Horrible Bosses

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Horrible Bosses
Theatrical release poster
Directed bySeth Gordon
Screenplay by
Story byMichael Markowitz
Produced by
Starring
CinematographyDavid Hennings
Edited byPeter Teschner
Music byChristopher Lennertz
Production
companies
Distributed byWarner Bros. Pictures
Release dates
  • June 30, 2011 (2011-06-30) (
    Grauman's Chinese Theatre
    )
  • July 8, 2011 (2011-07-08) (United States)
Running time
98 minutes[1]
CountryUnited States
LanguageEnglish
Budget$35–37 million[2][3]
Box office$209.6 million[4]

Horrible Bosses is a 2011 American

black comedy film directed by Seth Gordon, written by Michael Markowitz, John Francis Daley, and Jonathan Goldstein, from a story by Markowitz. It stars Jason Bateman, Charlie Day, and Jason Sudeikis, alongside Jennifer Aniston, Colin Farrell, Kevin Spacey, and Jamie Foxx
in their supporting roles. The plot follows three friends, played by Bateman, Day, and Sudeikis, who decide to murder their respective overbearing, abusive bosses, portrayed by Spacey, Aniston, and Farrell.

Markowitz's script was bought by New Line Cinema in 2005 and the film spent six years in various states of pre-production, with a variety of actors attached to different roles. By 2010, Goldstein and Daley had rewritten the script, and the film finally went into production.

The film premiered in Los Angeles on June 30, 2011, and was released on July 8, 2011. The film exceeded financial expectations, accruing over $28 million in the first three days, making it the number two film in the United States during its opening weekend. The film grossed over $209 million worldwide by the end of its theatrical run.

The film received positive reviews, with critics praising the ensemble cast, and each lead being singled out for their performances across reviews. Some reviewers gave praise to the premise and plot, while others commented on the quality of the joke-writing.[5][6] A sequel, Horrible Bosses 2, was released on November 26, 2014.

Plot

Nick Hendricks, Dale Arbus and Kurt Buckman are friends working in

sexually harassed by his boss, Dr. Julia Harris, who threatens to tell his fiancée Stacy that he had sex with her unless he actually has sex with her; Kurt had previously enjoyed working for Jack Pellit at a chemical company, but after Jack unexpectedly died of a heart attack, the company had been taken over by Jack's arrogant, cocaine
-addicted son Bobby, whose apathy and incompetence threaten the future of the company.

At night, over drinks, Kurt jokingly suggests that their lives would be happier if their bosses were no longer around. Initially hesitant, they eventually agree to kill their employers. In search of a

hitman
, the trio meet Dean "Motherfucker" Jones, an ex-con who agrees to be their "murder consultant." Jones suggests that they kill each other's bosses to hide their motives, while making the deaths look like accidents.

The trio reconnoiter Bobby's house, and Kurt steals his phone. They next go to Harken's house, where Kurt and Nick go inside while Dale waits in the car as a lookout. Harken returns home and confronts Dale for littering, but then has an allergy attack from the peanut butter on the litter. Dale saves Harken by stabbing him with an

EpiPen
. Nick and Kurt think Dale is stabbing Harken to death and flee, with Kurt accidentally dropping Bobby's phone in Harken's bedroom. The next night, Kurt watches Julia's home, but she seduces and has sex with him. Nick and Dale wait outside Bobby's and Harken's houses, respectively, to commit the murders. Harken discovers Bobby's phone in his bedroom and uses it to find his address, suspecting his wife Rhonda is having an affair. He drives over and kills Bobby, while Nick secretly witnesses the murder.

Nick flees at high speed, setting off a traffic camera. The trio meet to discuss their reservations about continuing with their plan. They are questioned by the police, who believe the camera footage makes them suspects in Bobby's murder. Lacking evidence, the police are forced to let the trio go free. The trio consult with Jones again, but learn that he never actually killed anyone, having been imprisoned for bootlegging a film. Jones suggests that they get Harken to confess and secretly tape it. The three accidentally crash Harken's surprise birthday party, where Nick and Dale get Harken to confess to the murder before realizing that Kurt, who has the audio recorder, is elsewhere having sex with Rhonda. Harken threatens to kill all three for attempting to blackmail him. They flee in Kurt’s car, but Harken gives chase and repeatedly rams them.

Believing they have committed a crime, the car is remotely disabled by its navigation-system operator, allowing Harken to catch and hold them at gunpoint. Harken shoots himself in the leg as he boasts about his plan to frame them for murdering Bobby and attempting to kill him to get rid of the witness. The police initially arrest Nick, Dale and Kurt, but the navigation-system operator, Gregory, reveals that it is his company's policy to record all conversations for quality assurance. Gregory plays the tape that has Harken confessing to Bobby's murder. Harken is sentenced to 25 years to life in prison, while the friends get their charges waived. Nick is promoted to president of the company with a raise under a friendly but psychotic CEO; Kurt remains in his position under a promoted co-worker; Dale, with the help of Jones, blackmails Julia into ending her harassment.

Cast

Top to bottom: Aniston, Farrell and Spacey, who portray the titular bosses.
An executive at a financial firm who is manipulated into jumping through hoops in order to get a promotion that his boss never intended to give him.[7] Markowitz wrote the role specifically for Bateman.[8]
A dental assistant who is sexually harassed by his boss.[7] Described as a "hopeless romantic" in love with his fiancée.[9] Day was considered for the role following his co-starring performance with Sudeikis in the 2010 film Going the Distance, a performance which Reuters reported that industry insiders believed overshadowed the main stars.[10]
An account manager at a chemical company dealing with a new, drug-addicted boss after his beloved former boss dies.[12] Sudeikis was cast in May 2010.[13]
Markowitz based the character on a former boss, claiming she was "very sexually aggressive with everybody". When writing the script, Markowitz intended for the role to go to Aniston.[8] He stated the character "looked more like Cruella de Vil. It was like flirting with a cobweb."[7] Aniston wore a brown wig for the role, wanting to look different from other characters she had played.[14]
Described as a "weaselly scion"[15] and a "corrupt and incompetent jerk who's in charge of things but clearly has no idea what he's doing."[7][9][16] Farrell explained the motivation he gave to the character, stating "This guy thinks he's God's gift to women, God's gift to intellect, to humor, to the club scene, to everything [...] With Pellit, Seth gave me complete license to act as pathologically screwed up as possible." Farrell contributed significantly to the appearance of his character, suggesting the comb over hairstyle, pot-belly and an affinity for Chinese dragons.[9]
President of Comnidyne Industries.[9] Gordon commented that the character was an amalgamation of several real bosses (rather than one single person) to avoid being sued.[7]
The character had the more "colorful"
retro clothing style. Foxx described the appearance as "a guy who maybe went to jail for a minute and now he's living in his own time capsule. When he got out he went right back to the clothes he thought were hot when he went in."[9]

On July 27, 2010,

Meghan Markle has a role in the film as a FedEx girl.[22] Brian George voices navigation-system operator Gregory, whose real name, Atmanand, the trio have difficulty pronouncing. Chad Coleman
appears as a bar owner.

Production

Development

Markowitz's script for Horrible Bosses was sold at auction to New Line Cinema by Brett Ratner's production company Rat Entertainment in 2005 for a six-figure amount.[23][24] Ratner initially was interested in directing, but became occupied with directing the comedy Tower Heist.[23] Frank Oz and David Dobkin were in talks to direct.[25] Jonathan Goldstein and John Francis Daley rewrote the script in 2010, and the project went into production with Seth Gordon directing.

Casting

During the six-year development of the film, several actors were in negotiations to star, including Owen Wilson, Vince Vaughn, Matthew McConaughey, Ryan Reynolds, Dax Shepard, and Johnny Knoxville.[23][10] Tom Cruise, Philip Seymour Hoffman, and Jeff Bridges had been approached by New Line Cinema to take the role of David Harken, described as a psychopathic master manipulator with an attractive wife. Spacey signed up for the role in June 2010.[26] Ashton Kutcher was in talks to play Dale Arbus at two different points in the lengthy production, before the role ultimately went to Charlie Day.[23]

Design

"It's like we have a team of three people playing against an opposing team of three, with the Jamie Foxx character as referee. We wanted to distinguish these three environments and play the two sides off each other. Each environment is a reflection of the person who controls it."

– Production designer Shepherd Frankel on the approach to set design.[9]

Production designer Shepherd Frankel specifically set out to create distinctly different environments for the three employees and their respective bosses' homes and offices. Nick and Harken's workplace is the "Comnidyne" bullpen, which was designed to "enhance the discomfort and anxiety of lower-level employees clustered in the center of the room where every movement is monitored by the boss from his corner office." The design team met with financial strategists and management companies to learn about the architecture of their office layouts to visually represent the experience of starting from a low-ranking position in a cubicle and aspiring to an office. Costume designer Carol Ramsey worked with Frankel and set decorator Jan Pascale to match Harken's suit to that of the surrounding "cold grey and blue" color palette of his office. Harken's home was described as "equally lacking in warmth" as the office but more lavishly decorated and "for show", including an intentionally oversized portrait of him with his "trophy wife".[9]

Designing Julia's office was described as a "challenge", infusing a "sensual vibe" into a dental office. Frankel approached the design through Julia's mentality, stating, "She's a Type A professional at the top of her game, who likes to play cat-and-mouse, so it's a completely controlled environment, with apertures and views into other rooms so she always knows what's going on". "It's highly designed, with rich wallpaper and tones, sumptuous artwork and subtle lighting—all very disarming till you step into her private office. The blinds close, the door locks and you think, 'It's the Temple of Doom.'" Similarly approaching the character's home, the design allowed for wide windows which face onto a public street "which afford her the opportunity to put on the kind of show she couldn't get away with at work."[9]

Bobby's environments were designed with more contrast, the character being new to the work area. Frankel described the contrast as "the company reflects [Jack Pellitt's] human touch, whereas [Bobby Pellitt's] home is a shameless shrine to himself and his hedonistic appetites." Frankel continued, "It features a mishmash of anything he finds exotic and erotic, mostly Egyptian and Asian motifs with an '80s Studio 54 vibe, a makeshift dojo, lots of mirrors and a massage table." Some parts of the house design were provided by Farrell and Gordon's interpretation of the character and his "infatuation" with martial arts and "his delusions of prowess".[9]

Filming

Filming of Horrible Bosses took place in and around

T.G.I. Friday's in Woodland Hills, Los Angeles, was used as a bar frequented by Nick, Dale, and Kurt, while the bar scene where they meet with Jones was staged in downtown Los Angeles.[9]

The film was shot

Panavision Genesis camera.[28] Gordon encouraged the actors to improvise, though Aniston claimed to not have taken advantage of the offer as much as her co-stars, stating, "My dialogue was just so beautifully choreographed that there wasn’t much that I needed to do".[29]

Music

Main article: Horrible Bosses (soundtrack)

The soundtrack was composed by award-winning composer Christopher Lennertz, with music contributed by Mike McCready of Pearl Jam, Stefan Lessard of Dave Matthews Band and Money Mark—a collaborator with the Beastie Boys.[19] McCready, Lessard, and Mark worked with musicians Matt Chamberlain, David Levita, Aaron Kaplan, Victor Indrizzo, Chris Chaney, Davey Chegwidden and DJ Cheapshot[30] to develop the music.[19] Major contributions were provided by Mark on keyboard, McCready and Levita on guitar, Chaney and Lessard on bass, Indrizzo on drums and DJ Cheapshot on turntables.

Horrible Bosses: The Original Motion Picture Soundtrack was released in physical and digital formats on July 5, 2011, by WaterTower Music.[31][32] The soundtrack consists of 33 tracks with a runtime of 63 minutes.[31][32]

Release

Jason Sudeikis, Charlie Day, and Jason Bateman at the Sydney premiere in August 2011

The

world premiere of Horrible Bosses took place on June 30, 2011, at Grauman's Chinese Theatre in Hollywood, California.[33]

Box office

Horrible Bosses grossed $117.5 million (56.1%) in North America and $92.2 million (43.9%) in other territories for a worldwide gross of $209.6 million, against its budget of $35 million.[4]

North America

Horrible Bosses was released on July 8, 2011, in the United States and Canada across 3,040 theaters.[4] It grossed $9.9 million on the first day, giving it the second largest opening gross for an original R-rated comedy of the summer, behind Bad Teacher ($12.2 million).[34] For the opening weekend, the film took in a total of $28,302,165, an average of $9,310 per theater,[4] making it the number two film for the weekend, behind Transformers: Dark of the Moon ($47.1 million),[35] the second highest-grossing opening weekend for an original R-rated comedy, again behind Bad Teacher ($31.6 million), and the highest-grossing opening weekend ever for a dark/black comedy film, overtaking the 2004 The Stepford Wives ($21.4 million).[35] The opening weekend audience was 51% male, and 64% of the audience were over 25 years of age.[35] The second weekend (15–17 July) saw a further 94 theaters added, for a total of 3,134.[36] Box office revenue dropped by a "respectable" 38%, taking $17.6 million for a total gross of $60 million in ten days. The film ranked third for the weekend.[37] It remained in the top five films during its third week, dropping 33% and leaving thirty theaters[36] from the previous weekend, to take in $11.9 million for a gross of $82.6 million in 17 days.[38] On July 28, 2011, with $87.6 million after 20 days, Horrible Bosses surpassed The War of the Roses ($86.8 million) to become the highest grossing dark/black comedy film in unadjusted dollars.[39]

Other territories

Horrible Bosses was released on July 7, 2011, in the United Arab Emirates ($258,108), and on July 8 in Estonia ($24,471), Latvia ($15,750), Lebanon ($36,316) and Lithuania ($13,676), grossing $348,321 for the opening weekend[40] and accruing a total of $855,009 in the first 17 days.[41] On the weekend of July 21–24, the film opened in the United Kingdom ($3,386,876), Greece ($367,845), Israel ($200,372), South Africa ($193,632), Norway ($109,252) and East Africa ($7,324).[41]

Reception

Charlie Day was singled out for praise by several critics for his performance.

Horrible Bosses received generally positive reviews from critics. On Rotten Tomatoes, the film holds an approval rating of 69% based on 220 reviews, with an average rating of 6.2/10. The website's critical consensus reads, "It's nasty, uneven, and far from original, but thanks to a smartly assembled cast that makes the most of a solid premise, Horrible Bosses works."[42] Review aggregate Metacritic gave the film a score of 57 out of 100, based on 40 critics, indicating "mixed or average reviews".[43] On CinemaScore, audiences gave the film an average grade of "B+" on an A+ to F scale.[44] Male audience members gave the film an "A−" compared to females giving it an average rating of "B+".[45]

ComingSoon.net credited director Seth Gordon with having assembled "the perfect cast", claiming "the six leads kill in every scene", but echoed Nathan Rabin's sentiments that Day is the "real standout". Douglas summarized the picture as "dark fun that works better than expected due to a well-developed script, an impeccable cast and a director who knows how to put the two together".[49] A. O. Scott of The New York Times stated "the timing of the cast...is impeccable" and appreciated that the script did not attempt "to cut its coarseness with a hypocritical dose of sweetness or respectability". The review concluded that "in the ways that count and even when it shouldn’t, Horrible Bosses works."[50]

USA Today's Scott Bowles awarded the film three out of four stars, labeling it a "surprising comedy that rivals Bridesmaids as the funniest film of the summer, if not the year." Bowles added that "the characters are so likable", giving particular credit to Sudeikis though also adding praise for the performances of Bateman and Day. The dialogue was also lauded by Bowles, which commented that "Seth Gordon has a deft touch with water-cooler talk—even when the water cooler might be spiked with poison."[51] Leonard Maltin of indieWire considered Day to have had the "breakout role" and offered praise to the performances of the cast, but lamented the lack of screen time for Farrell's character. Maltin concluded "the movie has just enough raunchiness to identify it as a 2011 comedy, just enough cleverness to admire, and just the right camaraderie among its three male stars, which turns out to be the movie’s greatest strength."[52] Rolling Stone's Peter Travers gave kudos to the "killer cast", with specific credit given to Bateman and Day, but was critical of the movie, stating "it wussies out on a sharp premise" and that it is a "hit-and-miss farce that leaves you wishing it was funnier than it is"[53] The Guardian's Philip French called Horrible Bosses "a lumbering, misogynistic affair", but admitted "I laughed frequently, probably to the detriment of my self-respect."[54] Nicholas Barber of The Independent gave a positive review, complimenting Gordon for not allowing the actors' improvisation to be detrimental to the pacing, but felt the movie was not as "dark" as its premise required, saying "what edginess the film does have comes instead from the inordinate quantity of swearing, plus a smattering of homophobia and misogyny."[6]

Salon's Andrew O'Hehir offered a mixed response, characterizing the film as a "lot funnier in theory than in practice, but it won't ruin your Saturday night". Salon appreciated the "effortless comic chemistry" between Sudeikis, Bateman and Day and singled out Bateman, Aniston and Spacey for their performances. O'Hehir was however critical of the perceived homophobia, sexism and racism.[5] The Hollywood Reporter's Kirk Honeycutt responded negatively, stating the jokes failed to be funny, stating "Seth Gordon shows no flair for turning the absurdities and cartoonish characters in the script...into anything more than a collection of moments in search of laughs."[55] Karina Longworth of The Village Voice was critical of the premise, which she felt lacked any legitimate "rage" against the characters' bosses, stating "...there's every sign that, even without these particular emasculators, Dale, Kurt and Nick would still be—for lack of a better word—total pussies." Longworth felt that the humor was "rarely actually laugh-out-loud funny, and never truly dark or daring". She particularly criticized the all-white, male protagonists and a plot she deemed racist and filled with "stereotypes".[56] Justin Chang of Variety praised the performance of the ensemble cast, but considered the plot to be "predictably moronic, vulgar and juvenile". Chang echoed the sentiments of The Village Voice in lamenting that the film failed to pursue the premise to "darker, more daring territory" and faulted it for falling back on "over-the-top comic exaggeration".[57]

Accolades

The film received several award nominations, including a

MTV Movie Awards, with Aniston claiming the award. Farrell also received a nomination for Best On-Screen Transformation.[60]

List of awards and nominations
Year Award / Film Festival Category Recipient(s) and nominee(s) Result Ref.
2011
Critic's Choice Awards
 Best Comedy Film Horrible Bosses Nominated [61]
Satellite Awards Best Supporting Actor - Motion Picture Colin Farrell Nominated [58]
Teen Choice Awards Choice Summer Movie Horrible Bosses Nominated [62]
2012 Artios Awards Outstanding Achievement in Casting - Big Budget Comedy Feature Horrible Bosses - Lisa Beach and Sarah Katzman Nominated [63]
BMI Film & TV Awards Film Music Award Christopher Lennertz Won [64]
Golden Trailer Awards Best Comedy TV Spot Horrible Bosses, Warner Bros., Seismic Productions Nominated [65]
MTV Movie Awards
 Best On-Screen Dirt Bag Colin Farrell Nominated [66]
[60]
Best On-Screen Dirt Bag Jennifer Aniston Won
Best On-Screen Transformation Colin Farrell Nominated
The Comedy Awards Comedy Actor - Film Jason Bateman Nominated [59]
Comedy Actress - Film Jennifer Aniston Nominated
Comedy Film Horrible Bosses Nominated

Home media

On July 26, 2011, FX obtained the rights to the network premiere of the film.[67]

Horrible Bosses was released on

The Lion King.[69] As of November 2012, it has sold an estimated 1.3 million units and earned $18.3 million.[70]

The DVD contains the theatrical cut of the film and

UltraViolet, a cloud storage service which allows streaming or downloading to a variety of devices.[73]

Sequel

Main article: Horrible Bosses 2

Seth Gordon confirmed in July 2011 that talks were underway for a sequel, after the financial success of the film in the United States, saying: "Yeah, we've definitely discussed it. It's done well in the States, the film has, so that's becoming a more concerted effort now, we're trying to figure out what the sequel could be."[74] On January 4, 2012, it was confirmed that a sequel was moving forward, and that Goldstein and Daley would be returning to write the script. New Line was reported to be negotiating with Gordon to return as director, with Bateman, Day, and Sudeikis also expected to return to their roles.[75] On February 27, 2012, it was confirmed that Goldstein and Daley were in the process of writing the new script.[76] In March 2013, Goldstein and Daley confirmed that they had submitted multiple draft scripts for the sequel, and that production had moved towards finalizing the budget.[77] Later in the same month Bateman, Day, and Sudeikis were confirmed to be reprising their roles, with Foxx negotiating to return. The film was again produced by Brett Ratner and Jay Stern. In August 2013, it was announced that Gordon would not be returning to direct because of scheduling conflicts and that the studio was actively searching for a replacement.[78][79] In September 2013, Sean Anders was announced as Gordon's replacement, with John Morris joining the production as a producer. The pair had previously performed a rewrite on Goldstein's and Daley's sequel script.[80] Filming had been scheduled to begin in summer 2013, but began in November 2013.[78][81] Foxx, Aniston, and Spacey reprised their roles, with Christoph Waltz and Chris Pine joining the cast.[82] Horrible Bosses 2 was released on November 26, 2014.

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External links

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