Human interactions with insects
Human interactions with insects include both a wide variety of uses, whether practical such as for food, textiles, and dyestuffs, or symbolic, as in art, music, and literature, and negative interactions including damage to crops and extensive efforts to control insect pests.
Academically, the interaction of insects and society has been treated in part as cultural entomology, dealing mostly with "advanced" societies, and in part as ethnoentomology, dealing mostly with "primitive" societies, though the distinction is weak and not based on theory. Both academic disciplines explore the parallels, connections and influence of
More generally, people make a wide range of uses of insects, both practical and symbolic. On the other hand, attitudes to insects are often negative, and extensive efforts are made to kill them. The widespread use of
Practical uses include
Symbolic uses include roles in art, in music (with many songs featuring insects), in film, in literature, in religion, and in mythology. Insect costumes are used in theatrical productions and worn for parties and carnivals.
Context
Culture
This article describes the roles played by insects in human culture so defined.Cultural entomology and ethnoentomology
Ethnoentomology developed from the 19th century with early works by authors such as
In 1968,
Darrell Addison Posey, noting that the boundary between cultural entomology and ethnoentomology is difficult to draw, cites Hogue as limiting cultural entomology to the influence of insects on "the essence of humanity as expressed in the arts and humanities". Posey notes further that cultural anthropology is usually restricted to the study of "advanced", industrialised, and literate societies, whereas ethnoentomology studies "the entomological concerns of 'primitive' or 'noncivilized' societies". Posey states at once that the division is artificial, complete with an unjustified us/them bias.
Benefits and costs
Insect ecosystem services
The
Pests and propaganda
Human attitudes toward insects are often negative, reinforced by
During the
Practical uses
As food
Insects used in food include honey bee larvae and pupae,[24][25] mopani worms,[26] silkworms,[27] Maguey worms,[28] Witchetty grubs,[29] crickets,[30] grasshoppers[31] and locusts.[32] In Thailand, there are 20,000 farmers rearing crickets, producing some 7,500 tons per year.[33]
In medicine
Insects have been used medicinally in cultures around the world, often according to the
The rise of
Maggot therapy uses blowfly larvae to perform wound-cleaning debridement.[41]
Cantharidin, the blister-causing oil found in several families of beetles described by the vague common name Spanish fly has been used as an aphrodisiac in some societies.[39]
Blood-feeding insects like
In science and technology
Insects play an important role in biological research. Because of its small size, short generation time and high
Some hemipterans are used to produce
A similarly enormous number of lac bugs are needed to make a kilogram of shellac, a brush-on colourant and wood finish.[50] Additional uses of this traditional product include the waxing of citrus fruits to extend their shelf-life, and the coating of pills to moisture-proof them, provide slow-release or mask the taste of bitter ingredients.[51]
Insect
In textiles
Silkworms, the caterpillars and pupae of the moth
In warfare
The use of
Symbolic uses
In mythology and folklore
Insects have appeared in mythology around the world from ancient times. Among the insect groups featuring in myths are the
In an ancient
Amongst the
Insects feature in folklore around the world. In China, farmers traditionally regulated their crop planting according to the Awakening of the Insects, when temperature shifts and monsoon rains bring insects out of hibernation. Most "awakening" customs are related to eating snacks like pancakes, parched beans, pears, and fried corn, symbolizing harmful insects in the field.[73]
In the Great Lakes region of the United States, there is an annual Woollybear Festival that has been celebrated for over 40 years. The larvae of the species Pyrrharctia isabella (commonly known as the isabella tiger moth), with their 13 distinct segments of black and reddish brown, have the reputation in common folklore of being able to forecast the coming winter weather.[74]
There is a common misconception that
Among the deep-sea fishermen of Greenock in Scotland, there is a belief that if a fly falls into a glass from which a person has been drinking, or is about to drink, it is a sure omen of good luck to the drinker.[78]
Many people believe the urban myth that the daddy longlegs (Opiliones) has the most poisonous bite in the spider world, but that the fangs are too small to penetrate human skin. This is untrue on several counts. None of the known species of harvestmen have venom glands; their chelicerae are not hollowed fangs but grasping claws that are typically very small and definitely not strong enough to break human skin.[79][80]
In Japan, the emergence of fireflies and rhinoceros beetles signify the anticipated changing of the seasons.[81]
In religion
In the Brazilian
The red harvester ant Pogonomyrmex californicus has been widely used by natives of Southern California and Northern Mexico for hundreds of years in ceremonies conducted to help tribe members acquire spirit helpers through hallucination. During the ritual, young men are sent away from the tribe and consume large quantities of live, unmasticated ants under the supervision of an elderly member of the tribe. Ingestion of ants should lead to a prolonged state of unconsciousness, where dream helpers appear and serve as allies to the dreamer for the rest of his life.[83]
In art
Both the symbolic form and the actual body of insects have been used to adorn humans in ancient and modern times. A recurrent theme for ancient cultures in Europe and the Near East regarded the sacred image of a bee or human with insect features. Often referred to as the bee "goddess", these images were found in gems and stones. An onyx gem from Knossos (ancient Crete) dating to approximately 1500 BC illustrates a Bee goddess with bull horns above her head. In this instance, the figure is surrounded by dogs with wings, most likely representing Hecate and Artemis – gods of the underworld, similar to the Egyptian gods Akeu and Anubis.[84]
Beetlewing art is an ancient craft technique using iridescent beetle wings practiced traditionally in Thailand, Myanmar, India, China and Japan. Beetlewing pieces are used as an adornment to paintings, textiles and jewelry. Different species of metallic wood-boring beetle wings were used depending on the region, but traditionally the most valued were those from beetles belonging to the genus Sternocera. The practice comes from across Asia and Southeast Asia, especially Thailand, Myanmar, Japan, India and China. In Thailand beetlewings were preferred to decorate clothing (shawls and Sabai cloth) and jewellery in former court circles.[85]
The Canadian entomologist Charles Howard Curran's 1945 book, Insects of the Pacific World, noted women from India and Sri Lanka, who kept 1+1⁄2 inch (38 mm) long, iridescent greenish coppery beetles of the species Chrysochroa ocellata as pets. These living jewels were worn on festive occasions, probably with a small chain attached to one leg anchored to the clothing to prevent escape. Afterwards, the insects were bathed, fed, and housed in decorative cages. Living jewelled beetles have also been worn and kept as pets in Mexico.[86]
I discovered in nature the nonutilitarian delights that I sought in art. Both were a form of magic, both were games of intricate enchantment and deception.[87]
It was the aesthetic complexity of insects that led Nabokov to reject natural selection.[88][89]
The naturalist Ian MacRae writes of butterflies:
the animal is at once awkward, flimsy, strange, bouncy in flight, yet beautiful and immensely sympathetic; it is painfully transient, albeit capable of extreme migrations and transformations. Images and phrases such as "kaleidoscopic instabilities," "oxymoron of similarities," "rebellious rainbows," "visible darkness" and "souls of stone" have much in common. They bring together the two terms of a conceptual contradiction, thereby facilitating the mixing of what should be discrete and mutually exclusive categories ... In positing such questions, butterfly science, an inexhaustible, complex, and finely nuanced field, becomes not unlike the human imagination, or the field of literature itself. In the natural history of the animal, we begin to sense its literary and artistic possibilities.[90]
The photographer
In 2011, the artist Anna Collette created over 10,000 individual ceramic insects at Nottingham Castle, "Stirring the Swarm". Reviews of the exhibit offered a compelling narrative for cultural entomology: "the unexpected use of materials, dark overtones, and the straightforward impact of thousands of tiny multiples within the space. The exhibition was at once both exquisitely beautiful and deeply repulsive, and this strange duality was fascinating."[92][93]
In literature and film
The
The novelist Vladimir Nabokov was the son of a professional lepidopterist, and was interested in butterflies himself.[99] He wrote his novel Lolita while travelling on his annual butterfly-collection trips in the western United States.[100] He eventually became a leading lepidopterist. This is reflected in his fiction, where for example The Gift devotes two whole chapters (of five) to the tale of a father and son on a butterfly expedition.[101]
Horror films involving insects, sometimes called "big bug movies", include the pioneering 1954 Them!, featuring giant ants mutated by radiation, and the 1957 The Deadly Mantis.[102][103][104]
In music
Some popular and influential pieces of music have had insects as their subjects. The French Renaissance composer Josquin des Prez wrote a frottola entitled El Grillo (lit. 'The Cricket'). It is among the most frequently sung of his works.[107] Nikolai Rimsky-Korsakov wrote the "Flight of the Bumblebee" in 1899–1900 as part of his opera The Tale of Tsar Saltan. The piece is one of the most recognizable pieces in classical composition. The bumblebee in the story is a prince who has been transformed into an insect so that he can fly off to visit his father.[108][109][110] The play upon which the opera was based – written by Alexander Pushkin – originally had two more insect themes: the Flight of the Mosquito and the Flight of the Fly.[111] The Hungarian composer Béla Bartók explained in his diary that he was attempting to depict the desperate attempts to escape of a fly caught in a cobweb in his piece From the Diary of a Fly, for piano (Mikrokosmos Vol. 6/142).[112]
The jazz musician and philosophy professor David Rothenberg plays duets with singing insects including cicadas, crickets, and beetles.[113]
In astronomy and cosmology
In astronomy, constellations named after arthropods include the zodiacal Scorpius, the scorpion,[114][115] and Musca, the fly, also known as Apis, the bee, in the deep southern sky. Musca, the only recognised insect constellation, was named by Petrus Plancius in 1597.[116]
"The Bug Nebula", also called "The Butterfly Nebula", is a more recent discovery. Known as NGC 6302 is one of the brightest and most popular stars in the universe – popular in that its features draw the attention of a lot of researchers. It happens to be located in the Scorpius constellation. It is perfectly bipolar, and until recently, the central star was unobservable, clouded by gas, but estimated to be one of the hottest in the galaxy – 200,000 degrees Fahrenheit, perhaps 35 times hotter than the Sun.[117][118]
The honey bee played a central role in the cosmology of the
In costumes
Bee and other insect costumes are worn in a variety of countries for parties, carnivals and other celebrations.[122][123]
Ovo is an insect-themed production by the world renowned Canadian entertainment company Cirque du Soleil. The show looks at the world of insects and its biodiversity where they go about their daily lives until a mysterious egg appears in their midst, as the insects become awestruck about this iconic object that represents the enigma and cycles of their lives. The costuming was a fusion of arthropod body types blended with superhero armour. Liz Vandal, the lead costume designer, has a special affinity for the world of the insect:[124]
When I was just a kid I put rocks down around the yard near the fruit trees and I lifted them regularly to watch the insects who had taken up residence underneath them. I petted caterpillars and let butterflies into the house. So when I learned that OVO was inspired by insects, I immediately knew that I was in a perfect position to pay tribute to this majestic world with my costumes. All insects are beautiful and perfect; it is what they evoke for each of us that changes our perception of them."[124]
The Webby award-winning video series Green Porno was created to showcase the reproductive habits of insects. Jody Shapiro and Rick Gilbert were responsible for translating the research and concepts that Isabella Rossellini envisioned into the paper and paste costumes which directly contribute to the series' unique visual style. The film series was driven by the creation of costumes to translate scientific research into "something visual and how to make it comical."[125]
See also
- Arthropods in culture
- Birds in culture
- Plants in culture
- Human interactions with insects in southern Africa
- Insects in ethics
- Insect collecting
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Further reading
- Hogue, James N. (2003). "Cultural Entomology". In Vincent H. Resh, Ring T. Cardé (ed.). Encyclopedia of Insects. Academic Press. pp. 273–281. ISBN 0-08-054605-6.
- Marren, Peter; ISBN 978-0-7011-8180-2.
- Meyer-Rochow, V. B.; et al. (2008). "More feared than revered: Insects and their impact on human societies (with specific data on the importance of entomophagy in a Laotian setting)". Entomologie Heute. 20: 3–25.
- Morris, Brian (2006) [2004]. Cultural Entomology. Berg. pp. 181–216. )