Haridasa
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The Haridasa Bhakti Sahitya devotional movement (sampradaya) originated in Karnataka, India, after Madhvacharya, and spread to eastern states such as Bengal and Assam of medieval India.[1] Over a span of nearly six centuries, several saints and mystics helped shape the culture, philosophy and art of South India in general and Karnataka in particular by exerting considerable spiritual influence over the masses and kingdoms that ruled South India.[2]
This movement was ushered in by the Haridasas (lit "servants of Lord
Prominent
The Haridasas were saints, some of whom were wandering bards, and considered themselves as slaves of their supreme lord - Hari. While the movement was mainly heralded by the
Origin
The origin of the Haridasa movement is not clearly known, with some legends indicating there were holy men and kings who espoused this form of devotion as early as the 9th century. The Haridasas' songs attribute
The Haridasas' who propagated the philosophy of Madhvacharya belonged to two groups; the Dasakuta, those who conveyed the philosophy of Madhvacharya in simple and lucid
Haridasas' belonged to the
Preachers
The Haridasas' generally hailed from places in present-day
Famous haridasas from the Madhvacharya order during the
- Naraharitirtha(1243 - 1333 CE)
- Akshobhyatirtha ( 1282- 1365 CE)
- Jayatirtha (1345 – 1388 CE)
- Sripadaraya (1404 - 1502 CE.)
- Vyasatirtha (1447 - 1539 CE.)
- Purandara Dasa (1480 - 1564 CE.)
- Kanaka Dasa (1508 - 1606 CE.)
- Vijayindratirtha (1514-1595 CE)
- Raghuttamatirtha (1537 - 1596 CE)
- Raghavendratirtha (1595 - 1671 CE)
- Vadirajatirtha(1480 - 1600 CE.; lived for 120 years).
Growth and patronage
Sripadaraya, Vyasatirtha and Vadirajatirtha are called "three great saints" (yathi raja trayaru, as they were accorded royal patronage) in the Haridasa movement whereas the epithet "great trinity of Vaishnava composers" from Karnataka goes to Sripadaraya, Purandaradasa and Kanakadasa, though it is difficult to separate literature, music, devotion from their composite writings.[19] The center of their activity in the 15th–16th century was Hampi, the royal centre of Vijayanagara, the regal capital of Vijayanagara empire.
The Haridasa movement gained further impetus in the 17th and 18th centuries in and around
Contribution to Kannada Literature
Haridasa movement made a significant contribution towards
The compositions can be broadly classified under one of the following three types:
- Kavya or poetic compositions
- Tatva or philosophic compositions
- General compositions.
Pen name (Ankita Nama)
Each Haridasa had a unique ankita nama, or pen-name, with which they 'signed' all their compositions. The pen names of some of the most well known Haridasas is listed below:[27]
Haridasa | Period | Ankita nama (Insignia) | Notes |
---|---|---|---|
Naraharitirtha
|
1243-1333 | Narahari Raghupathi | |
Sripadaraya | 1404-1502 | Ranga Vitthala | |
Vyasatirtha | 1460-1539 | Sri Krishna | |
Vadirajatirtha
|
1480-1600 | Hayavadana | |
Raghavendratirtha
|
1595-1671 | Dheera Venugopala | |
Purandara Dasa | 1484-1564 | Purandara Vittala | |
Kanaka Dasa | 1508-1606 | Kaginele Adikeshava | |
Vijaya Dasa | 1682-1755 | Vijaya Vittala | |
Gopala Dasa | 1722-1762 | Gopala Vittala | |
Panganama Timmanna Dasa | 1722-1765 | Venugopala Vittala | |
Helevanakatte Giriyamma | 18th Century | Helevanakatte Ranga | |
Jagannatha Dasa | 1727-1809 | Jagannatha Vittala | |
Mahipathidasa | 1611-1681 | Mahipathi | |
Prasanna Venkatadasa | 1680-1752 | Prasanna Venkata | |
Mohanadasa | 1728-1751 | Mohana Vittala | |
Nekkara Krishnadasa | 18th Century | Varaha Thimmappa | |
Jayesha Vittala Dasa | 1850-1932 | Jayesha Vittala |
Contribution to Carnatic music
The Haridasa movement developed the
Though these compositions usually adhere to the carnatic style of music, some of these compositions have also been sung in the
See also
- Carnatic music
- Dvaita
- Vijayanagara empire
Notes
- ISBN 978-8120815759.
- ^ a b Sharma (1961), p. 514
- ^ a b c d e Kamath (2001), p. 155
- ^ a b Madhusudana Rao CR. "History of Haridasas". Dvaita Home Page. Retrieved 30 May 2007.
- ^ Krishna Rao M.V. Dr. in Arthikaje. "Haridasa Movement-Part1". History of Karnataka. outKarnataka.com. Archived from the original on 12 December 2006. Retrieved 2 June 2007.
- ^ Kamath (2001), p. 156
- ^ According to some accounts, Kanaka Dasa came from a family of hunters (beda) and from other accounts, from a family of Shepherds (kuruba) (Sastri 1955, p. 365)
- ^ Sastri (1955), p. 381
- ^ Arthikaje. "The Haridasa Movement". History of Karnataka. ourKarnataka.com. Archived from the original on 12 December 2006. Retrieved 31 May 2007.
- ^ Kamath (2001), p178
- ^ Pujar, Narahari S.; Shrisha Rao; H.P. Raghunandan. "Sri Vyasa Tirtha". Dvaita Home Page. Retrieved 31 December 2006.
- ^ Krishnadevaraya was highly devoted to Vyasatirtha (Kamath 2001), p178)
- ^ Vyasatirtha was highly honoured by King Krishnadevaraya (Nilakanta Sastri 1955, p324)
- ^ Kamat, Jyotsna. "Dasa Sahitya or Slave Literature". History of Kannada literature. Kamat's Potpourri. Retrieved 31 May 2007.
- ^ Pujar, Rao and Budihal. "Sri Jaya Tirtha". Online Webpage of Haridasa (dvaita.org). Retrieved 31 May 2007.
- ^ a b Mahushudhana Rao C R. "Sri Narahari Tirtha". Online Webpage of Haridasa (dvaita.org). Retrieved 31 May 2007.
- ^ Sastri (1955), p364
- ^ "Yathi (Dasas) Lineage". Haridasa Webpage Online (dvaita.org). Retrieved 18 March 2013.
- ^ Kamat, Jyotsna Dr. "Dasa Sahitya or Slave Literature". History of Kannada Literature. Kamat's Potpourri. Retrieved 2 June 2007.
- ^ Arthikaje. "The Haridasa Movement". History of Karnataka. ourKarnataka.com. Archived from the original on 16 April 2007. Retrieved 31 May 2007.
- ^ Rao, Madhusudana C.R. "History of the Haridasas". www.dvaita.org. Retrieved 2 June 2007.
- ^ Their poems were in ragale metre (Sastri 1955, p365)
- ^ a b Sharma (1961), p515
- ^ Kamat, Jytosna Dr. "Kanakadasa - Poet among Saints". Kamats Potpourri-Path of devotion. Retrieved 2 June 2007.
- ^ Madhusudana Rao CR. "Haridasa Lineage". Dvaita Home Page (www.dviata.org). Retrieved 1 June 2007.
- ^ Madhusudana Rao CR. "Yathidasa Lineage". Dvaita Home Page (www.dviata.org). Retrieved 1 June 2007.
- ^ Mahushudhana Rao C R. "Ankitha". Online Webpage of Haridasa (dvaita.org). Retrieved 31 May 2007.
- ^ a b Owing to his contributions to carnatic music, Purandaradasa is known as Karnataka Sangita Pitamaha Dr. Jytosna Kamat. "Purandara Dasa". Kamats Potpourri. Retrieved 31 December 2006.
- ^ Madhusudana Rao CR. "Sri Purandara Dasaru". Dvaita Home Page. Retrieved 31 December 2006.
- ^ S. Sowmya, K. N. Shashikiran. "History of Music". Srishti's Carnatica Private Limited. Retrieved 31 December 2006.
- ^ Madhusudana Rao CR. "Sri Purandara Dasaru". Dvaita Home Page (www.dviata.org). Retrieved 31 December 2006.
- ^ Iyer (2006), p93
- ^ Sangatya composition is meant to be sung to the accompaniment of a musical instrument (Sastri 1955, p359)
References
- Sharma, B.N.K (2000) [1961]. History of Dvaita school of Vedanta and its Literature (3rd ed.). Bombay: Motilal Banarasidass. ISBN 81-208-1575-0.
- Nilakanta Sastri, K.A. (2002) [1955]. A history of South India from prehistoric times to the fall of Vijayanagar. New Delhi: Indian Branch, Oxford University Press. ISBN 0-19-560686-8.
- Kamath, Suryanath U. (2001) [1980]. A concise history of Karnataka : from pre-historic times to the present. Bangalore: Jupiter books. OCLC 7796041.
- Iyer, Panchapakesa A.S. (2006) [2006]. Karnataka Sangeeta Sastra. Chennai: Zion Printers.
- Arthikaje. "The Haridasa Movement - Part 1". History of karnataka. OurKarnataka.Com. Archived from the original on 12 December 2006. Retrieved 31 December 2006.
- Arthikaje. "The Haridasa Movement - Part 2". History of karnataka. OurKarnataka.Com. Archived from the original on 16 April 2007. Retrieved 31 December 2006.
- Rao, Madhusudana C.R. "History of Haridasas". Haridasas of Karnataka. [email protected]. Retrieved 30 May 2007.