Infinity on High
Infinity on High | ||||
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Los Angeles, California | ||||
Genre | ||||
Length | 47:49 | |||
Label | Island | |||
Producer | ||||
Fall Out Boy studio album chronology | ||||
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Singles from Infinity on High | ||||
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Infinity on High is the third studio album by American rock band Fall Out Boy, released on February 6, 2007, by Island Records. Recorded from July to October 2006 at Pass Studios in Los Angeles, California, its music was composed by lead singer and guitarist Patrick Stump and the lyrics were penned by bassist Pete Wentz. The album features collaborations with new producers and guest artists, such as Babyface and Jay-Z, and sees the band experimenting with genres including R&B, soul, and flamenco. Fall Out Boy also utilized instruments such as horns, violins, and pianos, which had not been used on previous releases.
As reported by
Infinity on High debuted at number one on the US Billboard 200, selling over 260,000 copies in its first week of sales and becoming the band's first number-one album. It also reached number one in New Zealand and peaked within the top-five of countries including Canada, the United Kingdom, and Australia. Five songs were released as singles, four of which charted on the US Billboard Hot 100; the second single, "This Ain't a Scene, It's an Arms Race", peaked at number two. The album received generally positive reviews from critics, with many praising Stump's vocals and the band's new musical direction, and has sold over two million copies worldwide and over 1.4 million in the United States alone.[1]
Background
After taking a two-month break following the band's Black Clouds and Underdogs tour in promotion of their 2005 album From Under the Cork Tree, Fall Out Boy returned to the studio to begin work on their follow-up effort.[2] The band began writing songs for the new album while touring, and intended to quickly make a new album in order to keep momentum in the wake of their breakthrough success.[3] Vocalist Patrick Stump stated that he wished to begin working on the record earlier, but the group's management urged the members to take time off to recuperate from their constant touring schedule.[2]
The band's label, Island Records, underwent changes while the group prepared to record, which postponed the studio schedule for three weeks.[4] Bassist/lyricist Pete Wentz asserted that "We're definitely writing all the time, so we're not going to try to squeeze every last drop out of the stone. That's part of what's been wrong with the rock industry: they keep fans waiting far too long, and bands go away and disappear off the face of the planet. That's not the way it's going to be for Fall Out Boy."[3] During this time off, Fall Out Boy contributed a cover of the song "What's This?" for the 2006 rerelease of The Nightmare Before Christmas soundtrack, as well as a remix of their song "Of All the Gin Joints in All the World" for the Snakes on a Plane soundtrack.[5][6] Wentz also purchased a house in Los Angeles, where he spent much time writing lyrics to new songs.[4]
Recording and production
The second you worry about other people’s expectations is the second you can expect failure. Not that we didn't have big hopes for this album—we wanted our fans to love it more than anything. But put it this way: We don’t sit around second-guessing everything. If you do that, you’re bound to make sterile music, and that’s when you can expect failure.
— -Patrick Stump, on the pressures of making a follow-up to Cork Tree.[7]
While writing the album, Fall Out Boy began searching for potential producers. The band sought out
Infinity on High was recorded from July to October 2006 at the Pass Studios in Los Angeles.[10][11][12] Much of the writing process was done individually by the band members. Generally, Wentz would write his lyrics first and send them to Stump, who would create a melody by playing guitar along to the words to "find a groove".[7] Stump's goal with his songs was to create his music while changing Wentz's original lyrics as little as possible. After a melody was written, Stump would create a general rhythm for the song. Although Fall Out Boy has no specific rhythm or lead guitar roles, Stump viewed himself as more of a rhythm guitarist on the album due to his experience as a drummer in previous bands.[7] Guitarist Joe Trohman often wrote his guitar parts after hearing Stump's work, filling in the "empty spaces" in the songs with "tons of guitars and Johnny Marr-type atmospheric parts".[7] The group felt that this writing process helped create a more full sound.[7]
Upon listening to the finished tracks, the members selected guest appearances they felt would work with the songs.
During the recording of the album, the band members pursued other various activities. Stump, who co-produced "Don't You Know Who I Think I Am?" from Infinity on High, was also working on fellow
Composition
Music
The album marked a departure in Fall Out Boy's sound in which the band implemented a diverse array of musical styles. As reported by
Stump called "
The band also used instruments that did not appear on previous albums, such as
album.Lyrics
While writing the album, Wentz drew lyrical inspiration from rapper Lil Wayne, whom he called "the best lyricist of [2006]."[4] Speaking of Infinity on High's lyrical themes, Wentz stated, "On the last record, the lyrics were about 'This is where we're going to be a year from now, and this is what you're going to be saying about us.' But this time, we realized that a lot of bands should spend less time running their mouths and more time writing their songs."[3] In 2013, Wentz reflected, "on a record like Infinity on High, I feel like I tried really hard to explain my perspective – and when I look back on it in hindsight I think it’s an extremely unrelatable record.[30] Critics felt that much of the lyrics address the band's rise to fame and the pressure of maintaining a loyal fanbase. Sasha Frere-Jones of The New Yorker commented that "The only top-ten acts that talk about fame as much as Fall Out Boy does are rappers, although their take on selling records is less conflicted."[31] Cory Apar of Allmusic opined that "Wentz' lyrics are oftentimes resentful, full of fame-induced angst, and really emphasize his need to drive home his position that stardom has not changed the band."[11]
"Thriller" serves as an autobiographical recap of the two years following From Under the Cork Tree's release, referencing the band's mediocre CD reviews and breakout success, as well as thanking their "diehard" fans.
Packaging and title
The album's title is taken from a letter written by Vincent van Gogh to his brother Theo in 1888, in which he describes his renewed health and the positive effect it has had on his painting. Originally written in Dutch, Van Gogh's phrasing has been translated as "Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all".[20] Speaking of the title shortly after its announcement in November 2006, Wentz stated "As for what that means in relation to the record, we'll just let it unfold when people hear it."[20] While Wentz declined to reveal the relationship between the title and the album's songs, MTV reporter James Montgomery opined that "It's not difficult to see it as a statement about the band rising above detractors and finding strength within themselves."[20]
The photography for the album was done by Pamela Littky, and the sets on the album artwork were designed by
Promotion
Promotion for the album began in November 2006 with the band performing "This Ain't a Scene, It's an Arms Race" for the first time at the American Music Awards on November 21. The song was shipped to radio the same night as the performance.[17][34] In the week following the performance, the single was the top added track at Pop and Alternative radio.[34] While the song was the first song revealed from the album, it would not receive an official single release until January 2007. "The Carpal Tunnel of Love" was released as a digital single in December 2006. It was a minor hit in the United States, peaking at 81 on the Billboard Hot 100.[35] The band then began the Friends or Enemies Tour in January 2007 to build interest in the album. The tour consisted of intimate club shows in fifteen cities throughout the United States, with New Found Glory, The Early November, Permanent Me and Lifetime.[36] Two weeks before Infinity on High was released, the album was leaked online, which led to rumors on the band's message boards that the album would be released a week early.[37] Although these rumors were incorrect, Fall Out Boy responded to the leak by including an exclusive live EP, Leaked in London, recorded in London's Hammersmith Palais at their sold-out show on January 29, 2006, with each purchase to encourage fans to buy the album.[37] The EP could be downloaded from the band's website between Tuesday, February 6, 2007 and Tuesday, February 13, 2007 using CDPass software along with inserting a physical copy of Infinity on High into the CD-ROM drive of one's computer.[37] Infinity on High was the final release from Rabid Neurosis, a warez organization responsible for leaking 20,000 albums before their release.[38]
On February 6, 2007, the day of the album's release, Fall Out Boy played three free shows, each in a different city in the United States. The day started with a morning performance in
To promote the album after its release, Fall Out Boy embarked on an extensive tour schedule, with concerts across the United States, Canada, Australia, New Zealand, South Africa, Europe and Asia. It began with the 2007
The band also headlined the Young Wild Things Tour, an international arena tour featuring Gym Class Heroes, Plain White T's and Cute Is What We Aim For.[46] Of the thirty one dates, twenty nine were in the US with two in Canada. The tour was inspired by Maurice Sendak's 1963 children's book Where the Wild Things Are, and included sets designed by artist Rob Dobi containing images from the book. Commenting on the decision to incorporate elements from the book, Wentz explained "Where the Wild Things Are is a great narrative. It encapsulates pretty much every FOB song ever written: You know, tantrums and monster islands and all."[46]
Singles
Four songs were released as singles from the album's fourteen tracks, of which three charted on the US
"Thnks fr th Mmrs" was released as the second single in the US in March 2007. It peaked at number eleven on the Hot 100 with twenty-eight chart weeks before it was retired. It came at number five on Digital Songs, but performed weaker on the Radio Songs chart at number forty.[50] It reached the two-million sales mark week ending December 27, 2009 in the US.[51] Its highest charting was in Australia where it peaked at number three on the Australian ARIA chart and achieved Platinum status in the region. In New Zealand, the UK, Canada and Ireland "Thnks fr th Mmrs" reached the top twenty.[52]
"
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 75/100[59] |
Review scores | |
Source | Rating |
AllMusic | [11] |
The A.V. Club | B+[60] |
Blender | [61] |
Entertainment Weekly | A−[62] |
The Guardian | [63] |
NME | 7/10[26] |
Q | [64] |
Rolling Stone | [65] |
Spin | [66] |
USA Today | [67] |
Critical response for Infinity on High was generally positive, with many praising Stump's vocals and the album's new musical direction. At
However, some critics felt that the album was overly ambitious and that the band's musical departure may alienate listeners. Chad Grischow of IGN felt that the album's dramatic hooks seem "bloated" at times: "The band does a great of focusing on what they do best, but the album does drown itself a bit with all the overwhelming enormity of it all."[23] Scott Shetler of Slant disliked the "melodramatic" undertones of "I've Got All This Ringing in My Ears and None on My Fingers" and "Golden", writing "they don't handle that style quite as well as Panic! at the Disco".[32] Cory Apar of AllMusic opined that the album's pop direction contradicts the band's lyrical claims of wishing to stick to their roots. He called the album's various styles "hit and miss", yet commented that "Once Infinity on High sinks in, it's indeed a fun record. But for a band that was once so self-assured and able to utilize its talents so compellingly, the album is regrettably haphazard."[11] Caroline Sullivan of The Guardian believed that the album was overly sullen, but noted that "They may not be happy, but they haven't forgotten to be catchy."[63] Barry Nicholson of NME found the number of guest producers to be unnecessary and disliked some of the songs, but admired the album's "infectious" nature.[26]
Commercial performance
Infinity on High was a major commercial success, debuting at number one on the US
The album also charted inside the top five worldwide, making it the band's most successful and breakthrough album internationally. Infinity on High charted all over Europe, debuting at number eight on Billboard's
Track listing
Original release
All lyrics are written by Fall Out Boy; all music is composed by Fall Out Boy[10]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Thriller" (featuring Jay-Z) |
| 3:30 | |
2. | ""The Take Over, the Breaks Over"" |
|
| 3:34 |
3. | "This Ain't a Scene, It's an Arms Race" |
|
| 3:32 |
4. | "I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You)" |
| 3:31 | |
5. | "Hum Hallelujah" |
|
| 3:50 |
6. | "Golden" |
|
| 2:32 |
7. | "Thnks fr th Mmrs" |
|
| 3:23 |
8. | "Don't You Know Who I Think I Am?" |
|
| 2:51 |
9. | "The (After) Life of the Party" |
|
| 3:21 |
10. | "The Carpal Tunnel of Love" |
|
| 3:23 |
11. | "Bang the Doldrums" |
|
| 3:31 |
12. | "Fame < Infamy" |
|
| 3:06 |
13. | "You're Crashing, But You're No Wave" |
|
| 3:42 |
14. | "I've Got All This Ringing in My Ears and None on My Fingers" |
|
| 4:06 |
Total length: | 47:49 |
No. | Title | Length |
---|---|---|
15. | "G.I.N.A.S.F.S." ("Gay Is Not a Synonym for Shitty") | 3:15 |
Total length: | 51:04 |
No. | Title | Length |
---|---|---|
15. | "It's Hard to Say "I Do", When I Don't" | 3:24 |
Total length: | 51:13 |
No. | Title | Length |
---|---|---|
15. | "Dance, Dance" | 3:00 |
Total length: | 50:49 |
No. | Title | Length |
---|---|---|
15. | "G.I.N.A.S.F.S." ("Gay Is Not a Synonym for Shitty") | 3:15 |
16. | "It's Hard to Say "I Do", When I Don't" | 3:24 |
17. | "Dance, Dance" (live from Hammersmith Palais) | 3:15 |
18. | "Golden" (live from Hammersmith Palais) | 2:38 |
19. | "This Ain't a Scene, It's an Arms Race" (live from Hammersmith Palais) | 3:26 |
20. | "Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued" (live from Hammersmith Palais) | 3:11 |
21. | "Thriller" (live from Hammersmith Palais) | 3:31 |
Total length: | 70:29 |
Australian/New Zealand tour edition bonus DVD
No. | Title | Length |
---|---|---|
1. | "This Ain't a Scene, It's an Arms Race" (live on AOL) | |
2. | ""The Take Over, the Breaks Over"" (live on AOL) | |
3. | "Thriller" (live on AOL) | |
4. | "Sugar, We're Goin Down" (live on AOL) | |
5. | "This Ain't a Scene, It's an Arms Race" (music video) | |
6. | "Thnks fr th Mmrs" (music video) | |
7. | ""The Take Over, the Breaks Over"" (music video) |
Deluxe edition
No. | Title | Length |
---|---|---|
1. | "G.I.N.A.S.F.S." ("Gay Is Not a Synonym for Shitty") | 3:15 |
2. | "It's Hard to Say "I Do", When I Don't" | 3:24 |
3. | "Dance, Dance" (live from Hammersmith Palais) | 3:15 |
4. | "This Ain't a Scene, It's an Arms Race" (live from Hammersmith Palais) | 3:26 |
5. | "Thriller" (live from Hammersmith Palais) | 3:31 |
Total length: | 16:50 |
Personnel
Fall Out Boy
Guest artists
|
Design
Production
Management
|
Charts
Weekly charts
|
Year-end charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[112] | 2× Platinum | 140,000^ |
Canada (Music Canada)[113] | Platinum | 100,000^ |
Ireland (IRMA)[114] | Platinum | 15,000^ |
Japan (RIAJ)[115] | Gold | 100,000^ |
New Zealand (RMNZ)[116] | Platinum | 15,000^ |
Russia ( NFPF)[117]
|
Platinum | 20,000* |
United Kingdom (BPI)[119] | Platinum | 497,078[118] |
United States (RIAA)[120] | Platinum | 1,000,000^ |
* Sales figures based on certification alone. |
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External links
- Infinity on High at YouTube (streamed copy where licensed)
- Official Fall Out Boy website