Ira Deutchman

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Ira Deutchman
Cherry Point, North Carolina
Occupation(s)Independent producer, distributor, marketer
Years active1975-present

Ira Deutchman is a

Independent Feature Project,[10] the board of advisors for the Los Angeles Independent Film Festival, the Williamstown Film Festival, IFP/West, and the Collective for Living Cinema, and was a member of the board for Kartemquin Films.[11]

Deutchman continues to produce films, consults on the marketing and distribution of independent films and teaches producing students in the MFA Film Program at Columbia University's School of the Arts. Current projects include a film adaptation of Barbara Ehrenreich's best-selling book "Nickel and Dimed," a theatrical adaptation of Joan Micklin Silver's 1976 independent film "Hester Street" [12] and a documentary about art film maverick Donald Rugoff, which premiered at the 2019 DOC NYC Festival in New York.[13] He consults for Cinecitta on the marketing of Italian cinema in the United States. Deutchman was awarded the first annual Spotlight Lifetime Achievement Award at the 2017 Sundance Art House Convergence.[14]

Early life and education

Deutchman was born in

Bronx. He spent his formative years on the south side of Chicago, graduating from the Myra Bradwell School in 1967. In his early teen years, his family moved briefly to Highland Park, a northern suburb of Chicago, before moving to New Jersey, where he graduated from Paramus High School. He returned to the Chicago area to attend Northwestern University
, graduating in 1975 with a BS in Speech, with a major in Radio, TV, Film.

Early career

While still in college at Northwestern University, Deutchman organized and marketed the Midwest premiere of

Harlan County USA" and "Pumping Iron
".

Deutchman was one of the original founding team of

Cinecom Pictures (originally called Cinecom International Films);[19] Fine Line Features;[20] and Redeemable Features.[21]

At Cinecom Pictures (1982–1988),

A Room With a View,"[23] "Swimming to Cambodia", "El Norte", "The Brother from Another Planet" and "Stop Making Sense". After Cinecom, Deutchman formed Deutchman Company Inc. to act as a producers' rep and marketing consultant. The company worked on "Sex, Lies, and Videotape" (winner of the Palme d'Or at the Cannes Film Festival), "Metropolitan" and "To Sleep with Anger
" among others.

While working as a consultant on Whit Stillman's "Metropolitan" for New Line Cinema, Deutchman was recruited to create a new specialized division of the company, which became Fine Line Features. Fine Line had an extraordinary five-year run from 1990-1995 under founder and president Ira Deutchman,[24][25] distributing such critically acclaimed films as "Hoop Dreams",[26] "The Player",[27] "Short Cuts", "Night on Earth",[28] "My Own Private Idaho", and "Mrs. Parker and the Vicious Circle".[29]

Deutchman left Fine Line in 1995, to co-found independent film production company, Redeemable Features,[30] with partners Peter Newman and Greg Johnson. Films included Tony Vitale's "Kiss Me, Guido", Sarah Kernochan's "All I Wanna Do", Adam Davidson's "Way Past Cool", and Tanya Wexler's "Ball in the House".

Digital media and independent films

As co-founder of

IFP Independent Film Week, San Francisco International Film Festival and the São Paulo International Film Festival.[37] He has twice been a keynote speaker at the Art House Convergence annual conference,[38][39]
a conference of mission-driven art house theaters held every January in Midway Utah.

Academic career

Deutchman began teaching at Columbia University in 1987 as an adjunct professor in the MFA Film Program of the School of the Arts. His first course in Marketing and Distribution of Feature Films has been taught continuously since, and is now called The Business of Motion Pictures.[40] He became a full-time Associate Professor in 2000, and was promoted to full Professor in 2009. He was named Chair of the Film Program in July 2011[41] and served until 2015.

Personal life

Deutchman is married and has two children. His son, Jeff Deutchman, is also in the film business; in 2013, after seven years at IFC Films, he moved to Paramount Pictures as Director of Acquisitions (Home Entertainment Division) and then in 2014 to Alchemy, where he served as VP of Acquisitions until 2016.; he is currently Senior Vice President of Acquisitions and Production for Neon;[42] he is also the director/editor/producer of the documentary film "11-4-08",[43] about Obama's presidential election. Deutchman's daughter, Emily Deutchman, is an artist and furniture maker,[44] and his wife, Beth Krieger, was communications director at a New York City independent school until 2019.

Archive donation

In 2015, Deutchman donated his extensive personal archives to the University of Michigan,[45] which also includes the archives of Orson Welles, Robert Altman, John Sayles, Alan Rudolph and Nancy Savoca. Deutchman's collection includes over 40 years of documentation and artifacts of the independent film business from his time at Cinema 5 until the present.

Searching for Mr. Rugoff

In 2019, Deutchman completed a feature documentary as both producer and director entitled

Cleveland Film Festival, 2020 Il Cinema Ritrovato Festival in Milan, Italy and the 2020 Mill Valley Film Festival among others. The film was received positively by critics, including Godfrey Chesire of RogerEbert.com, who called it "A beautifully structured tale of movie love. “Searching for Mr. Rugoff” is both dramatic and enlightening, a moving document of an American life that has a bit of “Citizen Kane” to it.[46] Nicolas Rapold in the New York Times called it "An essential history of film culture. I got the warm-and-fuzzies from seeing the love here for moviegoing."[47] The film was released in theater in August, 2022 as a benefit for the re-opening of art house theaters after pandemic closures.[48]

Presentations and published works

Interviews and keynote speeches

Articles and book chapters

  • 2011: Indiewire: How to recreate the repertory cinema for the digital age[50]
  • 1992: The Movie Business Book, Chapter VIII: "Independent Distribution and Marketing"[51]
  • 1996: Moving Pictures, "So What's So Great About New York?"
  • 1988: Variety, "In This Period of Product Glut, Indies Have Ace Up Their Sleeve"
  • 1988: Daily Variety, "What it all Boils Down to is Showbiz"
  • 1988: The Business of Film, "The Next 20 years: Ira Deutchman - USA Marketing/Distribution"
  • 1986: The Film Journal, "State of the Art House"

Filmography

As producer/director

  • 2019 Searching for Mr. Rugoff

As producer

Director's name in brackets after film title.

  • 1997: Kiss Me, Guido (Tony Vitale)
  • 1998: "54" (Mark Christopher)
  • 1999: "All I Wanna Do" aka "The Hairy Bird" (Sarah Kernochan)
  • 2000: "Way Past Cool" (Adam Davidson)
  • 2002: "Interstate 60" (Bob Gale)
  • 2002: "Relative Evil" aka "Ball in the House" (Tanya Wexler)
  • 2006: "Beauty Remains" (Ann Hu)
  • 2007 "Speed of Life" (Ed Radtke)

As executive producer

Director's name in brackets after film title.

Other Producer Credits: Associate Producer of John Sayles’ "Matewan" (1987) and "Honeydripper" (2007); Consulting Producer on the CBS sitcom "Some of My Best Friends" (2001).

Marketing and distribution

Films marketed and distributed by Deutchman include:

References

  1. ^ Dawes, Amy (19 May 1990). "A fine time for Fine Line". Moving Pictures: 17.
  2. ^ Brown, Colin (January 17, 1997). "Executive Suite: Ira Deutchman". Screen International.
  3. ^ "The Big Shakeout". The Off-Hollywood Report. January 1989.
  4. ^ Lehman, Susan (July 1992). "Independent's Day". Harper's Bazaar: 96–98.
  5. ^ Deutchman, Ira. "Ira Deutchman - Emerging Pictures". Retrieved 1 December 2011.
  6. ^ Thompson, Anne (20 January 2015). "20 Year Media Acquires Emerging Pictures (EXCLUSIVE)". Thompson on Hollywood. Retrieved 2016-03-06.
  7. ^ Appelo, Tim (July 27, 2011). "Ira Deutchman New Chair of Columbia's Film School". Hollywood Reporter.
  8. ^ Cox, Gordon (27 July 2011). "Deutchman upped at Columbia U". Variety. Retrieved 30 November 2011.
  9. ^ "Sundance Institute". film institute. Retrieved 3 December 2011.
  10. ^ Kaufman, Anthony (October 26, 2006). "Awards Watch: A Crisis for Independent Film?". IndieWire.
  11. ^ "Kartemquin Films". film company. Retrieved 3 December 2011.
  12. ^ Chow, Andrew R. (28 December 2016). "'Hester Street' to Be Adapted for the Stage". The New York Times.
  13. ^ "Searching for Mr. Rugoff at DOC NYC". DOC NYC.
  14. ^ "Ira Deutchman Gets First Spotlight Cinema Laurels For Lifetime Of Indie Service". 18 January 2017.
  15. ^ Lewis, Jon (1998). The New American Cinema. Duke University Press. p. 68.
  16. ^ Rosefelt, Reid. "Donald Rugoff: In Memory of a Wild Genius". blog. Retrieved 3 December 2011.
  17. ^ Davis, Kathy (Winter 1980). "Handle with Care". American Film.
  18. ^ Siskel, Gene (May 16, 1982). "Hello, sweet art: Small films big success in Chicago". Chicago Tribune.
  19. ISBN 0-7868-8222-0
    .
  20. ISBN 1-879505-38-X
    .
  21. ^ Roman, Monica (September 21, 1998). "Indie Financing Faces Hurdles". Variety.
  22. ^ Enrico, Dottie (March 23, 1987). "Small Distributor Makes Big-Screen Splash". Adweek.
  23. ^ Harmetz, Aljean (July 5, 1986). "Merchant and Ivory Strike Gold". New York Times.
  24. ^ Kelleher, Ed (1992). "New Line Cinema's Fine Line Plans Expansive 1992 Slate". The Film Journal (Winter): 38, 91.
  25. ^ Eller, Claudia (October 24, 1991). "Fine Line Features Enters Coprod'n Area Via 2 Pix". Variety.
  26. ISBN 1-879505-38-X
    .
  27. ^ Weinraub, Bernard (February 18, 1992). "Hollywood Captivated by an Altman Film About How Awful It Is". New York Times.
  28. ^ Eller, Claudia (November 11, 1991). "Fine Line draws in pix by Jarman, Jarmusch; co-prods in the works". Variety.
  29. ^ Young, Deborah (May 17, 1993). "Hyperactive Altman Hypes Trio of Films". Variety.
  30. ^ Galloway, Stephen (May 26, 1995). "Deutchman Redeemed". Hollywood Reporter.
  31. ^ "Emerging Pictures". film company website. Retrieved 3 December 2011.
  32. ^ Appelo, Tim (December 28, 2010). "Top 10 Movie Tweeviews: Ira Deutchman's Latest Great Idea". Hollywood Reporter. Retrieved 4 December 2011.
  33. ^ "POV on Digital Cinema". video-keynote speech. Technology Today.
  34. ^ "Independent Filmmaking in the Digital World". video interview. Retrieved 3 December 2011.
  35. ^ Coonan, Clifford (November 9, 2011). "MPA partners with China Intl. Copyright Expo". Variety. Retrieved 3 December 2011.
  36. ^ "Festival de Cine Global Dominicano". film festival website. Retrieved 3 December 2011.
  37. ^ "Awards Watch: A Crisis for Independent Films?". IndieWire. October 6, 2006. Retrieved 3 December 2011.
  38. ^ "Keynote from the Sundance Art House Convergence". Ira Deutchman. 29 April 2013. Retrieved 2016-03-06.
  39. ^ "Kicking off Art House Convergence 2014". Ira Deutchman. 14 January 2014. Retrieved 2016-03-06.
  40. ^ "'Distribution is Easy, Marketing is Hard' An Evening with Marketing Specialist Ira Deutchman". New York Foundation for the Arts. Retrieved 11 March 2023.
  41. ^ "Ira Deutchman Appointed Chair of Film Program". Official Press Release. Columbia University.
  42. ^ "Jeff Deutchman, SVP Acquisitions & Production, Neon". Variety. 16 December 2013.
  43. ^ "11-4-08". film. Retrieved 3 December 2011.
  44. ^ "Emily Renee Art".
  45. ^ "Film producer, marketer Ira Deutchman donates archive to U-M Library Mavericks & Makers collection | University of Michigan News". ns.umich.edu. 2 December 2015. Retrieved 2016-03-06.
  46. ^ Cheshire, Godfrey. "Reviews: Searching for Mr. Rugoff". RogerEbert.com.
  47. ^ Rapold, Nicolas (12 August 2021). "'Searching for Mr. Rugoff' Review: Man Behind the Movies". The New York Times.
  48. ^ Wiseman, Andreas (18 June 2021). "'Searching For Mr. Rugoff': First Trailer For Ira Deutchman's Doc About New York Arthouse Impresario, August Release Set". Deadline.
  49. ^ Green, Jane (28 December 2007). "Ira Deutchman on Honeydripper and Indie Film Marketing".
  50. ^ Deutchman, Ira (June 3, 2011). "How to Recreate the Repertory Cinema for the Digital Age". Indiewire. Retrieved 3 December 2011.
  51. ^ Squire, James (1992). The Movie Business Book. New York: Simon & Schuster. pp. 320–327.

External links

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