Goodbye (Cream album)

In a 1969 Rolling Stone interview, producer Phil Spector told a possibly apocryphal story about how Atlantic Records head Ahmet Ertegun caused the album to happen: "Like the Cream are breakin’ up, and he said, 'like man you have to do a final album for me.' They said, 'Why man, we hate each other,' or somethin’ like that. Ahmet said, 'Oh no man, you have to do one more album for me. Jerry Wexler has cancer, and he’s dyin’ and he wants to hear one more album from you.' So they go in, make the album and he says, 'Like man, Jerry Wexler isn’t dyin’, he’s much better, he’s improved.'”^[6]

Compiling, artwork, and packaging

The original plan for Goodbye was to make it a double album, with one disc featuring studio recordings and the other with live performances, like Wheels of Fire. With a lack of quality material on hand, however, the album was only one disc with three live recordings and three studio recordings.^[5]

The original LP release of the album was packaged in a gatefold sleeve with art direction handled by Haig Adishian. The outer sleeve featured photography by Roger Phillips with a cover design by the Alan Aldridge ink Studios, while the inner sleeve featured an illustration of a cemetery by Roger Hane that had the song titles on tombstones.^[7] A Compact Disc reissue of the album for the Cream Remasters series in 1998 featured an inlay photograph and had the inner-sleeve illustration in the liner notes of the album.^[1]

Critical reception

Professional ratings

Retrospective reviews
Review scores
Source	Rating
Christgau's Consumer Guide	A−[10]
The Rolling Stone Album Guide	[11]

In a contemporary review for Rolling Stone, music critic Ray Rezos felt Cream deserved to depart with a better album. He wrote that most of the live songs sounded inferior to the original recordings and that the studio tracks were marred by the same flaw as on Wheels of Fire, namely the presence of blues playing on songs whose compositions were not blues in his opinion.^[12] Nonetheless, Goodbye was voted the 148th best rock album of all time in Paul Gambaccini's 1978 poll of 50 prominent American and English rock critics, issued as the book Critic's Choice: Top 200 Albums.^[13]

In a retrospective review for AllMusic, senior editor Stephen Thomas Erlewine called Goodbye a work of "hard, heavy rock" and "strong moments" rather than cohesiveness, with live music that is generally better than on Wheels of Fire and a side of studio recordings that also found Cream "at something of a peak".^[8] Robert Christgau also reacted favourably to the album, citing it as his favourite record from the group.^[10] J. D. Considine was less impressed in The Rolling Stone Album Guide (1992), deeming Goodbye an incomplete record with "exquisite studio work" but mediocre live performances.^[11]

Track listing

• Sides one and two were combined as tracks 1–6 on CD reissues.

Notes:

• [1–3] recorded live at
  The Forum
  , Los Angeles, 19 October 1968.
• Original pressings of the album (as well as the single) list composer credit on "Badge" to Clapton alone.
• "Anyone for Tennis" was originally released as a non-album single, as well as by Atco on the soundtrack album to the film The Savage Seven (catalogue no. SD 33-245, 1968). The song was subsequently sometimes included on pressings of Wheels of Fire (1968) and later pressings of Goodbye by Polydor.

Personnel

Cream

• Ginger Baker – drums (all tracks), backing vocals (1, 6), percussion (6)
• Jack Bruce – bass guitar (1-5), lead vocals (1-3, 5, 6), piano (5, 6), organ (6)
• Eric Clapton – guitars (all tracks), lead vocals (4, 6) backing vocals (1)

Additional musicians

• L'Angelo Misterioso (George Harrison) – rhythm guitar (4)
• Felix Pappalardi – piano (4), mellotron (4, 5), bass (6)

Recording

• Engineers – Bill Halverson, Adrian Barber
  , Damon Lyon-Shaw