Indian Ocean literature
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The
globalisation. Combining Indian and Chinese literatures, among the oldest on the planet, this can be characterized as the most fictionalized ocean, having been the backbone of many tales, novels and poetic work.[1][2]
This was further enhanced when
Camoens
then wrote his famous Luciads.
Bernardin de Saint Pierre, who invented the naturalist novel with Paul et Virginie, an idyllic and tragic novel under the tropics, in Mauritius. Charles Baudelaire also carried his spleen there, experimenting the correspondences and falling in love with Creole and Indian ladies, as expressed in his poems "La dame créole" and "A une malabaraise". In Réunion
, Rouget Leconte de Lisle is foremost, with symbolist poetry.
Many more poets went to the
Mascarene islands, like Paul-Jean Toulet
.
Colonial era
In the colonial era, writers like
Rabearivelo took French to new horizons, combining their original languages and cultures with the colonists' idiom. In Réunion, Marius and Ary Leblond developed the colonial novel, and in Mauritius, Clément Charoux and Léoville L'Homme
expressed the contradictions of cultures and colours in a colonial environment.
Preceding the independence period, Mauritian writers like
or more Mauritian themes.Postcolonial era
In the 1970s, more "sociological" writers such Marie-Thérèse Humbert expressed the duality of multiculturalism.
Recent Mauritian writers include Ananda Devi, Natacha Appanah, Carl de Souza, Shenaz Patel, Barlen Pyamootoo and Khal Torabully.
See also
- Indian literature
- Chinese literature
- Malagasy literature
- Mauritian literature
References
- S2CID 161908272.
- ^ "The Indian Ocean: narratives in literature and law". UK Research and Innovation.