Classical mythology in culture

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Greek mythology in western art and literature
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Botticelli's Birth of Venus (c. 1485–1486, oil on canvas, Uffizi, Florence); a revived Venus Pudica for a new view of pagan Antiquity, often said to epitomize for modern viewers the spirit of the Renaissance.[1]

With the rediscovery of

Dante in Italy.[1]

In northern Europe, Greek mythology never took the same hold of the visual arts, but its effect was very obvious on literature. Both Latin and Greek classical texts were translated, so that stories of mythology became available. In England,

Iphigeneia – to new purpose.[3]

Francisco Goya, The Rape of Europa, 1772

In the 18th century, the philosophical revolution of the

Lord Leighton and Lawrence Alma-Tadema were seriously accepted as part of the transmission of the Hellenic ideal.[5]

American authors of the 19th century, such as Thomas Bulfinch and Nathaniel Hawthorne, believed that myths should provide pleasure, and held that the study of the classical myths was essential to the understanding of English and American literature.[6] According to Bulfinch, "The so-called divinities of Olympus have not a single worshipper among living men. They belong now not to the department of theology, but to those of literature and taste."[7] In more recent times, classical themes have been reinterpreted by such major dramatists as Jean Anouilh, Jean Cocteau, and Jean Giraudoux in France, Eugene O'Neill in America, and T. S. Eliot in England, and by great novelists such as the Irish James Joyce and the French André Gide. Richard Strauss, Jacques Offenbach and many others have set Greek mythological themes to music.[1]

See also

References

  1. ^ a b c "Greek Mythology". Encyclopædia Britannica. 2002.
  2. ^ a b c "Greek mythology". Encyclopædia Britannica. 2002.
    * L. Burn, Greek Myths, 75
  3. ^ a b L. Burn, Greek Myths, 75
  4. ^ L. Burn, Greek Myths, 75–76
  5. ^ L. Burn, Greek Myths, 76
  6. ^ Klatt-Brazouski, Ancient Greek and Roman Mythology, 4
  7. ^ T. Bulfinch (1855). The Age of Fable: Or, Stories of Gods and Heroes, p.11. Sanborn, Carter, and Bazin.

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