Harry Sternberg
Harry Sternberg | |
---|---|
Born | New York City, New York, U.S. | July 19, 1904
Died | November 27, 2001 Escondido, California, U.S. | (aged 97)
Nationality | American |
Education | Art Students League of New York |
Employer | Art Students League of New York |
Known for | painting, muralist, educator |
Spouse |
Mary Gosney (m. 1939–2001) |
Awards | Guggenheim Fellowship (1936) |
Harry Sternberg (1904–2001), was an American painter, printmaker and educator. He taught at the Art Students League of New York, from 1933 to c. 1966.
Biography
Childhood, family life, and education
Sternberg's parents had immigrated from
Early career
In 1931, his work was exhibited at the
After meeting Diego Rivera, the prominent Mexican muralist, and his wife Frida Kahlo in 1934 Sternberg became more politically active in union and socialist causes. In 1935, he was appointed a technical advisor to the Graphic Art Division, Federal Art Project (FAP) of the Works Progress Administration.
As a result of the experimentation in screen printing at the FAP, by a team led by
In The Early History of the Screenprint by Reba Williams and Dave Williams, the authors note that the efforts of many printmakers to achieve a 'painterly' effect in their prints has been subject to criticism for the use of conspicuous brushstrokes and overlapping or blurring colors, rather than flat planes of color which are so suited to the medium. They wrote in their 1986 article in Print Quarterly that: "Sternberg's Riveter is perhaps the most daring and successful of the painterly screen prints. It draws heavily on German Expressionism in color, composition, subject and style. A powerful workman, standing on a steel beam, constructing a New York skyscraper, wielding a heavy riveting gun, attached to a curling, treacherous air hose, surrounded by dizzying high towers -- a perfect subject for Expressionism! Here Sternberg plays on the potential for 'crudeness' in screen printing: rough edges between color planes and contrasting tonal effects. . .Overall, the colors, composition and drawing style convey power and tension, harmonious in theme and medium."[10]
Sternberg was awarded a Guggenheim Fellowship in 1936,[5] and spent the year studying the conditions of workers in coal mines and steel mills. His drawings, etchings and paintings depicting life in industrial America influenced his subsequent post office mural designs.
New Deal art
In 1937, Sternberg painted his first post office mural, Carrying the Mail in Sellersville, Pennsylvania. The mural was commissioned by the former United States Department of the Treasury Section of Painting and Sculpture, later known as the Section of Fine Arts. Sternberg traveled to Chicago, where he studied the city's history, architecture, industry, and workers which resulted in his mural Chicago: Epoch of a Great City, for the Lakeview post office in Chicago. It depicts the history of the city from its first settlement of Fort Dearborn to the Great Fire to the life in the stock yards and the steel mills. In 1906, Upton Sinclair's novel, The Jungle, had graphically described life for workers in Chicago's stockyards and steel mills and Sternberg strived to captured their struggle. In June 2001, a non-profit community organization, Friends of the Lakeview Post Office, was founded to facilitate a restoration of the mural. Parma Conservation of Chicago completed the work in 2003.[11]
In participating in the WPA, I felt that I was part of one of the most vital and important cultural movements in America[12]
He married Mary Gosney in 1939 and their family, including their baby daughter, are depicted in the Ambler, Pennsylvania post office mural, The Family, Industry and Agriculture. He was fond of self-portraits and painted his likeness into the scientist figure in his mural for the Lakeview post office.
Later career
In 1966, he retired from the Art Students League of New York and the Sternbergs moved to
Between 1969 and 1978, he participated in The Orme School Fine Arts Festival, known as the dean of the festival, exposing high school students to the work and instruction of professional artists. In 1990 he published a collection of prints: Sternberg: A Life in Woodcuts, one of which depicts his painting of the Lakeview post office mural.
In 2000, his life and work were celebrated by a major retrospective exhibition: No Sun Without Shadow: The Art of Harry Sternberg at the Museum–California Center for the Arts, Escondido, California.[13] The catalog of this exhibition was researched and written by Ellen Fleurov, the museum director. Harry Sternberg died on November 27, 2001, in Escondido.[14] He had previously written and published two books: a book on composition called Composition: The Anatomy of Picture Making, and a book on woodblock cutting and printing called Woodcut.[15]
He died in Escondido, California, on November 27, 2001.[1]
Publications
- Sternberg, Harry (1958). Composition: The Anatomy of Picture Making. Pitman Publishing. ISBN 978-0273408130.
- Sternberg, Harry (1942). Silk Screen Color Printing: presenting a new addition to the graphic arts--serigraphy : a demonstration and explanation of the process of making "multiple original" color prints. London, UK: McGraw-Hill Book Company, Inc. OCLC 519230.
See also
References
- ^ a b c d "A Tribute To Harry Sternberg (1904-2001)". www.tfaoi.com. San Diego Museum of Art. Retrieved 2021-08-16.
- ^ "Biographical Note: A Finding Aid to the Harry Sternberg papers, 1927-2000". Archives of American Art, Smithsonian Institution. Retrieved 2021-08-16.
- ^ Tracey, Fred (6 October 2000). "Museum, California Center for the Arts, Escondido Surveys Work of Harry Sternberg with Fall Exhibition: No Sun Without Shadows: The Art of Harry Sternberg". California Center for The Arts, Escondido-Press release: Art & Artist File, Smithsonian American Art Museum/National Portrait Gallery Library, Smithsonian Libraries, Washington D.C.
- ^ "Gerald Garston, 68; artist known for mythic paintings of baseball" Boston Globe, April 5th, 1994 Search Result
- ^ a b c d e f g h i j "Harry Sternberg, American (born 1904)". International Fine Print Dealers Association (IFPDA). Archived from the original on 2013-04-24.
- ^ "Mavis Pusey (1928–2019)". Artforum.com. 2019. Retrieved 2021-08-16.
- OCLC 19920115.
- ^ Zigrosser, Carl (December 1941). Bender, John (ed.). "The Serigraph, A new Medium". The Print Collector's Quarterly. 28 (4): 461–463.
- ^ Sternberg, Harry (1942). Silk Screen Color Printing. New York and London: McGraw-Hill Book Company, Inc.
- ^ Williams, Reba; Williams, Dave (December 1986). "The Early History of the Screenprint". Print Quarterly. 3 (4): 292–293.
- ^ Bartholemew, Jim. "Steve Goodman Post Office". connectingthewindycity.com. Retrieved 20 November 2015.
- ^ Becker, Heather (2002). Art for the People:The Rediscovery and Preservation of Progressive and WPA-era Murals in Chicago Public Schools, 1904-1943. Chicago, Il: Chronicle Books.
- ^ "Museum, California Center for the Arts". Traditional Fine Arts Organization, Inc. Retrieved 19 April 2020.
- ^ "Harry Sternberg Biography". Annex Galleries Fine Prints. Retrieved 19 April 2020.
- ^ "Results for 'Harry Sternberg'". WorldCat. Retrieved 19 April 2020.
External links
- Harry Sternberg papers, 1927-2000, Archives of American Art, Smithsonian Institution
- Comrades in Art: Harry Sternberg