Haunted (Beyoncé song)
"Haunted" | |
---|---|
Song by Beyoncé | |
from the album Beyoncé | |
Released | December 13, 2013 |
Recorded | 2013 |
Studio | Jungle City Studios, Oven Studios (New York City) |
Genre | |
Length | 6:09 |
Label | |
Songwriter(s) | |
Producer(s) |
|
Music videos | |
"Haunted" is a song that was recorded by the American singer
Musically, it consists of two parts titled "Ghost" and "Haunted". It contains a minimalistic sound with keyboards, bass and percussion. Beyoncé raps the spoken word segment of "Ghost" with robotic and reverbed vocals. Lyrically, "Haunted" contains sexually explicit and frank lyrics talking about desire. Many music critics compared its sound with various artists and noted different influences and elements explored in its composition. Upon its release, the song was met with positive reviews, with critics praising its experimental sound and minimalistic approach.
Two accompanying music videos were filmed for both parts of the song and placed separately on the visual album. The clip for "Ghost" was directed by Pierre Debusschere while
Background
The things people say in those meetings would take your breath away. After a while, I didn't even feel like I was talking to people anymore, I was just talking to chairs. So I went home, it was five in the morning, and I just started typing shit out—everything I hear on the radio isn't inspiring; I'm not inspired by anything I'm doing; these people have no idea what's happening. It was just a stream-of-consciousness. I woke up the next day and realized I needed to do something with that. That's what eventually became that rap.[1]
—Boots discussing the writing process of "Ghost"
"Haunted" was written and produced by
He also played her the
Beyoncé also explained the meaning of "Haunted" on her
Composition
"Haunted" is a two-part song, consisting of "Ghost" and "Haunted" collectively running for a length of approximately six minutes.[7] Its composition was described as ranging from contemporary R&B to "straight up experimentalism".[8] Mojo's Priya Elan compared the song's composition with works by English band The xx.[9] The song features sexually explicit and frank lyrics in line with a prominent theme of the album about sexuality also present in other songs.[10] Its instrumentation consists of "murky" keyboards and a "creeping", pulsating bassline.[11][12] Beyoncé sings over mournful piano stabs which are repeated along with drums and airy vocals along with a pounding club rhythm.[13][14]
"Ghost" is an alt hip hop and electronica[15] song featuring Beyoncé rapping with recessed and reverbed vocals.[11][16] The song contains ambient beats, bass and percussion and a poetic spoken word vocal with high loop.[3][17] It was created by using a minimal approach and a falsetto vocal was applied along with various "warped, ghost-ly" effects.[18] "Ghost" opens with an audio recording of the singer winning a Sammy Davis Jr. Award in 1989 in Houston for a townwide talent show.[19] It continues with a person incorrectly pronouncing her name as "'Bee Awnz' [sic] Knowles".[20] According to Spin columnist Brandon Soderberg, the song begins with a "random, frustrating indignity from her youth into a full-blown, racially loaded origin story" and also features expressions of her celebrity.[20] Lyrically, Beyoncé makes a prediction about her album's sales[21] and offers commentary on record labels through a spoken word intro:[18] "I don't trust these record labels, I'm tourin'" and later adds, "Soul not for sale/Probably won't make no money off this/Oh well."[22] Speaking about the record industry, she sings about being bored with labels during the lines, "All the shit I do is boring / All these record labels... boring".[9] The lyrics of the song also discuss the failure of taking risks in the music industry.[23][24] She also expresses sadness for people having to work banal and monotonous jobs[12][25] in the lines, "All these people on the planet/Workin' nine to five just to stay alive/How come?".[26]
Soderberg felt that the fast conversational vocal style adopted by the singer was reminiscent of rapper Kendrick Lamar.[20] Anupa Mistry of the same publication felt that she borrowed Lamar's "alien-robot cadence and sings in a pinched choral croon" which she further compared with Bat for Lashes.[27] Una Mullally of The Irish Times wrote that the singer's "monotone" rapping is accompanied by "the flatness of the tone reflecting the repetition of labour".[28] Janice Llamoca from HipHopDX compared the part where Beyoncé sings the line "oh well" with Kanye West's "shrug[s]".[29] Greg Kot of the Chicago Tribune found the same line to be sarcastic.[11] Sal Cinquemani from Slant Magazine described her vocals during the line as half-rapped and "half-shrug[ed] as if directly countering Scheinman's silver linings playbook".[26] Rob Sheffield from Rolling Stone felt that the singer confessed she got "bored" with the "popstar routine" in "Ghost".[30]
During the end, "Ghost" quickly transitions into "Haunted" which contains elements of
Critical reception
"Haunted" was well received by music critics. Neil McCormick of The Daily Telegraph felt that the "modernist sonic approach is pushed to the fore" on "Ghost".[3] Spin's Brandon Sorderberg felt that the line "nine-to-five" just to stay alive" was repeated "way too many times".[20] Anupa Mistry of the same publication described the song as "multi-directional, mood-shifting".[27] Cosmopolitan's Alex Rees said the song is a "sharp critique of postmodern culture, except then all of a sudden there's a bunch of nasty sex talk."[25] Mesfin Fekadu from the Associated Press described "Haunted" as a "gloomy" song.[21] Writing for the website The 405, editor White Caitlin felt the singer offered part of her insecurities and flaws through the song and "sheds slut-shaming, the shackled role of uptight matriarch or calculated star".[37] Fact's Chris Kelly described its composition as "foreboding" and found a "seductive" and "haunting" hook; he further described the first part as "smoky ethereality".[33] Mojo's Priya Elan felt that some of the lines were a "nihilistic streak".[9] In a review for The Quietus, Mof Gimmers described "Haunted" as a "perfect slice of vanguard-pop".[38] Greg Kot of the Chicago Tribune described it as a "two-part dream".[11] Robert Leedham of the website Drowned in Sound felt that the album's "confessional moments are when you connect with it the most", exemplifying the statement with lyrics from "Haunted".[39] Andrew Hampp and Erika Ramirez of Billboard magazine felt that "Haunted" was one of the best songs on the album along with being "[the] most insightful [one]". They concluded that while the song was "one of the album's most staunchly non-commercial moments, but endlessly listenable just the same".[18] Nick Catucci from Entertainment Weekly chose "Haunted" as one of the best songs from the album, describing it as a "moody, genre-melding epic" and noting, "[it] treat[s] relationships with the same raw instinct that suffuses her sex songs".[40] AllMusic reviewer Andy Kellman also chose "Haunted" as one of the highlights on Beyoncé.[41] Una Mullally of The Irish Times deemed "Haunted" the best song on the album and an indicator of the prominent minimalism throughout the whole record.[28]
AbsolutePunk writer Ryan Dennehy remarked in his review that "ethereal echoes" of the singer's voice "elevate it above just a post-
Having described the track as "eerie", Jason Newman from
Music videos
Music videos for both "Ghost" and "Haunted" were released on December 13, 2013 through the iTunes Store on Beyoncé itself along with a clip for every other track on the album. Todd Tourso served as the creative director for both of the visuals as well as the rest of the album's videos.[50] On November 24, 2014 the videos for "Ghost" and "Haunted" were uploaded to the singer's Vevo account.[51]
"Ghost"
The music video for "Ghost" was directed by Belgian director Pierre Debusschere. Beyoncé is seen wearing a swimsuit by Seafolly with a nude mesh midsection and her look is also complete with red lips.[52] While creating the video for "Pretty Hurts", she sent a note to director Melina Matsoukas requesting from her to include footage from her childhood as the clip was meant to connect to the next one on the album, "Ghost".[53] The video openes with a close-up shot of Beyoncé's face lip-syncing the song's lyrics. Various shots of the singer with different outfits and placed at different sets are featured. Other scenes show dancers with their whole body covered in a white clothing.
According to the architecture firm Elenberg Fraser, the skyscraper Premier Tower under its construction on 134 Spencer Street in Melbourne, Australia was designed drawing inspiration by Beyoncé's look in the music video for "Ghost".[54] Writing for MTV, John Walker wrote that Beyoncé "serves multiple levels of Martha Graham realness" in the video for "Ghost".[55] Lindsey Weber from the website Vulture compared the dancer seen in the video with a "bodysock" one from Yeezus.[56] Neil McCormick of The Daily Telegraph felt that the singer looked "perfect" in a bikini in the song's music video.[3] Insanul Ahmed of Complex praised her look as "sexy".[57] A writer from The New York Times described the singer's look in the video as "minimalist".[52] Brent DiCrescenzo of the magazine Time Out called the video a "Cover Girl ad with full-body condoms".[58] Whitney Phaneuf of the website HitFix compared it with Comme des Garçons and found a "deadpan expression of a model".[59] Michelle Collins from Vanity Fair wrote in her review that the video was "jarring as it is soul-crushing".[60] Jody Rosen from Vulture felt that the clip "has its moments, mostly involving billowing fabric".[48] Michael Zelenko from The Fader praised the director's work on the video and remarked it included "stark portraits of a blase Beyonce, slithering, perching and dancing against black and white backgrounds".[61] While reviewing the album, Emily Mackay of NME talked about the video for "Ghost",
"Some joyous shagging songs, though, are paltry excitement beside that of seeing an artist of such fame, long held as iconic without enough genuinely exciting music to back it up, reach her full throttle of awesomeness. The video for 'Ghost' sums it up best, Beyonce glaring and writhing defiantly as she speak-sings 'I'm climbing up the wall ’cause all the shit I hear is boring/All the shit I do is boring/All these record labels boring'. Let's hope Beyonce keeps finding new ways to amuse herself – there could be some very interesting times ahead."[10]
Impact
The song inspired Australian company Elenberg Fraser to construct a two-hundred-and-twenty-six-metre-high skyscraper in Melbourne, Australia that features a curvaceous form taken from the music video.[62]
"Haunted"
Background
The music video for "Haunted" was directed by Swedish film and music video director
"It was not like a solid plan of 'This is what I think we should do.' It was a pretty long process. And she was traveling and touring, so we had time to bounce ideas back and forth, figure out what the best vision was. And meanwhile, she was shooting all these other videos and I wasn't really involved in what those other ideas were."
He noted that several ideas of the video which were initially conceived were similar with "other videos that people were working on" and also explained that the video contained many sexually explicit scenes and ideas when initially shot. However, he felt that the team managed to balance between the singer's look, her performance and a strong idea along with several other things. Åkerlund further noted that its concept remained largely unchanged as none of the big ideas were excluded.[63] Beyoncé conceived some of the initial ideas behind the looks and the scenarios for many of the rooms which were eventually shot.[64] Her look remained largely the same as the director pictured it before the filming of the video had started.[64]
On December 2, 2014, a behind-the-scenes video consisting of footage from the making of the video for "Haunted" and "Superpower" with commentary by Jonas Åkerlund was released online. In the clip, he explained how both videos were slightly different compared to the singer's previous work as they contained less choreography. He went on saying the video for "Haunted" had a "cinematic" and "surreal" tone inspired by its music, further comparing it with a score for a movie. He concluded that the team had "all the elements to create something special"[66]
Synopsis
The video opens with a three-second film countdown and proceeds with shots of several empty rooms and televisions in a big mansion. Most of the scenes were shot at the Villa de Leon. Beyoncé is seen driving a car and eventually arriving at the mansion while a song is played in the background. She enters inside the building with two luggages embellished with the letter "B" and throws her coat on the ground while a servant is seen lighting a cigarette she had previously taken from her hair. He hands her a key and the singer is seen climbing up the stairs. As she arrives in the hallway on the second floor, the song starts playing in the background and Beyoncé starts a journey, looking from room to room as she goes forward in the corridor.
In the various rooms, she meets men wearing vest tops with their faces painted white with black eyes staring at her as she passes down the corridor. Later she meets other people in leather and masks, before being surrounded by a troop of lace-clad dancers. One shot shows a man in colourful clothes and leopard print Speedos surrounded by bubbles in a bathtub. Another room contains a family of four mannequins in a 1960s-styled kitchen, preparing for a plastic-looking meal. A bare African-American is seen dancing and painting herself with a large brush while being almost naked. She is also seen with her legs spread around a TV screen and Beyoncé is seen on it, singing the song. During one scene, Beyoncé performs a dance choreography on a couch along with several other female dancers. Throughout the video, she is seen wearing a tuxedo with a tie, a white fur jacket and platform heels designed by Saint Laurent.[67] The black-and-white jumpsuit she wears is designed by Russian designer Ulyana Sergeenko.[68] Her look is further complete with dark make-up around the eyes and red lipstick while her hair is marcelled and blonde.[69]
Reception
Anupa Mistry from Spin wrote that the location where the video was filmed was filled with "freaks and weirdos" to channel Madonna during the 1990s in a better way.
Whitney Phaneuf writing for the website HitFix felt that the video was a fit for the song's
Andrew Hampp and Erika Ramirez from Billboard magazine compared the video with Madonna's work and American Horror Story, concluding "[t]he spine-tinglingly glam... video for this track is worth Beyoncé's case for making this a simultaneous visual-and-audio experience alone".[18] Describing the video as "scary", Lindsay Weber from Vulture further called it the singer's best impression of American Horror Story.[56] Jason Newman from the website Fuse described the video as "equally frightening [as the song]; part Korean horror film, part Lynchian psychosexual fantasy."[13] The Fader editor Michael Zelenko noted the clip presented a classic story where an "innocent guest [is] caught in ghost-infested hotel".[61] Insanul Ahmed of Complex described the visual as "creepy".[57] ABC News journalist Michael Rothman compared the video's opening with horror movies and The Ring in particular and went on to praise it overally as Beyoncé's "best yet".[73] Trent Wolbe of The Verge criticized Åkerlund's work on the album, feeling that his contributions "feel like boring opulence porn", something he found on "Haunted".[4]
Live performances
"Haunted" was performed as the opening song for Beyoncé's first concert of the last European leg of The Mrs. Carter Show World Tour in Glasgow on February 20, 2014.[74][75] The performance of the song featured backing dancers and strobing lights with the singer's look being completed by a glittery gown.[76][77] Digital Spy's Robert Copsey felt that "Haunted" worked as a "brilliantly spooky opener".[76] David Pollock from The Independent found a "thundering bass containing a heavy dubstep influence" during the performance of the song.[78] Mark Savage from BBC News felt that the concert included various "unparalleled" vocal styles and ranges, including the "hushed and sultry" "Haunted".[79] A professionally recorded live performance of the song from the tour aired on June 30, 2014, as the first episode of Beyonce: X10, an HBO series documenting renditions of the song performed during The Mrs. Carter Show World Tour. Anna Silman from Vulture discussed the performance saying that it was full of "kaleidoscopic visuals and headache-inducing strobe lights and fog to make you grateful you weren't there for the live performance (almost)".[80]
The song was later also added to the set list of Beyoncé's co-headlining tour with
At the 2014 MTV Video Music Awards, Beyoncé performed "Haunted" along with a medley of songs from her fifth studio album. It served as the second song of the set and it featured the singer dressed in a jewelled bodysuit created by Tom Ford.[86][87][88] After concluding with "Mine" she announced "MTV, welcome to my world" and performed "Haunted" surrounded by smoke on stage.[86] As she sang the song, Beyoncé was surrounded by dancers wearing bustiers, sleeves and face cages by fashion label Chromat.[89] Nadeska Alexis of MTV News stated that the performance of the song was among the "most soul-baring of the night".[87]
Usage in media
In March 2014, "Haunted" was used during the screening of the film
Credits and personnel
Credits adopted from the album's liner notes and the singer's official website.[6][95]
Song credits
- Writing — Boots, Beyoncé Knowles
- Production — Boots, Knowles
- Vocal production — Knowles
- Recording — Boots and Stuart White; Jungle City Studios, Oven Studios, New York City
- Second engineering — Ramon Rivas
- Instrumentation — Boots
- Additional drum programming — Hit-Boy
- Background vocals — Boots
- Additional background vocals — Kwane Wyatt
- Audio mixing — Tony Maserati, Stuart White; Mirrorball Studios, North Hollywood, California
- Mix engineering — James Krausse, Justin Hergett
- Mix consulting — Derek Dixie
- Sterling Sound, New York City
- "Ghost" video credits
- Director — Pierre Debusschere
- Creative director — Todd Tourso
- Director of photography— Stefan Duscio
- Executive producer — Erinn Williams, Ziggy Le Vin
- Producer — Keeley Could
- Production company — Art + Commerce, Parkwood Entertainment
- Choreography — Anthony Burrell
- Stylist — Karen Langley
- Additional styling — Ty Hunter, Raquel Smith, Tim White
- Dance — Shivawn Joubert
- Editor — Alexander Hammer
- Brand manager — Melissa Vargas
- Hair — Neal Farinah
- Make-up — Sir John
- Color correction — Rob Sciarratta
- Visual effects — Kroma
- Photography — Robin Harper
- "Haunted" video credits
- Director — Jonas Åkerlund
- Director of photography — Pär Ekberg
- Director of photography (second unit) — Todd Heater
- Executive producer — Scott Horan
- Producer — Scott Pourroy
- Production company — Black Dog Films / Acme – Smith
- Choreography — Dana Foglia, Frank Gatson
- Dancers — HAannah Douglass, Ashley Everett, Kim Gingras, Mishay Petronelli
- Stylist — B. Åkerlund
- Additional styling — Ty Hunter, Raquel Smith, Tim White
- Other performers — Jasmond Carrol, Viet Dang, Dahlia Dark, Elle Evans, Kim Fowley, Megalo Jaxson, Josh Kanan, Amy Kingston, Ellen Leigh, Morgan Leigh, Maye Musk, Reese Nance-Gasnter, Louis Oberlander, Holly Redden, Jodie Smith, Dylan Stephens, Guetcha Tondreau, Edward Vigiletti
- Art director — Christina Zollenkopf
- Production designer — Emma Fairley
- Editor — Luis Moreno, Jeremiah Shuff
- Brand manager — Melissa Vargas
- Assistant editor — Joe Sinopoli
- Hair — Kim Kimble
- Make-up — Francesca Tolot
- Nails — Tom Bachik
- Color correction — Luis Moreno
- Visual effects — Kroma
- Photography — Nick Farrell
Charts
The song debuted at number 99 on the
Chart (2014–2015) | Peak position |
---|---|
France ( SNEP)[98]
|
99 |
158 |
Certifications
Region | Certification | Certified units/sales |
---|---|---|
Brazil (Pro-Música Brasil)[100] | Gold | 30,000‡ |
United States (RIAA)[101] | Gold | 500,000‡ |
‡ Sales+streaming figures based on certification alone. |
References
- ^ Pitchfork Media. Archivedfrom the original on August 22, 2014. Retrieved August 25, 2014.
- ^ Consequence of Sound. Archivedfrom the original on June 28, 2014. Retrieved August 25, 2014.
- ^ a b c d e f McCormick, Neil (December 13, 2013). "Beyoncé, track by track review". The Daily Telegraph. Archived from the original on October 19, 2014. Retrieved August 25, 2014.
- ^ a b c Wolbe, Trent (December 16, 2013). "'Beyoncé' review: the queen rethinks the throne". The Verge. Archived from the original on July 5, 2014. Retrieved August 25, 2014.
- ^ Fisher, Luchina (December 18, 2013). "Beyonce Explains New Self-Titled Album". ABC News. American Broadcasting Company. Archived from the original on July 14, 2014. Retrieved August 25, 2014.
- ^ a b Beyoncé (Media notes). Beyoncé. Columbia Records. 2013.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b c Bosman, Chris (December 16, 2013). "Beyoncé – Beyoncé". Consequence of Sound. Archived from the original on September 3, 2014. Retrieved August 8, 2014.
- ^ S, Nathan (December 13, 2013). "Beyoncé – Beyoncé". DJ Booth. Archived from the original on January 6, 2014. Retrieved August 25, 2014.
- ^ a b c Elan, Priya (December 19, 2013). "Beyoncé – BEYONCÉ". Mojo. Archived from the original on August 26, 2014. Retrieved August 25, 2014.
- ^ a b c Mackay, Emily. "Beyonce – Beyonce". NME. Archived from the original on September 13, 2014. Retrieved August 25, 2014.
- ^ a b c d Kot, Greg (December 14, 2013). "'Beyonce' album review: More than the delivery is a surprise". Chicago Tribune. Tony W. Hunter. Archived from the original on August 26, 2014. Retrieved August 8, 2014.
- ^ a b c Muhammad, Latifah (December 13, 2013). "The Rundown: Beyoncé, Beyoncé". BET. BET Networks. p. 3. Archived from the original on October 19, 2014. Retrieved August 27, 2014.
- ^ The Madison Square Garden Company. December 13, 2013. Archivedfrom the original on September 28, 2020. Retrieved August 8, 2014.
- ^ a b Guerra, Joey (December 16, 2013). "Beyoncé delivers the complete package". Houston Chronicle. Archived from the original on December 7, 2014. Retrieved August 8, 2014.
- ^ a b Matusavage, Philip (December 13, 2013). "Beyoncé – Beyoncé". musicOMH. Archived from the original on December 18, 2013. Retrieved August 25, 2014.
- ^ Now Communications. Archivedfrom the original on October 12, 2014. Retrieved August 25, 2014.
- ^ Complex. Archivedfrom the original on August 3, 2020. Retrieved August 8, 2014.
- ^ a b c d Hampp, Andrew; Ramirez, Erika (December 13, 2013). "Beyonce, Beyonce: Track-By-Track Review". Billboard. Archived from the original on September 23, 2020. Retrieved August 25, 2014.
- ^ Ortiz, Edwin (December 13, 2014). "Beyoncé Sampled Herself on Her New Album, Here Are the Samples". Complex. Archived from the original on May 19, 2014. Retrieved August 25, 2014.
- ^ a b c d "Rap Songs of the Week: Beyonce Does Her Best Kendrick Lamar Impression on 'Haunted'". Spin. December 27, 2013. Archived from the original on November 2, 2016. Retrieved August 25, 2014.
- ^ a b Fekadu, Mesfin (December 18, 2013). "Review: Beyoncé reaches new heights on 5th album". Associated Press via The Salt Lake Tribune. Archived from the original on October 16, 2014. Retrieved August 25, 2014.
- ^ a b Locker, Melissa (December 13, 2013). "14 Things to Know About Beyoncé's New Album". Time. Archived from the original on June 6, 2014. Retrieved August 25, 2014.
- ^ a b Lobenfeld, Clare (December 13, 2013). "First Impressions of Beyoncé's New Album". Complex. Archived from the original on May 20, 2014. Retrieved August 25, 2014.
- ^ a b Lopez, Korina (December 13, 2013). "First take: Beyonce's album a feast for eyes, ears". USA Today. Archived from the original on June 25, 2014. Retrieved August 25, 2014.
- ^ a b c Rees, Alex (December 13, 2013). "All The Sex Talk On Beyoncé's New Album Explained". Cosmopolitan. Archived from the original on May 28, 2014. Retrieved August 25, 2014.
- ^ a b Cinquemani, Sal (December 14, 2013). "Album Review: Beyoncé". Slant Magazine. Archived from the original on December 18, 2013. Retrieved August 25, 2014.
- ^ a b c Mistry, Anupa (December 16, 2013). "Beyonce Outdoes Herself (and Everyone Else) With the Humanizing, Superhuman 'Beyonce'". Spin. Archived from the original on December 18, 2013. Retrieved August 25, 2014.
- ^ a b Mullally, Una (December 13, 2013). "BEYONCÉ – Pop Life". The Irish Times. Archived from the original on July 5, 2014. Retrieved August 25, 2014.
- ^ Llamoca, Janice (December 21, 2013). "Beyonce – BEYONCE". HipHopDX. Cheri Media Group. Archived from the original on August 9, 2014. Retrieved August 25, 2014.
- ^ Sheffield, Rob (December 14, 2013). "'Beyoncé' Album Review". Rolling Stone. Archived from the original on April 5, 2018. Retrieved August 25, 2014.
- ^ a b c Cragg, Michael (December 13, 2013). "Beyoncé: Beyoncé – first look review". The Guardian. Archived from the original on December 21, 2014. Retrieved August 8, 2014.
- ^ a b Empire, Kitty (December 13, 2013). "Beyoncé: Beyoncé – review". The Observer. Archived from the original on September 23, 2020. Retrieved August 25, 2014.
- ^ a b Kelly, Chris (December 17, 2013). "Beyoncé Beyoncé". Fact. The Vinyl Factory. Archived from the original on December 24, 2013. Retrieved August 25, 2014.
- ^ a b Dennehy, Ryan (December 16, 2013). "Beyoncé – Beyoncé – Album Review". AbsolutePunk. Archived from the original on May 29, 2014. Retrieved August 25, 2014.
- ^ Spanos, Brittany (December 17, 2013). "What We Can Learn From Beyonce's Feminism". The Village Voice. Village Voice Media. p. 2. Archived from the original on August 5, 2014. Retrieved August 25, 2014.
- ^ Barker, Andrew (December 16, 2013). "Album Review: Beyonce, 'Beyonce'". Variety. Archived from the original on July 6, 2014. Retrieved August 25, 2014.
- ^ White, Caitlin (January 7, 2014). "Beyoncé — Beyoncé". The 405. Archived from the original on July 14, 2014. Retrieved August 25, 2014.
- ^ Gimmers, Mof (December 14, 2013). "Reviews Beyoncé". The Quietus. Archived from the original on March 4, 2016. Retrieved August 25, 2014.
- ^ Leedham, Robert (December 16, 2013). "Album Review: Beyoncé – BEYONCÉ". Drowned in Sound. Archived from the original on August 2, 2014. Retrieved August 25, 2014.
- ^ Catucci, Nick (December 13, 2013). "Beyoncé Album Review". Entertainment Weekly. Archived from the original on October 16, 2014. Retrieved August 25, 2014.
- Rovi Corporation. Archivedfrom the original on May 31, 2014. Retrieved August 25, 2014.
- ^ B. Patrick, Ryan (December 16, 2013). "Beyoncé – Beyoncé". Exclaim!. 1059434 Ontario Inc. Archived from the original on December 20, 2013. Retrieved August 25, 2014.
- ^ E.C. Hamm, Ryan (January 17, 2014). "Beyoncé: Beyoncé (Columbia) Review". Under the Radar. Wendy Lynch Redfern and Mark Redfern. Archived from the original on June 8, 2014. Retrieved June 2, 2014.
- Idolator. Spin Media. Retrieved August 25, 2014.
- ^ Roberts, Randall (January 15, 2014). "Beyoncé defies expectations". Los Angeles Times. Archived from the original on August 26, 2014. Retrieved August 25, 2014.
- ^ Gardner, Elysa (December 13, 2013). "Review: 'Beyonce' is portrait of a grownup, self-possessed diva". USA Today. Archived from the original on April 19, 2014. Retrieved August 25, 2014.
- Viacom Media Networks. Archivedfrom the original on July 16, 2014. Retrieved August 25, 2014.
- ^ a b Rosen, Jody (December 13, 2013). "Jody Rosen's Snap Judgments on Beyoncé's Surprise New Album". Vulture. New York Media, LLC. Archived from the original on October 24, 2020. Retrieved August 25, 2014.
- ^ "The Village Voice's 41st Pazz & Jop Music Critics Poll: The Last Word on the Year in Music". The Village Voice. Village Voice Media. Archived from the original on July 14, 2014. Retrieved August 25, 2014.
- ^ "BEYONCÉ Available Worldwide Now" (Press release). PR Newswire. December 13, 2013. Archived from the original on November 25, 2014. Retrieved August 25, 2014.
- ^ Lynch, Joe (November 24, 2014). "Beyonce's New 'Platinum Edition' Album Is Streaming on Spotify Now!". Billboard. Archived from the original on December 27, 2014. Retrieved December 8, 2014.
- ^ a b "Beyoncé's 'Visual Album' Fashions". The New York Times. December 19, 2013. p. 8. Archived from the original on August 30, 2017. Retrieved August 25, 2014.
- ^ Greco, Patti (December 16, 2013). "'Pretty Hurts' Director Melina Matsoukas on Beyoncé's Throw-up Scene and Casting Harvey Keitel". Vulture. New York Media, LLC. Archived from the original on September 18, 2014. Retrieved August 25, 2014.
- ^ a b Miller, Ross (July 6, 2014). "Let's talk about this Beyoncé-inspired skyscraper being built in Australia". The Verge. Archived from the original on November 23, 2017. Retrieved July 24, 2017.
- ^ a b Walker, John (December 13, 2013). "17 Key Moments in All 17 of Beyonce's New Music Videos (GIFs)". MTV. Viacom Media Networks. Archived from the original on March 2, 2014. Retrieved August 25, 2014.
- ^ a b Weber, Lindsey (December 13, 2013). "A Starter Guide to the Many Easter Eggs in Beyoncé's New Album". Vulture. New York Media, LLC. Archived from the original on May 16, 2014. Retrieved August 25, 2014.
- ^ a b Ahmed, Insanul (December 13, 2014). "We Made GIFs From Beyoncé's 17 New Videos So You Didn't Have To". Complex. Archived from the original on May 20, 2014. Retrieved August 25, 2014.
- ^ a b DiCrescenzo, Brent (December 13, 2013). "Ranking the videos from the surprise new Beyoncé visual album". Time Out. Time Out Group Limited. Archived from the original on October 17, 2014. Retrieved August 25, 2014.
- ^ Phaneuf, Whitney (December 16, 2013). "Beyonce's 17 new music videos ranked from worst to best – 14. Ghost". HitFix. Archived from the original on July 5, 2014. Retrieved August 25, 2014.
- ^ a b Collins, Michelle (December 18, 2013). "The Ultimate Photo Recap of Beyoncé's Beyoncé". Vanity Fair. Advance Publications. Archived from the original on June 23, 2014. Retrieved August 25, 2014.
- ^ a b Zelenko, Michael (December 13, 2013). "Meet the Directors Behind Beyoncé's Visual Album". The Fader. Andy Cohn. Archived from the original on September 3, 2014. Retrieved September 1, 2014.
- ^ "Beyoncé-inspired skyscraper to be built in Melbourne". Dezeen. July 6, 2015. Archived from the original on April 9, 2022. Retrieved January 29, 2017.
- ^ a b c Rosenthal, Jeff (December 16, 2013). "Director Jonas Åkerlund on 'Haunted,' 'Superpower,' and Beyoncé's Many Virtues". Vulture. New York Media, LLC. Archived from the original on August 30, 2017. Retrieved August 25, 2014.
- ^ a b c Jonas Åkerlund (2014). Beyoncé – Behind The Scenes: Jonas Åkerlund (Video) (Vevo). Archived from the original on December 5, 2014. Retrieved December 8, 2014 – via YouTube.
- ^ O'Mance, Brad (November 15, 2013). "Beyoncé's apparently been filming a video for a slow song that might be called 'Haunted'". Popjustice. Archived from the original on December 8, 2014. Retrieved August 25, 2014.
- ^ Hyndman, Jessica (December 2, 2014). "Beyonce's Director Pushed Her 'Out Of Her Comfort Zone' In These Two Videos". MTV News. Viacom Media Networks. Archived from the original on December 3, 2014. Retrieved December 8, 2014.
- ^ a b "Beyoncé's 'Visual Album' Fashions". The New York Times. December 19, 2013. p. 7. Archived from the original on December 22, 2013. Retrieved August 25, 2014.
- ^ a b Barnes, Bronwyn (December 16, 2013). "More fashion highlights from Beyonce's new videos". Entertainment Weekly. p. 11. Archived from the original on July 17, 2014. Retrieved August 25, 2014.
- ^ a b Cochrane, Lauren (December 13, 2013). "Beyoncé's new album: five flawless looks". The Guardian. Archived from the original on August 10, 2014. Retrieved August 25, 2014.
- ^ Phaneuf, Whitney (December 16, 2013). "Beyonce's 17 new music videos ranked from worst to be – 3. Haunted". HitFix. Archived from the original on July 5, 2014. Retrieved August 25, 2014.
- ^ Dolan, Jon (December 13, 2013). "'Beyonce' Breakdown: The Ultimate Guide to Bey's Surprise New Album". Rolling Stone. Archived from the original on December 1, 2017. Retrieved August 25, 2014.
- ^ Roberts, Randal (December 13, 2013). "Beyonce clips in iTunes 'visual album' hint at bundled future". Los Angeles Times. Archived from the original on June 2, 2014. Retrieved August 25, 2014.
- ^ Rothman, Michael (November 25, 2014). "Beyonce Brings the Sexy in New 'Haunted' Music Video". ABC News. American Broadcasting Company. Archived from the original on December 1, 2014. Retrieved December 8, 2014.
- ^ "Beyoncé plays five new songs as UK leg of Mrs Carter tour begins in Glasgow". NME. February 21, 2014. Archived from the original on February 25, 2014. Retrieved August 25, 2014.
- ^ Wass, Mikw (February 20, 2014). "Beyonce Launches 'The Mrs. Carter Show' World Tour 2014 in Glasgow: Pics And Setlist". Idolator. Spin Media. Retrieved August 25, 2014.
- ^ Hearst Corporation. Archivedfrom the original on July 3, 2014. Retrieved August 25, 2014.
- ^ Empire, Kitty (February 21, 2014). "Beyoncé – review". The Observer. Archived from the original on September 5, 2014. Retrieved July 4, 2014.
- ^ Pollock, David (February 21, 2014). "Beyonce, Mrs Carter Show World Tour, review". The Independent. Independent Print Limited. Archived from the original on May 9, 2022. Retrieved August 25, 2014.
- ^ Savage, Mark (March 1, 2014). "Jay-Z joins Beyonce show in London". BBC News. Archived from the original on July 14, 2014. Retrieved August 25, 2014.
- ^ Silman, Anna (June 30, 2014). "Beyoncé's HBO Concert Series Begins With 'Ghost/Haunted'". Vulture. New York Media, LLC. Archived from the original on August 8, 2014. Retrieved August 25, 2014.
- ^ K. Landau, Erica (June 26, 2014). "Terrific together: Beyonce and Jay Z go live". USA Today. Archived from the original on July 4, 2014. Retrieved August 25, 2014.
- Philadelphia Media Network. Archivedfrom the original on August 26, 2014. Retrieved August 25, 2014.
- ^ Cobo, Leila (June 26, 2014). "Beyonce & Jay Z's Street-Fab 'On the Run' Tour Opens in Miami: Review". Billboard. Archived from the original on August 28, 2014. Retrieved August 25, 2014.
- ^ Wass, Mike (June 26, 2014). "Beyonce And Jay Z's 'On The Run' Tour Is Brilliant Despite Flawed Setlist: Live Review". Idolator. Spin Media. Retrieved August 25, 2014.
- ^ Wood, Mikael (August 4, 2014). "Jay Z and Beyonce in L.A.: 5 thoughts on their second Rose Bowl show". Los Angeles Times. Archived from the original on August 25, 2014. Retrieved August 25, 2014.
- ^ a b Ng, Philiana; Lee, Ashley (August 24, 2014). "VMAs: Beyonce Shares Onstage Kiss With Jay Z After Performing Self-Titled Album Medley". The Hollywood Reporter. Archived from the original on August 25, 2014. Retrieved August 25, 2014.
- ^ a b Alexis, Nadeska (August 25, 2014). "Beyonce's 2014 VMA Performance: Fearless, Feminist, Flawless, Family Time". MTV News. Viacom Media Networks. Archived from the original on August 26, 2014. Retrieved August 25, 2014.
- ^ Ramsinghani, Nikita (January 25, 2018). "Ring the Alarm — These Are Beyoncé's Sexiest Outfits". POPSUGAR Fashion UK. Retrieved April 29, 2020.
- ^ Peterson, Jessie (August 26, 2014). "Chromat Only Had 4 Hours To Make Beyonce's VMA Performance Masks". MTV News. Viacom Media Networks. Archived from the original on August 27, 2014. Retrieved August 27, 2014.
- ^ D. Kennedy, Gerrick (July 21, 2014). "Beyonce, Juicy J show the right and wrong way to score a film". Los Angeles Times. Archived from the original on August 26, 2014. Retrieved August 25, 2014.
- ^ Strecker, Erin (July 21, 2014). "Is Beyoncé Partnering With 'Fifty Shades of Grey' a Good Idea?". Billboard. Archived from the original on July 30, 2014. Retrieved August 25, 2014.
- ^ Respers France, Lisa (November 14, 2014). "'50 Shades of Grey' trailer is 'Haunted'". CNN. Turner Broadcasting System. Archived from the original on November 20, 2014. Retrieved November 24, 2014.
- ^ "Flume's Essential Mix is THE essential mix". Stoney Roads. Archived from the original on January 18, 2017. Retrieved July 12, 2017.
- ^ "BBC Radio 1's Essential Mix". Archived from the original on April 21, 2017. Retrieved July 12, 2017.
- ^ Sources for the credits of "Haunted" and the music videos:
- "Beyoncé (2013) – Songs". Beyonce.com. Parkwood Entertainment. Archived from the original (To see the personnel for "Haunted" click on the part titled "Credits" next to the song's title) on July 29, 2014. Retrieved August 25, 2014.
- "Beyoncé (2013) – Videos". Beyonce.com. Parkwood Entertainment. Archived from the original (To see the personnel for "Ghost" and "Haunted" click on the part titled "Credits" next to the video's title) on July 29, 2014. Retrieved August 25, 2014.
- ^ "Single Top 100 – 22/11/2014". Lescharts.com. Hung Medien. Archived from the original on December 7, 2014. Retrieved December 8, 2014.
- ^ "Single Top 100 – 29/11/2014". Lescharts.com. Hung Medien. Archived from the original on December 11, 2014. Retrieved December 8, 2014.
- Les classement single. Retrieved December 3, 2014.
- UK Singles Chart. Zobbel.de. Retrieved November 21, 2017.
- ^ "Brazilian single certifications – Beyonce – Haunted" (in Portuguese). Pro-Música Brasil. Retrieved January 5, 2023.
- ^ "American single certifications – Beyonce – Haunted". Recording Industry Association of America. Retrieved August 9, 2022.