Ivan Kozlovsky

Source: Wikipedia, the free encyclopedia.
Ivan Semyonovich Kozlovsky in 1942

Ivan Semyonovich Kozlovsky (

director of his own opera company, and longtime teacher at the Moscow Conservatory.[1] People's Artist of the USSR (1940) and Hero of Socialist Labour (1980). According to Steven Kotkin (Waiting for Hitler, 594-95), he was Joseph Stalin
's favorite singer.

Biography

Ivan Kozlovsky was born in the village of

Russian Revolution. Kozlovsky sang in a vocal quartet under the direction of O. Sveshnikov
. His voice enabled him to join the army engineers, as a lead singer in a military band.

He made his operatic début in 1920 as Faust at the Poltava theatre, where he sang until 1923. He followed this with engagements at the Kharkiv opera in 1923-4, and the Yekaterinburg (then called Sverdlovsk) opera theatre in 1924-6, before becoming one of the leading tenors at the Bolshoi Theatre in Moscow from 1926 to 1954. He had a memorable audition at the Bolshoi in 1924, reportedly reaching the highest notes of the register with ease (throughout his career, he developed a reputation for singing the highest note possible and hanging onto it for the added adulation). At the Bolshoi, he came under the mentorship of Leonid Sobinov, the leading Russian tenor at the time. Kozlovsky went on to sing in over 50 operas as the leading tenor of the Bolshoi.

In 1938, Kozlovsky organized and directed a concert ensemble of opera singers, VTO Soviet Opera Ensemble, directing himself in Werther by Massenet and Orfeo ed Euridice by Gluck, among other productions. He was awarded the prestigious designation of People's Artist of the USSR in 1940.

Kozlovsky was well known to be a favorite singer of Joseph Stalin.[a] Kozlovsky gained great renown throughout the Soviet Union, but was never allowed to leave its borders.

Kozlovsky had a friendly rivalry with Sergei Lemeshev, another opera singer immensely popular in Soviet Union. They both often sang the same roles, and Soviet opera lovers were divided into supporters of one or the other. The theatre lobby was a venue for scuffles between fans jokingly called the "lemeshistki" and the "kozlovityanki".[1]

Kozlovsky married the popular actress Alexandra Herzig (1886–1964), who was 14 years older than he and much better known, causing the public to refer to him as "Herzig's husband". Later, when he attained greater fame, Herzig became known as "Kozlovsky’s wife". After his first marriage ended in divorce, Kozlovsky remarried, this time to an actress 14 years younger, Galina Sergeyeva. Sergeyeva played the female lead in the films Pyshka (Пышкa) ("Boule de Suif," 1934), Lyubov Alyony (Любoвь Aлёны) ("Alyona’s Love", 1934), and Vesennie dni (Весенние дни) ("Spring Days", 1934). They had two daughters; their marriage did not last long.

Kozlovsky and solo performances

Kozlovsky gave many concerts throughout the Soviet Union, singing Russian and Ukrainian songs and romances, as well as German

Yurodivy (the Simpleton) in Boris Godunov. He continued to appear frequently in public and even sang on 4 July 1985 at Mark Reizen's 90th birthday at the Bolshoi. The last concert given by Kozlovsky took place in 1990 at the Bolshoi Theatre
in Moscow. He even had an interview after his final performance. Three years later, he died in Moscow at the age of 93.

Kozlovsky and Ukrainian music

Kozlovsky throughout his life was an active proponent of Ukrainian music, and performed works by Ukrainian composers such as Mykola Lysenko, Yakiv Stepovy, Kyrylo Stetsenko, and Mykola Arkas. In 1924, he sang the role of Yontek in Moniuszko's "Halka" in Ukrainian. In 1940, he directed the first performance of the Ukrainian opera Kateryna by Mykola Arkas, and in 1954 Mykola Lysenko's Natalka Poltavka. In 1970, he funded the construction of a music school in his home village of Marianivka. He recorded 22 records of Ukrainian folk songs, romances and arias in Ukrainian. Kozlovsky was also the author of numerous Memoirs about Ukrainian singers O. Petrusevych, Mykhailo Donets, M. Mykysh, Borys Hmyria and others.[b]

Legacy

video icon Lensky's air from Tchaikovsky's opera Eugene Onegin (1940) on YouTube

Kozlovsky sang more than 50 operatic roles, and was especially famous as Lensky in

Napravnik, and so on. He also was outstanding in the western repertoire: Faust (Gounod), Werther, Rigoletto, The Barber of Seville, Lohengrin, Orfeo ed Euridice, La traviata, La bohème
, and so on.

In September 1993, the belt asteroid

4561 Lemeshev upon his death in 1978.[3]

Quotations

"They say that Ivan Kozlovsky considered his voice as his one and only possession and prayed every morning thanking the Lord for the priceless gift He gave him..." (Olga Fyodorova, Music portraits, see the link below)

"Lemeshev is a far more lyric and tender Gherman than those to whom we’ve become accustomed. He and Kozlovsky were long-time rivals; each sings Lensky’s aria, with quite different emphases." (Stefan Zucker)

"31 October 2005, 17:31. Monument to known Ukrainian singer Ivan Kozlovsky to be erected in Kyiv. This decision was made by Kyiv City Hall. It was decided that Pechersk district state administration is to erect the monument at its expense." (From the official news)

Discography

  • The Great Russian Tenor - Ivan Kozlovsky: Pearl GEM0221, Released 7 February 2005 ADD
  • Russian Opera at the Bolshoi: The Vintage Years: DVD Region 1 (playable worldwide) #FD2019, Russian, English subtitles. 112m. B& W/Color, Dolby Digital audio.
  • Aleksandr Ivanovich Orlov
    : Melodiya D 0253/60 (1952), D 09377/82(1962), Chant du Monde LDX 8088/90, Bruno 23001/3, Colosseum CRLP 10270, 80 and 90
  • Mussorgsky, Boris Godunov, Melodiya D 0305/12 (1952), D 05836/43 (1959); Ultraphone 159/62; Bruno 23025/7; Colosseum 124/6; Period SPLP 554 (1952), 1033

Also this link

See also

Notes

  1. ^ These facts were recorded from Kozlovsky's own words on March 21, 1981; see the link (in Russian).
  2. ^ The webpage Ukrainian arias performed by Ukrainian tenor Ivan Kozlovsky includes several recordings.

References

  1. ^
    ISBN 978-3-540-00238-3
    .
  2. ^ "MPC/MPO/MPS Archive". Minor Planet Center. Retrieved 1 July 2017.
  3. ISBN 978-3-540-00238-3
    .

In English:

  • (1992). Guide de L'Opéra, Fayard. (page 427)
  • Ardoin, John (1995). "Ivan Kozlovsky, A Voice from Behind the Curtain", in Opera Quarterly 11. (pages 95–102)

In Russian:

  • Kuznetsova, A. (Кузнецова, А.) (1964). People's Artist (Народный артист), Art.
  • Sletov, V. (Слетов, В.) (1945). I. Kozlovsky (И. Козловский), Art.
  • Polianovsky, H. (Поляновский, Г.) (1945). Ivan Semyonovitch Kozlovsky (Иван Семёнович Козловский), Art.
  • Hroshyeva, E. (Грошева, Е.) (1960). 40 Years on the Stage of the Opera (Сорок лет на оперной сцене), Soviet Music.

In Ukrainian:

  • Bulat, T. (Булат, Т.) (1980). Ukrainian Folk Songs and Romances in the Repertoire of I.S. Kozlovsky (Українські народні пісні та романси в репертуарі І.С.Козловського), Folk Works and Ethnography (Народна творчість та етнографія) No. 3.
  • Lysenko, I. A dictionary of Ukrainian singers - Словник Співаків України - Kyiv, 1997

External links
Retrieved from "https://en.wikipedia.org/w/index.php?title=Ivan_Kozlovsky&oldid=1212577487"