Herbert Blau
Herbert Blau | |
|---|---|
Seattle, Washington | |
| Education | B.Ch.E., New York University (Chemical Engineering), 1947 M.A., Stanford University (Drama), 1949 Ph.D., Stanford University (English & American Literature), 1954 |
| Notable works | The Impossible Theater, a Manifesto (1964) / Take Up the Bodies: Theater at the Vanishing Point (1982) / Blooded Thought: Occasions of Theatre (1982) / The Eye of Prey: Subversions of the Postmodern (1987) / The Audience (1990) / To All Appearances: Ideology and Performance (1992) / Nothing in Itself: Complexions of Fashion (1999) / Sails of the Herring Fleet: Essays on Beckett (2000) / The Dubious Spectacle: Extremities of Theater, 1976-2000 (2002) |
Herbert Blau (May 3, 1926 – May 3, 2013) was an American director and theoretician of performance. He was named the Byron W. and Alice L. Lockwood Professor in the Humanities at the University of Washington.
Early life and career
Blau earned his bachelor's degree in chemical engineering from New York University (1947). Later, he earned his master of arts in drama (1949) and doctorate in English and American literature (1954), both from Stanford University.
As co-founder (with
In 1968, Blau signed the "
In 1968, Blau was named founding provost and dean of the school of theatre and dance of the California Institute of the Arts (CalArts), where he led the way in designing its educational model. With president Robert W. Corrigan, Blau recruited faculty including artists Allan Kaprow, John Baldessari, and Nam June Paik, composers Mel Powell and Morton Subotnick, musician Ravi Shankar, ethnomusicologist Nicholas England, designers Peter de Bretteville and Sheila Levrant de Bretteville, choreographer Bella Lewitzky, director Alexander Mackendrick, film scholar Gene Youngblood, filmmaker Pat O'Neill, and animation artist Jules Engel.[6]
In 1971, after three years at CalArts, Blau moved to
In addition to the theater, Blau has taken up the subjects of literature, visual arts, fashion, postmodern culture, and politics.[citation needed]
CalArts conferred an honorary doctor of arts degree to Blau in May 2008.[9]
Blau's archive is part of the performing arts collections held by the Harry Ransom Center in Austin, Texas. His papers include journals, production casebooks, scripts, correspondence, manuscripts, photographs, publicity material, and more.[10]
Personal life
Blau was born in Brooklyn. He married actress Beatrice Manley in 1949[11] and they divorced in 1980.[12] They had three children: film professor Dick Blau, Tara Gwyneth Blau, and Dr. Jonathan Blau. Blau married a second time to Kathleen Woodward and they had one daughter, Jessamyn Blau.[13]
Death
Blau died on his 87th birthday, May 3, 2013, in
Books
- Blau, Herbert. Programming Theater History: The Actor's Workshop of San Francisco. New York: Routledge, 2013. ISBN 9780415516693(hardcover)
- Blau, Herbert. As If: An Autobiography, Volume 1. Ann Arbor: University of Michigan Press, 2011. ISBN 9780472027552(ebook)
- Blau, Herbert. Reality Principles: From the Absurd to the Virtual. Ann Arbor: University of Michigan Press, 2011. ISBN 9780472027903(ebook)
- Blau, Herbert. The Dubious Spectacle: Extremities of Theater, 1976-2000. Minneapolis: University of Minnesota Press, 2002. ISBN 9780816638123(hardcover)
- Blau, Herbert. Sails of the Herring Fleet: Essays on Beckett. Ann Arbor: University of Michigan Press, 2000. ISBN 9780472024407(ebook)
- Blau, Herbert. Nothing in Itself: Complexions of Fashion. Bloomington: Indiana University Press, 1999. ISBN 9780253335876(hardcover)
- Blau, Herbert. To All Appearances: Ideology and Performance. London/New York: Routledge,1992. ISBN 9780415013642(hardcover)
- Blau, Herbert. The Audience. Baltimore: Johns Hopkins University Press, 1990. ISBN 9780801838446(hardcover)
- Blau, Herbert. The Eye of Prey: Subversions of the Postmodern. Bloomington: Indiana University Press, 1987. ISBN 9780253204394
- Blau, Herbert. Take Up the Bodies: Theater at the Vanishing Point. Urbana: University of Illinois Press, 1982. ISBN 9780252009457(hardcover)
- Blau, Herbert. Blooded Thought: Occasions of Theater. New York: Performing Arts Journal Publications, 1982. ISBN 9780933826397
- Blau, Herbert. The Impossible Theater: A Manifesto. New York: Macmillan, 1964; rpt. Collier, 1965. ISBN 9789990906080
References
- ^ Jules Irving profile, ibdb.com; accessed January 19, 2010.
- ^ The Actor's Workshop, The Oxford Companion to American Theatre; accessed December 27, 2008.
- ^ Berton, Justin. "When 'Waiting for Godot' played San Quentin", San Francisco Chronicle, December 23, 2008; accessed January 19, 2010.
- ^ Atkinson, Brooks, "Theatre: 'Godot' for Fair; Coast Troupe Here on Way to Brussels", New York Times, August 6, 1958.
- ^ "Writers and Editors War Tax Protest", New York Post, January 30, 1968.
- ^ California Institute of the Arts: History; accessed April 4, 2016.
- ^ George Jean Nathan Award Committee's Citation, cornell.edu; accessed December 27, 2008.
- ^ Areta Kupchyk, "Humanities Dean Blau Announces Resignation", Retriever, March 29, 1976; accessed March 15, 2022.
- ^ Nelson, Denise. Harry Belafonte, Herbert Blau and Terry Riley Receive Honorary Doctor of Arts Degrees Archived 2008-09-27 at the Wayback Machine, calarts.edu; accessed December 27, 2008.
- ^ "Research Guide: Harry Ransom Center". www.hrc.utexas.edu. Retrieved 2023-12-04.
- ^ Herbert Blau, As If: An Autobiography, Volume 1 (Ann Arbor: University of Michigan Press, 2011), 108.
- ^ Beatrice Manley biography, beatricemanley.com; accessed October 23, 2012.
- ^ Martin, Douglas (8 May 2013). "Herbert Blau, Iconoclastic Theater Director, Dies at 87". The New York Times. Retrieved February 5, 2018.
- ^ Martin, Douglas (8 May 2013). "Herbert Blau, Iconoclastic Theater Director, Dies at 87". The New York Times. Retrieved May 8, 2013.
External links
- Herbert Blau at the Internet Broadway Database
- The documentary film, The Impossible Itself, covers Herbert Blau's 1957 production of San Quentin State Prison.
- Audio of Herbert Blau's lecture "The Right Side of the Tracks, from As If: An Autobiography" at the Walter Chapin Simpson Center for the Humanities on October 28, 2004.
- The New York Public Library for the Performing Arts houses the program notes Herbert Blau wrote for productions of The Actor's Workshop of San Francisco and for the Repertory Theater of Lincoln Center, 1952-67. Correspondence and other documentary materials are also included in the archives.
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