Horace Liveright

Source: Wikipedia, the free encyclopedia.

Horace Brisbin Liveright (pronounced "LIVE-right," anglicized by Horace's father from the German Liebrecht;

Béla Lugosi and Edward Van Sloan
in the roles they would make famous in the 1931 film by the same name.

Life and career

Liveright was born into a Jewish family in 1884, in Osceola Mills, Pennsylvania. He initially followed the career of a bond salesman. He married Lucille Elsas, the daughter of Herman Elsas the owner of a paper company merged into International Paper of which he was subsequently an officer and director. The marriage took place in April 1911, and Liveright used his father-in-law's financial backing to embark on a publishing career.[3]

The Liverights had two children, Herman and Lucy. Lucille divorced Liveright on grounds of misconduct in 1928, alleging "misconduct with an actress in an inn near Croton-on-Hudson."[4]

In December 1931 he married the actress Elise Bartlett (who had appeared in Show Boat and had divorced actor Joseph Schildkraut in 1930); she filed for divorce four months later.[5]

Publishing career

In 1917 Liveright founded the

New York with business partner Albert Boni. Modern Library was formed as a reprinting line, publishing inexpensive books from European modernists, while Boni & Liveright published the work of contemporary Americans.[6][7] Liveright published work by T. S. Eliot (The Waste Land), Charles Fort (The Book of the Damned), Theodore Dreiser (An American Tragedy), and Bertrand Russell (Marriage and Morals). The company also published the first books by Ernest Hemingway, William Faulkner, Hart Crane, Dorothy Parker, and S. J. Perelman.[3]

Liveright believed that books could be marketed similarly to other media and was among the first to aggressively sell novels.

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Despite their successes, Liveright and Boni's relationship broke down and the pair chose to part ways. It is reported that they flipped a coin to decide who would buy the other out, and Liveright gained control. In 1923, Liveright's alcoholism started to take its toll. Throwing frequent, lavish parties, he would over-indulge many nights per week.[7]

Stage production

Liveright started his stage production career in 1924. His initial choices of plays were not successful, and he had to use an increasing amount of money from his publishing company. His faltering financial status meant that he had to sell the Modern Library to then-vice-president Bennett Cerf in 1925.[6] Liveright started to put money from the publishing company into Broadway productions but soon found that the erratic success of the Boni & Liveright publishers was not a secure income; the Modern Library had been the backbone of his finances. In 1928 he lost control of Boni & Liveright and was pushed out entirely by 1930.[7]

Liveright achieved success in theatre. His production of

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]

Death

Liveright died of pneumonia on September 24, 1933, aged forty-nine. Years of alcoholism and his business failures likely contributed to his death. Six people were said to have attended his funeral.

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Portrayal and biography

References

  1. ^ "BOOK REVIEW: 'Supreme City': Wonderfully Readable Account of Contributions Manhattan Made to U.S. Architecture, Engineering, Culture". 25 August 2014.
  2. ^ Dardis, Tom. Firebrand: The Life of Horace Liveright. Random House, 1995.
  3. ^ a b c d Teachout, Terry. "Huckster and Publisher", The New York Times, 16 July 1995, Accessed 14 June 2007
  4. ^ "To Open Liveright Suit", The New York Times, May 11, 1928. p. 20
  5. ^ "Horace Liveright Dies of Pneumonia", New York Times, September 25, 1933. p. 15
  6. ^ a b Modern Library. "About Modern Library". Accessed 14 June 2007.
  7. ^ a b c d Columbia University Libraries. 2006. "Notable New Yorkers: Bennett Cerf" (interview transcript, session 2, page 98). Accessed 14 June 2007.
  8. ^
    better source needed] Archived May 30, 2007, at the Wayback Machine

External links