Hello Hurricane
Hello Hurricane | ||||
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Studio album by | ||||
Released | November 10, 2009 | |||
Recorded | 2007–2009 | |||
Studio |
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Genre | ||||
Length | 49:03 | |||
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Producer |
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Switchfoot chronology | ||||
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Singles from Hello Hurricane | ||||
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Hello Hurricane is the seventh
It was co-produced by the band andRecording and production
Recording sessions with Charlie Peacock
Pre-production for Hello Hurricane began during the first week of August 2007.
The band does credit Peacock with encouraging them throughout that time period, positing that the band was "reaching for a horizon that's much larger" than anything they'd done before.[6] The band walked away from their time with Peacock determined to keep "pushing for something we hadn't felt yet...just that desire to go back in and keep writing and keep pushing and looking".[6]
Major label independence
After the Peacock sessions, the band revealed on August 9 that they had left their Major record label,
To usher in this new period of label independence, the band began construction of a recording studio in San Diego on October 12, 2007. Soon after, it was announced that they had founded an independent
In May 2008, Switchfoot moved into their new studio which they called Spot X, and recording for the record was kicked into high gear in June, with the band proceeding without a producer. "I feel like we've got a fairly firm grip on what we want to do and I feel like we can get there on our own", Switchfoot singer Jon Foreman said at the time.[9] Progress was halted briefly when the band embarked on the Music Builds Tour in August, but was resumed soon after.
Sessions resume with Mike Elizondo and Darrell Thorp
On October 30, it was revealed that Grammy Award-winning engineer Darrell Thorp, who has worked with the likes of Radiohead and Outkast, had been working with Switchfoot in the studio for the new record,[10] and later, producer Mike Elizondo was brought on board for the last few months of recording.[11]
Work on the record was once more halted in January 2009 when Foreman embarked on a national tour with Fiction Family, a side project band involving Sean Watkins of Nickel Creek. No further news was heard from Switchfoot again until late February, when the band announced they had finished selecting the final song list.[12]
In March, the band tracked a few sessions with engineer Ryan Petersen and drummer Chad Butler reported they were "rounding 3rd base" on the album and that it was near completion.[13]
Final mixing began on April 7,[14] and later on, the band announced that during the sessions, they had actually been at work on 4 albums-worth of material.[15] The album's title was announced on the 24th, and on May 30, Switchfoot sent out an email saying that "Hello Hurricane" was finished.[16]
Rob Cavallo and Atlantic Records
After its completion, the album found its way into the hands of Rob Cavallo, newly appointed as Chief Creative Officer with Warner Music Group and Atlantic Records.[17] Cavallo liked what he heard and contacted Switchfoot, eventually signing them on to a 360 Deal to distribute Hello Hurricane through Atlantic Records.[17][18]
"We tracked the whole record completely on our own dime and basically just our own opinions what the record should be", said Jon Foreman. "And then Atlantic chased us down".[19]
Shortly after signing on, the band held several sessions with Cavallo to rework some of the songs for radio.[20][21]
Musical and lyrical content
The album from the outset was described to be different from any previous work the band has done. "We wanted to start with a clean slate because the last couple of records felt kind of compromised", said Foreman concerning the period the band had with Columbia Records after 2003's The Beautiful Letdown. He describes the time period with their former label as one filled with personnel turnover, which eventually led to their departure from Sony because "we wanted to create an environment where we were going to be with the same people for a long time and trust is established."[22]
During the early stages of production, Foreman said that the record was going to sound different sonically, initially "shaping up to be more acoustic AND more electronic".[23] "You know, it’s one of those things where you get to a point where you kind of want to shock yourself again", said Foreman.[24]
Later in August, Foreman said that "there are so many different directions we can go in. One of the songs has a (Led) Zeppelin feel. One of them has more of a Devo feel... I feel like the headspace we're in now, the glass ceiling's been shattered."[25]
In January 2009, Foreman said that the sonic direction had been taken in three directions, with some songs being more "beat driven", some "punchy," and others "a little bit broader, ethereal," with the band ultimately deciding to go with an amalgam of the three elements.[26]
The overall writing for the record was also varied, with shifts in style and production. Foreman attributes this to Thorp's input, crediting the engineer with creating a landscape in which "the darks are darker and the lights are brighter and the lows are lower and the highs are higher".[27] The enlisting of Hip-hop/R&B producer Mike Elizondo late in the process brought a "new synergy" to the sessions, with drummer Chad Butler describing Elizondo as "someone who's got such a rhythmic sensibility".[11]
With all the artistic freedom came increasingly large amounts of material in what bassist
Elizondo asked the band, "What are the songs that only you can bring? What are the songs that only Switchfoot can deliver?" And it was with that lens that the band chose the final track listing for Hello Hurricane.[6] The inspiration for the album title comes from the story of a woman the band worked with during post-Hurricane Katrina who had lost her leg during the evacuation. "Her statement was, 'I walked out of my old house, I'm gonna walk into this new one,'" recalls Butler.[29]
Studio webcam and Twitter
As in the Oh! Gravity. sessions, the band installed a webcam in the studio to give fans a "fly-on-the-wall" view of their progress. Instead of the refresh-still-images camera that was utilized for the Gravity sessions, this version of the webcam featured real-time video streaming. It was launched for the first time on July 1, 2008, and was chronicled periodically on the fan-made Switchfoot Webcam Blog 2008.
Later, the band switched over to their Twitter account to update fans on the final stages of production for the album.
Release
Promotion
The song "Hello Hurricane" was debuted at a May 8, 2009 concert in Visalia, California when the band played a preview of the album version of the song through the PA system for fans to hear.[30] One fan recorded the song and posted it online, providing listeners with the first taste of the band's new material.[31][32]
Switchfoot began unveiling the new material throughout the Summer Festival tour season, beginning with "Mess of Me", which was played live for the first time on June 18 at the Big Ticket Festival in Michigan.[33] "Hello Hurricane", "Bullet Soul",[34] "Needle and Haystack Life",[35] and "The Sound (John M. Perkins' Blues)"[36] were all debuted throughout the season as well.
Switchfoot also occasional listening parties across the United States to give fans a chance to hear the album in its entirety.[37] Entrusting a master copy of the record to the YouTube online video content provider, Corey Vidal, fans got rare opportunities to hear Hello Hurricane during certain stops on Vidal's "Youtube Road Trip".[37]
In September, Switchfoot released a music video for the lead single, "
Songs from "Hello Hurricane" were featured in 2009 College Football games on ESPN, with "Needle and Haystack Life", "The Sound", and "Bullet Soul" regularly playing before commercial breaks.
On October 16, before the American League Championship Series Game 1 broadcast, a montage of baseball highlights was shown interspersed with live clips of Switchfoot and the song "Free" playing in the background.[41]
On November 3, 2009, the album was premiered in streaming format on the popular social networking site
"Bullet Soul" was utilized as the theme song for WWE's "TLC: Tables, Ladders & Chairs" pay-per-view.[42] and aired on ESPN broadcasts throughout the 2010 college football season along with "The Sound".
The band also played a string of late-night television shows after the album's release. They played "Mess of Me" on
Hello Hurricane also has gotten some TV show airplay. One Tree Hill played "Your Love Is A Song" during the ending of the episode "You Know I Love You, Don't You", on November 30, 2009 and "Enough to Let Me Go" was played on "Every Picture Tells A Story", on April 26, 2010.[48] "Always" was used for an episode of Grey's Anatomy titled "The Time Warp" on February 18, 2010.[49] The song "Yet" appeared on an episode of The Vampire Diaries on November 5, 2009.
Distribution
Upon completion of Hello Hurricane, the band had concluded a season of independence and artistic freedom that hadn't been experienced since the band recorded
Formats
Hello Hurricane was distributed in several different formats and packages, as announced on switchfoot.com. Official pre-sales for the packages began on September 16, 2009.[52]
- Digital Download
- Standard CD Edition
- Vinyl (with physical CD)
- Deluxe CD/DVD Edition
- Collector's Deluxe Edition (includes CD/DVD/Bonus disc, a hardbound 84-page photo book, an exclusive poster, and extra bonus content)
There is also an iTunes deluxe package available, with exclusive acoustic versions and other tracks.
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
Alternative Press | [56] |
American Music Channel | [57] |
Billboard | 83/100[58] |
CCM Magazine | [59] |
The Christian Manifesto | 4.2/5[60] |
Christian Music Zine | [61] |
Christianity Today | [62] |
Cross Rhythms | [63] |
Indie Vision Music | [64] |
Jesus Freak Hideout | [65] [66] |
Louder Than the Music | [67] |
Melodic | [68] |
New Release Tuesday | [69] [70] [71] |
Paste | 7.4/10[72] |
The Phantom Tollbooth | [73] [74] |
Hello Hurricane garnered critical acclaim by taking the twenty-one music critics ratings and reviews into account; however, Metacritic reports by utilizing just five music critics ratings and reviews that the album has a "weighted average" Metascore of a 74, which mean the album received "generally favorable reviews".[53] At Christianity Today, Andrew Greer rated the album four stars, and comment that "Hello Hurricane's broad musical landscape supports a deep lyrical dig into the grief of the human heart and brazenly extends eternal hope for the soul."[62] Andy Argyrakis of CCM Magazine rate the album four-and-a-half stars, and noted that "Switchfoot maintains its spiritual mindset, but never comes across as preachy in a secular environment, making Hello Hurricane the ultimate benchmark for any like-minded act, and amongst this band's very best."[59] At Paste, Reid Davis rated the album a seven-point four, and called the album a "meat-and-potatoes arena rock polished to a gleaming sheen (thanks to producer Mike Elizondo), wrapped around huge hooks and intercut by Foreman’s incisive, discontented lyrics, which almost always manage to translate sentiments rooted deeply in faith to universally relatable choruses."[72]
Mikael Wood of
At
At New Release Tuesday, Kevin Davis rated it a perfect five stars, and said it was one of the best albums of the year.[69] Founder of New Release Tuesday Kevin McNeese rated the album a perfect five stars, and proclaimed that Switchfoot were "returning to the top of their game".[70] Jonathan Francesco of New Release Tuesday rated it four-and-a-half, and affirmed that the release "really impressed".[71] At Indie Vision Music, Michael Mayer III rated it four stars, and commented that the album was "the soundtrack for those storms everyone faces in their lives" on which "It sounds vast, full of life and hope, and every bit fitting to the theme it was created for."[64] Gar Saegar of The Phantom Tollbooth rated it four-and-a-half stars, and alluded to how the album was "probably their strongest and most consistent record."[73] The Phantom Tollbooth's Derek Walker rated it four stars, and commented that the album had "wider sonic palette" than The Beautiful Letdown but does not contain the "evenness" of it as well; however, the album "replaces it with a more mature, up-to-date and textured production, and a healthy dose of musical ambition."[74]
At Louder Than the Music, Jono Davies rated the album four stars, and questioned that "Will this be counted as the best Switchfoot album? No. Is this the most complete album they have made? No. Does this album hit the spot? Maybe."[67] Founder of Christian Music Zine Tyler Hess rated the album four stars, and felt that the album was "a further definition of who Switchfoot is as a band and what they do on their albums, thematically, musically and lyrically."[61] At The Christian Manifesto, Thomas Jenkins rated it a four-point two, and noted how some aspects of the lyricism could have been improved that being said he called it "a great one".[60] Emily J. Ramey of American Music Channel rated it four stars, and praised the album for being "steady and captivating."[57]
Commercial performance
Hello Hurricane debuted at number 13 on the Billboard 200, with first-week sales of 39,000 copies.[77] It has sold over 230,000 copies in the United States to date.[78]
Track listing
No. | Title | Writer(s) | Length |
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1. | "Needle and Haystack Life" | Tim Foreman | 3:28 |
3. | "Your Love Is a Song" | Jon Foreman, Mike Elizondo | 4:19 |
4. | "The Sound (John M. Perkins' Blues)" | Jon Foreman, Tim Foreman | 3:46 |
5. | "Enough to Let Me Go" | Jon Foreman, Tim Foreman | 3:52 |
6. | "Free" | Jon Foreman | 4:02 |
7. | "Hello Hurricane" | Jon Foreman, Tim Foreman | 4:04 |
8. | "Always" | Jon Foreman | 4:19 |
9. | "Bullet Soul" | Jon Foreman, Tim Foreman | 3:24 |
10. | "Yet" | Jon Foreman, Tim Foreman | 3:53 |
11. | "Sing It Out" | Jon Foreman, Tim Foreman | 5:17 |
12. | "Red Eyes" | Jon Foreman, Tim Foreman | 4:49 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Mess of Me" (Acoustic) | Jon Foreman, Tim Foreman | 3:22 |
14. | "Always" (Alternate Acoustic Version) | Jon Foreman | 4:22 |
15. | "Stitches" (From the Eastern Hymns for Western Shores EP.) | 3:07 | |
16. | "The Sound (John M. Perkins' Blues)" (Music video) | 4:47 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Lucky Man" (The Verve cover) | Richard Ashcroft | 3:14 |
14. | "The Sound (John M. Perkins' Blues)" (Acoustic) | Jon Foreman, Tim Foreman | 3:47 |
Personnel
Tracks 1, 5–8 and 10–12 recorded at Spot X, San Diego. Mastered at Sterling Sound, New York City .
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Charts
Chart (2009) | Peak position |
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New Zealand RIANZ Albums Chart
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13[80] |
US Billboard 200 | 13[81] |
Billboard Alternative Albums | 3[81] |
Billboard Christian Albums | 2[81] |
Billboard Rock Albums | 4[81] |
Year-end charts
End of year chart (2010) | Position |
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Billboard Christian Albums | 7[81] |
Building a Hurricane
Building a Hurricane | |
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lowercase people records | |
Producer | Switchfoot |
The collector's deluxe edition of Hello Hurricane came packaged with a B-sides album called Building a Hurricane. It features alternate versions of the album tracks, as well as outtakes and demos culled from the studio sessions for Hello Hurricane. This was available via pre-orders only.
Track listing
No. | Title | Length |
---|---|---|
1. | "Needle (Writing Sessions, San Diego, Spring '08)" | 1:50 |
2. | "Needle (July '08 – Take 7)" | 4:16 |
3. | "Mess of Me (Charlie Peacock Sessions, Aug. '07)" | 3:05 |
4. | "Red Eyes (Jan. 12, 2009 – Take 1)" | 3:24 |
5. | "Sing It Out (Writing Session, Raleigh, NC, Fall '08)" | 0:44 |
6. | "Sing It Out (Dark Version, Nov. 22 '08 – Take 6)" | 1:46 |
7. | "The-Voice-Inside-Your-Head Interlude" | 0:06 |
8. | "Your Love Is a Gun (Bullet Soul Early Version)" | 3:31 |
9. | "Enough Reprise" | 0:32 |
10. | "Yet (Dressing Room Demo, Fall '07)" | 1:36 |
11. | "Yet (Nov. 4 '08 – Take 07)" | 3:53 |
12. | "Tambo-Cave-at-Gmail-Dot-Com Interlude" | 0:14 |
13. | "Sing It Out (Demo, Oct. '09, Prog Drums)" | 4:35 |
14. | "Red Eyes (Demo, Early '05)" | 2:15 |
15. | "Always Yours (Nov. 13, '08 – Take 9)" | 4:22 |
16. | "Always Yours, Tim's Unused Bridge" | 0:50 |
17. | "Mess of Me (Demo, Aug. '08 – Take 2, Full Band)" | 3:49 |
18. | "Nicaraguan-Maracas Interlude" | 0:25 |
19. | "Mess of Me (Early Demos)" | 2:01 |
20. | "Your Love Is A Gun (Bullet Soul Laptop Demo)" | 3:25 |
21. | "Hello Hurricane (Early Demos)" | 2:22 |
22. | "Distortion Interlude" | 0:06 |
23. | "Needle (Nov. 18, '08 – Take 12)" | 3:33 |
24. | "Sing It Out (Mar. 19, '09)" | 5:29 |
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- YouTube
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Works cited
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