Hidden Figures
Hidden Figures | |
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Directed by | Theodore Melfi |
Screenplay by |
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Based on | Hidden Figures: The American Dream and the Untold Story of the Black Women Who Helped Win the Space Race by Margot Lee Shetterly |
Produced by |
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Starring | |
Cinematography | Mandy Walker |
Edited by | Peter Teschner |
Music by | |
Production companies |
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Distributed by | 20th Century Fox |
Release dates |
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Running time | 127 minutes[1] |
Country | United States |
Language | English |
Budget | $25 million[2] |
Box office | $236.2 million[3] |
Hidden Figures is a 2016 American
Principal photography began in March 2016 in Atlanta, Georgia, and wrapped up in May 2016. Other filming locations included several other locations in Georgia, including East Point, Canton, Monroe, Columbus, and Madison.
Hidden Figures had a limited release on December 25, 2016, by
The film was chosen by the National Board of Review as one of the top ten films of 2016[5] and received various awards and nominations, including three nominations at the 89th Academy Awards, including Best Picture. It also won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.
Plot
Mary is assigned to the space capsule heat shield team, where she immediately identifies a design flaw. Encouraged by her team leader Karl Zielinski, a Polish-Jewish Holocaust survivor, Mary applies for a NASA engineer position. She is told by Mitchell that, regardless of her mathematics and physical science degree, the position requires additional courses. Mary files a petition for permission to attend all-white Hampton High School, despite her husband's opposition. Pleading her case in court, she wins over the local judge by appealing to his sense of history, allowing her to attend night classes.
Katherine meets African-American
Harrison confronts Katherine about her "breaks," unaware that she is forced to walk half a mile (800 meters) to use the nearest restroom designated to "colored" people. She angrily explains the discrimination she faces at work, which leads Harrison to destroy the "colored" restroom signs and abolish restroom segregation. He allows Katherine to be included in high-level meetings to calculate the space capsule's re-entry point. Stafford makes Katherine remove her name from reports, insisting that "computers" cannot author them, and her work is credited solely to Stafford.
Informed by Mitchell that there are no plans to assign a "permanent supervisor for the colored group," Dorothy learns NASA has installed an IBM 7090 electronic computer that threatens to replace human computers. When a librarian scolds her for visiting the whites-only section, Dorothy sneaks out a book about Fortran and teaches herself and her West Area co-workers programming. She visits the computer room, successfully starts the machine, and is promoted to supervise the Programming Department; she agrees to do so if thirty of her co-workers are transferred as well. Mitchell finally addresses her as "Mrs. Vaughan".
Making final arrangements for John Glenn's launch, the department no longer needs human computers; Katherine is reassigned to the West Area and marries Jim. On the day of the launch, discrepancies are found in the IBM 7090 calculations, and Katherine is asked to check the capsule's landing coordinates. She delivers the results to the control room, and Harrison allows her inside. After a successful launch and orbit, a warning indicates the capsule's heat shield may be loose. Mission Control decides to land Glenn after three orbits instead of seven, and Katherine supports Harrison's suggestion to leave the retro-rocket attached to help keep the heat shield in place. Friendship 7 lands successfully.
Though the mathematicians are ultimately replaced by electronic computers, a textual epilogue reveals Mary obtained her engineering degree and became NASA's first female African American engineer; Dorothy continued as NASA's first African American supervisor; and Katherine, accepted by Stafford as a report coauthor, went on to calculate the trajectories for the Apollo 11 and Space Shuttle missions. In 2015, she was awarded the Presidential Medal of Freedom. In 2016, NASA dedicated the Langley Research Center's Katherine Johnson Computational Building in her honor.
Cast
- Taraji P. Henson as Katherine Goble Johnson, mathematician
- Octavia Spencer as Dorothy Vaughan, mathematician and supervisor
- Janelle Monáe as Mary Jackson, mathematician and engineer
- Kevin Costner as Al Harrison, director of the Space Task Group (STG)
- Kirsten Dunst as Vivian Mitchell, supervisor
- Jim Parsons as Paul Stafford, head engineer in STG
- Mahershala Ali as Jim Johnson, military officer who romances and eventually marries Katherine
- Aldis Hodge as Levi Jackson
- Glen Powell as John Glenn, astronaut
- Kimberly Quinn as Ruth
- Olek Krupa as Karl Zielinski, engineer (a fictionalized version of Kazimierz Czarnecki, who encourages Mary Jackson)
- Saniyya Sidney as Constance Johnson
Production
Development and casting
In 2015, producer Donna Gigliotti acquired Margot Lee Shetterly's nonfiction book Hidden Figures, about a group of Black female mathematicians that helped NASA win the Space Race.[6] Allison Schroeder wrote the script, which was developed by Gigliotti through Levantine Films. Schroeder grew up by Cape Canaveral and her grandparents worked at NASA, where she also interned as a teenager, and as a result saw the project as a perfect fit for herself.[7] Levantine Films produced the film with Peter Chernin's Chernin Entertainment. Fox 2000 Pictures acquired the film rights, and Theodore Melfi signed on to direct.[6] After coming aboard, Melfi revised Schroeder's script, and in particular focused on balancing the home lives of the three protagonists with their careers at NASA.[7] After the film's development was announced, actresses considered to play the lead roles included Oprah Winfrey, Viola Davis, Octavia Spencer, and Taraji P. Henson.[6]
Chernin and Jenno Topping produced, along with Gigliotti and Melfi.[8] Fox cast Henson to play the lead role of mathematician Katherine Goble Johnson. Spencer was selected to play Dorothy Vaughan, one of the three lead mathematicians at NASA.[9] Kevin Costner was cast in the film to play the fictional head of the space program.[10] Singer Janelle Monáe signed on to play the third lead mathematician, Mary Jackson.[11] Kirsten Dunst, Glen Powell, and Mahershala Ali were cast in the film: Powell to play astronaut John Glenn,[12] and Ali as Johnson's love interest.[13][14]
Filming
Music
Historical accuracy
The film, set at NASA Langley Research Center in 1961, depicts segregated facilities such as the West Area Computing unit, where an all-Black group of female mathematicians were originally required to use separate dining and bathroom facilities. However, in reality, Dorothy Vaughan was promoted to supervisor of West Computing much earlier, in 1949, becoming the first Black supervisor at the National Advisory Committee for Aeronautics (NACA) and one of its few female supervisors. In 1958, when NACA became NASA, segregated facilities, including the West Computing office, were abolished.[20] Vaughan and many of the former West computers transferred to the new Analysis and Computation Division (ACD), a racially and gender-integrated group.[21]
It was Mary Jackson, not Katherine Johnson, who had difficulty finding a colored bathroom — in a 1953 incident she experienced while on temporary assignment in the East Area, a region of Langley unfamiliar to her and where few Blacks worked.[22] Katherine Johnson, for her part, was initially unaware that the bathrooms at Langley were segregated (in both its East and West areas during the NACA era), and used the "whites-only" bathrooms (many were not explicitly labeled as such) for years before anyone complained. She ignored the complaint, and the issue was dropped.[23][24]
In an interview with WHRO-TV, Johnson denied the feelings of segregation. "I didn't feel the segregation at NASA, because everybody there was doing research. You had a mission and you worked on it, and it was important to you to do your job ... and play bridge at lunch. I didn't feel any segregation. I knew it was there, but I didn't feel it."[25]
Mary Jackson did not have to get a court order to attend night classes at the whites-only high school. She asked the city of Hampton for an exception, and it was granted. The school turned out to be run down and dilapidated, a hidden cost of running two parallel school systems.[26] She completed her engineering courses and earned a promotion to engineer in 1958.[27]
Katherine Johnson worked mostly in Langley's West Area, not the East Area — working mainly in Building 1244 starting in mid-1953, and remaining in 1244 even after joining the Space Task Group, through at least the early 1960s and John Glenn's historic flight.[28][29][30]
The scene where a coffeepot labeled "colored" appears in Katherine Johnson's workplace did not happen in real life, and the book on which the film is based mentions no such incident.
Katherine Johnson carpooled with Eunice Smith, a nine-year West Area computer veteran at the time Johnson joined NACA. Smith was her neighbor and friend from her sorority and church choir.[31] The three Goble children were teenagers at the time of Katherine's marriage to Jim Johnson.[32]
Katherine Johnson was assigned to the Flight Research Division in 1953, a move that soon became permanent. When the Space Task Group was created in 1958, engineers from the Flight Research Division formed the core of the group, and Johnson was included. She coauthored a research report published by NASA in 1960, the first time a woman in the Flight Research Division had received credit as an author of a research report.[33] Johnson gained access to editorial meetings as of 1958 simply through persistence, not because one particular meeting was critical.[34][35]
The Space Task Group was led by
Dexter Thomas of Vice News criticized Melfi's additions as creating the white savior trope: "In this case, it means that a white person doesn't have to think about the possibility that, were they around back in the 1960s South, they might have been one of the bad ones."[37] The Atlantic's Megan Garber said that the film's "narrative trajectory" involved "thematic elements of the white savior".[38] Melfi said he found "hurtful" the "accusations of a 'white savior' storyline", saying:
It was very upsetting to me because I am at a place where I've lived my life colorless and I grew up in Brooklyn. I walked to school with people of all shapes, sizes, and colors, and that's how I've lived my life. So it's very upsetting that we still have to have this conversation. I get upset when I hear 'Black film,' and so does Taraji P. Henson ... It's just a film. And if we keep labeling something 'a Black film,' or 'a white film'— basically it's modern day segregation. We're all humans. Any human can tell any human's story. I don't want to have this conversation about Black film or white film anymore. I wanna have conversations about film.
His frustration is also a perfect example of how, when it comes to open dialogue about depictions of people of color on screen, it behooves white people (especially those who position themselves as 'allies') to listen ... the inclusion of the bathroom scene doesn't make Melfi a bad filmmaker, or a bad person, or a racist. But his suggestion that a feel-good scene like that was needed for the marketability and overall appeal of the film speaks to the fact that Hollywood at large still has a long way to go in telling Black stories, no matter how many strides have been made.[39]
The fictional characters Vivian Mitchell and Paul Stafford are composites of several team members and reflect common social views and attitudes of the time. Karl Zielinski is based on Mary Jackson's mentor, Kazimierz "Kaz" Czarnecki.[40]
John Glenn, who was about a decade older than depicted at the time of launch, did ask specifically for Johnson[41] to verify the IBM calculations, although she had several days before the launch date to complete the process.[42]
Author Margot Lee Shetterly has agreed that there are differences between her book and the movie, but found that to be understandable.
For better or for worse, there is history, there is the book and then there's the movie. Timelines had to be conflated and [there were] composite characters, and for most people [who have seen the movie] have already taken that as the literal fact. ... You might get the indication in the movie that these were the only people doing those jobs, when in reality we know they worked in teams, and those teams had other teams. There were sections, branches, divisions, and they all went up to a director. There were so many people required to make this happen. ... It would be great for people to understand that there were so many more people. Even though Katherine Johnson, in this role, was a hero, there were so many others that were required to do other kinds of tests and checks to make [Glenn's] mission come to fruition. But I understand you can't make a movie with 300 characters. It is simply not possible.[43]
John Glenn's flight was not terminated early as stated in the movie's closing subtitles. The
The Mercury Control Center was located at
Katherine Johnson's Technical Note D-233, co-written with T.H. Skopinski, can be found on the NASA Technical Reports Server.[47]
The movie depicts the
The movie refers to an IBM 7090, but the console shown is for an
Release
The film began a
Charity screenings
After Hidden Figures was released on December 25, 2016, certain charities, institutions and independent businesses who regard the film as relevant to the cause of improving youth awareness in education and careers in the science, technology, engineering, and mathematics (STEM) fields, organized free screenings of the film in order to spread the message of the film's subject matter.[51] A collaborative effort between Western New York STEM Hub, AT&T and the Girl Scouts of the USA allowed more than 200 Buffalo Public Schools students, Girl Scouts and teachers to see the film. WBFO's Senior Reporter Eileen Buckley stated the event was designed to help encourage a new generation of women to consider STEM careers. Research indicates that by 2020, there will be 2.4 million unfilled STEM jobs.[52] Aspiring astronaut Naia Butler-Craig wrote of the film: "I can't imagine what that would have been like: 16-year-old, impressionable, curious and space-obsessed Naia finding out that Black women had something to do with getting Americans on the moon."[53]
Also, the film's principal actors (Henson, Spencer, Monáe and Parsons), director (Melfi), producer/musical creator (Williams), and other non-profit outside groups have offered free screenings to Hidden Figures at several cinema locations around the world. Some of the screenings were open to all-comers, while others were arranged to benefit girls, women and the underprivileged. The campaign began as individual activism by Spencer, and made a total of more than 1,500 seats for Hidden Figures available, free of charge, to poor individuals and families. The result was seven more screenings for people who otherwise might not have been able to afford to see the film - in Atlanta (sponsored by Monáe), in Washington, D.C. (sponsored by Henson), in Chicago (also Henson), in Houston (by Parsons), in Hazelwood, Missouri (by Melfi and actress/co-producer Kimberly Quinn), and in Norfolk and Virginia Beach, Virginia (both sponsored by Williams).[54]
In February 2017, AMC Theatres and 21st Century Fox announced that free screenings of Hidden Figures would take place in celebration of Black History Month in up to 14 select U.S. cities (including Atlanta, Chicago, Dallas, Los Angeles and Miami). The statement described the February charity screenings as building broader awareness of the film's true story of Black women mathematicians who worked at NASA during the Space Race.[55] 21st Century Fox and AMC Theatres also invited schools, community groups and non-profit organizations to apply for additional special screenings to be held in their towns. "As we celebrate Black History Month and look ahead to Women's History Month in March, this story of empowerment and perseverance is more relevant than ever," said Liba Rubenstein, 21st Century Fox's Senior Vice President of Social Impact, "We at 21CF were inspired by the grassroots movement to bring this film to audiences that wouldn't otherwise be able to see it - audiences that might include future innovators and barrier-breakers - and we wanted to support and extend that movement".[56]
Philanthropic non-profit outside groups and other local efforts by individuals have offered free screenings of Hidden Figures by using crowdfunding platforms on the Internet, that allow people to raise money for free film screening events.[57][58] Dozens of other GoFundMe free screening campaigns have appeared since the film's general release, all by people wanting to raise money to pay for students to see the film.[57]
In 2019, The Walt Disney Company partnered with the U.S. Department of State on the third annual "Hidden No More" exchange program, which was inspired by the film and brings to the United States 50 women from around the world who have excelled in STEM careers such as spacecraft engineering, data solutions and data privacy, and STEM-related education.[59] The exchange program began in 2017 after local US embassies screened the film to their local communities. The support for the screenings was so positive that 48 countries decided to each nominate one women in STEM to represent their country on a three-week IVLP exchange program in the United States.[60]
Merchandising
Following the 2017 Lego Ideas Contest, Denmark-based toy maker
The Miracles' 1961 chart hit, "Mighty Good Lovin'", written by lead singer Smokey Robinson, is played in the film during the house party dance scene, and was also heard in the closing credits.[64][65]
Home media
Hidden Figures was released on Digital HD on March 28, 2017, and Blu-ray, 4K Ultra HD, and DVD on April 11, 2017.[66] The film debuted at No. 3 on the home video sales chart.[67]
Reception
Box office
Hidden Figures grossed $169.6 million in the United States and Canada, and $66.3 million in other territories, for a worldwide gross of $236 million, against a production budget of $25 million.[3] Domestically, Hidden Figures was the highest-grossing Best Picture nominee at the 89th Academy Awards.[68] Deadline Hollywood calculated the net profit of the film to be $95.55 million, when factoring together all expenses and revenues for the film, making it one of the top twenty most profitable release of 2016.[4]
During its limited release in 25 theaters from December 25, 2016, to January 5, 2017, the film grossed $3 million.[3] In North America, Hidden Figures had its expansion alongside the opening of Underworld: Blood Wars and the wide expansions of Lion and A Monster Calls. It was expected to gross around $20 million from 2,471 theaters in its opening weekend, with the studio projecting a more conservative $15–17 million debut.[69] It made $1.2 million from Thursday night previews and $7.6 million on its first day. Initially, projections had the film grossing $21.8 million in its opening weekend, finishing second behind Rogue One: A Star Wars Story ($22 million). However the next day, final figures revealed the film tallied a weekend total of $22.8 million, beating Rogue One's $21.9 million.[70] In its second weekend, the film grossed $20.5 million (for a four-day MLK Weekend total of $27.5 million), again topping the box office.[71]
Critical response
On review aggregator Rotten Tomatoes, the film has an approval rating of 93% based on 325 reviews, with an average rating of 7.6/10. The website's critical consensus reads, "In heartwarming, crowd-pleasing fashion, Hidden Figures celebrates overlooked—and crucial—contributions from a pivotal moment in American history."[72] On Metacritic, the film has a weighted average score of 74 out of 100, based on 47 critics, indicating "generally favorable reviews".[73] Audiences polled by CinemaScore gave the film an average grade of "A+" on an A+ to F scale,[74] one of fewer than 90 films in the history of the service to receive such a score.[70]
Simon Thompson of IGN gave the film a rating of nine out of ten, writing, "Hidden Figures fills in an all too forgotten, or simply too widely unknown, blank in US history in a classy, engaging, entertaining and hugely fulfilling way. Superb performances across the board and a fascinating story alone make Hidden Figures a solid, an accomplished and deftly executed movie that entertains, engages and earns your time, money and attention."[75] Ty Burr of The Boston Globe wrote, "the film's made with more heart than art and more skill than subtlety, and it works primarily because of the women that it portrays and the actresses who portray them. Best of all, you come out of the movie knowing who Katherine Johnson and Dorothy Vaughn and Mary Jackson are, and so do your daughters and sons."[76]
Clayton Davis of Awards Circuit gave the film three and a half stars, saying "Precisely marketed as terrific adult entertainment for the Christmas season, Hidden Figures is a faithful and truly beautiful portrait of our country's consistent gloss over the racial tensions that have divided and continue to plague the fabric of our existence. Lavishly engaging from start to finish, Hidden Figures may be able to catch the most inopportune movie-goer off guard and cause them to fall for its undeniable and classic storytelling. The film is not to be missed."[77]
Other reviews criticized the film for its fictional embellishments and conventional, feel-good style. Tim Grierson, writing for Screen International, states that "Hidden Figures is almost patronisingly earnest in its depiction of sexism and racism. An air of do-gooder self-satisfaction hovers over the proceedings",[78] while Jesse Hassenger at The A.V. Club comments that "lack of surprise is in this movie's bones."[79] Eric Kohn of IndieWire argues that the film "trivializes history; as a hagiographic tribute to its brilliant protagonists, it doesn't dig into the essence of their struggles"[80] and similarly, Paul Byrnes concludes that "When a film purports to be selling history, we're entitled to ask where the history went, even if it offers a good time instead."[81]
Accolades
Among its many achievements,
Overall, the film received three nominations for the 89th Academy Awards in 2017, winning none:
- Best Picture — Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi (lost to Moonlight)
- Best Supporting Actress — Octavia Spencer (lost to Viola Davis for Fences)
- Best Adapted Screenplay — Allison Schroeder and Theodore Melfi (based on the book Hidden Figures: The American Dream and the Untold Story of the Black Women Who Helped Win the Space Race) (lost to Moonlight)
See also
- African-American women in computer science
- Henrietta Swan Leavitt
- Kathaleen Land
- List of black films of the 2010s
- List of films about mathematicians
- Mathematical fiction
- Women in science
References
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The project had another layer of resonance for Mr. Williams, who was raised in Virginia Beach, not far from the NASA Langley Research Center in Hampton, where Hidden Figures takes place. Growing up, he said, he had a kind of mystical reverence for the NASA facilities: "We knew the bigger questions were being answered there".
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Hidden Figures's narrative trajectory involves not just progress that emerges, too often, from pettiness, but also thematic elements of the white savior, and of a culturally enforced tiara syndrome. All those things effectively temper the idealism of its message.
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Further reading
- ISBN 978-0-226-32147-9.