Idelle Weber
Idelle Lois Weber (born Tessie Pasternack; March 12, 1932 – March 23, 2020) was an
Early life
Weber was born in
At the age of eight, Weber's family relocated to Southern California in an effort to treat her severe allergies. The museum scene there was not as robust as in Chicago, but she found plenty to support her passion for art. She would ride her bicycle to Frank Perls' gallery for critiques on her own artwork. She was exposed to the work of modern masters Matisse, Rodin, and Degas.[2] Her high school dissertation looked at the seemingly disparate work of Edward Hopper and Jackson Pollock.[4] Receiving a full tuition, she attended Scripps College in Claremont, California. Briefly, Weber attended the Aspen Design Conference, which was deeply influential to her developing artistic style, introducing a graphic and bold aesthetic. She went on to study at UCLA, with William Brice, Frederick S. Wight, and Stanton Macdonald-Wright. She received a BA in 1954 and an MA in 1955. After school she shared a studio with Craig Kauffman and Walter Hopps and the three of them became engaged with images of New York School abstraction.
Career
In 1956, Weber's work Observation of Sound, a charcoal work of the previous year, was selected from 5,000 entries by curator
She attended classes at the
During the early 1960s, Weber's work mainly consisted of silhouette paintings against brightly colored, checkerboard backgrounds. Her preferred subjects were anonymous figures engaged in everyday activities, such as a group of friends playing cards (Hearts, 1964), or business men riding escalators (Munchkins I, II, & III, 1964). Munchkins was the largest work she ever created; it was painted on three canvases butted together. She painted each canvas in a different room in her small apartment.[2] She began making large-scale Plexiglas sculptures in 1965. Jumprope Lady was her first successful attempt at transposing her silhouette paintings into three-dimensions.[5]
In the late 1960s, Weber switched from her early
Weber taught graduate drawing and painting at
While teaching at Harvard in the 1990s, Weber began working in
Acquisition of Munchkin I, II, III
In 2013, the
Selected exhibitions
Solo exhibitions
- 1963, 1964 Bertha Schaefer Gallery, New York, NY.
- 1973, 1975, 1977 Hundred Acres Gallery, New York, NY.
- 1979, 1982 OK Harris Gallery, New York, NY.
- 1984 Siegel Contemporary Art, New York, NY.
- 1985, 1987 Ruth Siegel Ltd. New York, NY
- 1986 Arts Club of Chicago, Chicago, IL.
- 1987 Fendrick Gallery, Washington, DC.
- 1994, 1996, 1998 Schmidt-Bingham Gallery, New York, NY.
- 1994 Colorado State University, Fort Collins, CO.
- 1995 Victorian College of the Arts, Melbourne University, Australia.
- 1998 Bermuda National Gallery, Hamilton, Bermuda.
- 2004 Nassau County Museum of Art, Roslyn Harbor, NY.
- 2013 Hollis Taggart Galleries, New York, NY.
- 2018 Hollis Taggart, New York, NY.
Group exhibitions
- 1956 "Recent Drawings, U.S.A."—Museum of Modern Art, New York, NY.
- 1957 "New Talent"—Art in America and American Federation of Arts. [traveling exhibition]
- 1958 "Group Show"—Brooklyn Museum, Brooklyn, NY.
- 1961 "Modern American Drawings"—Museum of Modern Art, New York, NY. [traveling exhibition]
- 1963 "Pop Goes the Easel"—Contemporary Arts Museum Houston, TX.
- 1963 "Pop Art U.S.A."—Oakland Museum and California College of Arts and Crafts, Oakland, CA.
- 1964 "Contemporary Drawings"—Guggenheim Museum, New York, NY.
- 1964 "The Box Show"—Dwan Gallery, Los Angeles, CA.
- 1965 "The New American Realism"—Worcester Art Museum, Worcester, MA.
- 1965 "Pop Art and the American Tradition"—Milwaukee Art Museum, Milwaukee, WI.
- 1966 "Contemporary American Figure Painters"—Wadsworth Atheneum, Hartford, CT.
- 1967 "International Young Artists Exhibition: U.S.A. - Japan"—Japanese Cultural Forum, Tokyo, Japan.
- 1975 "Twenty-five Stills"—Whitney Museum of American Art. New York, NY.
- 1976 "Painting and Sculpture Today"—Indianapolis Museum of Art, Indianapolis, IN.
- 1978 "Women Artists '78," Women's Caucus for Art, CUNY Graduate Center, New York, NY
- 1980 "American Realism in the Industrial Age"—Cleveland Museum of Art, Cleveland, OH.
- 1990 "Issues in Post-Modernism"—Yale University Art Gallery, New Haven, CT.
- 1992 "Six Takes on Photorealism"—Whitney Museum of American Artat Champion, Stamford, CT.
- 2003 "Challenging Tradition: Women of the Academy, 1826-2003"—National Academy of Design, New York, NY.
- 2008 "Shock of the Real: Photorealism Revisited"—Boca Raton Museum of Art, Boca Raton, FL.
- 2010 "Seductive Subversion: Women Pop Artists, 1958-1968"—University of the Arts, Philadelphia, PA. [traveling exhibition]
- 2018 "Giant Steps: Artists and the 1960s"–Albright-Knox Art Gallery, Buffalo, NY.
Selected public collections
- Albright-Knox Art Gallery, Buffalo, NY
- Arkansas Art Center, Little Rock, AR
- Art Institute of Chicago, Chicago, IL
- Boise Art Museum, Boise, ID
- Brooklyn Museum, Brooklyn, NY
- Chrysler Museum, Norfolk, VA
- Delaware Art Museum, Wilmington, DE
- Des Moines Art Center, Des Moines, IA
- Fogg Art Museum, Harvard University, Cambridge, MA
- Samuel P. Harn Museum of Art, Gainesville, FL (loan)
- Krannert Art Museum, University of Illinois, Champaign, Urbana, IL
- Los Angeles County Museum of Art (LACMA), Los Angeles, CA
- McNay Art Museum, San Antonio, TX
- Melbourne University, Victoria College of the Arts, Melbourne, Australia
- Memorial Art Gallery, University of Rochester, Rochester, NY
- The Metropolitan Museum of Art, New York, NY
- National Academy of Design, New York, NY
- National Museum of American Art, Washington, DC
- Nelson-Atkins Museum of Art, Kansas City, MO
- New York Public Library, New York, NY
- Fine Arts Museums of San Francisco, San Francisco, CA
- Santa Barbara Museum of Art, Santa Barbara, CA
- Santa Fe Art Foundation, Santa Fe, NM
- Tacoma Art Museum, Tacoma, WA
- Virginia Museum of Fine Arts, Richmond, VA
- Whitney Museum of American Art, New York, NY
- Yale University Art Gallery, New Haven, CT
Selected bibliography
Books
- Battcock, Gregory. Super Realism: A Critical Anthology. E.P. Dutton & Company. New York, New York. 1975.
- Lindey, Christine. Surrealist Painting and Sculpture. William Morrow. New York, New York. 1980.
- Meisel, Louis and Helene Zucker Seeman. Photorealism. Harry N. Abrams. New York, New York. 1980.
- Rubenstein, Charlotte S. American Women Artists: From Early Indian Times to Present. G.K. Hall. Chicago, Illinois. 1982.
- Battcock, Gregory, ed. The American Photorealists: An Anthology. Fischer Fine Arts, Ltd. London, United Kingdom, 1983.
- Finch, Christopher. American Watercolors. Abbeville Press. New York, New York, 1986.
- Baur, John I. H. Realism Today: American Drawings from the Rita Rich Collection. National Academy of Design. New York, New York, 1987.
- Ward, John. American Realists Painting 1945-1960. UMI Press. Ann Arbor, Michigan, 1989.
- Ragans, Rosalyn. Art Connections. SRA-McGraw/Hill. Columbus, Ohio, 1997.
- New, Jennifer. Drawing From Life: The Journal as Art. Princeton Architectural Press. New York, New York, 2005.
- Sachs, Sid. "Idelle Weber: The Pop Years". Hollis Taggart Galleries. New York, New York, 2013.
Articles & reviews
- "New Talent in the U.S.A.," Art in America, March 1957.
- "Pop," Das Kunstwerk vol. 17, No.10, 1964.
- "Idelle Weber," New York Herald Tribune, May 30, 1964.
- Dore Ashton. "New York Commentary," Studio International no. 856, April, 1965, p. 168.
- "Idelle Weber," Arts Magazine, September, 1975.
- Linda Chase. "Photorealism: Post Modernist Illusionism," Art International, March/April 1976.
- John Perreault. "Photo Shock," SoHo Weekly News, January 22, 1976.
- Lorraine Gilligan. "Idelle Weber," Womanart no. 1, Fall 1977, p. XX.
- Ellen Lubell. "Idelle Weber," Arts Magazine, September 1977.
- William Zimmer. "Idelle Weber," Arts Magazine, June 1979.
- William Zimmer. "Idelle Weber," Arts Magazine, October 1982, p. 19.
- William Zimmer. "Idelle Weber," Arts Magazine, October 1983, p. 2.
- "Idelle Weber at O.K. Harris," Art in America, February 1983, pp. 132–3.
- Joan Marter. "Idelle Weber" Arts Magazine, November 1985, p. 123.
- John Russell. "Idelle Weber," New York Times, April 20, 1984.
- Paula Span. "Making a Business Out of Art for the Office," The Wall Street Journal, July 11, 1985, p. 22.
- Stephen Westfall. "Idelle Weber," Arts Magazine, March 1986, p. 129.
- Helen Ferrulli. "Pop Went Their Easels: How Industry Transformed the Art of the 60s and 70s," Arts and Entertainment Magazine, June 1991, p. 10.
- Holland Cotter. "Art in Review, An Uncommon Line," New York Times, July 30, 1993, p. C26.
- Valerie Steiker. The New Yorker, March 1994.
- Edith Newhall. ARTnews, Summer 1994.
- Grace Glueck. "Idelle Weber," New York Times, October 18, 1996, p. C1.
- Ann Landi. "Who Hails From Hopper?" ARTnews, April 1998.
- Helen A. Harrison. "Head Room," New York Times, June 21, 2004.
- Holland Cotter. "Idelle Weber: The Pop Years", The New York Times, April 18, 2013.
- Doug McClemont. "Idelle Weber", Artnews, September 2013, p. 98.
References
- ^ a b c Steinhauer, Jillian (April 7, 2020). "Idelle Weber, Who Stretched the Meaning of Pop Art, Dies at 88". The New York Times. Retrieved April 7, 2020.
- ^ ISBN 9780988913905. Retrieved 8 March 2015.
- ^ "Singular Impressions: The Monotype in America". Smithsonian American Art Museum. Retrieved 8 March 2015.
- ^ Cummings, Paul (1993). "Idelle Weber Talks with Paul Cummings". Drawing. xv (4): 80.
- ^ a b c d e f g "Idelle Weber: Chronology," Artist Works Catalogue, artnet.
- ^ "Singular Impressions: Contemporary Monotype Phenomenon". Smithsonian American Art Museum. Retrieved 8 March 2015.
- ^ Cooper, Ashton. "Chrysler Museum Acquires Original "Mad Men" Painting by Neglected Pop Artist Idelle Weber"". Blouin ArtInfo. Retrieved 8 March 2015.
- ^ "Chrysler Museum Acquires Three Works by Idelle Weber". Chrysler Museum. 2013-09-03. Retrieved 8 March 2015.
External links
- Idelle Weber at Jean Albano Art Gallery, Chicago, IL
- Idelle Weber on AskART
- Video Interview with Idelle Weber via galleryIntell.com, April 2013.