Greek traditional music
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Greek traditional music (
Overview
Greek folk music originally, predominantly contained one genre, known as Greek Demotiko (or Demotic/Paradosiako). This refers to the traditional Greek popular songs and music of mainland Greece and islands, which date back to the Byzantine times.[1] It was the sole popular musical genre of the Greek people until the spread of Rebetiko and Laiko (other genres of folk music) in the early 20th century, spread by the Greek refugees from Asia Minor.[2] This style of music evolved from the ancient and the medieval Greek era and is still played today.[3][4]
The lyrics of Greek folk music are largely based on Demotic (folk) poetry (usually by anonymous lyricists) and consist of popular themes such as love, marriage, humor, death, nature, water, sea, and religion.
The songs are played mainly in the following two categories of tempos: 'Syrtos' (various versions) and 'Pidiktos'.[6] Pidikto songs are more energetic and involve leaping, whilst the Syrto songs and accompanying dances are slower and more free-flowing.[1] Some songs also are a combination of Pidikto and Syrto tempos.
Universal dances that accompany Greek folk music include Kalamatianos (a universal Greek dance from Kalamata), Tsamiko, Ballos and Sousta.[2]
Notable folk songs
Some notable folk songs include:
- "Itia"
- "Milo mou kokkino"
- "Kontoula lemonia"
- "Mou parigile to aidoni"
- "Enas aetos"
- "Kira Vangelio"
- "Gerakina"
- "Saranta palikaria"
and from Nisiotika (the songs from the islands)
- "Ikariotikos"
- "Samiotisa"
- "Thalassaki"
- "Armenaki"
- "Amorgos Sousta"
- "Ela Na Pame S'ena Meros
- "Dari Dari
- "Dirlada"
- "Lygaria"
- "Psaropoula", such as "Tilirkiotissa" and "Psintri Vasilitsia mou" (Cyprus).
Crete
The Greek islands of
Aegean islands
The Aegean islands of Greece are known for their
Notable singers include
In the Aegean Cyclades, the violin is used more often than the Cretan lyra as well as the clarinet, mandolin, bagpipe, dulcimer and guitar.[12] Some Nisiotika musicians include Nikos Oikonomidis, Leonidas Klados and Stathis Koukoularis. Folk dances in the Cyclades include Lerikos, Syrtos (Serifou, Naxou and Kythnou), Amorgos dance and Ballos. A prominent singer of Cycladic music was Domna Samiou, who was trained by Greek musicologist, Simon Karas.[12]
The folk music of the Dodecanese (part of the Aegean Islands), also contains prominent elements of Cretan music.[13] Dodecanese folk dances include the Trata, Ballos, Syrtos, Kremasti, Issos, Syrtos Rodou, Michanikos and Kalymnikos, which originates from the island of Kalymnos.[13]
Central Greece
In
Epirus
In
Peloponnese
Folk dances that accompany
Ionian Islands
The
An
Notable songs are "Kato Sto Yialo", "S'ena paporo mesa", "Apopse tin kithara mou".[25]
The
Macedonia
Folk dances in Macedonia include the
Thessaly
Folk songs from
Thrace
Instruments used in Ancient
Pontus
Pontic music retains elements of the musical traditions of Byzantine music and the music from the region known as Caucasus.[32]
The primary instruments in Pontic music are a bowed instrument known as
Constantinople
The main Greek dance, for which folk songs are used as an accompaniment in Constantinople is the Hasapikos.[35] It originated in the Middle Ages as a military exercise with swords, adopted by the Byzantine military.[35] During Byzantine times, the Hasapiko was called μακελλάρικος χορός (makellarikos horos). The songs were later danced by butchers in a social setting, and it was danced in both Turkey and Greece.[36]
The use of Politiki Lyra and Politiko Laouto is common to the folk songs from Constantinople. The Hasapiko also later served as one of the bases for the Sirtaki and it is danced in mostly all areas of Greece, with the use of Bouzouki.[37]
Cyprus
Cyprus is an independent country, currently contested between the
See also
- Greek dances
- Dora Stratou
- Swallow song of Rhodes; Greek folk song composed by Athenaeus
References
- ^ a b c d "Greek Folk Music and Dance". socalfolkdance.org. Retrieved 2021-12-06.
- ^ JSTOR 942190.
- ^ "Greek Traditional Music": Ινστιτούτο έρευνας μουσικής και ακουστικής - Institute for research on music and acoustics.
- ^ Samuel Baud-Bovy, Δοκίμιο για το Ελληνικό Δημοτικό Τραγούδι, 3rd edition, Πελοποννησιακό Λαογραφικό Ίδρυμα, Ναύπλιο: 1966, pp. 1–13. (Υπάρχει μια συνεχής εξέλιξη από την αρχαία Ελληνική μουσική έως και το δημοτικό τραγούδι, η οποία μαρτυρείται, εκτός από τη γλώσσα, στο ρυθμό, τη δομή και τη μελωδία).
- ^ a b Beaton, Roderick (1986). "The Oral Traditions of Modern Greece: A Survey" (PDF). Oral Tradition. 1: 110–133 – via SpringerLink.
- ^ Dance, Athan. "Greek Folk Music and Dance". socalfolkdance.org. Retrieved 2021-12-06.
- ^ "Melbourne's Cretan community pays tribute to the music of Kostas Mountakis". Greek Herald. 2021-02-23. Retrieved 2021-12-06.
- JSTOR 25163899
- ^ "Traditional folk dances of Crete". www.crete.org.uk. Retrieved 2021-12-06.
- ^ a b c King, Christopher C. (2014-03-22). "Greek Rhapsody--Instrumental Music From Greece, 1905-1956". ARSC Journal. 45 (1): 105–108.
- ^ "Mariza Koch". IMDb. Retrieved 2021-12-06.
- ^ a b c Andrew R. Martin, & Matthew Mihalka Ph.D. (2020). Music Around the World: A Global Encyclopedia [3 Volumes] : A Global Encyclopedia. ABC-CLIO.
- ^ OCLC 59355874.
- OCLC 947016928.
- OCLC 1057732835.
- OCLC 733699433.
- ^ Romero, A (2019). "The Extraordinary Clarinet and Lauto Sound of Epirus | World Music Central.org". Retrieved 2021-12-07.
- ^ a b World Music Institute (2000). Festival of Greek Music and Dance. New York: World Music Institute.
- OCLC 947016928.
- ProQuest 304652978
- ^ Giaxoglou, K (2019). Trajectories of treasured texts: laments as narratives. In: Falconi, Elizabeth and Graber, Kate eds. Storytelling as Narrative Practice: Ethnographic Approaches to the Tales We Tell. Studies in Pragmatics (19), pp. 136–162.
- ^ a b Stavrianos, L., & Stoianovich, T. (2008). The Balkans since 1453 (2nd ed.). Hurst& Company.
- ^ OCLC 828735796.
- ISSN0147-2526.
- ^ a b "HDNJ - The Ionian Islands". www.hellenicdancersofnj.org. Retrieved 2021-12-08.
- ^ ISSN1479-4098.
- ^ ProQuest 232195527
- ^ a b Hunt, Y., & Dragoumēs, M. (1996). Traditional dance in Greek culture (1st ed.). Centre for Asia Minor Studies.
- ^ Evangelos, A. (2013) Memory and Identity on the Greek–Bulgarian Border, Journal of Balkan and Near Eastern Studies, 15:4, 396-411, DOI: 10.1080/19448953.2013.844586
- ^ a b "Thracian Dance". www.yorku.ca. Retrieved 2021-12-09.
- ^ "Meet the Artists Ushering Traditional Greek Music Into the Present". Bandcamp Daily. 2020-08-03. Retrieved 2021-12-09.
- ^ Liddle, V. (2013). The Pontic Greeks, from Pontus to the Caucasus, Greece and the diaspora [Ebook]. University of Adelaide. Retrieved from https://digital.library.adelaide.edu.au/dspace/bitstream/2440/88838/8/02whole.pdf
- ^ a b Margaret J. (1990). On Concepts and Classifications of Musical Instruments. Chicago Studies in Ethnomusicology, University of Chicago Press.
- ^ "Pontian Dance". www.yorku.ca. Retrieved 2021-12-09.
- ^ a b Alonso, Torre, F. de la, Anonymous, Encina, J. del, & Ballard, R. (2001). CONSTANTINOPLE: Music of the Middle Ages and of the Renaissance. Naxos Digital Services US Inc.
- ^ Zelazko, Alicja. "Sword dance -Description, History, & Facts". www.britannica.com. Retrieved 2021-12-10.
- ^ "Hasapiko: A Greek folk dance with roots from Constantinopole". FolkWay - The Only Folk Culture. 2012-01-04. Retrieved 2023-07-10.
- ^ "Cyprus country profile". BBC News. 2012-03-01. Retrieved 2023-07-10.
- ^ a b Rousha, Y. (2014). The development of musical preferences in Greek Cypriot students [Ebook] (pp. 32-40). Roehampton University London. https://pure.roehampton.ac.uk/ws/portalfiles/portal/429421/Yianna_Rousha_THESIS.pdf