Gradiva

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For the novel by Wilhelm Jensen, see Gradiva (novel).
The original Roman relief upon which Gradiva was based (Vatican City).

Gradiva, or "She who steps along", is a mythic figure created by Wilhelm Jensen as a central character in his novella Gradiva (1902).[1] The character was inspired by an existing Roman relief. She later became a prominent subject in Surrealist art after Sigmund Freud published an essay on Jensen's work.

Origins

The character first appeared in Wilhelm Jensen's eponymous novella Gradiva. In the novella, the protagonist is fascinated by a female figure in an ancient relief and names her Gradiva, Latin for "she who steps along".[2][3] The name is also believed to be an homage to Mars Gradivus, the Roman god of war.[1]

Early after Gradiva's publication, psychoanalyst Carl Jung recommended the novella to his colleague Sigmund Freud.[4][2] Freud found the narrative compelling, and published his influential essay titled Delusion and Dream in Jensen's Gradiva (German: "Der Wahn und die Träume in W. Jensen's Gradiva") in 1907.[5] Afterwards, he exchanged a few letters with Jensen, who was "flattered by Freud's analysis of his story".[2]

Description

The relief is a

Aglaulos.[7] The relief was reconstructed by archaeologist Friedrich Hauser from fragments found in multiple separate museum collections.[4]

The Gradiva fragment is held in the collection of the Vatican Museum Chiaramonti, Rome.[8] The rest of the relief is on display in the Uffizi Museum in Florence.[5]

Allusions in popular culture

Salvador Dalí nicknamed his wife, Gala Dalí, "Gradiva". He utilized the figure of Gradiva as inspiration in a number of his paintings, for which his wife often served as the model.[9] These paintings included Gradiva (1931), Gradiva finds the ruins of Antropomorphos (1931), William Tell and Gradiva (1931).

Gradiva inspired other Surrealist paintings as well. One such example, Gradiva (1939) by André Masson, explores the sexual iconography of the character.[10]

In 1937, the Surrealist author André Breton, credited with being a leader of the movement, opened an art gallery on the Rive Gauche called the Gradiva. The studio was designed by Marcel Duchamp, who created the iconic door in the shape of the Gradiva accompanied by a male figure.[3]

The short art film Gradiva Sketch 1 (1978, camera: Bruno Nuytten) by the French filmmaker Raymonde Carasco was described as “a poetic construction about the fetishization of desire, one that seems to go against Freud's reading: the gracious movement of the maiden's foot is seen to be the object itself, not a mere referent, of male desire”.[11]

In 1986, the French Surrealist writer and

Musée du quai Branly in Paris.[12]

Notes

  1. ^ a b Jensen, Wilhelm (1903). Gradiva: ein pompejanisches phantasiestück ... C. Reissner.
  2. ^ a b c Strachey, J., ed. (1959). The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume IX (1906-1908): Jensen's 'Gradiva' and Other Works. Vol. IX.
  3. ^ a b "Gradiva: What did Freud and the Surrealists See in Her?". DailyArt Magazine.
  4. ^ a b Trevisan, Amarildo Luiz (2022). "The Philosophy of Education in the Gradiva Step". Educação & Realidade. 47: 1.
  5. ^
    JSTOR 26304688
    .
  6. ^ Friedrich Hauser: Disiecta membra neuattischer Reliefs. Jahreshefte des Österr. Archäol. Institutes Bd. VI (1903) 79-107.
  7. ^ "Gradiva". m.museivaticani.va. Retrieved 2023-08-17.
  8. ^ Cat. No. 1284
  9. ^ Magazine, Smithsonian; Solly, Meilan. "Why Gala Dalí—Muse, Model and Artist—Was More Than Just Salvador's Wife". Smithsonian Magazine. Retrieved 2023-08-17.
  10. ^ Nadeau, Maurice, A History of Surrealism, (1965).
  11. ^ Eye of Sound – UbuWeb Film
  12. ^ "Gradhiva". Gradhiva. Quai Branly Museum. Retrieved 14 April 2016.

External links

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