Highland dress

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Glengarry bonnet
(1904)

Highland dress is the

traditional, regional dress of the Highlands and Isles of Scotland. It is often characterised by tartan (plaid in North America). Specific designs of shirt, jacket, bodice
and headwear may also be worn along with clan badges and other devices indicating family and heritage.

Men's Highland dress typically includes a

garters
, kilt pins and clan badges.

Women's Highland dress is also based on the clan tartan, either that of her birth clan or, if married, that of her spouse's clan if she so chooses. Traditionally, women and girls do not wear kilts but may wear ankle-length tartan

earasaid, sash or tonnag (smaller shawl) may also be worn, usually pinned with a brooch
, sometimes with a clan badge or other family or cultural motif.

Modern Highland dress

In the modern era, Scottish Highland dress can be worn casually, or worn as formal wear to white tie and black tie occasions, especially at

ceilidhs
and weddings. Just as the black tie dress code has increased in use in England for formal events which historically may have called for white tie, so too is the black tie version of Highland dress increasingly common.

The codification of "proper" Highland dress for formal and semi-formal wear took place during the Victorian era, and these styles have changed little since then (e.g. the Prince Charlie, Sheriffmuir, and regulation jackets have an antique appearance, being based on Victorian military doublets of

Highland regiments). In observing "constraints imposed by supposed rules and regulations governing ... what is perceived as permissible in Highland dress", Scottish historian Hugh Cheape writes (2012) that "uniform styles and conformity in dress conventions have emerged since the late nineteenth century and have been encoded in books and tailors' patterns; strict observance is expected and in some circles has become a touchstone of Scottishness. The perpetuation of such views, relatively recently formed, is a self-assumed role of guardians of Scottish 'ethnicity'."[1] He contrasts this mode of regulated Highland dress with the kilt's contemporary "renaissance as a style item ... even a post-modern trend in kilt-wear instigated with the 1970s and 1980s punk styles; we see the kilt worn with chunky socks, boots, white T-shirt and black jacket".[2]

Regardless of formality level, the basis of all modern men's and women's Highland dress starts with the tartan, either as a kilt, trews, arisaid, sash, or tonnag. Tartans in Scotland are registered at the Scottish Register of Tartans in Edinburgh, a non-ministerial department and are usually aligned to a clan or branch of a clan; however, tartans can also be registered exclusively for an individual or institution, and many "district" or "national" patterns also exist that have no associations to particular families or organisations.

Historically, weaponry formed a common accessory of men's Highland dress, such as the mattucashlass and the dirk. However, due to the UK's knife laws, small sgian-dubhs and sword shape kilt pins are more commonly seen today.[3]

For men's and women's shoes,

turnshoes, now used mostly for indoor wear and Scottish dancing. The sole and uppers cut from one piece of leather, wrapped around the foot from the bottom, laced at the top, and seamed at the heel and toe. Ghillie brogues are thick-soled welted-rand
shoes. In both, the laces are wrapped around and tied firmly above the wearer's ankles so that the shoes do not get pulled off in the mud. The shoes lack tongues so the wearer's feet can dry more quickly in the typically damp Scottish weather.

Formal day wear (morning dress)

James Carnegie, 3rd Duke of Fife, in a plain-cuff Crail jacket (1984)

Highland dress may also be worn as a folk-costume option at events requiring morning dress. As such, for formal day-wear use it generally consists of:[4][5]

Men:

Formal evening wear (white tie)

The traditional white-tie version of Highland dress consists of:

Men:

  • Formal kilt doublet in barathea or velvet. The regulation, Montrose, Sheriffmuir and Kenmore doublets are suitable in a variety of colours. Velvet is considered to be a more formal material. The Prince Charlie jacket (coatee) is considered to be less formal,[by whom?] although when introduced it was to be worn with a white lace jabot. Tartan jackets are also seen.
  • Waistcoat in white marcella, tartan (usually to match the kilt), red or the same material as the doublet. No waistcoat is worn with the Kenmore or Montrose doublets.
  • Kilt with formal kilt pin
  • White stiff-front shirt with
    wing collar
    and white, gold, or silver studs and cufflinks for the Regulation doublet, or a white formal shirt and optional lace cuffs for the Montrose, Sheriffmuir, and Kenmore doublets
  • White lace jabot. A black silk or a white marcella bow tie may be worn in place of the jabot with the regulation doublet (Highland wear often includes a black bow tie even at white-tie events).
  • Black formal shoes or black buckle brogues
  • Tartan or diced kilt hose
  • Silk garter flashes or garter ties
  • Silver-mounted sporran in fur, sealskin or hair with a silver chain belt
  • Black, silver-mounted and jeweled sgian-dubh
  • Highland
    crest badge (only worn outdoors)[6]
  • Short belted plaid with silver plaid brooch (optional)
  • Scottish dirk (optional)

Semi-formal day wear (black lounge suit equivalent)

The semi-formal version of Highland dress consists of:[4][5]

Men:

Semi-formal evening wear (black tie)

Campbell of Argyll
tartan) and Prince Charlie jacket (2021)

Traditionally, black-tie Highland dress comprises:

Men:

  • Black, or other solid colour,
    Sheriffmuir doublets
    are too formal for black-tie occasions)
  • Black waistcoat
  • Kilt
  • White shirt with
    wing collars are reserved for white tie
    )
  • Black bow tie
  • Evening dress
    brogues
  • Tartan or diced full-dress
    David Lumsden of Cushnie[7]
  • Silk flashes or garter ties
  • Dress sporran with silver chain
  • Black, silver-mounted
    sgian dubh
  • Highland bonnet with crest badge (only suitable outdoors)[8]
  • Miniature medals (if authorised)

Historical descriptions

Highlanders wearing kilts, plaids, bonnets, and an early example of trews; 1631 German engraving.
The Highland Wedding, David Allan (1780)

In 1618, a poet from London,

garters of twisted straw, and a finer plaid mantle round their shoulders. They had knotted handkerchiefs at their necks and wore blue caps. Taylor said the tartan was "warm stuff of diverse colours."[9]

Near the end of the seventeenth century,

According to the English military chaplain Thomas Morer in 1689, Highland men wore plaids about seven or eight

Bonnets
were blue or "sad" coloured. Morer noted that the fineness of the fabric varied according to the wealth and status of the man.

Scottish

Robert Burns
, they can be seen wearing a maud in portraits, etchings and statues.

  • Highland chieftain Lord Mungo Murray wearing belted plaid, around 1680.
    Highland chieftain Lord Mungo Murray wearing belted plaid, around 1680.
  • A woman wearing an earasaid, and the typical hairstyle of a married woman, with a child in Matheson tartan (1845) from a description of 150 years before.
    A woman wearing an
    earasaid, and the typical hairstyle of a married woman, with a child in Matheson
    tartan (1845) from a description of 150 years before.
  • A member of Clan MacNeacail, from The Clans of the Scottish Highlands, wearing a tonnag R. R. McIan (1845)
    A member of Clan MacNeacail, from The Clans of the Scottish Highlands, wearing a tonnag R. R. McIan (1845)
  • Portrait by Henry Raeburn of Alexander Ranaldson MacDonell of Glengarry in 1812.
    Portrait by
    Alexander Ranaldson MacDonell of Glengarry
    in 1812.
  • Campbell of Breadalbane (~1845-1847)
    Campbell of Breadalbane (~1845-1847)
  • Costumes of All Nations (1882)
    Costumes of All Nations (1882)

Gallery

  • Boy wearing open necked velvet doublet, kilt and plaid (1898)
    Boy wearing open necked velvet doublet, kilt and plaid (1898)
  • Highland Dress advertisement (1957)
    Highland Dress advertisement (1957)
  • Black Barathea Silver Button Argyll (BBSBA) jacket, worn with a five button waistcoat and long tie for day wear (2006)
    Black Barathea Silver Button Argyll (BBSBA) jacket, worn with a five button waistcoat and long tie for day wear (2006)
  • A modern style of ghillies made specifically for dancing (2006)
    A modern style of
    ghillies
    made specifically for dancing (2006)
  • Piper playing the Great Highland Bagpipes in traditional Scottish piper's uniform (2010)[a]
    Piper playing the
    Great Highland Bagpipes in traditional Scottish piper's uniform (2010)[a]

Notes

  1. brogues

References

  1. .
  2. ^ Cheape (2012), p. 14.
  3. ^ "Sgian Dubhs". TartansAuthority.com. Scottish Tartans Authority. Archived from the original on 10 October 2022. Retrieved 11 July 2023.
  4. ^ a b "So that's how to wear your kilt". The Scotsman. 17 May 2004.
  5. ^ a b "What to Wear?". Scottish Tartans Authority. Archived from the original on 26 November 2022. Retrieved 11 July 2023.
  6. . 12 September 2008. Retrieved 13 May 2018.
  7. .
  8. ^ Taylor, John, Early Prose & Poetical Works, London & Glasgow, (1888), pp.49-50.
  9. ^ Martin, Description of the Western Islands of Scotland, (1703), pp.208-209: quoted in Robertson, ed., Inventaires de la Royne Desscosse, Bannatyne Club, (1863) p.lxviii footnote.
  10. ^ Hume Brown, P., Early Travellers in Scotland James Thin (1891 repr. 1978), 269-270, 272, quoting Morer, Thomas, A Short Account of Scotland (1715)
  11. ^ Craig, A. (1837). Parish of Bedrule. New Statistical Account of Scotland (vol. 3). Edinburgh: Blackwood.
  12. ^ The Scottish Register of Tartans.
  13. ^ Moffat, A. (2015). Scotland: A history from the earliest times. Edinburgh: Birlinn.

External links