Harald Sæverud

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Harald Sæverud
Bergen, Norway
Died27 March 1992 (1992-03-28) (aged 94)
OccupationComposer
ChildrenKetil Hvoslef (son)

Harald Sigurd Johan Sæverud (17 April 1897 – 27 March 1992) was a Norwegian

Rondo Amoroso, and the Ballad of Revolt (Norwegian: Kjempeviseslåtten). Sæverud wrote nine symphonies and a large number of pieces for solo piano. He was a frequent guest conductor of his own works with the Bergen Philharmonic Orchestra
.

Background and early career

Harald Sæverud was born in

Berlin Philharmonic Orchestra. The performance was conducted by his friend Ludwig Mowinckel
, who had hired the orchestra to present a concert dedicated to modern Norwegian music. The critics were mostly favorable to Sæverud's symphony, and this further raised his interest for symphonic and orchestral music.

Harald Sæverud moved back to his hometown of Bergen in 1922, where he stayed, with few exceptions, for the rest of his life. His earliest compositions are coloured by a late

abstract
quality" (Cappelens Musikkleksikon).

Bergen

In the 1930s Harald Sæverud and his American-born wife Marie Hvoslef built a magnificent mansion on the outskirts of Bergen. It was named Siljustøl, and the family moved there in 1939. Their son is the composer Ketil Hvoslef. The composer came now into close contact with nature, which had a very strong impact on him and his compositions. His compositions turned towards a more Norwegian and "greener" style. In 1940 Nazi Germany invaded Norway. From this point, Sæverud's compositions became weapons against the occupying army. His main compositions from the period are the three "War symphonies": no. 5, Quasi una fantasia, no. 6, Sinfonia Dolorosa, and no. 7, Psalm. Also from this period comes his direct protest against the Nazis: Ballad of Revolt in versions for both piano and orchestra.

In contrast to these strong compositions he also shaped a number of lyric

Norwegian folk music
(he never borrowed directly from folk music) published in collections called Tunes and Dances from Siljustøl and Easy Pieces for Piano.

Post-war

After the war, Sæverud was considered to be the doyen of Norwegian composers and he gained wide popularity for a number of his compositions. Particularly noteworthy from his later years are his incidental music for Ibsen's Peer Gynt (1948), his symphonies no. 8, Minnesota (1958), and no. 9 (1966), the ballet Count Bluebeard's Nightmare, and concertos for piano,

woodwind quintets
.

Harald Sæverud was widely famous for his humour, mainly of a grotesque kind. "I was born on a graveyard," he said, and it is a fact that the ground under the house where he was born was both a former graveyard and a place of execution. He was convinced that his mother's nightmares there had influenced him both as a person and composer: "My music is terribly melancholy--wildly melancholy."

Besides his humour, his uniqueness as a composer is palpable. The English conductor

Sir John Barbirolli
said: "Whether you like Sæverud's music or not, there is never any doubt about who has written it, and this can be said about very few composers today."

Honours

Sæverud's central place in Norwegian and

Harmonien (the Bergen Philharmonic Orchestra) in 1957, and was awarded their gold medal. Also in 1957, he became a knight in the Royal Norwegian Order of St. Olav, and 20 years later became a commander in the same order. In 1979, he received the Arts Council Norway Honorary Award. He has also received awards from Sweden, Finland, Yugoslavia
, and England.

Death

Harald Sæverud died in Bergen on 27 March 1992. The funeral ceremony, which took place in the

Norwegian Broadcasting Corporation
.

References

Awards
Preceded by Recipient of the
Norsk kulturråds ærespris

1979
Succeeded by