Historical romance
Historical romance is a broad category of mass-market fiction focusing on romantic relationships in historical periods, which Walter Scott helped popularize in the early 19th century.[1]
Varieties
Viking
Viking books feature warriors during the Dark Ages or Middle Ages.[2] Heroes in Viking romances are stereotypically masculine men who are later "tamed" by their heroines. Most heroes are described as "tall, blonde, and strikingly handsome."[3] Using the Viking culture allows novels set in these time periods to include some travel, as the Vikings were "adventurers, founding and conquering colonies all over the globe."[3] In a 1997 poll of over 200 readers of Viking romances, Johanna Lindsey's Fires of Winter was considered the best of the subgenre. The subgenre has fallen out of style, and few novels in this vein have been published since the mid-1990s.[3]
Medieval
Medieval romances are typically set between 938 and 1485.[2] Women in the medieval time periods were often considered as no more than property who were forced to live at the mercy of their father, guardian, or the king. Always a lady, the heroine must use her wits and will and find a husband who will accept her need to be independent, yet still protect her from the dangers of the times. The hero is almost always a knight who first learns to respect her and her uncommon ideas and then falls in love. Heroes are always strong and dominant, and the heroine, despite the gains she has made, is usually still in a subordinate position. However, that position is her choice, made "for the sake of and with protection from an adoring lover, whose main purpose in life is to fulfill his beloved's wishes."[4]
Tudor
Tudor romances are set in England between 1485 and 1558.[2]
Elizabethan
Elizabethan romances are set in England between 1558 and 1603, during the time of Elizabeth I.[2]
Stuart
Stuart romances are set between 1603 and 1714 in England.[2]
Georgian
Georgian romances are set between 1714 and 1811 in England.[2]
Regency
Regency romances are set between 1811 and 1820 in England.[2]
Victorian
Victorian romances are set in England between 1832 and 1901, beginning with the
Pirate
Pirate novels feature a male or female who is sailing, or thought to be sailing, as a
Colonial United States
Colonial United States novels are all set in that country between 1630 and 1798.[2]
Civil War
Civil War novels place their characters within the events of the
Western
Western novels are set in the frontier of the United States, Canada, or Australia.[2] Unlike Westerns, where women are often marginalized, the Western romance focuses on the experiences of the female.[6] Heroes in these novels seek adventure and are forced to conquer the unknown. They are often loners, slightly uncivilized, and "earthy."[7] Their heroines are often forced to travel to the frontier by events outside their control. These women must learn to survive in a man's world, and, by the end of the novel, have conquered their fears with love. In many cases the couple must face a level of personal danger, and, upon surmounting their troubles, are able to forge a strong relationship for the future.[7]
Native American
Native American novels could also fall into the Western subgenre, but always feature
When surveyed about their reasons for reading Native American romances, many readers cite the desire to learn about the beliefs, customs and culture of the Native American tribes. The novels within this subgenre are generally not limited to a specific tribe, location, or time period. Readers appreciate that native tribes "have a whole different way of life, a different way of thinking and a different way of looking at things".[9] In many cases, the tribe's love of nature is highlighted.[9]
Americana
Americana novels are set in the United States between 1880 and 1920, usually in a small town or in the
History
In England
One of the first popular historical romances appeared in 1921, when
In the United States
The modern romance genre was born in America 1972 with
The success of these novels prompted a new style of writing romance, concentrating primarily on historical fiction tracking the monogamous relationship between a helpless heroines and the hero who rescued her, even if he had been the one to place her in danger.
In this new style of historical romance, heroines were independent and strong-willed and were often paired with heroes who evolved into caring and compassionate men who truly admired the women they loved.
In the late 1980s, historical romance dominated the romance genre. The most popular of the historical romances were those that featured warriors, knights, pirates, and cowboys.[23] In the 1990s the genre began to focus more on humor, as Julie Garwood began introducing humorous elements and characters into her historical romances.[23]
Market
Historical romance novels are rarely published in hardcover, with fewer than 15 receiving that status each year. The contemporary market usually sees 4 to 5 times that many hardcovers. Because historical romances are primarily published in mass-market format, their fortunes are tied to a certain extent to the mass-market trends. Booksellers and large merchandisers are selling fewer mass market paperbacks, preferring trade paperbacks or hardcovers, which prevent historical romances from being sold in some price clubs and other mass merchandise outlets.[24]
In 2001, historical romance reached a 10-year high as 778 were published. By 2004, that number had dropped to 486, which was still 20% of all romance novels published.
Footnotes
- ISBN 1-84413421-0.
- ^ a b c d e f g h i j k l m "Historical Designations: Genres, Time Periods & Locations". Likes books. All About Romance. Retrieved July 19, 2007.[dead link]
- ^ a b c Ryan, Kate (October 1997). "Vikings". Romantic Times. Archived from the original on September 7, 2007. Retrieved July 20, 2007.
- ^ Benninger, Gerry (July 1999). "Themes: Medieval Knights". Romantic Times. Archived from the original on August 6, 2007. Retrieved July 20, 2007.
- ^ a b Ryan, Kate (January 1998). "Themes: Pirates". Romantic Times. Archived from the original on August 7, 2007. Retrieved July 20, 2007.
- ISBN 0-8122-3303-4.
- ^ a b Martin, Constance (September 1999). "Themes: Frontier". Romantic Times. Retrieved July 20, 2007. [dead link]
- ^ a b c d Martin, Constance (November 1999). "Themes: Native Americans". Romantic Times. Archived from the original on August 4, 2007. Retrieved July 20, 2007.
- ^ a b c Kitzmiller, Chelley (November 3, 1997). "Write Byte: The Allure of the Native American Romance". All About Romance. Retrieved August 28, 2007.
{{cite journal}}
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(help) - ^ Regis (2003), pp. 125–26.
- ^ Regis (2003), p. 127.
- ^ a b c Athitakis, Mark (July 25, 2001). "A Romance Glossary". SF Weekly. Retrieved April 23, 2007.
- ^ Zaitchik, Alexander (July 22, 2003). "The Romance Writers of America convention is just super". New York Press. Retrieved April 30, 2007.
- ^ a b Thurston, pp 47–48.
- ^ a b Darrach, Brad (January 17, 1977). "Rosemary's Babies". Time. Retrieved July 17, 2007.
- ^ Marble, Anne (May 15, 2003), "Bodice-Rippers & Super Couples", At the Back Fence, no. 160, All About Romance Novels, retrieved April 30, 2007
- ^ White, Pamela (August 15, 2002). "Romancing Society". Boulder Weekly. Retrieved April 23, 2007.
- ^ Thurston, p 67.
- ^ Thurston, p 72.
- ^ Grossman, Lev (February 3, 2003). "Rewriting the Romance" (PDF). Time. Retrieved April 3, 2007.
- ^ Crusie, Jennifer (1998). "This Is Not Your Mother's Cinderella: The Romance Novel as Feminist Fairy Tale". In Kaler, Anne; Johnson-Kurek, Rosemary (eds.). Romantic Conventions. Bowling Green Press. pp. 51–61.
- ^ Thurston, p 75.
- ^ a b Wiggs, Susan (May 25, 2003). "And Now (as usual), Something New". All About Romance Novels. Retrieved July 25, 2007.
- ^ a b Dyer, Lucinda (June 13, 2005). "Romance: In Its Own Time". Publishers Weekly. Archived from the original on 2007-11-13. Retrieved April 30, 2007.
- ^ "Romance Writers of America's 2005 Market Research Study on Romance Readers" (PDF). Romance Writers of America. 2005. Retrieved April 16, 2007.
References
- Regis, Pamela (2003). A Natural History of the Romance Novel. Philadelphia, ISBN 0-8122-3303-4.
- Thurston, Carol (1987). The Romance Revolution. Urbana and Chicago: University of Illinois Press. ISBN 0-252-01442-1.