Don Heck

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Heck, Don
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Don Heck
Don Heck in the 1960s
BornDonald L. Heck
(1929-01-02)January 2, 1929
Queens, New York City, U.S.
DiedFebruary 23, 1995(1995-02-23) (aged 66)
Centereach, New York, U.S.
NationalityAmerican
Area(s)Penciller
Notable works
The Avengers
Iron Man
Ant-Man
Signature
Signature of Don Heck

Donald L. Heck

Silver Age of comic books
.

Biography

Early life and career

One of Heck's earliest known comics credits: Weird Terror #1 (Sept. 1952): Cover, plus the story "Hitler's Head".

Heck was born in the

Photostats into comic-book form – including the work of Heck's idol, famed cartoonist Milton Caniff
.

Heck remained at Harvey, where one co-worker in the production department was future comics artist

horror comic Weird Terror #1.[8] Heck's work continued to appear in those titles and in the horror anthology Horrific, for which he designed the logo;[9] the adventure-drama anthology Danger; the Western anthology Death Valley; and other titles through the company's demise in late 1954.[8]

Heck also did freelance assignments for

kids' show of that name.[10]

Atlas Comics

Through his old Harvey Comics colleague Pete Morisi, Heck in 1954 met Marvel ComicsStan Lee, then editor-in-chief and art director of Marvel's 1950 predecessor, Atlas Comics. As Heck recalled,

Pete Morisi, who worked at Media at the same time [I did], had been to Stan Lee's office, and he had brought his [art portfolio]. One of my stories was in there. and Stan kept going back to my story, saying, 'This is the way you should have done it.' Pete said. 'Look, if you want Don Heck to come up here, he's looking for work, too. I'll tell him you're interested.' Stan said, 'Well, if he happened to walk up here, I might have a story for him.' So I went up there on a Wednesday afternoon. Stan never saw anybody on Wednesdays, and he never saw anybody in the afternoon. But he came out. He looked at the first two pages and said, 'Aw, hell, I know what your stuff looks like. Come on in. I got a story for you.'[7]

Heck became an Atlas staff artist on September 1, 1954;

model airplane views for Berkeley Models[12] – Heck contributed dozens of war comics stories and Westerns plus a smattering of jungle and science-fiction/fantasy
tales.

Tales of Suspense #1 (Jan. 1959). Cover art by Heck.

Atlas began revamping in late 1958 with the arrival of artist

Strange Worlds, World of Fantasy, and Journey into Mystery. Heck also contributed to such Atlas/Marvel romance comics as Love Romances and My Own Romance.[8]

Comics artist Jerry Ordway, describing this era of Heck's work, called the artist "truly under-appreciated ... His Atlas work (pre-Marvel) was terrific, with a clean sharp style, and an ink line that wouldn't quit."[5]

Silver Age

During the period fans and historians call the

Tony Stark and his secretary Pepper Potts."[15] Comics historian and former Kirby assistant Mark Evanier, investigating claims of Kirby's involvement in the creation of both Iron Man and Daredevil
, interviewed Kirby and Heck on the subject, years before their deaths, and concluded that Kirby

...definitely did not do full breakdowns as has been erroneously reported about ... the first 'Iron Man'. [In the early 1970s], Jack claimed to have laid out those stories, and I repeated his claim in print – though not before checking with Heck, who said, in effect, 'Oh, yeah. I remember that. Jack did the layouts'. We all later realized he was mistaken. ... Both also believed that Jack had contributed to the plots of those debut appearances – recollections that do not match those of Stan Lee. (Larry Lieber did the script for the first Iron Man story from a plot that Stan gave him.) Also, in both cases, Jack had already drawn the covers of those issues and done some amount of design work. He came up with the initial look of Iron Man's armor ...[16]

Heck himself recalled in 1985 that while some sources claimed then "that Jack Kirby did breakdowns,"

...that's not true. I did it all. They just didn't bother to call me up and find out when they wrote up the credits. It doesn't really matter. Jack Kirby created the costume, and he did the cover for the issue. In fact the second costume, the red and yellow one, was designed by Steve Ditko. I found it easier than drawing that bulky old thing. The earlier design, the robot-looking one, was more Kirbyish.[9]

Heck was the artist co-creator of several new characters in the "Iron Man" feature. The

Black Widow in #52 (April 1964).[19] He drew the feature "Iron Man" through issue #46 (Oct. 1963), after which Spider-Man artist Steve Ditko
introduced the familiar red-and-gold Iron Man armor and drew three issues. Heck returned with #50 and continued through #72 (Dec. 1965).

Concurrent with drawing Iron Man, Heck succeeded

penciler plotted and paced the details of a story based on a synopsis or plot outline from the writer, who would afterward add dialog — and was assigned the help of an inker for the first time. He successfully made this adjustment, and went on to make The Avengers, which he drew through issue #40 (May 1967), plus the 1967 annual
, one of his signature series. He inked his own pencil work in issues #32–37. Heck would return to The Avengers one final time to co-plot and pencil issue #45, with inks by Vince Colletta.

During this run, Heck co-created characters including the supervillain and eventual hero the

Black Goliath, in #32 (Sept. 1966); and the supervillain the Living Laser in #34 (Nov. 1966).[25] During the next comics era, the Bronze Age, he co-created another cosmic entity, Mantis, in issue #112 (May 1973).[26]

Elsewhere during the 1960s, Heck penciled

Captain Savage and his Battlefield Raiders, horror stories in Chamber of Darkness and Tower of Shadows, and, once more, love stories, in the romance comics Our Love Story and My Love.[8]

From 1966 to 1971, Heck was an uncredited "

]

Move to DC

By 1970, however, Marvel work became less frequent, and Heck obtained assignments from rival

Heck still occasionally worked at Marvel, penciling the odd issue of

Sub-Mariner, Ghost Rider, The Avengers and others in the mid-1970s. He drew Giant-Size Avengers #4 which featured the wedding of the Vision and the Scarlet Witch.[32] Writer Tony Isabella and Heck launched the new superhero team book The Champions in October 1975.[33][34][35] But in 1977, he began working almost exclusively for DC. Heck explained in 1985, "I left Marvel for a change of pace. I kept getting all the new inkers. Everyone who walked in, I got them. A bad inker can kill artwork. I once got some pages back from inking and I just tore them up, that's how bad they were."[9]

With writer

Justice League of America, including that year's crossover with the All-Star Squadron.[37] Heck then returned to Wonder Woman and drew the title until its cancellation in 1986.[8] Later that same year, he was one of the contributors to the DC Challenge limited series.[38]

Later career

In the late 1980s and early 1990s, Heck returned to Marvel, where his work included features for the superhero anthologies Marvel Comics Presents and Marvel Fanfare. The artist even returned to two signature characters: he inked Hawkeye stories in Solo Avengers #17–20 and the subsequent Avengers Spotlight #21–22 (April–Sept. 1989) – both penciling and inking a second Hawkeye story in that last issue – and he drew Iron Man, inking penciler Mark Bright's eight-page "The Other Way Our" in Marvel Comics Presents #51 (June 1990), and both penciling and inking the one-page featurette "Tony Stark, The Invincible Iron Man" in Iron Man Annual #12 (Sept. 1991) and a pinup in Marvel Super-Heroes vol. 2 #13 (April 1993).

Heck also did a smattering of work for such

Hero Comics' Mr. Fixit, Vortex's NASCAR Adventures, and Millennium Publications' H. P. Lovecraft's Cthulhu: The Whisperer in Darkness. His final DC work was penciling and inking over Joe Quesada's layouts for Spelljammer #11 (July 1991), and his last known comics work was the 10-page "The Theft of Thor's Hammer", by writer Bill Mantlo, in Marvel Super-Heroes vol. 2 #15 (Oct. 1993).[8]

Marvel one-time editor-in-chief Roy Thomas said of the artist,

Don was unlucky enough, I think, to be a non-superhero artist who, starting in the sixties, had to find his niche in a world dominated by superheroes. Fortunately, as he proved first with Iron Man and then with the Avengers, Don could rise to the occasion because he had real talent and a good grounding in the fundamentals. He amalgamated into his own style certain aspects of Jack Kirby's style, and carved out a place for himself as one of a handful of artists who were of real importance during the very early days of Marvel".[5]

Heck died of lung cancer in 1995.[5] He was living in Suffolk County, New York, on Long Island, at the time of his death.[40]

Bibliography

DC Comics

Marvel Comics

References

  1. ^ Donald L. Heck at the Social Security Death Index. Retrieved on September 23, 2012. Archived from the original on September 23, 2012.
  2. ^ a b "Don Heck". Lambiek Comiclopedia. December 5, 2008. Archived from the original on May 18, 2012.
  3. ^ Miller, John Jackson (June 10, 2005). "Comics Industry Birthdays". Comics Buyer's Guide. Iola, Wisconsin. Archived from the original on February 18, 2011. Retrieved December 12, 2010. In print issue #1650 (February 2009), p. 107
  4. .
  5. ^ a b c d e f Evanier, Mark (March 24, 1995). "Don Heck". (Obituary) P.O.V. Online. Archived from the original on November 24, 2002. Retrieved March 15, 2006.
  6. Murray, Will (September 1993). "Iron Man: Almost 44 Years Later, Don Heck Is Still Drawing Comics, Part One". Comics Scene
    . No. 37. Starlog Group Inc. pp. 54–55.
  7. ^ a b c Heck, Comics Scene #37, p. 55
  8. ^ a b c d e f g h i Don Heck at the Grand Comics Database
  9. ^ a b c Heck, quoted in Peel, John (March–April 1985). "A Signing Session with Don Heck". Comics Feature. No. 34. p. 18. I started on Horrific and Danger.... I did the covers, and they also let me do the lettering on Horrific – like the logo.
  10. ^ Captain Gallant of the Foreign Legion at the Grand Comics Database.
  11. ^ Heck, Comics Scene #37, p. 58: Sidebar, "Artistic Conversations"
  12. ^ Murray, Comics Scene #37, p. 55
  13. ISBN 978-0756641238. Editor Stan Lee had assembled a small but steady pool of creative talent to produce the company's output, in addition to himself. This group of artists included Jack Kirby, Steve Ditko, Don Heck, Larry Lieber, Paul Reinman, Stan Goldberg, Al Hartley, and Dick Ayers. {{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link
    )
  14. ^ DeFalco, Tom "1960s" in Gilbert (2008), p. 91
  15. .
  16. ^ Evanier, Mark (n.d.). "The Jack FAQ". P.O.V. Online. Archived from the original on December 28, 2009.
  17. ^ DeFalco "1960s" in Gilbert (2008), p. 99: "Following the tradition of Sax Rohmer's Fu Manchu and Atlas' own Yellow Claw, the Mandarin first appeared in Tales of Suspense #50 in a story written by Stan Lee and illustrated by Don Heck."
  18. ^ DeFalco "1960s" in Gilbert (2008), p. 101: "A case of mistaken identity led the police to assume {Hawkeye] was part of [a criminal] gang. The Black Widow saved him from capture but also tricked him into fighting Iron Man"
  19. ^ DeFalco "1960s" in Gilbert (2008), p. 100: "The Black Widow was a Russian spy assigned to capture American industrialist Tony Stark...Her story was plotted by Stan Lee, written by...Don Rico, and drawn by Don Heck."
  20. ^ DeFalco "1960s" in Gilbert (2008), p. 102
  21. ^ DeFalco "1960s" in Gilbert (2008), p. 106: "Europe's wealthiest nobleman, Count Nefaria, had a terrible secret: he was also the most powerful crimelord on Earth. Created by Stan Lee and Don Heck, Nefaria secretly ran the worldwide criminal organization called the Maggia."
  22. ^ DeFalco "1960s" in Gilbert (2008), p. 109: "Created by Stan Lee and artist Don Heck, the Swordsman tried to join Earth's mightiest heroes, but after being refused, he began working for the criminal mastermind, the Mandarin."
  23. ^ DeFalco "1960s" in Gilbert (2008), p. 110: "[Stan Lee] and Don Heck brought back the machine responsible for creating Wonder Man to produce a brand new super-villain in The Avengers #21."
  24. ^ DeFalco "1960s" in Gilbert (2008), p. 116
  25. ^ DeFalco "1960s" in Gilbert (2008), p. 119
  26. ^ Sanderson, Peter "1970s" in Gilbert (2008), p. 159: "Writer Steve Englehart and artist Don Heck introduced Mantis, a mistress of the martial arts."
  27. ^ DeFalco "1960s" in Gilbert (2008), p. 132: "Lorna Dane's green hair marked her as a mutant...in The X-Men #49, an issue written by Arnold Drake and illustrated by Don Heck and Werner Roth."
  28. ^ DeFalco "1960s" in Gilbert (2008), p. 135: "Alex [Summers] was the younger brother of the X-Man Scott 'Cyclops' Summers. He appeared in The X-Men #54, by writer Arnold Drake and artist Don Heck."
  29. ^ Wells, John (May 2013). "The Master Crime-File of Jason Bard". Back Issue! (64). Raleigh, North Carolina: TwoMorrows Publishing: 39–43.
  30. ^ Cassell, Dewey (May 2013). "A Rose By Any Other Name...Would Be Thorn". Back Issue! (64). Raleigh, North Carolina: TwoMorrows Publishing: 28–32.
  31. ISBN 978-0-7566-6742-9. After nearly five years of Diana Prince's non-powered super-heroics, writer-editor Robert Kanigher and artist Don Heck restored Wonder Woman's. . .well, wonder. {{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link
    )
  32. ^ Sanderson "1970s" in Gilbert (2008), p. 169: "Writer Steve Englehart and veteran Avengers artist Don Heck presented the grand finale of the long-running 'Celestial Madonna' saga ... Immortus presided over the double wedding of Mantis to the resurrected Swordsman, and the android Vision to the Scarlet Witch."
  33. ^ Sanderson "1970s" in Gilbert (2008), p. 171: "Created by writer Tony Isabella and artist Don Heck, the Champions consisted of Angel, Iceman, Hercules, the Black Widow, and Ghost Rider."
  34. ^ Markstein, Don (2009). "The Champions". Don Markstein's Toonopedia. Archived from the original on April 14, 2012. Retrieved January 20, 2013.
  35. ^ Walker, Karen (July 2013). "'We'll Keep on Fighting 'Til the End': The Story of the Champions". Back Issue! (65). Raleigh, North Carolina: TwoMorrows Publishing: 17–23.
  36. ^ McAvennie "1970s" in Dolan, p. 177
  37. . Justice League of America #207–209 (Oct.–Dec. 1982) and All-Star Squadron #14–15 (Oct.–Nov. 1982)
  38. ^ Greenberger, Robert (August 2017). "It Sounded Like a Good Idea at the Time: A Look at the DC Challenge!". Back Issue! (98). Raleigh, North Carolina: TwoMorrows Publishing: 41.
  39. ^ Sources disagree on its spelling, sometimes even within the same source: The cover of the single issue itself appears to spell it "NightGlider". The cover of Victory #1 likewise spells it as one word, though in an all-caps typeface. The Grand Comics Database entry spells it as both "Nightglider" and "Night Glider". The "archived pulldown title-search menu". Archived from the original on March 3, 2009. Retrieved 2012-09-09.{{cite web}}: CS1 maint: bot: original URL status unknown (link) at the Jack Kirby Museum site spells it "Night Glider"
  40. FamilySearch.org
    .

External links

Preceded by
n/a
"Iron Man" feature
in Tales of Suspense artist

1963–1965
Succeeded by
Preceded by The Avengers penciller
1964–1967
Succeeded by
Preceded by The Flash penciller
1979–1981
Succeeded by
Preceded by Justice League of America penciller
1982–1983
Succeeded by
Preceded by
Gene Colan
Wonder Woman penciller
1983–1986
Succeeded by
n/a