Isabella Stewart Gardner
Isabella Stewart Gardner | |
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John Lowell Gardner II |
Isabella Stewart Gardner (April 14, 1840 – July 17, 1924) was an American art collector,
Gardner possessed an energetic intellectual curiosity, a love of travel, and, most importantly, money. She was a friend of noted artists and writers of the day, including
Gardner created much fodder for the gossip columns of the day with her reputation for stylish tastes and unconventional behavior. The Boston society pages called her by many names, including "Belle," "Donna Isabella," "Isabella of Boston," and "Mrs. Jack". Her surprising appearance at a 1912 concert (at what was then a very formal Boston Symphony Orchestra) wearing a white headband emblazoned with "Oh, you Red Sox" was reported at the time to have "almost caused a panic", and still remains in Boston one of the most talked about of her eccentricities.[1]
Biography
Isabella Stewart was born in New York City on April 14, 1840, the daughter of wealthy linen-merchant David Stewart and Adelia Stewart (née Smith).
Shortly after returning, her former classmate Julia Gardner invited her to Boston, where she met Julia's brother
Jack and Isabella had one son, born on June 18, 1863; he died from pneumonia on March 15, 1865. A year later Isabella suffered a miscarriage and was told she could not bear any more children. Her close friend and sister-in-law died about the same time. Gardner became extremely depressed and withdrew from society. On the advice of doctors, she and Jack traveled to Europe in 1867. Isabella was so ill that she had to be taken aboard the ship on a stretcher. The couple spent almost a year traveling, visiting Scandinavia and Russia but spending most of their time in Paris. The trip had the desired effect on Isabella's health and became a turning point in her life. It was on this trip that she began her lifelong habit of keeping scrapbooks of her travels. Upon her return, she began to establish her reputation as a fashionable, high-spirited socialite.[3]
In 1875 Jack's brother, Joseph P. Gardner, died, leaving three young sons. Jack and Isabella "adopted" and raised the boys. Augustus P. Gardner was 10 years old at the time. Isabella's biographer, Morris Carter, wrote that "in her duty to these boys, she was faithful and conscientious".[2]
Travel and collecting
In 1874, Isabella and Jack Gardner visited the Middle East, Central Europe and Paris. Beginning in the late 1880s, they traveled frequently across America, Europe and Asia to discover foreign cultures and expand their knowledge of art around the world. Jack and Isabella would take more than a dozen trips abroad over the years, keeping them out of the country for a total of ten years.[5]
The earliest works in the Gardners' collection were accumulated during their trips to Europe especially. In 1891, she started to focus on European fine art after inheriting $1.75 million from her father.[6] One of her first acquisitions was The Concert by Vermeer (c. 1664), purchased at a Paris auction house in 1892.[7] She also collected from other places abroad such as Egypt, Turkey, and the Far East. The Gardners began to collect in earnest in the late 1890s, rapidly building a world-class collection primarily of paintings and sculpture, but also tapestries, photographs, silver, ceramics and manuscripts, and architectural elements such as doors, stained glass, and mantelpieces.
In the early years of the 20th century, Isabella traveled with friend and Boston architect Edmund March Wheelwright to collect for the Harvard Lampoon Building, also called "Lampoon Castle", a faux Flemish castle in Harvard Square. Isabella donated many pieces of art to the castle over her years of collecting. The value of this collection is uncertain, due to the secret nature of the Lampoon.
Nearly seventy works of art in her collection were acquired with the help of connoisseur
Isabella Stewart Gardner's favorite foreign destination was
Museum creation
By 1896, Isabella and Jack Gardner recognized that their house on Beacon Street in Boston's
After the building was ready, Gardner spent a year carefully installing her collection according to her personal aesthetic. The eclectic gallery installations, paintings, sculpture, textiles, and furniture from different periods and cultures combine to create a rich, complex and unique narrative. In the Titian Room, Titian's masterpiece The Rape of Europa (1561–1562) hangs above a piece of pale green silk, which had been cut from one of Isabella Stewart Gardner's gowns designed by Charles Frederick Worth. Throughout the collection, similar stories, intimate portrayals, and discoveries abound.[11]
The museum privately opened on January 1, 1903, with a grand opening celebration featuring a performance by members of the Boston Symphony Orchestra[12] and a menu that included champagne and doughnuts. It opened to the public months later with a variety of paintings, drawings, furniture and other objects dating from ancient Egypt to Matisse.[12] The museum is still arranged with a variety of textiles, furniture, and paintings floor to ceiling.[13]
Illness and death
In 1919, Isabella Stewart Gardner suffered the first of a series of strokes and died five years later, on July 17, 1924, at the age of 84 in her living quarters on the fourth floor of her Museum.[14] She is buried in the Gardner family tomb at Mount Auburn Cemetery located in Watertown and Cambridge, between her husband and her son.[15]
Legacy
After Gardner's death, the fourth floor served as residence for the museum's director for over sixty years. While alive, Gardner herself would use the fourth floor for her residence. When Anne Hawley became director, she decided not to live there. Six months after Anne took office, the museum was robbed. More recently, it has been converted for use as museum offices.
Her will created an endowment of $1 million and outlined stipulations for support of the museum, including that the permanent collection not be significantly altered. In keeping with her philanthropic nature, her will also left sizable bequests to the
Isabella Stewart Gardner was an intimate patroness of many artists, writers, and musicians. An accomplished traveler and shrewd collector, she was a leading figure in American social and cultural life. In Boston they called her the "Queen of the Back Bay."[17] The site of her former home (demolished in 1904) is a stop on the Boston Women's Heritage Trail.[18]
She is the namesake of Gardner Mountain and Isabella Ridge in Washington state.[19]
References
- ISBN 978-0-7624-4204-1.
- ^ ISBN 978-0-7404-2590-5
- ^ ISBN 978-0-8478-4380-0
- ^ Louise Hall Tharp, "Mrs. Jack", Isabella Stewart Gardner Museum, 1965
- ^ Rosemary Matthews, . "Collectors and why they collect: Isabella Stewart Gardner and her museum of art." Journal of the History of Collections 21.2 (2009): 183–189.
- OCLC 851367318.
- ^ "New Exhibit Explains How Isabella Stewart Gardner Amassed Her Famous Art Collection". www.wbur.org. Retrieved 2018-03-17.
- ISSN 2168-0620.
- ^ "Isabella Stewart Gardner's old townhouse hits the market". New York Post. 2017-10-26. Retrieved 2018-03-17.
- ^ Hilliard T. Goldfarb, The Isabella Stewart Gardner Museum: a companion guide and history (Yale UP, 1995).
- ^ Anne Higonnet, "Private museums, public leadership: Isabella Stewart Gardner and the art of cultural authority." in Cultural Leadership in America: Art Matronage and Patronage ed by Wanda Corn (1997) 84
- ^ a b "Isabella Stewart Gardner | Boston Women's Heritage Trail". bwht.org. Retrieved 2018-03-17.
- ^ Litowitz, 2007, "The Character of an Art Collection", Growth and Structure of Cities Program, Bryn Mawr College, Bryn Mawr, Pennsylvania
- ^ Nathaniel Silver and Diana Seave Greenwald, Isabella Stewart Gardner: A Life (Princeton University Press, 2022) p.132
- ^ Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Locations 16897–16898). McFarland & Company.
- ^ Mrs. Gardner's annual claim on heaven
- ^ Paul R. Baker, "Gardner, Isabella Stewart" in John A. Garraty, Encyclopedia of American Biography (1974), pp. 400–401[ISBN missing]
- ^ "Back Bay East". Boston Women's Heritage Trail.
- ISBN 9781591938460
Further reading
- Shand-Tucci, Douglass. The Art of Scandal: The Life and Times of Isabella Stewart Gardner, Harper Collins, 1997[ISBN missing]
- Rosella Mamoli Zorzi (Fall 2010). "Private and Public Subjects in the Correspondence between Henry James and Isabella Stewart Gardner". The Henry James Review. 31 (3). The Johns Hopkins University Press. OCLC 703526343. Archived from the original on 2019-09-08. Retrieved 2020-05-09 – via Google references.)
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