.I.A. extended her
Madonna also performed "Give Me All Your Luvin'" the same year on
Track listings and formats
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Credits and personnel
Management
- Recorded at Sarm West Studios, Notting Hill, London
- Nicki Minaj Appears Courtesy of Young Money Entertainment/Cash Money Records | M.I.A. Appears Courtesy of Interscope Records
- Webo Girl Publishing, Inc. (ASCAP), EMI Music Publishing France (SACEM), Money Mack Music/Harajuku Barbie Music, adm. by Songs of Universal, Inc. (BMI), N.E.E.T. Noise/Imagem Music (PRS)
Personnel
- Madonna Ciccone – writer, singer and record producer
- Martin Solveig – writer, record producer, synths, drums
- Onika Maraj – writer, singer
- Maya Arulpragasam – writer, singer
- Michael Tordjman – writer
- Demacio "Demo" Castellon – recording, mixing
- Philippe Weiss – recording assistant
- Graham Archer – recording assistant
- Jason "Metal" Donkersgoed – additional editing
- Jean Baptiste Gaudray – guitars
- Angie Teo – mixing assistant
- LMFAO – remixing, additional production
Credits and personnel adapted from MDNA album liner notes.[25]
Charts
Weekly charts
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Year-end charts
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Certifications and sales
Region | Certification | Certified units/sales |
---|---|---|
Brazil (Pro-Música Brasil)[178] | 3× Platinum | 180,000‡ |
France | — | 29,816[179] |
Italy (FIMI)[78] | Platinum | 30,000* |
South Korea ( Gaon )
|
— | 339,983[175] |
United Kingdom | — | 43,750[180] |
United States (RIAA)[66] | Gold | 500,000^ |
* Sales figures based on certification alone. |
Release history
Country | Date | Format | Label |
---|---|---|---|
Worldwide[20] | February 3, 2012 | Digital download | Interscope |
United States[181] | February 6, 2012 | Contemporary hit radio | |
United States[120] | February 7, 2012 | Digital download – Party Rock Remix | |
Germany[182] | March 2, 2012 | CD single | Universal Music |
Poland[183] | March 6, 2012 | ||
United Kingdom[184] | March 19, 2012 | Polydor | |
Thailand[185] | March 23, 2012 | Universal Music |
See also
- List of most expensive music videos
- List of Billboard Dance Club Songs number ones of 2015
- List of Billboard Hot 100 top-ten singles in 2012
- List of Canadian Hot 100 number-one singles of 2012
- List of number-one pop hits of 2012 (Brazil)
- List of number-one singles of 2012 (Finland)
- List of top 10 singles in 2012 (France)
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