Huchtenburg

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Jan van Huchtenburg
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Battle of the Boyne between James II and William III, 11 June 1690, Jan van Huchtenburg.

J(oh)an and Jacob van Huchtenburg (also known as Hughtenburg or Hugtenburg(h)) were two Dutch Golden Age painters in the second half of the seventeenth century. Both brothers were natives of Haarlem, moved to Paris, but died in Amsterdam. The main source about their lives is from Arnold Houbraken.[1] Some of the information from the 19th century is contradictive.[2]

Jacob van Huchtenburg (1644, Haarlem – bur. January 8, 1675,

Brukenthal Museum, Sibiu
.

Prince Eugene of Savoy at Oudenarde (detail) by Jan van Huchtenburg. Eugene had long employed Huchtenburg to depict his battle scenes.

Jan van Huchtenburg (bapt. November 20, 1647, Haarlem – bur. July 2, 1733, Amsterdam), was a famous Dutch horse and battle painter, like

Manufacture des Gobelins employing him for illustrating, sketching or designing
.

In 1670, he settled at Haarlem, where he married Elisabeth Mommes. It seems he practised and kept a dealers shop in Haarlem or in the Hague. His style had now merged into an imitation of Wouwerman and Van der Meulen, which could not fail to produce pretty pictures of hunts and robber camps, the faculty of painting horses and men in action and varied dress being the chief point of attraction.[3] Huchtenburg assisted Gerrit Berckheyde and painted his people and horses.[4]

Later, Huchtenburg ventured on cavalry skirmishes and engagements of regular troops generally, and these were admired by

Marlborough popular.[5] Though clever in depicting a mile or a skirmish of dragoons, he remained second to Philip Wouvermans in accuracy of drawing, and inferior to Van der Meulen in the production of landscapes. But, nevertheless, he was a clever and spirited master, with great facility of hand and considerable natural powers of observation.[3]

The earliest date on his pictures is 1674, when he executed the Stag-Hunt in the

Churchill by his great contemporary.[3]

In 1911, the pictures of Huchtenburg were not very numerous in public galleries. There was one in the

National Gallery, London, another at the Louvre. But Copenhagen had four, Dresden six, Gotha two, and Munich had the well-known composition of Tallart taken Prisoner at Blenheim in 1704.[3]

Notes

  1. Digital library for Dutch literature
  2. ^ "Van der Aa". Inghist.nl. Retrieved 2013-05-04.
  3. ^ a b c d Chisholm 1911.
  4. ^ "Wilhelm Martin, De Hollandsche schilderkunst in de 17e eeuw: Rembrandt en zijn tijd · dbnl". Dbnl.org. Retrieved 2013-05-04.
  5. (in French). La Haye. Retrieved 16 July 2023.
  6. ^ "DBNL". DBNL. 1935-01-04. Retrieved 2013-05-04.
  7. ^ Theod: Schrevel (1754). Harlemias, of eerste stichting der stad Haarlem. Joannes Marshoorn.

References

Works