Islamic literature

Source: Wikipedia, the free encyclopedia.

Islamic literature is

non-fiction form of Islamic advice literature,[1] and various fictional literary genres
.

Definition

The definition of Islamic literature is a matter of debate, with some definitions categorizing anything written in a majority-Muslim nation as "Islamic" so long as the work can be appropriated into an Islamic framework, even if the work is not authored by a Muslim. By this definition, categories like Indonesian literature, Somali literature, Pakistani literature, and Persian literature would all qualify as Islamic literature. A second definition focuses on all works authored by Muslims, regardless of the religious content or lack thereof within those works. Proponents of the second definition suggest that the Islamic identity of Muslim authors cannot be divorced from the evaluation of their works, even if they did not intend to infuse their works with religious meaning.[2] Still other definitions emphasize works with a focus on Islamic values, or those that focus on events, people, and places mentioned in the Quran and hadith. An alternate definition states that Islamic literature is any literature about Muslims and their pious deeds.[3]

Some academics have moved beyond evaluations of differences between Islamic and non-Islamic literature to studies such as comparisons of the novelization of various contemporary Islamic literatures[4] and points of confluence with political themes, such as nationalism.[5]

Literary genres

Fiction

Among the best known works of

Persian Queen Scheherazade. The compilation took form in the 10th century and reached its final form by the 14th century; the number and type of tales have varied from one manuscript to another.[6] Many other Arabian fantasy tales were often called "Arabian Nights" when translated into English, regardless of whether they appeared in any version of The Book of One Thousand and One Nights or not, and a number of tales are known in Europe as "Arabian Nights", despite existing in no Arabic manuscript.[6]

"Ali Baba" by Maxfield Parrish.

This compilation has been influential in the West since it was first translated by Antoine Galland in the 18th century.[7] Many imitations were written, especially in France.[8][9]

A magic carpet, which can be used to transport its passengers quickly or instantaneously to their destination.

In the 12th century, Ibn Tufail wrote the

desert island. A Latin translation of Philosophus Autodidactus first appeared in 1671, prepared by Edward Pococke the Younger, followed by an English translation by Simon Ockley in 1708, as well as German and Dutch translations. Robert Boyle's own philosophical novel set on an island, The Aspiring Naturalist, may have been inspired by the work.[12]

Beginning in the 19th century, fictional novels and short stories became popular within the literary circles of the

Bektashi traditions. Muhayyelât is considered to be an early precursor of the new Turkish literature to emerge in the Tanzimat
period of the 19th century.

Poetry

Cultural Muslim poetry is influenced by both Islamic metaphors and local poetic forms of various regions including the Arabic tradition of Qasida actually beginning since ancient pre-Islamic times. Some Sufi traditions are known for their

devotional poetry. Arab poetry influenced the rest of Muslim poetry world over. Likewise Persian poetry too shared its influences beyond borders of modern-day Iran particularly in south Asian languages like Urdu Bengali etc.. Genres present in classical Persian poetry vary and are determined by rhyme, which consists of a vowel followed by a single-rhyming letter. The most common form of Persian poetry comes in the ghazal, a love-themed short poem made of seven to twelve verses and composed in the monorhyme scheme.[13] Urdu poetry is known for its richness, multiple genres, traditions of live public performances through Mushairas, Qawwali and Ghazal
singing in modern times.

Ferdowsi's Shahnameh, the national epic poem of Iran, is a mythical and heroic retelling of Persian history. Amir Arsalan was also a popular mythical Persian story.

Beginning in the 15th century

Muslim culture of Bengal.[14] Ginans are devotional hymns or poems recited by Shia Ismaili Muslims
.

Liber scalae Machometi, "The Book of Muhammad's Ladder") concerning Muhammad's ascension to Heaven, and the spiritual writings of Ibn Arabi
.

Medieval adab works

One term for Islamic literature is al-adab al-islami, or adab.[16][17] Although today adab denotes literature generally, in earlier times its meaning included all that a well-informed person had to know in order to pass in society as a cultured and refined individual. This meaning started with the basic idea that adab was the socially accepted ethical and moral quality of an urbane and courteous person'; thus adab can also denote the category of Islamic law dealing with etiquette, or a gesture of greeting.[18]

According to Issa J. Boullata,

Adab material had been growing in volume in Arabia before Islam and had been transmitted orally for the most part. With the advent of Islam, its growth continued and it became increasingly diversified. It was gradually collected and written down in books, ayrab literature other material adapted from Persian, Sanskrit, Greek, and other tongues as the Arabic language spread with the expansion of Islam's political dominion in the world. It included stories and saying from the Bible, the Qur’ān, and the Ḥadīth. Eventually, the heritage of adab became so large that philologists and other scholars had to make selections, therefore, each according to his interests and his plans to meet the needs of particular readers, such as students seeking learning and cultural refinement, or persons associated with the Islamic state such as viziers, courtiers, chancellors, judges, and government secretaries seeking useful knowledge and success in polished quarters.[18]

Key early adab anthologies were the

Ibn ʿAbd Rabbih's al-ʿIqd al-Farīd (d. 940 CE).[19]

Role in Islamisation

Some scholar's studies attribute the role of Islamisation of Muslim individuals and communities, social, cultural and political behavior by legitimization through various genres like Muslim historiographies,[20] Islamic advice literature and other Islamic literature.

Literary prizes

Booker prize

The British Indian novelist and essayist

The Satanic Verses, Rushdie said that he was in a sense a lapsed Muslim, though "shaped by Muslim culture more than any other", and a student of Islam.[21]

Man Booker International Prize in 2019 with her novel Celestial Bodies. The book focuses on three Omani sisters and the country's history of slavery.[22]

Naguib Mahfouz

Nobel prize

The 1988 Nobel Prize in Literature was given to the Egyptian author Naguib Mahfouz (1911–2006), "who, through works rich in nuance—now clear-sightedly realistic, now evocatively ambiguous—has formed an Arabian narrative art that applies to all mankind".[23][24] He was the first Muslim author to receive such a prize.[25] With regard to religion Mahfouz describes himself as, "a pious moslem believer".[26]

Orhan Pamuk

The 2006 Nobel Prize in Literature was awarded to the Turkish author Orhan Pamuk "(b. 1952) famous for his novels My Name Is Red and Snow, "who in the quest for the melancholic soul of his native city has discovered new symbols for the clash and interlacing of cultures".[27][28] Pamuk was the first

Cultural Muslim who associates the historical and cultural identification with the religion while not believing in a personal connection to God.[29][30] When asked if he considered himself a Muslim, Pamuk replied: ": "I consider myself a person who comes from a Muslim culture. In any case, I would not say that I'm an atheist. So I'm a Muslim who associates historical and cultural identification with this religion. I do not believe in a personal connection to God; that's where it gets transcendental. I identify with my culture, but I am happy to be living on a tolerant, intellectual island where I can deal with Dostoyevsky and Sartre, both great influences for me".[31]

International Prize for Arabic Fiction

The International Prize for Arabic Fiction is a literary prize managed in association with the Booker Prize Foundation in London and supported by the Emirates Foundation in Abu Dhabi. The prize is for prose fiction by Arabic authors. Each year, the winner of the prize receives US$50,000 and the six shortlisted authors receive US$10,000 each. The aim of the award is to recognise and reward excellence in contemporary Arabic fiction writing and to encourage wider readership of good-quality Arabic literature in the region and internationally. The prize is also designed to encourage the translation and promotion of Arabic language literature into other major world languages. An independent board of trustees, drawn from across the Arab world and beyond, is responsible for appointing six new judges each year, and for the overall management of the prize.

King Faisal Prize

The

Arabic: جائزة الملك فيصل) is an annual award sponsored by King Faisal Foundation presented to "dedicated men and women whose contributions make a positive difference".[32][33] The foundation awards prizes in five categories: Service to Islam; Islamic studies; the Arabic language and Arabic literature; science; and medicine. Three of the prizes are widely considered as the most prestigious awards in the Muslim world.[citation needed
]

See also

References

  1. ^ Ramezannia, Mehrdad (2010-07-28). "Persian Print Cultu". Jawaharlal Nehru University – via Shodhganga.
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  4. ^ Omri, Mohamed-Salah. "The Novelization of Islamic Literatures: Introduction". www.academia.edu. Retrieved 2016-03-23.
  5. ^ Omri, Mohamed-Salah. Nationalism, Islam, and World Literature: Sites of confluence in the writings of Mahmud al-Mas'adi. Retrieved 2016-03-23. {{cite book}}: |website= ignored (help)
  6. ^
  7. , magic lamps, etc. When L. Frank Baum proposed writing a modern fairy tale that banished stereotypical elements, he included the genie as well as the dwarf and the fairy as stereotypes to go.
  8. .
  9. .
  10. .
  11. ^ Schimmel, Annemarie. A Two-Colored Brocade: The Imagery of Persian Poetry. UNC Press Books.
  12. ^ "Janganama". Banglapedia. Retrieved 1 April 2019.
  13. ^ Isabelle Heullant-Donat and M.-A. Polo de Beaulieu, "Histoire d'une traduction," in Le Livre de l'échelle de Mahomet, Latin edition and French translation by Gisèle Besson and Michèle Brossard-Dandré, Collection Lettres Gothiques, Le Livre de Poche, 1991, p. 22 with note 37.
  14. ^ "Islam: Empire of Faith - Culture - Art". PBS. Retrieved 2023-02-11.
  15. .
  16. ^ a b Issa J. Boullata, 'Translator's Introduction', in Ibn ʿAbd Rabbih, The Unique Necklace: Al-ʿIqd al-Farīd, trans. by Issa J. Boullata, Great Books of Islamic Civilization, 3 vols (Reading: Garnet, 2007-2011), p. xiii.
  17. ^ Issa J. Boullata, 'Translator's Introduction', in Ibn ʿAbd Rabbih, The Unique Necklace: Al-ʿIqd al-Farīd, trans. by Issa J. Boullata, Great Books of Islamic Civilization, 3 vols (Reading: Garnet, 2007-2011), pp. xiii-xiv.
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  19. ^ Meer, Ameena (1989). "Interview: Salman Rushdie". Bomb. 27 (Spring). Archived from the original on 2 April 2015. Retrieved 22 March 2015.
  20. ^ "Oman author Jokha Alharthi wins prestigious Booker International Prize | DW | 22.05.2019". DW.COM.
  21. ^ "The Nobel Prize in Literature 1988", Nobel Foundation, retrieved March 24, 2012.
  22. ^ 'Nobel Lecture by Naguib Mahfouz', Nobel Foundation,retrieved April 5, 2012.
  23. Islamic Mysticism
    ", Yagi, Kumiko, Ph.D. Harvard University, 2001. 235 pages. Adviser: Graham, William A. Publication Number: AAT 3028463, accessed March 24, 2012.
  24. ^ "Naguib Mahfouz – The Son of Two Civilizations" by 'Anders Hallengren', article on Naguib Mahfouz, Nobel Foundation, retrieved March 24, 2012.
  25. ^ "The Nobel Prize in Literature 2006", Nobel Foundation, retrieved March 24, 2012.
  26. ^ 'Orhan Pamuk-Autobiography', Nobel Foundation, retrieved April 5, 2012.
  27. ^ "Orhan Pamuk, Nobel Laureate, in Conversation with Reza Aslan", Levantine Cultural Center, posted October 16, 2009, accessed March 21, 2012". Archived from the original on August 31, 2011. Retrieved May 24, 2020.
  28. ^ [2] Archived 2016-06-17 at the Wayback Machine "Orhan Pamuk: Incompatibility of Islam and Democracy Has Been Disproven", 'Islam Today', dated March 30, 2011, retrieved April 5, 2012.
  29. ^ SPIEGEL, DER (21 October 2005). "Frankfurt Book Fair Special: Orhan Pamuk and the Turkish Paradox". Der Spiegel.
  30. ^ "Homepage KFP". Archived from the original on 2015-04-23. Retrieved 2020-05-24.
  31. ^ "Selection Procedure". Archived from the original on 2015-05-03. Retrieved 2020-05-24.

External links