Hanoch Levin
Hanoch Levin | |
---|---|
Born | Tel Aviv, Israel | December 18, 1943
Died | August 18, 1999 Tel Aviv, Israel | (aged 55)
Citizenship | Israeli |
Alma mater | Tel Aviv University |
Occupation(s) | Dramatist, theater director, author, and poet |
Children | 4 |
Awards | 1994 Bialik Prize for literature |
Hanoch Levin (
Biography
Levin was born in 1943 to Malka and Israel Levin, who
As a child, he attended the Yavetz State Religious School. In the 1950s, his brother, David, who was nine years older than he was, worked as an assistant director at the
After serving his compulsory military duty as a code clerk in the signal corps, Levin began to study philosophy and Hebrew literature at Tel Aviv University (1964–67). In 1965 he joined the editorial board of the Dorban newspaper, one of the university's two student newspapers. Some passages from the period were republished, with thorough revisions, as part of his later work. For example, "A Hardened Ballad of a Soldier Man and Woman" from June 1966 was revised as "Black Eagle on a Red Roof" and published after the 1982 Lebanon War.
During his university studies, Levin associated with the
Levin was married twice, to Naava Koresh and Edna Koren. His partner in the last years of his life was actress and dubber Lillian Barto. He had four children.
Levin was known for his refusal to give interviews. In one of the few interviews that he gave at the beginning of his career (to
Levin died of
Literary and theater career
In 1967, Levin published a
Also in 1967, Levin sent a
In 1967–70, Levin devoted himself to political satire. In March 1968 he began working on a cabaret show entitled You, Me and the Next War, with Edna Shavit. The show was mounted in August 1968 at the Bar-Barim club in Tel Aviv by four of Shavit's students from the theatre department at Tel Aviv University: Bat-Sheva Zeisler, Shifra Milstein, Gad Keynar and Rami Peleg. Danny Tracz was the producer. Next, Levin wrote a satire called Ketchup. Under the direction of his brother, David, it was performed in the basement of the Satirical Cabaret in Tel Aviv in March 1969. In these two works, Levin mocked Israeli military pathos (as in the parody "Victory Parade for the 11 Minutes War" of the victory speech by General Shmuel Gonen at the close of the Six-Day War), the impotence and complacency of Israel's politicians ("Peace Talks in the Middle East"), and presented a macabre treatment of bereavement ("Squares in the Cemetery").
The criticism directed at Levin following You, and Me and the Next War and Ketchup deepened after the premiere of his third political play, Queen of a Bathtub ("מלכת אמבטיה), produced by the Cameri Theater in April 1970. David Levin directed the controversial play, which made pointed use of vulgarity, and contained provocative sketches such as "The Binding" in which Isaac begs his father Abraham not to hesitate to slaughter him, and "The Courting" which mocks Israeli volubility and arrogance. Perhaps because it was presented on the stage of an established theater, the play aroused an unprecedented storm of public opinion. Viewers protested and made a disturbance during the performances. The National Religious Party demanded censorship of a song that, in its opinion, profaned the honor of the Bible. The government threatened to withdraw its financial support from the theater. The criticism further addressed the play itself: "a combination of flawed dialogues and ditties attempting to toss salt on our open wounds" (Dr. Haim Gamzu); "This 'theatrash' (mahazevel) makes us all out to be despicable killers, citizens of a militarist, bloodthirsty state." (Uri Porat); and "a scene about a reporter, who comes to interview a young widow whose husband died in the trenches, and makes love with her, only a demonic or infirm mind could devise... it's a malicious abuse of thousands of bereaved parents" (Reuven Yanai). In spite of Levin's objections, the theater's management decided, in the wake of these outraged responses, to close the show after only nineteen performances.
Critical acclaim
Levin's first "artistic" play was the comedy Solomon Grip, which premiered in May 1969 at the Open Theater under direction of Hillel Ne'eman. He achieved his first great public success with his next comedy, Hefez, which was mounted on the stage of the
The next great tempest occurred in the wake of the play Job's Passion in 1981. The play included a scene in which the naked Job, in the person of Yosef Carmon, is impaled through his anus on a pole by the Caesar's soldiers, and is sold to a circus so that his death throes can draw a crowd. Miriam Taaseh-Glazer, at the time the Deputy Minister of Education and Culture, announced from the Knesset dais that the State need not fund a theater "where a naked guy hangs for ten minutes with all his privates waving around." Levin's next play, The Great Whore of Babylon (1982), aroused opposition even among his colleagues the Cameri Theater actors, chiefly Yossi Yadin. Following this opposition, the play was cut by 20 minutes.
Levin returned to political writing in The Patriot, which opened October 1982 at the Neve Zedek Theater, directed by Oded Kotler. The play is about an Israeli citizen who asks to emigrate to the United States. The American consul asks him to spit on his mother, kick an Arab boy's face, and afterward, to taunt God. Although the Council for Film and Drama Criticism banned the entire play, Kottler decided to present it. Yitzhak Zamir, then the government's legal counsel, recommended indictments against the theater management for transgressing censorship law. The play was allowed to go on only after it was edited.
During the 1980s, some of the critics charged that Levin was repeating material in his plays (Yakish and Poupche, Hamitlabet), although his later plays (The Dreaming Child, Those Who Walk in the Darkness, Repose, and others) received widespread acclaim.
In 1994, The Dreaming Child was adapted as a television film by noted Israeli director
Levin also wrote popular songs ("Mr. Almost and Mrs. Already" recorded by
Dramatic themes and style
Nurit Yaari divides Levin's plays into three general categories, based on their themes, characters and theatrical forms:
- Satirical Cabarets – Levin’s early political pieces, “a straightforward reaction to the political reality prevailing at the time of their presentation…Levin’s cabarets are composed of a series of sketches interspersed with songs”[2]
- Domestic Comedies – Plays focused on small, representative elements of society: individuals, families, friends and neighbors, “the dramatic space of these plays extends between the home, as the smallest unit, and the neighborhood. The city and country are not mentioned”[3] In this group Yaari identifies three subcategories:
- Courtship and marriage
- A particular family
- A neighborhood.
- Spectacles of Doom – Levin’s philosophical and mythical works, which are usually based on ancient myths and biblical texts. These plays vary greatly in terms of plot, structure and the myths they draw upon, but habitually display similar themes such as: “the agonies and humiliations suffered by people” and “the futility of human suffering” as well as the recurring motifs of “degradation and death”[4]
Awards and recognition
In 1994, Levin was the co-recipient (jointly with Meir Wieseltier) of the Bialik Prize for literature.[5]
Levin's death brought new interest in his early stage works. The Israeli Theater Habimah performed several plays by Levin. An updated version of the political satire "You, Me and the Next War" was staged from 2004 through 2008 by the original crew with Bart Berman at the piano.[6][7]
In 2000 the musician Dudi Levi released the disk Hanoch Levin Project, comprising eleven songs whose words Hanoch Levin composed.
Published works
Plays
- Hefetz
- Solomon Grip
- Ya'akobi & Leidental
- Young Varda'le
- Schitz
- Krum
- Popper
- The Rubber Merchants
- Winter Funeral
- Suitcase Packers
- Execution
- Job's Passion
- The Great Whore of Babylon
- The Lost Women of Troy
- Everyone Wants to Live
- Yakish & Poupche
- Beaten and Defeated
- The Labor of Life
- The Hesitator
- Dreaming Child
- Hops & Hopla
- The Wonderful Woman Inside Us
- The Whore from Ohio
- Mouth Open
- The Conqueror
- Beheading
- Rape Trial
- The Man with the Knife in the Middle
- Elmo and Ruth
- Anxious and Frightened
- The People That Walked in Darkness
- Murder
- Must Be Punished
- Singles
- The Dreamer
- The Perpetual Mourner
- The Caretakers
- The Emperor
- Embarrassed
- Shozes & Bjijina
- Kludog the Miserable King
- To Hold On and Never Let Go
- Spasm and Twist
- Redemption
- And a Kiss for the Aunt
- Emperor Gok
- All the Queen's Men
- A Servant's Devotion to his Rigorous Lady
- Romantics
- Requiem
- Move my Heart
Sketches, revues and cabarets
Screenplays
Prose
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Poetry
Children's books
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See also
- List of Bialik Prize recipients
- Theater of Israel
- Culture of Israel
References
- ^ Bringing Israel's best-known playwright, Hanoch Levin, to a worldwide audience, Haaretz
- ^ Yaari, Nurit. “Life as a Lost Battle: The Theater of Hanoch Levin.” Theater in Israel. Ed. Linda Ben-Zvi. University of Michigan, 1996. p. 153
- ^ Yaari, p. 157
- ^ Yaari, 165–167
- ^ "List of Bialik Prize recipients 1933–2004 (in Hebrew), Tel Aviv Municipality website" (PDF). Archived from the original (PDF) on 2007-12-17.
- ^ Parchomovsky, Mart (2004) "You, Me and the Next War Archived 2007-12-23 at the Wayback Machine." Tarboot Archived 2008-03-09 at the Wayback Machine 7. Archived 2007-12-17 at the Wayback Machine (in Hebrew)
- ^ Yudilovitch, Merav (2005) "You, Me and the Next War" in the Arab-Hebrew Theater. Ynet February 8. (in Hebrew)
External links
- Biblical Thematics in Stage Design for the Hebrew Theatre Ben-Meir, Orna. Tel Aviv University.
- Hanoch Levin – Success Story article by Moti Sandak at Jewish-theater.com
- Hanoch Levin at IMDb
- Hanoch Levin at Institute for Translation of Hebrew Literature.