Ancient Greek literature

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Hellenistic poetry
)

A Greek manuscript of the beginning of Hesiod's Works and Days

Ancient Greek literature is

Roman periods
.

The lyric poets

Herodotus of Halicarnassus and Thucydides, who both lived during the fifth century BC, wrote accounts of events that happened shortly before and during their own lifetimes. The philosopher Plato wrote dialogues, usually centered around his teacher Socrates, dealing with various philosophical subjects, whereas his student Aristotle
wrote numerous treatises, which later became highly influential.

Important later writers included

ancient Roman authors drew inspiration from their Greek predecessors. Ever since the Renaissance, European authors in general, including Dante Alighieri, William Shakespeare, John Milton, and James Joyce
, have all drawn heavily on classical themes and motifs.

Pre-classical and classical antiquity

Linear B tablet from the Archaeological Museum of Mycenae
Tablet MY Oe 106 (obverse) exhibited at the Greek National Archaeological Museum

This period of Greek literature stretches from

Mycenaean, written in the Linear B syllabary on clay tablets. These documents contain prosaic records largely concerned with trade (lists, inventories, receipts, etc.); no real literature has been discovered.[2][3] Michael Ventris and John Chadwick, the original decipherers of Linear B, state that literature almost certainly existed in Mycenaean Greece,[3] but it was either not written down or, if it was, it was on parchment or wooden tablets, which did not survive the destruction of the Mycenaean palaces in the twelfth century BC.[3]

Greek literature was divided in well-defined literary genres, each one having a compulsory formal structure, about both

pastoral drama).[6] Prose literature can largely be said to begin with Herodotus.[7] Over time, several genres of prose literature developed,[7] but the distinctions between them were frequently blurred.[7]

Epic poetry

At the beginning of Greek literature stand the two monumental works of Homer, the Iliad and the Odyssey.[8]: 1–3  The figure of Homer is shrouded in mystery. Although the works as they now stand are credited to him, it is certain that their roots reach far back before his time (see Homeric Question).[8]: 15  The Iliad is a narrative of a single episode spanning over the course of a ten-day-period from near the end of the ten years of the Trojan War. It centers on the person of Achilles,[9] who embodied the Greek heroic ideal.[10][8]: 3 

Philoetius slaughter the suitors of Penelope

The Odyssey is an account of the adventures of

Attic dialect,[11] the latter due to the Athenian edition of the 6th century BC. The epic verse was the hexameter.[12]

The other great poet of the preclassical period was Hesiod.[8]: 23–24 [13] Unlike Homer, Hesiod refers to himself in his poetry.[14] Nonetheless, nothing is known about him from any external source. He was a native of Boeotia in central Greece, and is thought to have lived and worked around 700 BC.[15] Hesiod's two extant poems are Works and Days and the Theogony. Works and Days is a faithful depiction of the poverty-stricken country life he knew so well, and it sets forth principles and rules for farmers. It vividly describes the ages of mankind, beginning with a long-past Golden Age.[16] The Theogony is a systematic account of creation and of the gods.

The writings of Homer and Hesiod were held in extremely high regard throughout antiquity[13] and were viewed by many ancient authors as the foundational texts behind ancient Greek religion;[17] Homer told the story of a heroic past, which Hesiod bracketed with a creation narrative and an account of the practical realities of contemporary daily life.[8]: 23–24 

Lyric poetry

Sir Lawrence Alma-Tadema depicting the poetess Sappho gazing on in admiration as the poet Alcaeus plays the lyre

Archilochus of Paros, 7th century BC, the most important iambic poet.[18] Only fragments remain of his work, as is the case with most of the poets. The few remnants suggest that he was an embittered adventurer who led a very turbulent life.[19]

Many lyric poems were written in the

choral lyric poetry.[24]

Drama

Medea kills her son (a scene from Euripides's Medea), Campanian red-figure amphora, c. 330 BC, Louvre (K 300)

All surviving works of Greek drama were composed by playwrights from

Attic dialect.[25] Choral performances were a common tradition in all Greek city-states.[25] The Athenians credited a man named Thespis with having invented drama[25] by introducing the first actor, whose primary purpose was to interact with the leader of the chorus.[26] Later playwrights expanded the number of actors to three, allowing for greater freedom in storytelling.[27]

In the age that followed the Greco-Persian Wars, the awakened national spirit of Athens was expressed in hundreds of tragedies based on heroic and legendary themes of the past. The tragic plays grew out of simple choral songs and dialogues performed at festivals of the god Dionysus. In the classical period, performances included three tragedies and one pastoral drama, depicting four different episodes of the same myth. Wealthy citizens were chosen to bear the expense of costuming and training the chorus as a public and religious duty. Attendance at the festival performances was regarded as an act of worship. Performances were held in the great open-air theater of Dionysus in Athens. The poets competed for the prizes offered for the best plays.[28]

All fully surviving Greek tragedies are conventionally attributed to Aeschylus, Sophocles or Euripides. The authorship of Prometheus Bound, which is traditionally attributed to Aeschylus,[29] and Rhesus, which is traditionally attributed to Euripides, are, however, questioned.[30] There are seven surviving tragedies attributed to Aeschylus. Three of these plays, Agamemnon, The Libation-Bearers, and The Eumenides, form a trilogy known as the Oresteia.[31] One of these plays, Prometheus Bound, however, may actually be the work of Aeschylus's son Euphorion.[32]

Seven works of Sophocles have survived, the most acclaimed of which are the

Oedipus the King, Oedipus at Colonus, and Antigone. Although the plays are often called a "trilogy," they were actually written many years apart. Antigone, the last of the three plays sequentially, was actually first to be written, having been composed in 441 BC, towards the beginning of Sophocles's career.[34] Oedipus the King, the most famous of the three, was written around 429 BC at the midpoint of Sophocles's career.[Notes 1] Oedipus at Colonus, the second of the three plays chronologically, was actually Sophocles's last play and was performed in 401 BC, after Sophocles's death.[35]

There are nineteen surviving plays attributed to

Bacchae.[36] Rhesus is sometimes thought to have been written by Euripides' son, or to have been a posthumous reproduction of a play by Euripides.[37] Euripides pushed the limits of the tragic genre and many of the elements in his plays were more typical of comedy than tragedy.[38] His play Alcestis, for instance, has often been categorized as a "problem play" or perhaps even as a work of tragicomedy rather than a true tragedy due to its comedic elements and the fact that it has a happy ending.[39][40]

Illustration for Aristophanes's Lysistrata by Aubrey Beardsley (1896)

Like tragedy, comedy arose from a ritual in honor of

Lenaia Festival in 405 BC, just one year after the death of Euripides, the Athenians awarded it first prize.[44] It was the only Greek play that was ever given an encore performance, which took place two months later at the City Dionysia.[45] Even today, The Frogs still appeals to modern audiences. A commercially successful modern musical adaptation of it was performed on Broadway in 2004.[46]

The third dramatic genre was the satyr play. Although the genre was popular, only one complete example of a satyr play has survived: Cyclops by Euripides.[47] Large portions of a second satyr play, Ichneutae by Sophocles, have been recovered from the site of Oxyrhynchus in Egypt among the Oxyrhynchus Papyri.[48]

Historiography

A second century AD Roman copy of a Greek bust of Herodotus from the first half of the fourth century BC

Two notable historians who lived during the Classical Era were

Byzantine Era historian Procopius of Caesarea.[50]

A third historian of ancient Greece, Xenophon of Athens, began his Hellenica where Thucydides ended his work about 411 BC and carried his history to 362 BC.[51] Xenophon's most famous work is his book The Anabasis, a detailed, first-hand account of his participation in a Greek mercenary army that tried to help the Persian Cyrus expel his brother from the throne, another famous work relating to Persian history is his Cyropaedia. Xenophon also wrote three works in praise of the philosopher Socrates: The Apology of Socrates to the Jury, The Symposium, and Memorabilia. Although both Xenophon and Plato knew Socrates, their accounts are very different. Many comparisons have been made between the account of the military historian and the account of the poet-philosopher.[52]

Philosophy

Many important and influential philosophers lived during the fifth and fourth centuries BC. Among the earliest Greek philosophers were the three so-called "

Milesian philosophers": Thales of Miletus, Anaximander, and Anaximenes.[53] Of these philosophers' writings, however, only one fragment from Anaximander preserved by Simplicius of Cilicia has survived.[Notes 2][54]

Very little is known for certain about the life of the philosopher

Democritus of Abdera have also survived.[58]

Of all the classical philosophers, however, Socrates, Plato, and Aristotle are generally considered the most important and influential. Socrates did not write any books himself and modern scholars debate whether or not Plato's portrayal of him is accurate. Some scholars contend that many of his ideas, or at least a vague approximation of them, are expressed in Plato's early socratic dialogues.[59] Meanwhile, other scholars have argued that Plato's portrayal of Socrates is merely a fictional representation intended to expound Plato's own opinions who has very little to do with the historical figure of the same name.[60] The debate over the extent to which Plato's portrayal of Socrates represents the actual Socrates's ideas is known as the Socratic problem.[61][62]

The Death of Socrates, by Jacques-Louis David (1787)

Plato expressed his ideas through dialogues, that is, written works purporting to describe conversations between different individuals. Some of the best-known of these include:

The Republic, widely regarded as Plato's most important work,[66][67] a long dialogue describing the ideal government.[68]

Aristotle of Stagira is widely considered to be one of the most important and influential philosophical thinkers of all time.[69] The first sentence of his Metaphysics reads: "All men by nature desire to know." He has, therefore, been called the "Father of those who know." His medieval disciple Thomas Aquinas referred to him simply as "the Philosopher". Aristotle was a student at Plato's Academy, and like his teacher, he wrote dialogues, or conversations. However, none of these exist today. The body of writings that have come down to the present probably represents lectures that he delivered at his own school in Athens, the Lyceum.[70] Even from these books, the enormous range of his interests is evident: He explored matters other than those that are today considered philosophical; the extant treatises cover logic, the physical and biological sciences, ethics, politics, and constitutional government. Among Aristotle's most notable works are Politics, Nicomachean Ethics, Poetics, On the Soul, and Rhetoric.[71]

Hellenistic period

Imaginative nineteenth-century engraving of the ancient Library of Alexandria

By 338 BC all of the Greek

city-states except Sparta had been united by Philip II of Macedon.[72] Philip's son Alexander the Great extended his father's conquests greatly. Athens lost its preeminent status as the leader of Greek culture, and it was replaced temporarily by Alexandria, Egypt.[73]

The city of Alexandria in northern Egypt became, from the 3rd century BC, the outstanding center of Greek culture. It also soon attracted a large Jewish population, making it the largest center for Jewish scholarship in the ancient world. The

Ptolemy I. The institution was from the beginning intended as a great international school and library.[74] The library, eventually containing more than a half million volumes, was mostly in Greek. It was intended to serve as a repository for every work of classical Greek literature that could be found.[75]

Poetry

A painting by John William Waterhouse depicting a scene from The Argonautica by Apollonius of Rhodes

The genre of bucolic poetry was first developed by the poet Theocritus.[76] The Roman Virgil later wrote his Eclogues in this genre.[77] Callimachus, a scholar at the Library of Alexandria, composed the Aetia ("Causes"),[78] a long poem written in four volumes of elegiac couplets describing the legendary origins of obscure customs, festivals, and names,[78] which he probably wrote in several stages over the course of many years in the third century BC.[78] The Aetia was lost during the Middle Ages,[78] but, over the course of the twentieth century, much of it was recovered due to new discoveries of ancient papyri.[78] Scholars initially denigrated it as "second-rate", showing great learning, but lacking true "art".[78] Over the course of the century, scholarly appraisal of it greatly improved, with many scholars now seeing it in a much more positive light.[78] Callimachus also wrote short poems for special occasions and at least one short epic, the Ibis, which was directed against his former pupil Apollonius.[79] He also compiled a prose treatise entitled the Pinakes, in which he catalogued all the major works held in the Library of Alexandria.[80]

The Alexandrian poet Apollonius of Rhodes is best known for his epic poem the Argonautica, which narrates the adventures of Jason and his shipmates the Argonauts on their quest to retrieve the Golden Fleece from the land of Colchis.[81] The poet Aratus wrote the hexameter poem Phaenomena, a poetic rendition of Eudoxus of Cnidus's treatise on the stars written in the fourth century BC.[82]

Drama

New Comedy (1st century BC – early 1st century AD) Princeton University Art Museum

During the

New Comedy. The most notable writer of New Comedy was the Athenian playwright Menander. None of Menander's plays have survived to the present day in their complete form, but one play, The Bad-Tempered Man, has survived to the present day in a near-complete form. Most of another play entitled The Girl from Samos and large portions of another five have also survived.[83]

Historiography

The historian Timaeus was born in Sicily but spent most of his life in Athens.[84] His History, though lost, is significant because of its influence on Polybius. In 38 books it covered the history of Sicily and Italy to the year 264 BC, which is where Polybius begins his work. Timaeus also wrote the Olympionikai, a valuable chronological study of the Olympic Games.[85]

Ancient biography

Lives of Eminent Philosophers), literary biographies which discussed the lives of orators and poets (such as Philostratus's Lives of the Sophists), school and reference biographies that offered a short sketch of someone including their ancestry, major events and accomplishments, and death, autobiographies, commentaries and memoirs where the subject presents his own life, and historical/political biography focusing on the lives of those active in the military, among other categories.[86]

Science and mathematics

In 1906, The Archimedes Palimpsest revealed works by Archimedes previously thought to have been lost.

Measurement of the Circle, in which he worked out the value of pi; The Method of Mechanical Theorems, on his work in mechanics; The Sand Reckoner; and On Floating Bodies. A manuscript of his works is currently being studied.[87]

Prose fiction

Very little has survived of prose fiction from the Hellenistic Era. The Milesiaka by Aristides of Miletos was probably written during the second century BC. The Milesiaka itself has not survived to the present day in its complete form, but various references to it have survived. The book established a whole new genre of so-called "

Milesian tales," of which The Golden Ass by the later Roman writer Apuleius is a prime example.[88][89]

The

Chaereas and Callirhoe[90] by Chariton and Metiochus and Parthenope[91][92] were probably both written during the late first century BC or early first century AD, during the latter part of the Hellenistic Era. The discovery of several fragments of Lollianos's Phoenician Tale reveal the existence of a genre of ancient Greek picaresque novel.[93]

Roman period

While the transition from city-state to empire affected philosophy a great deal, shifting the emphasis from political theory to personal ethics, Greek letters continued to flourish both under the

: 208–213 

Poetry

The poet

Quintus of Smyrna, who probably lived during the late fourth century AD,[96][97] wrote Posthomerica, an epic poem narrating the story of the fall of Troy, beginning where the Iliad left off.[98] About the same time and in a similar Homeric style, an unknown poet composed the Blemyomachia, a now fragmentary epic about conflict between Romans and Blemmyes.[99]

The poet

The Gospel of John.[100][101] Nonnus probably lived sometime during the late fourth century AD or early fifth century AD.[102][103]

Historiography

A bust of Plutarch, one of the most famous ancient Greek historians, from his hometown of Chaeronea

The historian Polybius was born about 200 BC. He was brought to Rome as a hostage in 168. In Rome he became a friend of the general Scipio Aemilianus. He probably accompanied the general to Spain and North Africa in the wars against Carthage. He was with Scipio at the destruction of Carthage in 146.[104]

Bibliotheca Historica, in 40 books. Of these, the first five and the 11th through the 20th remain. The first two parts covered history through the early Hellenistic era. The third part takes the story to the beginning of Caesar's wars in Gaul, now France.[105] Dionysius of Halicarnassus lived late in the first century BC. His history of Rome from its origins to the First Punic War (264 to 241 BC) is written from a Roman point of view, but it is carefully researched. He also wrote a number of other treatises, including On Imitation, Commentaries on the Ancient Orators, and On the Arrangement of Words.[106]

The historians

Arrian of Nicomedia both lived in the second century AD.[107][108] Appian wrote on Rome and its conquests, while Arrian is remembered for his work on the campaigns of Alexander the Great. Arrian served in the Roman army. His book therefore concentrates heavily on the military aspects of Alexander's life. Arrian also wrote a philosophical treatise, the Diatribai, based on the teachings of his mentor Epictetus
.

Best known of the late Greek historians to modern readers is Plutarch of Chaeronea, who died about AD 119. His Parallel Lives of great Greek and Roman leaders has been read by every generation since the work was first published. His other surviving work is the Moralia, a collection of essays on ethical, religious, political, physical, and literary topics.[109][110]

During later times, so-called "

Athenaeus of Naucratis's Deipnosophistae,[112] and Claudius Aelianus's De Natura Animalium and Varia Historia.[113]

Science and mathematics

Manuscript (1485), of Pausanias's Description of Greece at the Laurentian Library

The physician

Geographical Sketches remain as the only existing ancient book covering the whole range of people and countries known to the Greeks and Romans through the time of Augustus.[114] Pausanias, who lived in the 2nd century AD, was also a geographer.[115] His Description of Greece is a travel guide describing the geography and mythic history of Greece during the second century. The book takes the form of a tour of Greece, starting in Athens and ending in Naupactus.[116]

The scientist of the Roman period who had the greatest influence on later generations was undoubtedly the astronomer

Galileo, Kepler, and other early modern astronomers replaced it with heliocentrism.[121]

Philosophy

Head of Plotinus, a major philosopher from the Roman Era

Stoics. His teachings were collected by his pupil Arrian in the Discourses and the Encheiridion (Manual of Study).[122]

Lives and Opinions of Eminent Philosophers, a voluminous collection of biographies of nearly every Greek philosopher who ever lived. Unfortunately, Diogenes Laërtius often fails to cite his sources and many modern historians consider his testimony unreliable.[123] Nonetheless, in spite of this, he remains the only available source on the lives of many early Greek philosophers.[124] His book is not entirely without merit; it does preserve a tremendous wealth of information that otherwise would not have been preserved. His biography of Epicurus, for instance, is of particularly high quality and contains three lengthy letters attributed to Epicurus himself, at least two of which are generally agreed to be authentic.[125]

Another major philosopher of his period was

psyche, and the "One."[128]

After the rise of Christianity, many of the most important philosophers were Christians. The second-century Christian apologist

Origen of Alexandria, the founder of Christian theology,[130] also made extensive use of ideas from Greek philosophy[131] and was even able to hold his own against the pagan philosopher Celsus in his apologetic treatise Contra Celsum.[132]

Prose fiction

A nineteenth-century painting by the Swiss-French painter Marc Gabriel Charles Gleyre depicting a scene from Daphnis and Chloe

The Roman Period was the time when the majority of extant works of Greek prose fiction were composed. The ancient Greek novels Leucippe and Clitophon by Achilles Tatius[133][134] and Daphnis and Chloe by Longus[135] were both probably written during the early second century AD. Daphnis and Chloe, by far the most famous of the five surviving ancient Greek romance novels, is a nostalgic tale of two young lovers growing up in an idealized pastoral environment on the Greek island of Lesbos.[136] The Wonders Beyond Thule by Antonius Diogenes may have also been written during the early second century AD, although scholars are unsure of its exact date. The Wonders Beyond Thule has not survived in its complete form, but a very lengthy summary of it written by Photios I of Constantinople has survived.[137] The Ephesian Tale by Xenophon of Ephesus was probably written during the late second century AD.[135]

Lucian of Samosata's A True Story

The satirist

A True Story, which some authors have described as the earliest surviving work of science fiction.[141][142] His dialogue The Lover of Lies contains several of the earliest known ghost stories[143] as well as the earliest known version of "The Sorcerer's Apprentice."[144] His letter The Passing of Peregrinus, a ruthless satire against Christians, contains one of the earliest pagan appraisals of early Christianity.[145]

The Aethiopica by Heliodorus of Emesa was probably written during the third century AD.[146] It tells the story of a young Ethiopian princess named Chariclea, who is estranged from her family and goes on many misadventures across the known world.[147] Of all the ancient Greek novels, the one that attained the greatest level of popularity was the Alexander Romance, a fictionalized account of the exploits of Alexander the Great written in the third century AD. Eighty versions of it have survived in twenty-four different languages, attesting that, during the Middle Ages, the novel was nearly as popular as the Bible.[148]: 650–654  Versions of the Alexander Romance were so commonplace in the fourteenth century that Geoffrey Chaucer wrote that "...every wight that hath discrecioun / Hath herd somwhat or al of [Alexander's] fortune."[148]: 653–654 

Legacy

Hero Mourns the Dead Leander by Gillis Backereel (1640s)

Ancient Greek literature has had an enormous impact on

Vergil, for instance, modeled his epic poem the Aeneid on the Iliad and the Odyssey.[151]

During the

Desiderius Erasmus.[155] Erasmus also published Latin translations of classical Greek texts, including a Latin translation of Hesiod's Works and Days.[156]

Page from an Arabic translation of Aristotle's Poetics by Abū Bishr Mattā

The influence of classical Greek literature on modern literature is also evident. Numerous figures from classical literature and mythology appear throughout

New Comedy.[158]: 881–882  Meanwhile, Shakespeare's tragedy Timon of Athens was inspired by a story written by Lucian[159] and his comedy Pericles, Prince of Tyre was based on an adaptation of the ancient Greek novel Apollonius of Tyre found in John Gower's Confessio Amantis.[160]

John Milton's epic poem Paradise Lost is written using a similar style to the two Homeric epics.[161] It also makes frequent allusions to figures from classical literature and mythology, using them as symbols to convey a Christian message.[162] Lucian's A True Story was part of the inspiration for Jonathan Swift's novel Gulliver's Travels.[158]: 545  Bulfinch's Mythology, a book on Greek mythology published in 1867 and aimed at a popular audience, was described by Carl J. Richard as "one of the most popular books ever published in the United States".[163]

George Bernard Shaw's play Pygmalion is a modern, rationalized retelling of the ancient Greek legend of Pygmalion.[158]: 794  James Joyce's novel Ulysses, heralded by critics as one of the greatest works of modern literature,[164][165] is a retelling of Homer's Odyssey set in modern-day Dublin.[166][167] The mid-twentieth-century British author Mary Renault wrote a number of critically acclaimed novels inspired by ancient Greek literature and mythology, including The Last of the Wine and The King Must Die.[168]

Even in works that do not consciously draw on Graeco-Roman literature, authors often employ concepts and themes originating in ancient Greece. The ideas expressed in Aristotle's

nemesis,[178] and peripeteia.[179]

Notes

  1. .
  2. ^ Simplicius, Comments on Aristotle's Physics (24, 13):
    "Ἀναξίμανδρος [...] λέγει δ' αὐτὴν μήτε ὕδωρ μήτε ἄλλο τι τῶν καλουμένων εἶναι στοιχείων, ἀλλ' ἑτέραν τινὰ φύσιν ἄπειρον, ἐξ ἧς ἅπαντας γίνεσθαι τοὺς οὐρανοὺς καὶ τοὺς ἐν αὐτοῖς κόσμους· ἐξ ὧν δὲ ἡ γένεσίς ἐστι τοῖς οὖσι, καὶ τὴν φθορὰν εἰς ταῦτα γίνεσθαι κατὰ τὸ χρεών· διδόναι γὰρ αὐτὰ δίκην καὶ τίσιν ἀλλήλοις τῆς ἀδικίας κατὰ τὴν τοῦ χρόνου τάξιν, ποιητικωτέροις οὕτως ὀνόμασιν αὐτὰ λέγων. δῆλον δὲ ὅτι τὴν εἰς ἄλληλα μεταβολὴν τῶν τεττάρων στοιχείων οὗτος θεασάμενος οὐκ ἠξίωσεν ἕν τι τούτων ὑποκείμενον ποιῆσαι, ἀλλά τι ἄλλο παρὰ ταῦτα· οὗτος δὲ οὐκ ἀλλοιουμένου τοῦ στοιχείου τὴν γένεσιν ποιεῖ, ἀλλ' ἀποκρινομένων τῶν ἐναντίων διὰ τῆς αἰδίου κινήσεως."
    In ancient Greek, quotes usually blend with the surrounding text. Consequently, deciding where they start and where they end is often difficult. However, it is generally accepted that this quote is not Simplicius' own interpretation, but Anaximander's writing, in "somewhat poetic terms" as it is mentioned by Simplicius.

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